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Peggy Mitchell

 
Wikipedia: Peggy Mitchell
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This article is about the soap opera character. For the author, see Margaret Mitchell.
EastEnders character
Pegegege.jpg
Barbara Windsor as Peggy Mitchell in 2009
Peggy Mitchell
Portrayed by Jo Warne (1991)
Barbara Windsor (1994–2010)
Introduced by Michael Ferguson (1991)
Barbara Emile (1994)
Kate Harwood (2005)
Duration 1991, 1994–2003, 2004, 2005–2010
First appearance 30 April 1991
Classification Present; regular (departing)
Profile
Date of birth 21 March 1942
Home The Queen Vic
Occupation Landlady
Alternative image(s)
Jo Warne2.jpg
Jo Warne as the original Peggy (1991).

Margaret Ann "Peggy" Mitchell (née Martin; previously Butcher) is a fictional character from the BBC soap opera EastEnders. Peggy was initially played by Jo Warne when she first appeared on 30 April 1991, featuring in the series on a recurring basis over several weeks. Peggy was reintroduced in 1994, recast and now played by Barbara Windsor. Peggy became a regular character, and Windsor continues to play the role to the present. She announced in October 2009 that she would leave the show in 2010. She said she wanted to take a two year break, but after that would like to make return appearances as Peggy. [1]

Peggy is fiercely protective of her family and the Mitchell name, and has become famous for her catchphrase "Get outta my pub!",[2] used when ejecting people from The Queen Victoria, of which she is the landlady. Her storylines have seen her embark on a series of failed romances, including marriages to Frank Butcher (Mike Reid) and Archie Mitchell (Larry Lamb). She has been central to several plot strands revolving around health issues, launching a hate campaign against the HIV positive character Mark Fowler (Todd Carty), and going on to make amends with him when she was later diagnosed with breast cancer. Inside Soap named Peggy the UK's top soap matriarch in 2009.

Contents

Creation

Peggy was introduced as a guest character in April 1991, by executive producer Michael Ferguson. The character was brought in as the mother of the already established Mitchell clan: Phil (Steve McFadden), Grant (Ross Kemp) and Sam (Danniella Westbrook). Specifically, she played a key role in a storyline about the elopement of her daughter Sam with Ricky Butcher (Sid Owen). Peggy was played by actress Jo Warne for a period of three months, but was written out upon the completion of the storyline.

The character did not make another appearance until November 1994, when she was reintroduced by series producer Barbara Emile as a regular character. The actress was recast, the role being taken over by Barbara Windsor, already well-known to viewers as a comic actress, notably appearing in the long-running Carry On films. Scott Matthewman of The Stage commented on the recast in 2006: "Quite the biggest — and most inexplicable — transformation is that of Peggy Mitchell in EastEnders. While Barbara Windsor has dominated the role...first appearing in [1994], the character had appeared briefly [three] years earlier, played by Jo Warne, a lady who physically is as different from our Babs as it's possible to get."[3]

Windsor had previously expressed a desire to join the cast of EastEnders. Chat show host Chris Evans of Channel 4's The Big Breakfast made a public broadcast instructing viewers to fax or phone the BBC with pleas for Windsor's instatement. However, Windsor was already in negotiations with the BBC about appearing in the serial.[4] June Deitch, the EastEnders casting director, had met with Windsor to discuss the matter, and was convinced when Windsor declared that she would "like to play my own age for a change".[4] At the time, the producers had already thought about reintroducing Peggy, and Windsor was cast despite originally being considered too "well-known".[5] Windsor has spoken of her "terrified" reaction to being asked to audition, commenting: "I had the weekend to prepare and I cried all the time. I didn't know how to do soap acting. I was so used to using my hands, my eyes."[6] She auditioned with two scenes, one emotion, one "jolly" which Windsor has described as "agony", explaining: "I was afraid of playing Barbara Windsor, so when I had to laugh I went 'huh, huh'. Anything rather than 'tee, hee, hee'."[6] In an interview with the Walford Gazette, a US-based newspaper dedicated to EastEnders, Windsor commented on her casting: "I was thrilled, I could rest my tired bones working on a marvelous television show that I deeply respected. I was very excited about the possibility [of] playing this feisty lady who would come in and shake up her two boys' lives."[4]

Windsor has been described as the biggest "name" that EastEnders has ever added to its cast, and her arrival came at a time in the show's history that has been branded its "worst creative period".[4] Mark Lawson for The Independent wrote that Windsor's casting was intended to combat low ratings, commenting: "The Windsor initiative seems to be a direct response to suggestions that EastEnders has become too gloomy: a view heavily advanced by Roy Hattersley, former deputy leader of the Labour Party, and fan of the BBC series' rival on ITV, Coronation Street. Certainly, Miss Windsor has been associated throughout her career with the lighter touch."[7] According to Windsor, 27 million viewers watched her first appearance as Peggy on-screen.[4] Mark Lawson for The Daily Telegraph has stated that five million extra viewers watched her first scenes, reporting that initially: "The critics said that she lacked the 'brassiness and vulnerability' for soap acting and that, stripped of her bubbly image, 'nothing much of interest was revealed'. Ironically, viewers complained that she was too upmarket."[6] Windsor has commented of the impact of her pre-existing celebrity status:

