- For the keyboard player Peter Banks, see the entry for the band After the Fire.
Peter Banks (born Peter William Brockbanks, 15 July 1947, Barnet, North London) is an English guitarist. He was the original guitarist with the progressive rock band, Yes.
Biography
Early career
When Banks was a young boy, his father bought him a acoustic guitar. As a teenager, he also learned how to play the banjo.
Banks and Chris Squire first met when Banks joined The Syn,[1] also including Andrew Jackman (keyboards), who in later years became an orchestral arranger for some Yes and Chris Squire records. The Syn only lasted until 1967,[1] but the group released two singles.
In 1968 Banks played briefly with the band Neat Change, recording one single.[1]
Squire meanwhile joined friends Clive Bailey (rhythm guitar) and Bob Hagger (drums) in Mabel Greer's Toy Shop, and Banks came to join that band. Banks left the band, which was subsequently joined by singer Jon Anderson and then drummer Bill Bruford replaced Bob Hagger. With the loss of Bailey, addition of keyboardist Tony Kaye and Banks' return, the band took on a new name.[1]
Career with Yes
The members searched for an appropriate name, and Banks suggested they called the group Yes. All parts agreed that the name was not meant to be permanent, but just a temporary solution. Four decades later, the name remains.
Atlantic Records took notice of the band and, in 1969, got them into a studio to record their first album, Yes. The next year another album was in progress (Time and a Word) but Anderson and Squire decided they wanted an orchestra backing the five musicians. The idea was not well received by Banks, and things got worse when the orchestral arrangements left the guitarist, as well as keyboardist Tony Kaye, with little to do (strings replaced almost note-for-note their parts). Once the album was released, a tour ensued; Banks was asked to leave the group,[1] playing his last gig with Yes on 18 April 1970 at The Luton College of Technology.
Work with other bands
After leaving Yes, and while looking for some other musical project, Banks supported Blodwyn Pig for a brief period in late 1970, and guested as session musician on an album by Chris Harwood. In 1971 Banks formed Flash and sessions began for a first album, with Tony Kaye guesting on keyboards.[1] The record appeared in 1972 (called simply Flash) and had a warm reception. Subsequent to Kaye's involvement, Banks took the dual role of guitarist and keyboardist. Flash recorded and released its second album (In the Can) in November that same year; and the third (Out of Our Hands) in 1973.[1]
Parallel to that, Banks and guitarist Jan Akkerman became friends and started to play and record together. Banks also played on an album by Roger Ruskin Spear at that time. In 1973, not long after the third and final Flash release, Banks released Two Sides of Peter Banks.[1] Guest musicians included Akkerman, bassist John Wetton, drummer Phil Collins, guitarist Steve Hackett and fellow Flash members Ray Bennett and Mike Hough.[1]
Around the summer of 1973, Banks played with the jazz-rock band called Zox & the Radar Boys, including Phil Collins (drums), Mike Piggott (violin), Ronnie Caryl (guitar) and John Howitt (bass).
In 1974, while trying to form a second incarnation of Flash, Banks recruited musicians and fell in love with the singer Sydney Foxx (real name Sidonie Jordan). She would soon became his wife. Named as Empire; Banks Foxx and various other band members recorded three albums up to 1980, none of which was released until the mid 1990s.[1] Banks and Foxx divorced, although Empire remained together as a band for some time after.
Later work
The only released work of Banks in the second half of the 1970s were a number of session appearances, on separate albums by Lonnie Donegan and Jakob Magnússon. In 1981, another recording by Empire appeared. Banks made an appearance on Romeo Unchained, a 1986 album by Tonio K. Banks also worked with Ian Wallace in The Teabags.
In 1993, Banks released Instinct, a solo album of instrumental tracks with him playing all the parts.[1] Only a keyboard player, Gerald Goff, joined him for his next album, Self Contained (1995).[1] In 1997, Banks was mainly responsible for the release of a double live Yes album, Something's Coming: The BBC Recordings 1969–1970 (renamed Beyond and Before in the US), a collection of appearances at the BBC during 1969 and 1970, featuring the original line-up in all tracks and with a booklet containing the guitarist's account of those early days.
Another archival release was Psychosync, a live Flash recording made in 1973 for the King Biscuit Flower Hour and finally released in 1998.[1] Also, between 1995 and 1997 all three Empire albums were released (one per year). Banks also collaborated in 1995's Tales From Yesterday (a Yes tribute album) performing a version of the song "Astral Traveller" with Robert Berry; appeared on the album Big Beats in 1997; and played on 1999's Encores, Legends and Paradox, an Emerson, Lake & Palmer tribute album. He contributed to 1999's Come Together People of Funk by Funky Monkey (including keyboardist Gerard Johnson who helped on a number of Banks' projects in the 1990s).
Those collaborations filled the gap in his own recording career, until 1999, when the album Reduction was issued.[1] In 2000, Banks put out a collection of his oldest recordings (many previously unreleased) called Can I Play You Something?.[1] The front sleeve of this last record showed an eight year-old Banks posing with his first guitar. The track listing includes some early recordings by The Syn, Mabel Greer's Toyshop, and Yes, including an early rendition of the song "Beyond and Before".
A short track in the latter collection was called "Lima Loop". This is because Lima, the capital of Peru, became a special place for Banks in recent years. Cecilia Quino, a Peruvian girl who was a Yes fan moved to the US many years before. Via the internet, she contacted Banks, and they began a cyber-friendship that ultimately led to their wedding. They married in Lima, where the bride's parents live, and Banks stayed in Peru for some months in 1999, being present when Yes played there. The couple are currently living in the UK.
More recent work
Following an appearance by Banks and Geoff Downes together at the 1998 edition of Yestival (a Yes fan festival), the pair played some sessions and the possibility of Banks joining Asia was mooted. However, these sessions did not lead anywhere.
Banks has appeared in small concerts by new young local bands, including the Yes tribute band Fragile. Recent recorded appearances by Banks include Jabberwocky (2000) and Hound of the Baskervilles (2002), a pair of albums recorded by Oliver Wakeman (Rick Wakeman's son) and Clive Nolan. He has also guested further on the Funky Monkey project.
Banks was initially involved in a reunion of The Syn in 2004, but left the band.[2] He also turned down an offer to be involved in a Flash reunion.
In late 2004, Banks formed a new improvising band, Harmony In Diversity, with Andrew Booker and Nick Cottam (who had been working together as duo Pulse Engine.[3] They played a short UK tour in March 2006, and released an EP called "Trying". Booker left the band soon after. He was replaced by David Speight and the band continue to play live, while Banks is also planning a related project with keyboardist Gonzalo Carrera. Banks' Harmony in Diversity were supported by the Hungarian band, Yesterdays, at the MiniProg Festival in Budapest in February 2007.
In the 3 February 2009 issue of Gibson Guitar's 'Lifestyle' e-magazine, Banks is listed as one of the "10 Great Prog Rock Guitarists." According to the article, "Before there was Steve Howe, there was Peter Banks. Artistic differences between Banks and singer Jon Anderson prompted Banks’s departure from Yes in 1970, but in his little-known '70s band, Flash, Banks used an ES-335 to create several should-have-been prog rock classics. "Lifetime", from Flash’s In the Can album, is his tour-de-force."[4]
References
External links
