Peter Sinfield

Peter Sinfield
Background information
Birth name	Peter John Sinfield
Born	December 27, 1943 (1943-12-27) (age 65) Fulham, London, England
Occupations	Herbalist, poet, gardener, cook, designer, painter, producer, songwriter and lyricist.
Years active	1960s-present
Labels	Manticore, E.G. Records, EMI, Imagem Music
Associated acts	King Crimson, Emerson, Lake & Palmer, Roxy Music, Premiata Forneria Marconi, Greg Lake, Keith Christmas, Bucks Fizz
Website	http://www.songsouponsea.com

Peter John Sinfield (born 27 December 1943, Fulham Palace Road, Fulham, South West London) is an English songwriter, poet and artist, most famously known as the lyricist and co-founding member for early incarnations of King Crimson, of which the debut album In the Court of the Crimson King has been regarded as the most influencial progressive rock album ever to be released.^[1].

In 2005, Sinfield was noted as a "Prog Rock Hero" in Q Magazine, for his impressive lyrical contribution and creative influence while working within the rock music industry.^[2]

As a lyricist, Sinfield has a distinctive approach to the sounds of words, filled with surreal (and sometimes fiercely sexual) imagery, and a special facility with water-images and ideas involving the sea. Later on in his career he adapted his writing for pop music, and co-wrote a succession of hits that were to be sung by artists such as Celine Dion, Cher, Cliff Richard, Leo Sayer and Bucks Fizz.

Early life & career

Sinfield was born during WWII in Putney, West London, to mixed English-Irish ancestry and a bohemian, activist, bisexual mother Deidre (aka Joey or Daphne)^[3]. He seldom had contact with his father Ian. Up until the age of eight he was raised largely by his mother’s German housekeeper Maria Wallenda, a high wire walker from the famous circus act The Flying Wallendas, after which he was sent off to Danes Hill School in Oxshott^[4]. It was there that Sinfield discovered a love of words and their use and meanings, with the guidance of his tutor John Mawson. He came to devour books of all kinds, especially poetry. He left school at 16 and worked briefly as a travel agent^[5], believing that this would "allow him to see the world". He then went on to work for a computer company for six years, traveling around Europe when he could and hanging around with friends from the Chelsea School of Art. To compete with his artschool friends, Sinfield began learning to play the guitar^[6] and write poetry in the mid-’60s, and made a living on market stalls selling handmade kites, lampshades, paintings and customized clothing. He spent a number of years drifting around Morocco and Spain before returning to England. Sometime in 1967, he started a band that didn’t have any future^[7] -- but one of the members was Ian McDonald, who was impressed with Sinfield’s talents as a lyricist, if not his abilities as a singer or guitarist.

King Crimson

In 1968, McDonald decided to join Giles, Giles, and Fripp, a failed progressive-pop trio consisting of Michael Giles, Peter Giles, and Robert Fripp, who were looking to do more with music than their three-man line-up could manage -- he let the others know that he was already working with someone who could write lyrics. In their primordial form, Giles, Giles & Fripp, augmented by McDonald and ex-Fairport Convention vocalist Judy Dyble, even recorded an early version of the McDonald-Sinfield song "I Talk to the Wind," which later became part of Crimson’s repertory.

Bassist Peter Giles exited the group at about this time, to be replaced by Greg Lake, and Sinfield came aboard just about then. In his own words, "I became their pet hippie, because I could tell them where to go to buy the funny clothes that they saw everyone wearing." Sinfield also came up with the name King Crimson. Sinfield loved working with the band and, in addition to writing the phantasmagorical lyrics that came to be part of King Crimson’s trademark, he also ran the group’s light-show at their concerts. Apart from writing lyrics for In the Court of the Crimson King(1969) and In the Wake of Poseidon(1970) and offering advice on artwork, album design, and other details of the band’s releases, Sinfield’s musical role in the band was limited for the first two albums. He wasn’t a good enough singer to contribute to the band’s vocals, and the presence of Robert Fripp made his guitar skills superfluous. It was during the recording of the Lizard that his influence reached its peak, as Fripp became involved with other projects (most notably the Centipede orchestra), which left Sinfield with much of the responsibility for the final version and design of the album, including the uniquely ornate jacket. Even so, the relationship between Sinfield and Fripp had become increasingly strained as the band progressed. On the group’s next album, Islands, Sinfield began exploring new lyrical territory, with more sexual imagery juxtaposed with the languidly surreal title track. On January 1, 1972, however, following a tour of the United States in the wake of the release of the Islands album, Sinfield exited the band and broke up his partnership with Fripp.