“ Wendy Richard [who played Pauline Fowler] certainly had name value but I suppose it was regarded differently because she was part of the original cast. When I was brought on [to EastEnders] the press made such a big deal. They made it seem like I was brought on to 'save' EastEnders or something , which was ridiculous...the show decided to move into the "Sharongate" storyline, which gave it an enormous push, creatively and ratings-wise. Peggy was brought on as an extension of the Sharongate story because she was Phil and Grant's mum. I understand why the show was uneasy about bringing on any really well known actors because they want the audience [to] believe in and identify with the character without having any of the actor's baggage in their heads...[4] ”

Characterisation
"Get outta my pub!"
Peggy's famous catchphrase, from the 1 April 2008 episode of EastEnders.
Problems listening to this file? See media help.

Hilary Kingsley, author of The EastEnders Handbook (1991), has described Peggy as tough, with a "knack for getting her own way". She adds, "Peggy likes to think she looks much younger [than she is]. She's flash, fast-talking and nobody's fool. She has always done things her own way, and heaven help anyone who crosses her, though her bark's usually worse than her bite."[8]

Peggy as she appeared in 1995 after the recast.

When Windsor took over the role in 1994, she was unhappy with the way Peggy was being scripted. She has commented, "a few things weren't quite right about Peggy at the beginning. On a purely superficial level, the wig didn't fit right. And the clothes weren't right either. They appeared too downmarket. I was particularly worried about how the character was viewed by the producer and writers. I saw her as much ballsier than they did. I think they envisioned Peggy as this rather sad, vulnerable lady who spent all her time worrying about her children."[4] However, early in 1995, EastEnders acquired a new executive producer, Corinne Hollingworth, who shared Windsor's vision of Peggy. It was Hollingworth who decided that Peggy would be a central character, the new landlady of The Queen Victoria public house, one of the soap's main focal points. Hollingworth stated that Peggy was "not going to be allowed to just sit in some flat polishing her nails".[4] Windsor has said: "It was like a dream. [Hollingworth] let me go out with the costume designer and choose Peggy's wardrobe, which needed to be a lot more flash and upmarket. Corinne and I worked on getting Peggy right and I finally began to believe...".[4]

Windsor has described Peggy as "from the old school, the generation which doesn't put up with rubbish from anybody...She can get through practically anything because she's tough, tough, tough."[4] The character has been classified by Rupert Smith, author of EastEnders: 20 Years in Albert Square, as a matriarch, assuming "papal infallibility. Whatever anybody does — particularly her own children — she knows better."[9] She has also been branded a "battleaxe" by Dave West of entertainment website Digital Spy,[10] and someone who "wears her heart on her sleeve" by Windsor.[11] Family-orientated, Windsor adds that: "[Peggy] loves her family with a passion. Her worst qualities are that she's blinkered, sometimes wrongly passionate about her family."[11]

It has been speculated that Windsor based Peggy on Violet Kray, mother of the infamous East End gangsters, the Kray twins; however Windsor has denied this.[11] Instead, she claims that Peggy is based on women she has seen in East End pubs and her own mother: "women whose hair is great and their outfits are more Walthamstow market, they get it wrong slightly...Some things I've done with Peggy is from my Mum. She was one of those East End snobs. I drew on all of those experiences."[11] In a 2009 radio interview with Dale Winton, Windsor said three people have influenced her portrayal of Peggy: Violet Kray (thus retracting her earlier statement), her own mother, and the actor Mike Reid, who played her on-screen husband Frank Butcher.[12]

Development

Peggy has been central to numerous high-profile storylines, including a battle with breast cancer, a failed marriage to Frank Butcher, and various business and family upsets.[13]

Breast cancer

In 1996, Peggy featured in a storyline about breast cancer. It was the first time that the soap had given one of its characters the illness, though the issue was covered much less substantially in 1987 as a means of promoting breast cancer screening, when Sue Osman (Sandy Ratcliff) discovered a lump on her breast, which turned out to be benign.

Peggy's breast cancer storyline was devised at the suggestion of a scriptwriter in a story conference session and, according to the production staff, was an idea "that had been knocking about for a long time."[14] In Lesley Henderson's book, Social Issues in Television Fiction, an EastEnders researcher explains that: "A lot of illnesses [...] translate quite readily into strong dramatic material", and the experience of being hospitalised or waiting on test results is something everyone can identify with.[14] The programme sought expert advice on "storyline visuals" from a variety of sources including cancer organisations, breast cancer charities and medical professionals.[14] There were anticipated problems with running a breast cancer story, such as timing, characterisation, casting, and interweaving the plot with other ongoing storylines. A story editor has explained: "EastEnders is perceived as being an issue-led show, but it isn't, it's character and story-led [...] If you haven't got the character to fulfill that storyline then it won't work. You've got to be careful to make sure that the illness actually impacts on the family dynamics and the character development."[14]

