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placebo

 
Dictionary: pla·ce·bo   (plə-sē') pronunciation

n., pl., -bos, or -boes.
    1. A substance containing no medication and prescribed or given to reinforce a patient's expectation to get well.
    2. An inactive substance or preparation used as a control in an experiment or test to determine the effectiveness of a medicinal drug.
  1. Something of no intrinsic remedial value that is used to appease or reassure another.
  2. (plä-chā') Roman Catholic Church. The service or office of vespers for the dead.

[Middle English, from Late Latin placēbō, I shall please (the first word of the first antiphon of the service), first person sing. future tense of Latin placēre, to please.]


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Wordsmith Words: placebo
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(pluh-SEE-bo)

noun
1. A substance having no medication (sugar pills, for example), prescribed merely to satisfy a patient or given in a clinical trial to compare and test the effectiveness of a drug.
2. Something (such as a remark or action) that is used to soothe someone but one that has no remedial value for what is causing the problem.

Etymology
From Latin placebo (I shall please), from Latin placere (to please)

What does placebo have in common with placid, plea, pleasant, or complacent? All derive from Latin placere and refer to the sense of being agreeable.
Here's a detailed article from the Washington Post about the placebo effect: tinyurl.com/2la0.

Usage
"Pregnant women undergoing controversial Aids drug trials at the Chris Hani Baragwanath Hospital are fully aware that they stand a one-in-four chance of receiving a placebo." — Swapna Prabhakaran; Mothers Give Support to Placebo Trials Relevancy; Mail and Guardian (Johannesburg, South Africa); Oct 3, 1997.

"It could only have happened in the South, where good manners are considered the highest form of virtue. The governor of Louisiana, Mike Foster, has decided that children these days don't show enough respect for their elders. His solution: pass a law to ban impoliteness. ... A law about conduct is just a sorry placebo for a host of deeply-rooted social problems." — United States: And Sit Up Straight, The Economist (London), Jul 10, 1999.


Food and Fitness: placebo
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An inert, harmless substance which resembles a medicine. Placebos are used in research when new medicines and dietary supplements are tested. They enable a researcher to distinguish between the psychological effects of a treatment and its physiological effects. If a person expects a substance to be of benefit, it often is. This was demonstrated in a classic study of the effects of vitamin C on the frequency of colds. One group of subjects was given a placebo and told it was vitamin C, while another comparable group was given vitamin C and told it was a placebo. Surprisingly, the group taking the placebo reported fewer colds than the group taking vitamin C, illustrating how strong the power of suggestion can be. The placebo effect may be reinforced by overt suggestions; for example, by exaggerated claims of manufacturers that they have produced a new wonder drug. In properly controlled tests of a drug, neither the investigators nor the subjects should know who is taking the drug and who is taking the placebo.

The placebo effect is often used by physicians who prescribe an inert, innocuous substance to patients who need the psychological boost of being given something they believe will heal them. This effect is also used by sports trainers. Placebo salves with no pharmacologically active ingredients have been used to relieve muscle fatigue. The placebo effect is also a major consideration when evaluating the effectiveness of a training system. Some of the physiological improvements associated with the training may be brought about by a psychological belief that the system works, independent of what the actual system is (as long as the system itself is not harmful). There is a suggestion that the placebo effect may be due to the release of chemicals in the brain which have an effect similar to morphine (see endorphins).

Dental Dictionary: placebo
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(plə-sē-bō)
n

A substance that resembles medicine superficially and is believed by the patient to be medicine but that has no intrinsic drug activity.

An inactive substance or situation that should not have any effect on a person, but which may do so, possibly as a result of suggestion, but for no other biochemical or physical reason. Placebos are used in drug tests as a control to distinguish between effects caused specifically by the drug and effects caused by suggestion. In such tests, neither the investigator or subject should know which is the placebo and which is the genuine drug (a double-blind trial).

 
placebo (pləsē'), inert substance given instead of a potent drug. Placebo medications are sometimes prescribed when a drug is not really needed or when one would not be appropriate because they make patients feel well taken care of. Placebos are also used as controls in scientific studies on the effectiveness of drugs. So-called double blind experiments, where neither the doctor nor the patient knows whether the given medication is the experimental drug or the placebo, are often done to assure unbiased, statistically reliable results. A traditional placebo's lack of side effects, however, often identifies it, so an older drug is sometimes used in drug tests instead of or in addition to a placebo.

