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Pieter de Hooch

 

(baptized Dec. 20, 1629, Rotterdam, Neth. — buried March 24, 1684, Amsterdam) Dutch genre painter. He trained in Haarlem and was a member of the painters' guild of Delft (1655 – 57). In style and subject matter, his work is similar to that of Johannes Vermeer; he was noted for his small interiors and sunny outdoor scenes, with figures engaged in humble, domestic activities in settings of serene simplicity. In his best works, he was concerned with the effect of enclosures on light intensity, tonal variations, and linear perspective. After he moved to Amsterdam (c. 1661), his paintings increased in quantity but declined in quality. He died in a mental institution.

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Art Encyclopedia: Pieter de Hooch
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(bapt Rotterdam, 20 Dec 1629; bur Amsterdam, 24 March 1684). Dutch painter. He was one of the most accomplished 17th-century Dutch genre painters, excelling in the depiction of highly ordered interiors with domestic themes and merry companies and pioneering the depiction of genre scenes set in a sunlit courtyard. The hallmarks of his art are an unequalled responsiveness to subtle effects of daylight, and views to adjoining spaces, either through a doorway or a window, offering spatial as well as psychological release.

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Biography: Pieter de Hooch
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The paintings of middle-class Dutch interiors by the Dutch artist Pieter de Hooch (1629-after 1684) are prized both for the vision of the serenity and order of the life they portray and for their qualities of abstract organization.

Born in Rotterdam in 1629, Pieter de Hooch, or Hoogh, was employed in 1653 as a "servant" and "painter" by a cloth merchant who had homes in both Delft and Leiden and who by 1655 owned 10 paintings by De Hooch. His early works were mainly crowded scenes of the activities of soldiers in their leisure time. In 1654 De Hooch was said to be living in his native city. That year he married a Delft girl, and the following year he was a member of the Delft guild.

De Hooch's best works were painted during his residence in Delft, roughly in the years between 1655 and 1662. They clearly belong to the Delft school, with marked resemblances to the mature works of Jan Vermeer. De Hooch's earliest dated pictures are from 1658, and they show him at the height of his powers. His mastery of elaborate spatial construction is exemplified in the Card Players (1658), where the rectangles of architectural details and furnishings form an abstract pattern in which figures are placed with an effect of the most satisfying equilibrium. The view from the interior to outside areas in this painting is the kind of problem in space representation that characterized De Hooch's works of his Delft period.

The interrelations between De Hooch and his great contemporary in Delft, Vermeer, are not fully understood. They obviously shared an interest in the representation of interior space with figures. De Hooch's style differs from Vermeer's in that his light and colors are warmer, his spatial constructions tend to be more complex, and his figures lack the monumental three-dimensionality of Vermeer's. The faces that De Hooch paints are particularly lacking in conviction; they are weak in both form and characterization.

In the 1660s and 1670s De Hooch lived and worked in Amsterdam. He gradually adopted a more upper-class orientation, with greater emphasis on the elaboration of decoration and costumes. From the later 1660s on his paintings were cold and dry and not above the level of achievement of his generally prosaic followers.

The latest date De Hooch inscribed on a painting was 1684. How long he lived after that and where he died are unknown.

Further Reading

The best study of De Hooch is in German. In English see C. H. Collins Baker, Pieter de Hooch (1925), and N. Maclaren, The Dutch School (National Gallery Catalogues; 1960).

Additional Sources

Sutton, Peter C., Pieter de Hooch, Ithaca, N.Y.: Cornell University Press, 1980.

 
Columbia Encyclopedia: Pieter de Hooch
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Hooch or Hoogh, Pieter de (both: pē'tər də hōkh), b. c.1629, d. after 1677, Dutch genre painter. He worked in Delft, Leiden, and Amsterdam, painting intimate interiors that may have been influenced by those of Vermeer. Usually he preferred to paint rooms opening into other rooms or to the outdoors, intriguing the imagination with half-seen vistas, and displaying his ability to handle complicated lighting effects. His warm tone and subtle colors show Rembrandt's influence. De Hooch repeated his basic compositions many times, so that his later works are static and less interesting. One of his finest paintings is Courtyard of a Dutch House (National Gall., London). His works are housed in many European museums, and the Metropolitan Museum has seven.
Wikipedia: Pieter de Hooch
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Musical Party in a Courtyard (1677)

Pieter de Hooch (Dutch pronunciation: [ˈhoːx], also spelled "Hoogh" or "Hooghe") (baptized December 20, 1629 – 1684) was a genre painter during the Dutch Golden Age. He was a contemporary of Dutch Master Jan Vermeer, with whom his work shared themes and style.