Producers decided to use Peggy Mitchell in the breast cancer storyline, conforming to a soap opera tradition of reserving strong roles for a firmly established middle-aged matriarch.[14] The audience were familiar with Peggy's history, knew that her first husband had died from cancer, consequently making her fear hospitals, and she had: "the right mentality for [the story theme], which was about 'a woman who discovers a lump and then refuses to accept that anything's wrong'. An added factor was that in choosing Peggy the programme could avoid appearing too issue driven, and [the] storyline could be used as a device to expand and develop her characterisation."[14] Additionally, as the causes of breast cancer are not attributable to risky behaviour, the disease was deemed "more attractive" in storyline terms. A member of the EastEnders production team explains:

“ If you take a character who smokes and they get lung cancer that would seem too issue-driven. The great thing about a character like Peggy is [her breast cancer was] quite unexpected. At the time there were lots of other issues in her life. She was a character who audiences had only seen pulling pints behind the bar. Suddenly she was in a new environment in a hospital and had a huge medical crisis to go through, so that allowed the character to grow and expand in many ways...There was also fairly major moments [...] with Peggy and [her boyfriend George Palmer (Paul Moriarty)]. She thought George wouldn't love her anymore after she'd had the operation. We were able to use the illness to take them on a new journey.[14] ”

In the view of the production team, Peggy's breast cancer was a catalyst, creating new dynamics and tensions amongst existing characters. Realism was also an issue. As a middle-aged woman, Peggy was epiodemiologically at higher risk for developing breast cancer.[14] In 2001, it was reported that Peggy's character was one of only a few media portrayals of older females to be given the disease, and source organisations have praised EastEnders for this.[14]

Ross Kemp plays Peggy's son Grant. The issue of whether Peggy's children would discover her breast cancer was used to build tension and create suspense in the viewing audience.

The storyline used elements of suspense, created by the use of "shared secrets" between Peggy and her daughter-in-law Tiffany Mitchell (Martine McCutcheon), who invented elaborate cover stories to mask Peggy's trips to hospital from her sons and partner. Tension was deliberately built for viewing pleasure, posing the questions of whether Peggy's lump was benign or malignant and whether she would die, but also in terms of Peggy's relationships, whether her children would discover the truth or if George would end their relationship. Henderson has suggested that: "such devises [added] pathos to Peggy's treatment path. Audiences [knew] that she [was] terrified and about to discover her biopsy results, but must watch as she is casually castigated by her son Grant for pestering his wife Tiffany to accompany her to 'the dentist'."[14] Hospital scenes were also played for narrative pace to build tension and drama.[14]

Because "radical, body-altering" surgery on a long-running character would cause the production team ongoing problems with continuity, it was decided that Peggy would have a "less visible" lumpectomy, rather than a mastectomy. A member of the EastEnders production team explained: "We have to think about costume and what it's going to look like afterwards and what we're lumbering ourselves with [...] you have to think of that for a long-term character."[14] Additionally, giving Peggy a lumpectomy at that stage of her disease was viewed favourably by source organisations, as it helped to spread a message that a mastectomy is not necessary in all breast cancer cases.[14] However, the storyline was revisted several times over the next few years. In August 1997, Peggy was given the "all-clear" at her follow-up mammogram, and in March 1999 the cancer returned and she underwent a mastectomy, while in 2000 she had a breast reconstruction.[14] It has been reported that Peggy was the first soap opera character to undergo a mastectomy.[15] BBC Production chief executive Matthew Bannister praised Windsor's portrayal of Peggy coming to terms with a mastectomy, commenting: "It's brought a good deal of comfort and help to us and a lot of other people."[16]

Oncology nurses and consultants were involved in the development of the storyline, which was based on a real life case study. In Clive Seale's book, Health and the Media, EastEnders was praised for putting its message across without being "gruelling".[17] It has also been praised for showing "potent scenes" of a woman coming to terms with her diagnosis, scenes that also provided "rare opportunites" to portray a cancer patient "behaving badly" and depicting "ambivalent felings (such as denial or anger)" — as it had been noted that cancer patients are typically portrayed in the media as "beatific, serene figures".[14] When Peggy had a mastectomy, hundreds of viewers wrote to the BBC to thank producer, Matthew Robinson for tackling "a difficult subject so sensitively".[15] However, not all viewers were impressed with the storyline. Felicity Smart, who had undergone a mastectomy, wrote to the BBC on behalf of the Breast Carer Support Group at St Thomas' Hospital in London to say that emotionally the storyline "hit the spot", but medically it was "hopelessly inaccurate" as according to Smart: "No one pulls pints and wisecracks with customers three days after having a mastectomy."[15]

Marriage to Frank Butcher

In 1998, Peggy was romantically paired on-screen with the character Frank Butcher. Their coupling was part of producer Matthew Robinson's plan to place the focus of the soap back on to the Butcher and Mitchell families, while various other long-running characters were axed following a decline in ratings. The soap was attracting 15.74 million viewers in May 1998, as opposed to rival soap Coronation Street's 16 million.[18]

