Philēbus, dialogue of Plato; see PLATO
| Classical Literature Companion: Philēbus |
Philēbus, dialogue of Plato; see PLATO
| Wikipedia: Philebus |
| Part of the series on: The Dialogues of Plato |
| Early dialogues: |
| Apology – Charmides – Crito |
| Euthyphro – First Alcibiades |
| Hippias Major – Hippias Minor |
| Ion – Laches – Lysis |
| Transitional & middle dialogues: |
| Cratylus – Euthydemus – Gorgias |
| Menexenus – Meno – Phaedo |
| Protagoras – Symposium |
| Later middle dialogues: |
| Republic – Phaedrus |
| Parmenides – Theaetetus |
| Late dialogues: |
| Timaeus – Critias |
| Sophist – Statesman |
| Philebus – Laws |
| Of doubtful authenticity: |
| Clitophon – Epinomis |
| Epistles – Hipparchus |
| Minos – Rival Lovers |
| Second Alcibiades – Theages |
| Part of a series on Plato |
| Early life · Works · Platonism · Epistemology · Idealism / Realism · Theory of Forms · Form of the Good · Third Man Argument · Euthyphro dilemma · Immortality of the soul · Five regimes · Philosopher-king · Utopia (Callipolis) |
| Subjects |
| Philosophy · Moderation · Death · Piety · Beauty · Dishonesty · Art · Courage · Friendship · Language · Argumentation · Rhetoric · Virtue · Afterlife · Education · Love · Justice · Passion · Monism · Knowledge · Physics · Atlantis · Sophistry · Politics · Pleasure · Nature & Humanity |
| Allegories |
| Ring of Gyges · Allegory of the cave · Analogy of the divided line · Metaphor of the sun · Ship of state · Myth of Er · Chariot Allegory |
| Influences and Followers |
| Heraclitus · Parmenides · Socrates · Speusippus · Aristotle · Plotinus · Iamblichus · Proclus · St. Augustine · Al-Farabi |
| Related |
| Academy in Athens · Socratic problem · Commentaries on Plato · Middle Platonism · Neoplatonism · Platonic Christianity |
The Philebus (Greek: Φίληβος), 360-347 BC,[1] is among the last of the late Socratic dialogues of the ancient Greek philosopher Plato. Socrates is the primary speaker in Philebus, unlike in the other late dialogues. The other speakers are Philebus and Protarchus.
The dialogue's central question concerns the relative value of pleasure and knowledge, and produces a model for thinking about how complex structures are developed. Socrates begins by summarizing the two sides of the dialogue:
Philebus was saying that enjoyment and pleasure and delight, and the class of feelings akin to them, are a good to every living being, whereas I contend, that not these, but wisdom and intelligence and memory, and their kindred, right opinion and true reasoning, are better and more desirable than pleasure for all who are able to partake of them, and that to all such who are or ever will be they are the most advantageous of all things.[2]
But he then goes on to dismiss both as unsatisfactory; reasoning that the truly good life is one of a measured and sensible mixture of the two (pleasure and knowledge).
The dialogue is generally considered to contain less humor than earlier dialogues, and to emphasize philosophy and speculation over drama and poetry.[3][4]
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