This article is about the author. For the cellist, see
Philipp Roth.
| Philip Roth |
| Born |
Philip Milton Roth
March 19, 1933 (1933-03-19) (age 76)
Newark, New Jersey, U.S. |
| Occupation |
Novelist |
| Nationality |
American |
| Writing period |
1959–present |
| Genres |
Literary fiction |
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Influences
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- Henry James, Franz Kafka, Saul Bellow, J.D. Salinger, Milan Kundera, Charlotte Brontë, Emily Brontë, Henry Miller, Anne Frank, Louis-Ferdinand Céline, James Joyce, Joseph Conrad, William Faulkner, Fyodor Dostoyevsky, Ernest Hemingway, Gustave Flaubert, Leo Tolstoy, Bernard Malamud, Nikolai Gogol, Mark Twain, Sherwood Anderson
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Philip Milton Roth (born March 19, 1933)[1] is an American novelist. He gained fame with the 1959 story collection Goodbye, Columbus, and has since become one of the most honored authors of his generation: Roth's books have twice been awarded the National Book Award, twice the National Book Critics Circle award, and three times the PEN/Faulkner Award. He received a Pulitzer Prize for his 1997 novel, American Pastoral, which featured his best known character, Nathan Zuckerman, the subject of many other of Roth's novels. His 2001 novel The Human Stain, another Zuckerman novel, was awarded the United Kingdom's WH Smith Literary Award for the best book of the year. His fiction, set frequently in Newark, New Jersey, is known for its intensely autobiographical character, for philosophically and formally blurring the distinction between reality and fiction, for its "supple, ingenious style," and for its provocative explorations of Jewish and American identity.[2]
Life
Roth grew up in the Weequahic neighborhood of Newark, New Jersey, as the second child of first-generation American parents, Jews of Galician descent, and graduated from Newark's Weequahic High School in 1950.[3] Roth attended Bucknell University, earning a degree in English. He then pursued graduate studies at the University of Chicago, where he received an M.A. in English literature and worked briefly as an instructor in the university's writing program. Roth then taught creative writing at the University of Iowa and Princeton University. He continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991.
While at Chicago, Roth met the novelist Saul Bellow, as well as Margaret Martinson, who became his first wife. Their separation in 1963, along with Martinson's death in a car crash in 1968, left a lasting mark on Roth's literary output. Specifically, Martinson was the inspiration for female characters in several of Roth's novels, including Lucy Nelson in When She Was Good, and Maureen Tarnopol in My Life As a Man.[4] Between the end of his studies and the publication of his first book in 1959, Roth served two years in the United States Army and then wrote short fiction and criticism for various magazines, including movie reviews for The New Republic. Events in Roth's personal life have occasionally been the subject of media scrutiny. According to his pseudo-confessional novel Operation Shylock (1993), Roth suffered a nervous breakdown in the late 1980s. In 1990, he married his long-time companion, English actress Claire Bloom. In 1994 they separated, and in 1996 Bloom published a memoir, Leaving a Doll's House, which described the couple's marriage in detail, much of which was unflattering to Roth. Certain aspects of I Married a Communist have been regarded by critics as veiled rebuttals to accusations put forth in Bloom's memoir.
Career
Roth's first book, Goodbye, Columbus, a novella and five short stories, won the National Book Award in 1960, and afterwards he published two novels, Letting Go and When She Was Good. However, it was not until the publication of his third novel, Portnoy's Complaint, in 1969 that Roth enjoyed widespread commercial and critical success. During the 1970s Roth experimented in various modes, from the political satire Our Gang to the Kafkaesque The Breast. By the end of the decade Roth had created his alter ego Nathan Zuckerman. In a series of highly self-referential novels and novellas that followed between 1979 and 1986, Zuckerman appeared as either the main character or an interlocutor.
Sabbath's Theater (1995) has Roth's most lecherous protagonist, Mickey Sabbath, a disgraced former puppeteer. In complete contrast, the first volume of Roth's second Zuckerman trilogy, 1997's American Pastoral, focuses on the life of virtuous Newark athletics star Swede Levov and the tragedy that befalls him when his teenage daughter transforms into a domestic terrorist during the late 1960s. I Married a Communist (1998) focuses on the McCarthy era. The Human Stain examines identity politics in 1990s America. The Dying Animal (2001) is a short novel about eros and death that revisits literary professor David Kepesh, protagonist of two 1970s works, The Breast and The Professor of Desire. In The Plot Against America (2004), Roth imagines an alternate American history in which Charles Lindbergh, aviator hero and isolationist, is elected U.S. president in 1940, and the U.S. negotiates an understanding with Hitler's Nazi Germany and embarks on its own program of anti-Semitism.