Played by Mike Reid, Frank had been a regular character in the serial from 1987–1994, and had appeared in a recurring role until 1998, when Reid agreed to return full-time. Frank's history on the show included a former marriage to another long-running matriarch, Pat Evans (Pam St. Clement). Their history as lovers featured prominently in Peggy's narrative in 1998, when, after agreeing to marry Frank, Peggy was wrongly told that Frank and Pat were having an affair. A special two-hander episode aired in November 1998, featuring only Pat and Peggy for the entire duration. It concentrated on Peggy's reaction to the suspected affair, whilst simultaneously addressing Pat's unresolved history with Frank and the apparent destruction of Pat's own marriage to Roy (Tony Caunter), who had also responded badly to the rumours about his wife's infidelity. The episode, written by Tony Jordan, featured what the Sunday Mirror described as one of "the most vicious fights ever filmed by a soap",[19] with both throwing glasses at one another and Pat slapping Peggy across the face exclaiming "You bitch!" and Peggy responding by slapping Pat exclaiming "You cow!".[20] According to press reports, the fight scene between the characters was "so powerful that it had to have scenes and dialogue cut so it could be screened before the 9pm watershed." Barbara Windsor was reportedly bruised during the filming. Windsor commented, "The writer didn't want a namby- pamby cat fight between two silly girls. We were throwing chairs and bottles and the adrenaline was at a high. When I saw the programme I couldn't believe how good it was. Pam and I were really proud." The Sunday Mirror described it as: "one of the most impressive episodes of all time".[19] In the climax of the storyline, both couples resolved their differences, and their relationships remained intact.

Frank and Peggy marry (1999).

Peggy and Frank were married on-screen on 1 April 1999. A "hen night" was thrown for Windsor with the show's make-up team, and the BBC threw a "massive" party in the show's Albert Square to celebrate the event. Actors Windsor and Reid joined fellow stars, celebrities and TV executives for a celebration on the programme's set in Elstree, Hertfordshire. Windsor admitted she had been so nervous before filming the wedding she was sick on set. She commented, "I broke out in spots and threw up in the vestry. I was very nervous - we were both very nervous. The day you stop getting nervous you can hold your hands up. It shows you care."[16] The soap wedding was filmed in Harrow, North West London in February 1999. A BBC spokesman commented: "It is one of the best weddings Walford has ever seen but it is not problem free. There are a lot of people who do not want to see Frank and Peggy married - Grant being one of them - and it remains to be seen whether they will get through the day without a major upset. And as if the wedding is not gripping enough, there are certainly shocking revelations back at the Vic."[21] In the eventual episode, it was actually Grant Mitchell who persuaded his mother to marry Frank - with whom he had been feuding following his accidental killing of wife Tiffany - after Peggy was having second thoughts, thinking that Frank was only marrying her out of pity.[16] Nearly 20 million viewers watched Peggy and Frank marry.[22]

Together Frank and Peggy ran The Queen Victoria, and were involved in various family and business crises, including a "tug-of-war" for their public house with "cuckoo-in-the-nest" Dan Sullivan (Craig Fairbrass).[23] After taking time off in 2000 due to ill-health, Reid announced that he was quitting the soap in May 2000.[23] After Reid publicly declared that he would love Frank to have a last fling with Pat before he left, EastEnders' bosses granted his wish and an affair was scripted.[24] The pair enjoyed a liaison on a Spanish beach during a week-long August special set on the Costa Blanca, which saw Frank and Peggy go away with Pat and Roy and Terry and Irene Raymond (Gavin Richards and Roberta Taylor).[24] A BBC spokesperson said: "Pat is obviously incredibly torn between her love for her husband, Roy, and her old feelings for Frank. She's been hurt by Frank in the past, but she's coming to realise that she still has strong feelings for him and he has made no secret of his soft spot for her. I can confirm they do enjoy a romantic kiss on the beach."[24] On-screen, Pat and Frank's affair continued until they decided, in November 2000, to elope. In the specially extended episode marking Frank's official exit — which aired on 2 November 2000, but was Guy Fawkes Night in the on-screen events — Peggy discovered the affair amidst Frank's attempt to retrieve a letter of confession, following Pat's change of heart.

After revealing their deception to a busy Queen Vic public house, Peggy slapped both Pat and Frank, rebuffed Frank's attempt at reconciliation and left him to depart the serial alone.[25] In December 2000, Ian Hyland of the Sunday Mirror voted the scene in which Peggy slaps both Pat and Frank as one of the "TV fights of the year", saying "It was Peggy's speech which really made it a Bonfire Night to remember. But the slaps were equally well dispatched."[26] Commenting on Reid's exit, Windsor has said, "We fell out when I found out he was leaving because it was a shock for me. I was really upset. I've known him 30 odd years and I really like working with him. We had a great relationship as friends as well as performers. I got my own back when I had to slap him after I found out he was fooling around with Pat. I did the slap twice as I didn't think I did it hard enough the first time."[11]

Sabbatical

Windsor took a two year sabbatical in 2003, having contracted the Epstein-Barr virus.