The "placebo effect" is an apparent improvement in health due not to any treatment but only to the patient's belief that he or she will improve (as by taking a dummy pill that is thought to be a cure). A report released in 2001, however, reviewed 114 studies where use of a placebo was compared to both treatment and no treatment and found no placebo effect with respect to measurable medical conditions, such as blood pressure and cholesterol levels. An opposite, or "negative placebo effect," has been observed when patients believe their health will get worse.


Health Dictionary: placebo
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(pluh-see-boh)

A substance containing no active drug, administered to a patient participating in a medical experiment as a control.

  • Those receiving a placebo often get better, a phenomenon known as the placebo effect.

  • World of the Mind: placebo
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    A placebo is a medical treatment that works (i.e. relieves symptoms or cures disease) because the patient believes it works.

    1. The placebo response as a process
    2. Therapeutic potential of the placebo response
    3. Mechanisms of the placebo response

    1. The placebo response as a process

    A placebo response (or placebo effect) is a process that typically consists of several steps. The first step occurs when a patient receives some medical treatment. Next, the patient forms a belief that the treatment just received will help relieve or cure the condition that he or she is suffering from. The next step involves a cascade of chemical messengers that translate this belief (a neural process) into a physiological and/or immune response. Finally, this physiological or immune response must effect some measurable clinical improvement. Each of these steps will now be discussed briefly.

    The first step in a typical placebo response involves the application of some medical treatment. If this medical treatment is one that can work only because a patient believes it works, such as a sugar pill or an injection of salt water, it should be called a pure placebo. Even medical treatments that work independently of belief can, however, also produce placebo effects; such treatments may be called impure placebos, since they work both by means of the belief effect and by other routes that do not depend on belief. Thus potentially any treatment modality can function as a placebo, including surgical procedures and the various kinds of psychotherapy and alternative medicine.

    The next step in a typical placebo response is the activation of some psychological process. Not everyone would concur with the description of this psychological process in terms of 'belief'. Some describe the psychological process in terms of 'expectancies', whereas others prefer to speak of conditioning. Despite these disagreements, all agree that some psychological or neural process must mediate the effects of a medical treatment for it to be regarded as a placebo.

    Next, the neural process must trigger the release of chemical messengers which, in turn, activate or suppress physiological and/or immune processes.

    Finally, the activation or suppression of these physiological or immune processes must result in some measurable clinical improvement. This final step is essential; if a treatment has no clinical effect, it cannot be called a placebo, and no placebo effect can be said to occur. Suppression of immune processes may lead merely to symptomatic relief, since many common symptoms are in fact produced by the immune system to protect the body and enhance recovery, but it may also result in clinical improvement if the preceding pathology involved overactivation of an immune response.

    2. Therapeutic potential of the placebo response

    There is still substantial disagreement among medical scientists as to the range of medical conditions and symptoms that can be affected by placebos. An influential paper by the American anaesthetist Henry Beecher gave rise to the view that placebos could affect virtually any medical condition. This view was largely accepted by medical scientists until the late 1990s, when a number of critical studies began to appear arguing that placebos were virtually useless. These studies pointed out that Beecher had based his claims on clinical trials that simply compared a group of patients receiving an active treatment with another group who received a pure placebo. As the critics noted, such studies tell us nothing about the placebo effect. To get relevant data on that question, it is necessary to compare patients receiving placebos with those who receive no treatment. Yet very few clinical trials include a no-treatment group, so good data is hard to come by.

