| Peter Ackroyd | |
|---|---|
| Born | 5 October 1949 East Acton, Middlesex, England |
| Occupation | Author, Critic |
| Nationality | British |
| Alma mater | Cambridge University |
| Period | Last half of the 20th century, beginning of the 21st century |
| Genres | Biography, Drama, Essays, Fiction, Literary criticism, Non-fiction, Poetry, Short stories |
| Subjects | London and its inhabitants, English history and culture |
Peter Ackroyd CBE (born 5 October 1949, East Acton, Middlesex) is an English biographer, novelist and critic with a particular interest in the history and culture of London. For his novels about English history and culture and his biographies of, among others, Charles Dickens, T. S. Eliot and Sir Thomas More he won the Somerset Maugham Award and two Whitbread Awards. He was awarded a Commander of the Order of the British Empire in 2003.
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Peter Ackroyd was educated at St. Benedict's, Ealing and at Clare College, Cambridge, from which he graduated with a double first in English literature. In 1972, he was a Mellon Fellow at Yale University. The result of this fellowship was Notes for a New Culture, written when Ackroyd was only 22 and eventually published in 1976. The title, an echo of T. S. Eliot's Notes Towards the Definition of Culture (1948), was an early indication of Ackroyd's penchant for exploring and reexamining the works of other London-based writers.
Ackroyd worked at The Spectator magazine between 1973 and 1977 and became joint managing editor in 1978. He worked as chief book reviewer for The Times and a regular broadcaster on radio. Since 1984 he is a Fellow of the Royal Society of Literature.
Ackroyd's literary career began with poetry, including such works as London Lickpenny (1973) and The Diversions of Purley (1987). In 1982 he published The Great Fire of London, his first novel which is a reworking of Charles Dickens's novel Little Dorrit. The novel set the stage for the long sequence of novels Ackroyd has produced since, all of which deal in some way with the complex interaction of time and space and what Ackroyd calls "the spirit of place". However, this transition to being a novelist was unexpected. In an interview with Patrick McGrath in 1989, Ackroyd said:
In his novels he often contrasts historical segments with segments set in the present-day (e.g. The Great Fire of London, Hawksmoor, The House of Doctor Dee). Many of Ackroyd's novels play in London and deal with the ever changing, but at the same time stubbornly consistent nature of the city.
Often this theme is explored through the city's artists, especially its writers: Oscar Wilde in The Last Testament of Oscar Wilde (1983), a fake autobiography of Wilde; Nicholas Hawksmoor, Sir Christopher Wren and Sir John Vanbrugh in Hawksmoor (1985); Thomas Chatterton and George Meredith in Chatterton (1987); John Dee in The House of Dr Dee (1993); Dan Leno, Karl Marx, George Gissing and Thomas de Quincey in Dan Leno and the Limehouse Golem (1994); John Milton in Milton in America (1996); Charles Lamb in The Lambs of London.
Hawksmoor, winner of both the Whitbread Novel Award and the Guardian Fiction Prize, was inspired by Iain Sinclair's poem 'Lud Heat' (1975), which speculated on a mystical power from the positioning of the six churches Nicholas Hawksmoor built. The novel gives Hawksmoor a Satanical motive for the siting of his buildings, and creates a modern namesake, a policeman investigating a series of murders. Chatterton (1987), a similarly layered novel explores plagiarism and forgery and was shortlisted for the Booker Prize.
One of Ackroyd's best known works, London: The Biography, is an extensive and thorough discussion of London through the ages. In 1994 he was interviewed about the London Psychogeographical Association in an article for The Observer where he remarked:
In the sequence London: The Biography (2000), Albion: The Origins of the English Imagination (2002), and Thames: Sacred River (2007), Ackroyd has produced works of what he considers historical sociology. These books trace themes in London and English culture from the ancient past to the present, drawing again on his favoured notion of almost spiritual lines of connection rooted in place and stretching across time.
His fascination with London literary and artistic figures is also displayed in the sequence of biographies he has produced of Ezra Pound (1980), T. S. Eliot (1984), Charles Dickens (1990), William Blake (1995), Thomas More (1998), Chaucer (2004), William Shakespeare (2005), and J. M. W. Turner. The city itself stands astride all these works, as it does in the fiction. Ackroyd was forced to think of new methods of biography writing in T. S. Eliot when he was told he couldn't quote extensively from Eliot's poetry and unpublished letters.[3]
From 2003 to 2005, Ackroyd wrote a six-book non-fiction series (Voyages Through Time), intended for readers as young as eight, his first work for children. The critically acclaimed series ("Not just sound-bite snacks for short attention spans, but unfolding feasts that leave you with a sense of wonder", The Sunday Times[4]) is an extensive narrative of key periods in world history.
In a recent interview with Matthew Stadlen of the BBC, when asked the question "who do you think is the person who has made the biggest impact upon the life of this country ever?" Ackroyd said: "I think William Blake is the most powerful and most significant philosopher or thinker in the course of English history." He did not say what had led him to form this opinion. In the same interview, when asked what fascinates him about London, he said he admired "its power, its majesty, its darkness, its shadows."[5]
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