Peggy was written out of EastEnders in 2003, sent to live in Rio de Janeiro with her son Grant for two years, while Windsor took a sabbatical from the show after being diagnosed with the Epstein-Barr virus. Windsor had previously never taken more than two weeks leave annually during her eight years on the show, as Peggy was considered such a central character to the series.[27] Windsor's absence was originally only supposed to be a year long. She stated at the time: "This has been a very hard decision for me to make because I'm so happy here on EastEnders but it's been a long time without a proper break. I just feel some time off would be good for me and for the character too."[28] Louise Berridge, then EastEnders' executive producer, commented: "Barbara has been an absolute trouper for more than eight years on this show. We hope she has a great time and look forward to bringing her back with a big story in 2004."[28]

Although Peggy did return briefly in 2004 to attend her daughter Sam's wedding to Andy Hunter (Michael Higgs), it was not until 2005 that she resumed her role as a series regular. Her full return was announced in January 2005, with John Yorke, the BBC controller of continuing drama series, stating he was "delighted" as "[Peggy] is a hugely loved character and one we think will be stirring things up from the moment she steps back into Walford."[27] Windsor said that she was "over the moon" to return, adding: "I had a great time when I came back to film for a couple of weeks recently. It really reminded me that the square is where I feel at home."[27] BBC executives hoped that Peggy's return would help to revive EastEnders' ratings.[29] Her absence coincided with a two-year ratings slump for EastEnders, with David Liddiment of The Guardian drawing direct correlation between her return and the show's "ratings rejuvenation".[30] The episode in which she returned was watched by 10 million viewers, winning EastEnders a 47% audience share in the timeslot.[31]

Relationship with Archie Mitchell

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In 2009 Peggy ran as an independent candidate in the local council elections against Archie's wishes. She pulled out at Archie's request ahead of their wedding, however the storyline set up a later episode in which Boris Johnson, Mayor of London made a guest-appearance in EastEnders.[32] On 1 October 2009, Johnson appeared in the show as himself, visiting Walford and The Queen Victoria and conversing with Peggy. Johnson commented on his appearance: "It was, of course, a tremendous honour to step inside that most venerable of London landmarks, The Queen Vic, and share a scene with another of the capital's icons, the fabulous Barbara Windsor."[33] Executive producer Diederick Santer stated: "We couldn't let the visit pass without the Mayor entering London's most famous pub, The Queen Vic, and meeting its formidable and politically-active landlady Peggy Mitchell."[33] The episode was watched by 8 million viewers, winning EastEnders a 38% audience share in the timeslot.[34]

Realising the extent to which Archie had been controlling and trying to change her throughout their engagement, Peggy gave him an ultimatum at the altar: he either accept the real her, or call the wedding off. Archie chose to marry her, though Tim Teeman for The Times commented: "'[T]he real Peggy' is a hazy concept: there’s Peggy the big-hearted East End landlady and Peggy the crone famous for rasping 'Get ahht my pub' to anyone who crosses her path. For someone into evil mind control, Archie has brilliant taste. The wedding outfit he had chosen for Peggy was much nicer than the tatty net curtains that even Miss Havisham would have rejected that the 'real Peggy' chose to marry in."[35] Peggy and Archie's wedding was watched by 10.6 million viewers, winning EastEnders a 48% audience share. A further 1.2 million viewers watched the episode's repeat on BBC3 at 10pm.[36]

Departure

On 28 October 2009 it was announced that Windsor had quit the show and will leave in 2010 after 15 years.[37] She said: "EastEnders has been wonderful to me and it's no secret that it changed my life all of those years ago. I'll be so sad to leave Peggy behind; she's such a wonderful character to play. I have had the pleasure of working with a marvellous cast and crew and have made many lasting good friends. To have had the honour of showing the Queen around the set is something that will stay with me forever."[37] Executive producer Diederick Santer said: "Barbara has contributed so much to EastEnders over the last 15 years, plus countless episodes, and countless amazing storylines. Peggy Mitchell is a truly iconic character, and along with Steve McFadden and Ross Kemp, Barbara has made the Mitchells the premier family of British soap."[37]

Storylines

Backstory

Peggy married Eric Mitchell in the 1960s because she was pregnant with Phil. Eric, a keen boxer, worked for gangster Johnny Allen (Billy Murray). Johnny would taunt Eric, making him do demeaning jobs because Eric was a better boxer than him. Eric fell in love with a woman called Maureen and planned to elope with her, but changed his mind, unable to desert his family, who he grew to resent. Eric took his angst out on Peggy and was often violent towards her and Phil.[8] Peggy considered leaving when her sons, Phil and Grant, were teenagers, and once even tried to seduce Johnny Allen, but he turned her down. Peggy tried to save her marriage by having another child in 1975, her only daughter Sam. Her relationship with Eric improved, but only temporarily, and when Kevin Masters (Colin McCormack) employed Peggy to work at his minicab firm, they began a secret affair. When Eric developed cancer, Peggy gave up work to care for him, but Kevin returned promptly after Eric's death in 1985 and Peggy's children took against him.[8]