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Biography

De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. He studied art in Haarlem under the landscape painter, Nicolaes Berchem. Beginning in 1650, he worked as a painter and servant for a linen-merchant and art collector named Justus de la Grange. His service for the merchant required him to accompany him on his travels to The Hague, Leiden, and Delft, to which he eventually moved. It is likely that de Hooch handed over most of his works to la Grange during this period in exchange for board and other benefits, as this was a common commercial arrangement for painters at the time, and a later inventory recorded that la Grange possessed eleven of his paintings.

De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were both early members of the Delft School. He became a member of the painters' guild of Saint Luke in 1655, and had moved to Amsterdam by 1661.

The early work of de Hooch, like most young painters of his time, was mostly composed of scenes of soldiers in stables and taverns, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter. After starting his family in the mid-1650s, he switched his focus to domestic scenes and family portraits. His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch. 19th century art historians had assumed that Vermeer had been influenced by de Hooch's work, but the opposite is now believed.

Woman Drinking with Soldiers, 1658, Louvre)

Though he began to paint for wealthier patrons in Amsterdam, he lived in the poorest areas of the city. Around this time, de Hooch's painting style became coarser and darker in color, and his simple domestic scenes were replaced by highly-decorated images set in palatial halls and country villas. Most scholars believe that de Hooch's work after around 1670 became more stylized and deteriorated in quality. It has been surmised that this was in part due to deteriorating health; de Hooch died in 1684 in an Amsterdam insane asylum, though how he came to be there is unrecorded.

Works

There are currently 84 paintings attributed to de Hooch:

  • Arrière-cour d'une maison hollandaise - 1650-1675, Louvre, Paris [1]
  • The Bedroom - c.1658-60 (canvas), in the Staatliche Kunsthalle Karlsruhe [2]
  • A Boy Handing a Woman a Basket in a Doorway - c.1660-63 (canvas)
  • Card Players - 1658 (canvas), in the Royal Collection, Windsor
  • Card Players in an Opulent Interior (French: Joueurs de cartes dans un riche intérieur) - 1663-1665 (canvas), Louvre, Paris [3]
  • Card Players at a Table - c.1670-74 (canvas)
  • Children in a Doorway, with 'Colf' Sticks - c.1658-60 (panel)
  • Couple in the Morning - 1665 (canvas)
  • Couple with a Parrot - c.1675 (canvas), in the Wallraf-Richartz Museum, Cologne
  • A Couple with Musicians in a Hall - 1663-65 (canvas)
  • A Couple Walking in the Citizens' Hall of Amsterdam Town Hall (aka Départ pour la promenade) - c.1663-65 (canvas), Musée des Beaux-Arts de Strasbourg[1]
  • Courtyard of a Dutch House - 1658 (Oil)
  • The Courtyard of a House in Delft - 1658 (canvas), in the National Gallery, London [4]
  • Courtyard with Lady and Serving Maid - c.1660-63 (canvas)
  • Family Portrait on a Terrace - 1667 (canvas)
  • Figures Drinking in a Courtyard - 1658 (Canvas on panel)
  • Game of Skittles - c.1665 (Oil)
  • Garden Scene with Woman Holding a Glass of Wine, and a Child - c.1658-60
  • Guardroom with Smiling Officer, Fluteplayer, and Soldiers - ???? (panel)
  • Interior of a Dutch House - c.1658 (Oil)
  • Interior of the Burgomasters' Council Chamber in the Amsterdam Town Hall, with Visitors - c.1663-65 (canvas)
  • Interior with a Young Couple - c. 1660-1665 (canvas), in the Metropolitan Museum of Art, New York City [5]
  • A Man Offering a Woman a Glass of Wine - c.1650-55 (panel)
  • A Man Reading a Letter to Woman - c.1670-74 (canvas)
  • A Man with Dead Birds, and Other Figures, in a Stable - c. 1655 (oil on oak), in the National Gallery, London [6]
  • Merry Company - c.1663-65 (canvas)
  • Merry Company with a Man and Two Women - c.1668-70 (canvas)
  • A Merry Company with Two Men and Two Women - c.1657-58 (panel)
  • The Merry Drinker - c.1650 (panel)
  • The Minuet - ???? (canvas)
  • Mother and Child with a Serving Woman Sweeping - c.1655-57 (panel)
  • Mother and Child with a Serving Woman Sweeping - ???? (canvas)
  • A Mother and Child with Its Head in Her Lap - c.1658-60 (canvas)
  • Mother and Child with Schoolboy Descending a Stair - 1668
  • Mother and Infant with Maidservant and a Child - c.1663-65 (canvas)
  • Music Party in a Hall, A - c.1663-65 (canvas)
  • A Musical Party in a Courtyard - 1677 (oil on canvas), in the National Gallery, London [7]
  • Musical Party on a Terrace, with the Town Hall - c.1667 (canvas)
  • Musical Party, A - 1674 (canvas)
  • An Officer and a Woman Conversing, Soldier at the Window - c.1663-65 (canvas)
  • A Party of Figures Around a Table - c.1663-65 (canvas)
  • Paying the Hostess - mid-1670s (canvas), in the Metropolitan Museum of Art, New York City [8]
  • Portrait of a Family in a Courtyard in Delft - 1657-60 (Oil on canvas)
  • Portrait of a Family Making Music - 1663 (canvas)
  • Portrait of the Jacott-Hoppesack Family - c.1670 (canvas)
  • Saint Peter Liberated from Prison - c.1650-55 (panel)
  • Seated Couple with a Standing Woman in a Garden, A - c.1663-65 (canvas)
  • Seated Soldier with a Standing Serving Woman, A - c.1652-55 (panel)
  • Soldier with an Empty Glass and a Serving Woman, A - c.1650-55 (panel)
  • Soldier, Woman, and Messenger - c.1654-57
  • Soldiers and Serving Woman with Card Players - c.1665 (Oil on canvas)
  • Soldiers Playing Cards - 1657-58 (panel)
  • Soldiers with a Flute Player and a Serving Woman - ???? (panel)
  • Sportsman and a Lady, A - 1684 (canvas)
  • Standing Woman Holding an Infant, with a Woman Beside a Candle - ???? (canvas)
  • Trac-Trac Players - c.1652-55 (Oil on panel)
  • Two Couples Embracing - c.1673-75 (canvas)
  • Two Soldiers and a Serving Woman with Trumpeter - c.1650-55 (panel)
  • Two Soldiers and a Woman Drinking in a Courtyard - c.1658-60 (canvas)
  • Two Women and a Child in a Courtyard - c.1657-58 (Oil on panel)
  • Two Women and a Man Making Music - 1667
  • Two Women Beside a Linen Chest, with a Child - 1663 (canvas)
  • Two Women in a Courtyard - c.1657-60 (canvas)
  • Woman and a Young Man with a Letter, A - 1670 (canvas)
  • Woman and Child in a Bleaching Ground, A - c.1657-59 (canvas)
  • Woman and Child in an Interior - c.1658 (canvas)
  • Woman and Child with a Parrot - 1673
  • A Musical Conversation - 1674 Honolulu Academy of Arts
  • A Woman and her Maid in a Courtyard - c. 1660-1661 (canvas), in the National Gallery, London [9]
  • Woman Carrying a Bucket and Broom in a Courtyard - ???? (canvas)
  • Woman Drinking with Soldiers (French: La Buveuse) - 1658, Louvre, Paris [10]
  • A Woman drinking with Two Men, and a Maidservant - 1658 (Oil on canvas), in the National Gallery, London [11]
  • Woman Feeding a Parrot, with a Man and Serving Woman - ???? (canvas)
  • Woman Lacing Her Bodice Beside a Cradle - c.1661-63 (canvas)
  • Woman Nursing an Infant, with a Child and a Dog - c.1658-60 (canvas), in San Francisco
  • A Woman Peeling Apples, with a Small Child - c. 1663 (canvas), in the Wallace Collection, London
  • A Woman Preparing Bread and Butter for a Boy - c. 1660-1663, in the Getty Center, Los Angeles [12]
  • Woman Preparing Vegetables - ???? (panel)
  • Woman Reading a Letter by a Window - 1664 (canvas), in the Museum of Fine Arts, Budapest
  • Woman Reading a Letter, and a Man at a Window, A - c.1668-70 (Canvas on panel)
  • Woman Reading, with a Child, A - c.1660-63 (canvas)
  • Woman Receiving a Letter from a Man, A - c.1668-70 (Canvas on panel)
  • Woman with a Baby in Her Lap, and a Small Child, A - 1658 (panel)
  • Woman with a Basket in a Garden, A - c.1651 (canvas)
  • Woman with a Lute and a Man with a Flute, A - ???? (canvas)
  • Woman Weighing Coins - c.1664 (canvas) Kaiser Friedrich Museum-Verein, Berlin
  • Wounded Man - c.1667 (canvas)

Sources

References

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Pieter de Hooch" Read more