Roth's 182-page novel Everyman, a meditation on illness, desire, and death, was published in May 2006. Exit Ghost, which again features Nathan Zuckerman, was released in October 2007. According to the book's publisher, it is the last Zuckerman novel[5]. Indignation, Roth's 29th book, was published on September 16, 2008. Set in 1951, during the Korean War, it follows Marcus Messner's departure from Newark to Ohio's Winesburg College, where he begins his sophomore year. The announced titles of Roth’s 30th and 31st books are The Humbling and Nemesis.
In October of 2009, during an interview with Tina Brown of The Daily Beast website to promote The Humbling, Roth considered the future of literature and its place in society, stating his belief that within 25 years the reading of novels will be regarded as a "cultic" activity:
"I was being optimistic about 25 years really. I think it's going to be cultic. I think always people will be reading them but it will be a small group of people. Maybe more people than now read Latin poetry, but somewhere in that range...To read a novel requires a certain amount of concentration, focus, devotion to the reading. If you read a novel in more than two weeks you don't read the novel really. So I think that kind of concentration and focus and attentiveness is hard to come by – it's hard to find huge numbers of people, large numbers of people, significant numbers of people, who have those qualities,"[6]
When asked his opinion on the emergence of digital books and e-books as possibly replacing printed copy, Roth was equally as negative and downbeat about the prospect:
"The book can't compete with the screen. It couldn't compete [in the] beginning with the movie screen. It couldn't compete with the television screen, and it can't compete with the computer screen...Now we have all those screens, so against all those screens a book couldn't measure up."[7]
This interview is not the first time that Roth has expressed incredible pessimism over the future of the novel and its significance in recent years. Talking to the Observer's Robert McCrum in 2001, he said that "I'm not good at finding 'encouraging' features in American culture. I doubt that aesthetic literacy has much of a future here."[8]
Influences and themes
Much of Roth's fiction revolves around (semi-)autobiographical themes, while self-consciously and playfully addressing the perils of establishing connections between the author Philip Roth and his fictional lives and voices, including narrators and protagonists such as David Kepesh and Nathan Zuckerman or even the character "Philip Roth", of which there are two in Operation Shylock. In Roth's fiction, the question of authorship is intertwined with the theme of the idealistic, secular Jewish-American son who attempts to distance himself from Jewish customs and traditions, and from what he perceives as the at times suffocating influence of parents, rabbis, and other community leaders. Jewish sons such as most infamously Alexander Portnoy and later Nathan Zuckerman rebel by denouncing Judaism, while at the same time remaining attached to a sense of Jewish identity. Roth's fiction has been described by critics as pervaded by "a kind of alienation that is enlivened and exacerbated by what binds it".[9]
Roth's first work, Goodbye, Columbus, was criticized as infused with a sense of self-loathing. In response, Roth, in his 1963 essay "Writing About Jews" (collected in Reading Myself and Others), maintained that he wanted to explore the conflict between the call to Jewish solidarity and his desire to be free to question the values and morals of middle-class Jewish-Americans uncertain of their identities in an era of cultural assimilation and upward social mobility:
"The cry 'Watch out for the goyim!' at times seems more the expression of an unconscious wish than of a warning: Oh that they were out there, so that we could be together here! A rumor of persecution, a taste of exile, might even bring with it the old world of feelings and habits — something to replace the new world of social accessibility and moral indifference, the world which tempts all our promiscuous instincts, and where one cannot always figure out what a Jew is that a Christian is not."[10]
In Roth's fiction, the exploration of "promiscuous instincts" within the context of Jewish-American lives, mainly from a male viewpoint, plays an important role. In the words of critic Hermione Lee:
"Philip Roth's fiction strains to shed the burden of Jewish traditions and proscriptions. … The liberated Jewish consciousness, let loose into the disintegration of the American Dream, finds itself deracinated and homeless. American society and politics, by the late sixties, are a grotesque travesty of what Jewish immigrants had traveled towards: liberty, peace, security, a decent liberal democracy."[11]
While Roth's fiction has strong autobiographical influences, it has also incorporated social commentary and political satire, most obviously in Our Gang and Operation Shylock. Since the 1990s, Roth's fiction has often combined autobiographical elements with retrospective dramatizations of postwar American life. Roth has described American Pastoral and the two following novels as a loosely connected "American trilogy". All these novels deal with aspects of the postwar era against the backdrop of the nostalgically remembered Jewish-American childhood of Nathan Zuckerman, in which the experience of life on the American home front during the Second World War features prominently.[citation needed]