1991–2004

Peggy first appears in EastEnders when Sam's desire to escape from her family causes her to elope with Ricky Butcher (Sid Owen) at the age of sixteen. Peggy attempts to stop them marrying, but is unsuccessful. Peggy is then absent for a period of three years, during which time her relationship with Kevin ends. She returns to Walford when her sons fall out, after Phil has an affair with Grant's wife Sharon (Letitia Dean). Peggy becomes acting landlady of The Queen Victoria public house. Blaming Sharon for the affair, Peggy tries to force her out of Walford, resulting in Sharon signing over her share of the pub and leaving the Mitchell family as the sole owners, with Peggy in charge.

Peggy enters into a relationship with businessman George Palmer (Paul Moriarty), unaware that he is a criminal involved in illegal money laundering. She instigates a hate campaign against local resident Mark Fowler (Todd Carty) when she discovers he is HIV positive, beginning a feud with his mother Pauline (Wendy Richard). Peggy later recants on her position when she is diagnosed with breast cancer. She initially refuses surgery and breaks up with George, fearing that he will not be able to handle her illness; however, with the support of her family and assurances from George, she eventually goes through with a lumpectomy. Peggy and George become engaged, but their relationship ends when Phil reveals his criminal nature.

Peggy goes on to begin a relationship with local car lot owner Frank Butcher, and they become engaged. Peggy has doubts about the wedding when her cancer returns and she has to undergo a mastectomy, however she ultimately decides to go through with it. Tension develops between Peggy and Phil when Grant leaves for Rio de Janeiro after a violent fight with his brother. To spite Peggy, Phil sells Grant's share in the pub to local businessman Dan Sullivan (Craig Fairbrass) for £5. Peggy loathes Dan, and the two frequently row over the running of the pub. Eventually, she and Phil call a truce, and are able to force Dan out of Walford.

Peggy finds out about Pat and Frank's affair.

Peggy discovers Frank is planning on leaving her for his ex-wife Pat (Pam St. Clement), so shames them by reading Frank's Dear Jane letter to the entire pub, and then slaps them both in front of everyone. She throws Frank out, and he leaves Walford without Pat. Afterwards, Peggy becomes depressed and begins to rely heavily on tranquillisers. When Frank's daughter Janine (Charlie Brooks) taunts her on Christmas Day about her father finding love with a new woman, Peggy begins drinking heavily and smashes up the pub with a baseball bat. The next year, Peggy is forced to sell the pub, having been left in debt by Frank, and is furious to discover the new owner is Sharon.

Peggy begins dating Harry Slater (Michael Elphick), who owns a bar and Spain and convinces her to move there with him. They become engaged, but break up when it is revealed that Harry is guilty of sexually abusing his niece Kat (Jessie Wallace. When Phil begins dating Sharon again and becomes joint owner of The Queen Victoria, Peggy moves back in. She later becomes sole licensee again, when Sharon sells her half of the pub back to her.

Peggy is briefly reunited with Frank when she travels to Spain to attend his funeral. She discovers he is still alive, and has faked his own death to avoid debtors. Peggy decides to move to Brazil to be with Grant, and departs from the series for two years, returning briefly to attend her daughter Sam's wedding to local businessman Andy Hunter (Michael Higgs).

2005–2010

When Peggy returns to Walford in 2005, she is furious to discover Sam has lost possession of The Queen Victoria, and that the new licensee Chrissie Watts (Tracy-Ann Oberman) has framed Sam for her husband Den's murder. While trying to exonerate Sam and reclaim ownership of the pub, Peggy ignites a feud with Johnny Allen, who also wishes to buy The Queen Victoria. Johnny hires a mobster to assault Peggy, but she is saved by her sons, Phil and Grant. They are able to deal with Johnny, secure Sam's release from prison, and return Peggy to The Queen Victoria.

Peggy begins a romance with Jack Edwards (Nicky Henson), the father-in-law of Peggy's first cousin once removed-in law Billy (Perry Fenwick). However, when Peggy discovers Billy's newborn daughter has Down's syndrome, she declares that the baby should be put up for adoption, causing friction in her relationship with Jack. Although Peggy comes to accept the baby, Jack breaks up with her and leaves Walford.

When Peggy discovers she is £40,000 in debt, she attempts an insurance scam, recruiting Sean Slater (Rob Kazinsky) to smash up the pub so she can claim for damages. When this plan fails, she turns to her nieces, Ronnie and Roxy Mitchell (Samantha Womack and Rita Simons), who raise the funds so she can pay off the debt-collector and keep the pub. Peggy then begins a romance with her brother-in-law, Ronnie and Roxy's father Archie (Larry Lamb). They become engaged, Archie begins subtly controlling Peggy. Although she experiences doubts, she and Archie marry after she demands at the altar that he stop trying to control her and accept her for who she is.