ELP, Roxy Music, PFM & Still

In 1972, Sinfield remained associated with E.G. Records, which represented King Crimson and Roxy Music, and it was while Sinfield was producing Roxy Music's debut album (which included their hit Virginia Plain) that he decided to try his own hand at recording. The resulting album, Still, united numerous former (Greg Lake, Mel Collins, Ian Wallace) and future (John Wetton) Crimson alumni. Sinfield intended Still as the start of a solo career, but while working on it, he was approached by Emerson, Lake and Palmer, who needed a lyricist of Sinfield’s caliber. Still was originally released on ELP’s own Manticore label in 1973, but Sinfield found himself subsumed into Emerson, Lake, and Palmer. Already having a fear of the stage of which he had little time to overcome due to writing demands, his solo career was still-born, while he worked with the trio for the next few years, giving their music more lyrical facility than ever before. During this time, Sinfield lived with his first wife Stephanie in The Mill House^[8], Surrey, which was loaned to him by ELP. His neighbour was Gary Brooker of Procol Harum, with whom he co-wrote five songs on Brooker's first solo album "No More Fear of Flying". He also released a book containing his previous lyrics and poems titled "Under the Sky" (one of the lyrics from Still). In 1975, his song written with Greg Lake called I Believe in Father Christmas was released.

The Ibiza Years

After naively overestimating his wealth and underestimating his percentage of royalties from ELP, he fled to Ibiza to live as a tax exile, and enjoyed his first break from continual work in the music business. Here he met an interesting circle of artists, actors and painters and members of the Chelsea Arts Club such as Peter Unsworth and Barry Flanagan, eventually parting from his first wife. During his time in Ibiza he had a break from songwriting, and was able to spend his time travelling, socializing and reflecting, which he had been unable to do for the previous decade.

During the late 70s, he continued to move in communities around Spain. In 1978, following the success of his previous lyrics for Emerson, Lake and Palmer, Sinfield was asked by ELP to produce lyrics for their final contract album Love Beach, now regarded by many (including Sinfield himself) to be the worst of all ELPs albums.^[9] In 1978 he also narrated Robert Sheckley's "In a Land of Clear Colours", an audio sci-fi story released the following year on a limited edition of 1000 vinyl records. The backing music for the story was provided by Brian Eno, whom Sinfield had worked with previously while producing Roxy Music. By the time he returned to London in 1980, with his new Spanish wife (a model and runner-up for Miss Spain), he discovered that progressive rock music was no longer in public demand, and punk was on the scene in the UK.

The Pop Years

Upon his return to London in 1980, his publisher introduced him to Andy Hill, a composer and fellow songwriter who Sinfield worked with to create hits such as "The Land of Make Believe" by Bucks Fizz, which reached No.1 in the UK and became one of the biggest-selling hits of the decade. While re-educating himself to adapt to the pop music industry with the help of Hill, he returned back to Spain, where he was already established in the communities within Ibiza and Barcelona, and as his career progressed, moved into a house in Majorca. At this time he appeared on Spanish TV show "Musical Express", where he was interviewed and performed a set with his friends Boz Burrell, Tim Hinkley, Michael Giles, Bobby Tench, Mel Collins and Gary Brooker.

