Representative Albums: "Ten Saxophones and Two Basses," "Rugolomania," "Introducing Pete Rugolo"
Representative Songs: "You Stepped Out of a Dream," "Come Back Little Rocket," "That Old Black Magic"
Biography
Pete Rugolo was one of the most prolific arrangers for Stan Kenton's 1945-1949 orchestras, following through on the leader's swashbuckling example to help shape the band's exciting, blasting style. Brought to the U.S. at age five, Rugolo grew up in Santa Rosa, CA, and became a student of Darius Milhaud at Mills College in Oakland. After a stint with the Army, he submitted an arrangement to Kenton and then settled in with the band, turning out a series of "Artistry in..." compositions ("Bass," "Percussion," "Bolero," "Boogie"), as well as some of the earliest, most startling pieces for the Innovations In Modern Music Orchestra. However, Rugolo soon gravitated toward pop, landing a position as music director of Capitol Records in 1949, where he cranked out arrangements -- some of which bordered on easy listening treacle -- for June Christy, Nat King Cole, Harry Belafonte (in his brief pop period), the Four Freshmen, and others. In 1957, he became music director of Mercury Records, making a number of albums for that label, and briefly led a big band in 1954. From the '50s onward, Rugolo moved into Hollywood, scoring TV series like The Fugitive and Run for Your Life, and several films. Consequently, his importance to jazz lessened as the years passed. ~ Richard S. Ginell, All Music Guide
After he graduated, he was hired as an arranger and composer by guitarist and bandleader Johnny Richards. He spent World War II playing with Paul Desmond in an army band.
After WWII Rugolo went to work for Stan Kenton who headed one of the most progressive big bands of the time. Rugolo provided arrangements and original compositions that drew on his knowledge of 20th century music, sometimes blurring the boundaries between the ballroom and the concert hall.
While Rugolo continued to work occasionally with Kenton in the 1950s, he spent more time creating arrangements for pop vocalists, including June Christy, Peggy Lee and the Four Freshmen, and for a greatest jazz singer Billy Eckstine. During this period he also worked for a while on musicals at MGM, and served as an A&R director for Mercury Records in the late 1950s. Among his many albums were Adventures in Rhythm, Introducing Pete Rugolo, Rugolomania, Reeds in Hi-Fi and Music for Hi-Fi Bugs.
Television and film scoring work
In the 1960s and 1970s Rugolo did a great deal of work in television, contributing music to a number of popular shows including Leave It to Beaver, Thriller, The Fugitive, Run For Your Life, The Challengers, and Family. He also provided scores for a number of TV movies and a few theatrical features. Rugolo's small combo jazz music featured in a couple of numbers in the popular movie Where The Boys Are, under the guise of Frank Gorshin's "Dialectic Jazz Band." While his work in Hollywood has often demanded that he suppress his highly original style, there are some striking examples of Rugolo's work in both TV and film. The soundtrack for the last movie on which he worked, This World, Then the Fireworks (1997), demonstrates his gift for writing music that is both sophisticated and expressive.