Their marriage breaks up a few hours after their wedding, when it is revealed at their wedding reception that Archie lied to Ronnie about her infant daughter's death. Peggy has Archie evicted from The Queen Victoria, and tries unsuccessfully to coerce Phil into murdering him. Archie leaves Walford, but later returns to win his family back. Peggy initially refuses his advances, and though they briefly reconcile, Peggy realises how much Phil disapproves of the relationship, and ends it once more. Archie attempts to re-ingratiate himself with Peggy by offering to pay bail when her daughter Sam returns from Brazil and is arrested for perverting the course of justice. The Mitchells put up £250,000 for Sam's bail and she is released. He and Peggy celebrate, but Ronnie, Billy, Roxy and Phil return the money and disown him for good.

Since then, Archie plotted to commit revenge on the entire Mitchell family (asking for help from both Janine Butcher and Jack Branning), eventually deciding to burn down the Queen Vic while nobody was at home. However, Peggy was there when Archie started the fire, but he told her the act was committed by youths. The two then passionately kissed, and have since acted as a couple, demonstrating that the two have got back together. However after the revelation of Sam's affair with Jack Branning and that she had disappeared, It proved that the Mitchell's debt was still rising as the money that prevented Sam from returning to prison was off. But everything went from bad to worse when Phil was forced to sell The Arches, much to Peggy's dismay, but even bad as he sold it to Pat. When Peggy had enough of Phil's lies of his debt handling, she books a flight to Portugal to visit Grant for some financial advice. When she returns home she finds out about a loan that Phil has got from Ian Beale, and is angry at Phil for having secured it against the pub.

When Archie and Peggy's divorce papers come through, Archie tells Peggy he still loves her and wants her back. Peggy's employee and Janine's flatmate Ryan Malloy overhears them and tells Janine. Janine then shows off her engagement ring to Peggy, and Peggy does not believe her until she reveals it belonged to Archie's mother and Peggy recognises it. She then confronts Archie, but is annoyed that she fell for his lies again. She signs the divorce papers and the Mitchells celebrate in the pub. Ryan alerts them to the fact that Archie and Janine are downstairs behind the bar, and the Mitchells are angry when he reveals Ian sold them the loan and the pub is now theirs, as the deadline has not been met.

Reception

Peggy has been described by the BBC as one of EastEnders' "most high-profile characters."[13] Windsor has won several awards for her performance as Peggy. In 1999, she was named BBC Personality of the Year.[38] She won Best Actress at the 1999 British Soap Awards,[39] and was granted a Lifetime Achievement award in 2009.[40] She also won a Lifetime Achievement award at the 2001 Inside Soap awards,[41] and was named the UK's top soap matriarch in a 2009 Inside Soap poll.[42] She also won the Soap Legend award at the 2009 TV Now Awards.[43] Furthermore, Windsor was nominated for the Outstanding Serial Drama Performance award at the 2008 and 2009 National Television Awards,[44][45] Best Soap Actress at the 2007 TV Now Awards, Best Actress at the 2009 British Soap Awards,[46] and Best Actress at the 2009 Inside Soap awards.[47]

Windsor was opposed to the storyline which saw Peggy mount a hate campaign against Mark Fowler (Todd Carty) for being HIV positive.

The character was viewed unfavourably by a proportion of viewers in 1996, when Peggy discovered that Mark Fowler (Todd Carty) was HIV positive and subsequently mounted a hate campaign against him. Windsor has since revealed that she was initially opposed to the storyline:

“ [Peggy] was vicious to [Mark]. She was so naïve about the whole thing. When I got the script and it said some awful things, I couldn't believe it. It's the only time I've questioned the writers and said 'I can't believe it, people aren't like that today'. Then they sent me a survey and proved that people are actually like that. When it came to doing the scenes, I just got hold of Todd [Carty] and said, 'sorry this is Peggy!' I got the most appalling [hate] mail because of it. I had a very dear friend of mine who was dying of AIDS so it was very personal to me. The last scene I did I went straight out and got terribly drunk.[11] ”

Actress and writer Jacquetta May, who played the character Rachel Kominski between 1991 and 1993, has discussed the storyline and the role of women in an article about EastEnders. According to May, the scriptwriters were faced with a problem once Peggy, "a key figure of the community", was shown to exhibit such "pig-headed ignorance and appalling prejudice". In order for Peggy to be redeemed, she had to be seen to be punished, and so the character was given breast-cancer later that year. May comments, "Peggy, malicious gossip and bigot, herself becomes the victim of a life-threatening illness. At Christmas they run a Christian forgiveness story. Peggy calls on Mark and tells him she now knows what it is like to suffer as he has. She apologises, thus underlining one of the basic tenets of the programme: underneath the skin we are all the same, human and vulnerable, and recognition of this should unite us not divide us. Along the way, a great deal of useful information about these illnesses was broadcast. So, although EastEnders endlessly repeats its conservative format, and although all issues are there primarily to feed the great hungry story-beast, its positive by-products cannot be denied."[48]