    Rather than asking whether or not placebos work, which carries the absurd implication that placebos must either work for all medical conditions or none, researchers are now beginning to ask the much more sensible question of which medical conditions placebos work for. There is already substantial evidence that placebos can have powerful analgesic effects. Placebos have also been shown to relieve other symptoms and signs such as trismus and swelling, but debate still rages as to whether placebos can cure diseases as well as relieving symptoms. There is some evidence that placebos can cure stomach ulcers and relieve depression, but not everyone finds this evidence convincing. Contrary to popular opinion, there is no evidence that placebos can cure cancer.

    3. Mechanisms of the placebo response

    The debate about which conditions are placebo responsive has had a profound impact on thinking about the mechanisms by which placebos work — i.e. on theories about the chemical messengers and biological pathways that translate the relevant beliefs into measurable clinical benefits. When scientists believed that placebos could affect any and every medical condition, they assumed that placebo responses must therefore involve a wide variety of biological mechanisms, since the idea that a single type of mechanism could alleviate so many different medical conditions would have been totally implausible. Now that scientists reject the earlier grand claims made for placebos, and it is increasingly plausible that the class of placebo-responsive conditions will turn out to be quite restricted, it is more tenable that a single biological pathway, or a small group of such pathways, may be activated in all placebo responses. With a few exceptions, scientists have so far been generally unwilling to speculate about which pathways are involved, although current research in psychoneuroimmunology (which studies the interaction between the nervous system and the immune system) will no doubt throw light on this question.

    The first breakthrough in elucidating the biological pathways involved in the placebo response came in 1978, when Jon Levine, N. C. Gordon, and Howard Fields showed that endorphins played a crucial role in placebo analgesia. Endorphins (short for 'endogenous morphine') are the body's natural painkillers, and their release is highly sensitive to psychological input. It is not yet known whether endorphins mediate placebo responses for symptoms other than pain.

    Just how the release of endorphins comes to be associated with medical treatments (even ones that are otherwise useless) remains the subject of debate. One influential model is based on the theory of conditioning. According to this view, drugs and other kinds of medical treatment that work even if you do not believe in them function as unconditioned stimuli, while the improvement that ensues after receiving such treatments is the unconditioned response. The conditioned stimuli are all the things that are repeatedly paired with taking the drug. Suppose, for example, that you notice that the pill is always pink and round, and is always prescribed by a man in a white coat. After being prescribed this pill several times, you will come to associate these things with the feeling of getting better. Then, if the doctor gives you a pink pill with no medication in it, you will respond by feeling better, just as Pavlov's dogs salivated in response to a bell that was not accompanied by food.

    It is now known that various immune processes can be conditioned, so conditioning may also explain how other kinds of chemical messenger, apart from endorphins, may be triggered by placebos. Although much research into the process of conditioning was conducted by behaviourists, who deny the existence of mental states such as beliefs, the conditioning theory of placebos does not in fact rule out a role for belief as the crucial psychological variable that mediates all placebo responses.

    (Published 2004)

    — Dylan Evans

      Bibliography
    • Beecher, H. K. (1955). 'The powerful placebo'. Journal of the American Medical Association, 159.
    • Evans, D. (2003). Placebo: The Belief Effect.
    • Harrington, A., (ed.) (1997). The Placebo Effect: An Interdisciplinary Exploration.
    • Humphrey, N. (2002). 'Great expectations: the evolutionary psychology of faith healing and the placebo response'. In The Mind Made Flesh: Essays from the Frontiers of Psychology and Evolution.
    • Levine, J. D., Gordon, N. C., et al. (1978). 'The mechanism of placebo analgesia'. Lancet, 2.


    [L.] a substance given to a patient as medicine or a procedure performed on a patient that has no intrinsic therapeutic value but pleases the patient's owner who expects to have to give the animal some medicine. A placebo may be administered in the form of a sugar pill or an injection of sterile water.
    Placebos are also used in controlled clinical trials of new drugs. While some patients selected at random are given the new drug, others are given a placebo. Often this is an active placebo that mimics the new drug's side-effects. Neither the patients nor the veterinarians know who is receiving the real drug. The patients taking the new drug must have significantly more relief of signs than the control group taking the placebo for the new drug to be considered to be effective. Placebos can produce an effect that is either positive, with improvement of signs, or negative, with worsening of signs or the appearance of adverse side-effects.