In much of Roth's fiction, the 1940s, comprising Roth's and Zuckerman's childhood, mark a high point of American idealism and social cohesion. A more satirical treatment of the patriotism and idealism of the war years is evident in Roth's more comic novels, such as Portnoy's Complaint and Sabbath's Theater. In The Plot Against America, the alternate history of the war years dramatizes the prevalence of anti-Semitism and racism in America during the war years, despite the promotion of increasingly influential anti-racist ideals in wartime. Nonetheless, the 1940s, and the New Deal era of the 1930s that preceded it, are portrayed in much of Roth's recent fiction as a heroic phase in American history. A sense of frustration with social and political developments in the US since the 1940s is palpable in the American trilogy and Exit Ghost, but had already been present in Roth's earlier works that contained political and social satire, such as Our Gang and The Great American Novel. Writing about the latter novel, Hermione Lee points to the sense disillusionment with "the American Dream" in Roth's fiction:
"The mythic words on which Roth's generation was brought up — winning, patriotism, gamesmanship — are desanctified; greed, fear, racism, and political ambition are disclosed as the motive forces behind the 'all-American ideals'."[11]
Awards and honors
Two of Roth's works of fiction have won the National Book Award; two others were finalists. Two have won National Book Critics Circle awards; again, another two were finalists. He has also won three PEN/Faulkner Awards (Operation Shylock, The Human Stain, and Everyman) and a Pulitzer Prize for Fiction for his 1997 novel, American Pastoral. In 2001, The Human Stain was awarded the United Kingdom's WH Smith Literary Award for the best book of the year. In 2002, he was awarded the National Book Foundation's Award for Distinguished Contribution to American Letters. Literary critic Harold Bloom has named him as one of the four major American novelists still at work, along with Thomas Pynchon, Don DeLillo, and Cormac McCarthy.[12] His 2004 novel The Plot Against America won the Sidewise Award for Alternate History in 2005 as well as the Society of American Historians’ James Fenimore Cooper Prize for Best Historical Fiction. Roth was also awarded the United Kingdom's WH Smith Literary Award for the best book of the year, an award Roth has received twice.[13] He was honored in his hometown in October 2005 when then-mayor Sharpe James presided over the unveiling of a street sign in Roth's name on the corner of Summit and Keer Avenues where Roth lived for much of his childhood, a setting prominent in The Plot Against America. A plaque on the house where the Roths lived was also unveiled. In May 2006, he was given the PEN/Nabokov Award, and in 2007 he was awarded the PEN/Faulkner award for Everyman, making him the award's only three-time winner. In April 2007, he was chosen as the recipient of the first PEN/Saul Bellow Award for Achievement in American Fiction[14].
The May 21, 2006 issue of The New York Times Book Review announced the results of a letter that was sent to what the publication described as "a couple of hundred prominent writers, critics, editors and other literary sages, asking them to please identify 'the single best work of American fiction published in the last 25 years.'" Six of Roth's novels were in the 22 selected: American Pastoral, The Counterlife, Operation Shylock, Sabbath's Theater, The Human Stain, and The Plot Against America.[15] The accompanying essay, written by critic A.O. Scott, stated, "If we had asked for the single best writer of fiction of the past 25 years, [Roth] would have won."[16]
Bibliography
Zuckerman novels
(The above four books are collected as Zuckerman Bound)
Roth novels
Kepesh novels
Other novels
Collections
Library of America Editions
Edited by Ross Miller
List of awards
References
- ^ Merriam-Webster's Dictionary of American Writers, 2001, p. 350
- ^ U.S. Department of State, U.S. Life, "American Prose, 1945-1990: Realism and Experimentation"
- ^ Lubasch, Arnold H. "Philip Roth Shakes Weequahic High", The New York Times, February 28, 1969. Accessed September 8, 2007. "It has provided the focus for the fiction of Philip Roth, the novelist who evokes his era at Weequahic High School in the highly acclaimed Portnoy's Complaint.… Besides identifying Weequahic High School by name, the novel specifies such sites as the Empire Burlesque, the Weequahic Diner, the Newark Museum and Irvington Park, all local landmarks that helped shape the youth of the real Roth and the fictional Portnoy, both graduates of Weequahic class of '50."
- ^ Roth, Philip. The Facts: A Novelist's Autobiography. New York, 1988. Roth discusses Martinson's portrait in this memoir. He calls her "Josie" in When She Was Good on pp. 149 and 175. He discusses her as an inspiration for My Life As a Man throughout the book's second half, most completely in the chapter "Girl of My Dreams," which includes this on p. 110: "Why should I have tried to make up anything better? How could I?" Her influence upon Portnoy's Complaint is seen in The Facts as more diffuse, a kind of loosening-up for the author: "It took time and it took blood, and not, really, until I began Portnoy's Complaint would I be able to cut loose with anything approaching her gift for flabbergasting boldness." (p. 149)
- ^ "Zuckerman’s Last Hurrah". New York Times. November 30, 2006.