EastEnders has received praise for the handling Peggy's breast cancer storyline, as she was a rare media portrayal of an older matriarchal woman with the disease. Older women are at higher risk of being diagnosed; however, in 2001, it was reported that media representation of breast cancer is skewed towards younger women in their 20s or 30s, as they are seen as "more tragic" or "more sexy" in media terms. A 2000 study by Kitzinger and Henderson showed that 94% of newspaper coverage on non-celebrity women with breast cancer were aged under 50.[14] Source organisations working with EastEnders on the storyline have commented: "[The team] decided it was going to be [Peggy] and very rightly so. Bang on, the right age [...] perfect dramatic licence in terms of her sons that she was going to have to share this terrible news with, and how would she share it? Every female would have that problem. How would you tell your children? And they followed that with her. She was exactly the right person."[14] The storyline also received media criticism, for their use of a breast care nurse, who was used to counsel Peggy and translate medical terminology into lay terms for viewers; a character who could provide both a dramatic and educational purpose. However, not all oncology units in the UK offer breast care nurses, and the character presented "particularly positive messages" concerning patient choice and control over treatment options. Because of this, the UK press dubbed the storyline "didactic".[14] The storyline was also criticised because Peggy received her cancer test results after six days, which prompted cancer charities to warn that not all patients would receive the same treatment.[49]

In December 2008, Bupa doctors criticized UK soaps for presenting unhealthy role models to viewing audiences. Paul Bignell and Cole Moreton for The Independent refuted the accusation, naming Peggy as an acceptable role model for her devotion to her family, protecting her nieces and loving her sons despite their numerous misdemeanours.[50]

In popular culture

Peggy Mitchell, spoofed in 2DTV.

Peggy has been spoofed in several programmes, including the ITV cartoon sketch show 2DTV, and Harry Hill's TV Burp. In the BBC's Big Impression, impressionist Ronni Ancona performs as Peggy, shuffling around on her knees to exaggerate Barbara Windsor's petite height, and regularly using the catchphrase "Get outta my pub!". Impressionist Jan Ravens has spoofed her in the BBC's Dead Ringers, also mimicking her cheeky laugh. Commenting on Ancona's impersonation, Windsor has said: "she does me brilliantly. I told her it was a great compliment. She made me realise my little hands wave around a lot."[11]

In November 2005, Peggy appeared in a sketch for Children in Need, which was a crossover between EastEnders and The Catherine Tate Show. The sketch featured Peggy, Little Mo Mitchell (Kacey Ainsworth), Stacey Slater (Lacey Turner) and Catherine Tate as her character Lauren Cooper.[51] A 2006 episode of Doctor Who entitled "Army of Ghosts" features a fictional EastEnders scene in which Peggy tells the "ghost" of Den Watts (Leslie Grantham) to "get outta my pub!"[52]

References

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External links

Preceded by
Sharon Watts		 Landlady of The Queen Vic
with Grant Mitchell (until 1999)
Dan Sullivan (1999)
Frank Butcher (1999 – 2001)
1995 – 2001		 Succeeded by
Sharon Watts and Steve Owen
Preceded by
Sharon Watts and Steve Owen		 Landlady of The Queen Vic
with Sharon Watts (until 2001)
2001 – 2004		 Succeeded by
Den Watts
Preceded by
Sharon Rickman		 Landlady of The Queen Vic
with Archie Mitchell (2008-2009)
2005-2009		 Incumbent
v • d • e
EastEnders
Characters
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Storylines
Families

Beale · Branning · Ferreira · Karim · Mitchell · Watts
Spin-offs
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v • d • e
EastEnders characters
 
Present and future characters

Ian Beale · Dot Branning · Pat Evans · Ricky Butcher · Janine Butcher · Phil Mitchell · Peggy Mitchell · Carol Jackson · Bianca Jackson · Lucy Beale · Peter Beale · Robbie Jackson · Sonia Fowler · Billie Jackson · Ben Mitchell · Jim Branning · Billy Mitchell · Liam Butcher · Charlie Slater · Mo Harris · Patrick Trueman · Minty Peterson · Bobby Beale · Jane Beale · Darren Miller · Stacey Slater · Jean Slater · Bradley Branning · Chelsea Fox · Denise Johnson · Libby Fox · Max Branning · Tanya Branning · Abi Branning · Lauren Branning · Liz Turner · Shirley Carter · Jay Brown · Heather Trott · Zainab Masood · Roxy Mitchell · Ronnie Mitchell · Tamwar Masood · Masood Ahmed · Jack Branning · Oscar Branning · Christian Clarke · Whitney Dean · Morgan Jackson-King · Tiffany Dean · Lucas Johnson · Jordan Johnson · Archie Mitchell · Tony King · Amy Mitchell · Dotty Cotton · Manda Best · Syed Masood · Ryan Malloy · Al Jenkins · Amira Shah · Adam Best · George Trott · Qadim Shah · Glenda Mitchell

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