    Artist: Placebo
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    See Placebo Lyrics
    • Formed: 1994, London, England
    • Genres: Rock
    • Representative Albums: "Without You I'm Nothing", "Once More with Feeling: Singles 1996-2004", "Black Market Music
    • Representative Songs: "Every You Every Me", "Nancy Boy", "Pure Morning

    Biography

    Due to their penchant for androgynous attire/makeup and raw guitar riffs, Placebo has been described by some as a glam version of Nirvana. The multi-national band was formed by singer/guitarist Brian Molko (part Scottish and American, but raised in Britain) and bassist Stefan Olsdal (originally from Sweden). Earlier, both had attended the same school in Luxembourg, but didn't cross paths properly until 1994 in London, England. Briefly called Ashtray Heart and influenced by the likes of Sonic Youth, the Pixies, the Smashing Pumpkins, and the aforementioned Nirvana, Placebo's drum slot was filled alternately early on by Robert Schultzberg and Steve Hewitt (the latter being the group's only member of British origin). Although Molko and Olsdal preferred Hewitt as their main man (it was this lineup that recorded several early demos), Hewitt opted to return to his other band at the time, Breed. With Schultzberg back on board, Placebo signed a recording contract with Caroline Records, which had issued the trio's self-titled debut in 1996. The album was a surprise hit in the U.K., where such singles as "Nancy Boy" and "Bruise Pristine" became hits, as the group became the toast of the British music weeklies and supported their debut with opening for such outfits as a the reunited Sex Pistols, U2, and Weezer.

    Despite their success right off the bat, Schultzberg wasn't seeing eye to eye with the other bandmembers, who by this point were able to convince Hewitt to come back onboard full-time, prompting Schultzberg's exit from the band. One of Hewitt's first performances with Placebo upon returning proved to be a big one, as major fan David Bowie personally invited the trio to play at his 50th birthday bash at New York's Madison Square Garden in 1997. The following year, Placebo switched over to the major-label division of Caroline, Virgin Records, and issued Without You I'm Nothing in November. The album was another large seller in England and initially appeared to be the group's breakthrough in the U.S., where MTV embraced the album's leadoff single, "Pure Morning," but subsequent singles/videos failed to match the success of its predecessor. Around the same time, Placebo also recorded a cover version of T. Rex's classic "20th Century Boy" for the movie Velvet Goldmine, in which the trio appeared performing the song as well.

    The relationship between Placebo and Bowie continued to blossom, as Bowie made a special appearance on-stage with the band during a tour stop in New York, in addition to both parties uniting for a re-recording of the title track from Without You I'm Nothing (issued as a single in 1999). Placebo's third release, Black Market Music added hip-hop and disco elements to the band's tense rock sound. The U.K. saw a release date in early 2000; stateside fans were treated to a resequenced version that fall. The U.S. version featured a slightly different track listing, adding the aforementioned Bowie version of "Without You I'm Nothing" and the band's cover of Depeche Mode's "I Feel You." The recording spawned additional U.K. hits such as "Taste in Men" and "Slave to the Wage."

    In spring 2003, Placebo showcased a harder edge with the release of their fourth album, Sleeping with Ghosts. The album went Top Ten in the U.K. and sold 1.4 million copies worldwide. Australian tour dates with Elbow and U.K. shows with Har Mar Superstar followed in 2004. Placebo's singles collection, Once More with Feeling: Singles 1996-2004, was released before the year's end. The 19-song compilation included their biggest U.K. hits and the new track "Twenty Years." Frenchman Dimitri Tikovoi (Goldfrapp, the Cranes), who mixed select songs on Once More with Feeling, produced Placebo's fifth effort, 2006's Meds. In 2007, after scheduling to tour with Linkin Park and My Chemical Romance on the Projekt Revolution tour, Virgin released the Extended Play '07 EP as a simple introduction for new fans to the band's past decade of music. ~ Greg Prato, All Music Guide
    Discography: Placebo
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    Without You I'm Nothing [Australia CD Single #2]