- ^ http://www.guardian.co.uk/books/2009/oct/26/philip-roth-novel-minority-cult
- ^ http://www.thedailybeast.com/blogs-and-stories/2009-10-21/philip-roth-unbound-the-full-interview/?cid=tag:all2
- ^ http://www.guardian.co.uk/books/2009/oct/26/philip-roth-novel-minority-cult
- ^ Greenberg, Robert (Winter 1997). "Trangression in the Fiction of Philip Roth". Twentieth Century Literature 43: 487. doi:10.2307/441747. http://findarticles.com/p/articles/mi_m0403/is_n4_v43/ai_20614549.
- ^ Roth, Philip (December 1963). "Writing About Jews". Commentary.
- ^ a b Lee, Hermione (1982). Philip Roth. New York: Methuen & Co., 1982.
- ^ Bloom, Harold. "Dumbing down American readers". The Boston Globe. September 24, 2003.
- ^ WH Smith Award
- ^ PEN American Center. "Philip Roth Wins Inaugural PEN/Saul Bellow Award". April 2, 2007.
- ^ The New York Times Book Review. "What Is the Best Work of American Fiction of the Last 25 Years?". May 21, 2006.
- ^ Scott, A.O. "In Search of the Best". The New York Times. May 21, 2006.
Further reading and literary criticism
- Bloom, Harold and Welsch, Gabe, eds., Modern Critical Interpretations of Philip Roth's Portnoy's Complaint, Chelsea House, 2003.
- Bloom, Harold, ed., Modern Critical Views of Philip Roth, Chelsea House, New York, 2003.
- Cooper, Alan, Philip Roth and the Jews (SUNY Series in Modern Jewish Literature and Culture), SUNY Press, Albany, NY, 1996.
- Kinzel, Till, Die Tragödie und Komödie des amerikanischen Lebens. Eine Studie zu Zuckermans Amerika in Philip Roths Amerika-Trilogie (American Studies Monograph Series), Heidelberg: Winter, 2006.
- Milowitz, Steven, Philip Roth Considered: The Concentrationary Universe of the American Writer, Routledge, New York, 2000.
- Morley, Catherine, The Quest for Epic in Contemporary American Literature, Routledge, New York, 2008.
- Parrish, Timothy, ed., The Cambridge Companion to Philip Roth, Cambridge University Press, Cambridge, 2007.
- Podhoretz, Norman, "The Adventures of Philip Roth," Commentary (October 1998), reprinted as "Philip Roth, Then and Now" in The Norman Podhoretz Reader, 2004.
- Posnock, Ross, Philip Roth's Rude Truth: The Art of Immaturity, Princeton University Press, Princeton, New Jersey, 2006.
- Royal, Derek Parker, Philip Roth: New Perspectives on an American Author, Praeger Publishers, Santa Barbara, CA, 2005.
- Safer, Elaine B., Mocking the Age: The Later Novels of Philip Roth (SUNY Series in Modern Jewish Literature and Culture), SUNY Press, Albany, NY, 2006.
- Searles, George J., ed., Conversations With Philip Roth, University of Mississippi Press, Jackson, Mississippi, 1992.
- Searles, George J., The Fiction of Philip Roth and John Updike, Southern Illinois University Press, Carbondale, Illinois, 1984.
- Shostak, Debra B., Philip Roth: Countertexts, Counterlives, University of South Carolina Press, Columbia, SC, 2004.
- Simic, Charles, "The Nicest Boy in the World," The New York Review of Books, Vol. LV, No. 15, 9 October 2008.
- Wöltje, Wiebke-Maria, My finger on the pulse of the nation. Intellektuelle Protagonisten im Romanwerk Philip Roths (Mosaic, 26), Trier: WVT, 2006.
External links
Informational
Interviews
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Works by Philip Roth |
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Kepesh Novels
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Roth Novels
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Short Stories
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"The Conversion of the Jews" · ""Defender of the Faith" · "The Kind of Person I am" · ""Epstein" · "You Can't Tell a Man by the Song He Sings" · ""Eli, the Fanatic" · "Philosophy, or Something Like That" · "The Box of Truths" · "The Fence" · "Armando and the Frauds" · "The Final Delivery of Mr. Thorn" · "The Day It Snowed" · "The Contest for Aaron Gold" · "Heard Melodies Are Sweeter" · "Expect the Vandals" · "The Love Vessel" · "The Good Girl" · "The Mistaken" · "Novotny's Pain" · "Psychoanalytic Special" · "An Actor's Life for Me" · "On the Air" · "His Mistress's Voice" · "Smart Money" · "The Ultimatum" · "Drenka's Men" · "Communist"
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Bibliography of Philip Roth
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