In the UK he continued to release hits with Andy Hill, such as "I Hear Talk" by Bucks Fizz and "Have You Ever Been in Love" by Leo Sayer (which they wrote with John Danter). After divorcing his wife and leaving Majorca, he returned to the UK around 1990 to a flat in Holland Park and continued to write lyrics for popular music. In 1993 he re-released his solo album as Stillusion. In the same year, he and Hill released "Think Twice" by Celine Dion, which went on to become a massive hit and won an Ivor Novello award for "Best Song Musically and Lyrically". Sinfield and Hill had won an Ivor Novello a decade previously, for "Have You Ever Been in Love".

Personal life

Sinfield now lives in Aldeburgh with his girlfriend. He spends much of his time writing haikus and on book projects, but is still active within the songwriting community and is a member of the British Academy of Songwriters, Composers and Authors committee. He underwent major heart surgery in 2005, from which he is now fully recovered. He is a devoted herbalist and researcher of alternative medicine and has used various natural remedies to cure his own and other's health complaints. Sinfield's other main interests include cooking and gardening.

Influences

Sinfield had a fairly unusual and colourful upbringing, being an only child (bar his adopted brother, Dennis) of a bisexual mother who run a hair salon and one of the first burger bars in London in the 50s. He grew up in a bohemian household, and claims to have vivid memories of extravagent and wonderful Christmasses, later inspiring the lyrics for his hit with Greg Lake I Believe in Father Christmas, which recalls a lost & naive faith in Father Christmas.^[10] Sinfield claims that A Poet's Notebook by Edith Sitwell^[11] had an important influence on his writing, as well as the works of William Blake, Kahlil Gibran, Shakespeare, Enid Blyton and various sci-fi writers.

Musically he was largely influenced by Bob Dylan and Donovan. Hearing Donovan's opening line of Colours: "Yellow is the colour of my true loves hair" was, Sinfield stated, the defining moment when he decided he had the desire and ability to start writing songs.^[12]

Discography

See at Official Website - Song Soup on Sea: [1]

External links

• Song Soup On Sea - Official website of Peter Sinfield.
• SSOS on YouTube - Official Peter Sinfield channel on YouTube
• "King Crimson". The Marquee Club (themarqueeclub.net). http://www.themarqueeclub.net/king-crimson. Retrieved 2007-08-29. 
• An Interview with Peter Sinfield

1. ^ In his 1997 book Rocking the Classics, critic/musicologist Edward Macan notes that In the Court of the Crimson King 'may be the most influential progressive rock album ever released.' http://www.ulike.net/In_the_Court_of_the_Crimson_King
2. ^ Prog Rock Hero: Q Magazine article 2005 http://www.songsouponsea.com/Promenade/lyrics/gallery/progrock.html
3. ^ An Interview with Pete Sinfield http://www.krimson-news.com/2002/11/04/an-interview-with-peter-sinfield/
4. ^ Danes Hill School homepage: http://www.daneshillschool.co.uk/
5. ^ Peter Sinfield Q&A: http://www.songsouponsea.com/q&a1.html
6. ^ Peter Sinfied : On Songwriting: http://www.songsouponsea.com/q&a.html
7. ^ A Bowl of Soup http://www.songsouponsea.com/Promenade/lyrics/gallery/BowlofSoup.html
8. ^ "A House of Hopes and Dreams" http://www.songsouponsea.com/Promenade/lyrics/gallery/House.html#Mill
9. ^ ELP's Love Beach: Interview with Peter Sinfield: http://www.interx.net/~jgreen/Sinfield.html
10. ^ You Tube video: Interview with Greg Lake and Peter Sinfield about "I Believe in Father Xmas": http://www.youtube.com/watch?v=2VGB-LRuwNU
11. ^ Sinfield on Songwriting: http://songsouponsea.com/q&a.html
12. ^ Exclusive interview w/ Sinfield: Donovan influence http://www.oocities.com/drummerinterviews/petesinfield.html