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    Gift Pack

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    Twenty Years [CD #1]

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    Taste in Men [#1]

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    Taste in Men [#2]

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    Black Market Music

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    Black Market Music

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    Black Market Music [Bonus Tracks]

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    Meds [Single]

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    Meds, Pt. 1

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    Meds, Pt. 2

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    Once More with Feeling: Singles 1996-2004 [Bonus Disc]

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    Once More with Feeling: Singles 1996-2004

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    Once More with Feeling: Singles 1996-2004

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    Once More with Feeling: Singles 1996-2004

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    Once More with Feeling: Videos 1996-2004 [DVD]

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    Without You I'm Nothing

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    Without You I'm Nothing [UK Limited Edition]

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    You Don't Care About Us [#1]

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    Without You I'm Nothing [Australia Bonus Disc CD Single]

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    Every You Every Me [#2]

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    Song to Say Goodbye, Pt. 2

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    Androgyny

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    Infra-Red

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    Battle for the Sun

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    Battle for the Sun [Limited Edition]

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    Placebo Box Set

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    Extended Play '07

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    Placebo

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    Placebo

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    Placebo [Bonus DVD]

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    This Picture [UK CD]

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    Maximum

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    Twenty Years [CD #2]

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    Special K

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    Every You Every Me [#1]

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    Every You Every Me [Import CD Single] [Bonus Track]

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    Blackeyed

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    X-Posed: The Interview

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    Soulmates Never Die: Live in Paris 2003

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    English Summer Rain [CD #1]

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    Meds

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    Meds [Bonus DVD]

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    Meds [Bonus Tracks]

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    Sleeping with Ghosts

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    Sleeping with Ghosts [Bonus CD]

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    Sleeping with Ghosts [Bonus CD]

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    Sleeping with Ghosts [Bonus Tracks]

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    Slave to the Wage [CD1]

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    Slave to the Wage [CD2]

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    Meds [Single Mix]

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    Wikipedia: Placebo (band)
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    Placebo

    Placebo at Coachella 2007
    Background information
    Genres Alternative rock
    Post-punk revival
    Years active 1994–Present
    Labels PIAS (Current, International)
    Vagrant (Current, USA and Canada)
    EMI (1995 - 2007)
    Virgin (2004 - 2007)
    Hut (1996 - 2004)
    Caroline (1996)
    Deceptive (1995)
    Associated acts Hotel Persona
    Website Placeboworld.co.uk
    Members
    Brian Molko
    Stefan Olsdal
    Steve Forrest
    Former members
    Robert Schultzberg
    Steve Hewitt

    Placebo are an alternative rock band formed in London in 1994, currently consisting of Brian Molko, Stefan Olsdal and Steve Forrest. To date, they have released six studio albums, six EPs and twenty-seven singles. The band have gained a considerable amount of international recognition, and have sold over one million albums in the UK[1] and over ten million worldwide.[2]

    Thus far, Placebo are best known for hit songs such as "Nancy Boy", "Pure Morning", "Every You Every Me", "Infra-Red", a cover of the Kate Bush's "Running Up That Hill", and For What It's Worth.[3] Their style has varied greatly. The band's first album featured a raw sound and a fairly minimalistic instrumental lineup, but proceeding ones have had a slower, more melancholy, tone and they started experimenting with synthesisers and other, less traditional, modes of sound production (particularly after Black Market Music).

    The band have gained some measure of notoriety for the sexualities of its members (Olsdal is gay and Molko is bisexual) as well as for their excessive lifestyles and Molko's androgynous image, which are often referred to in their songs (see Style and Songwriting). In recent years, however, the band have become less sexually charged.

    Contents

    History

    Formation (1994-1996)

    Placebo were formed by singer/guitarist Brian Molko and bassist Stefan Olsdal. Earlier, both had attended the American International School of Luxembourg, but didn't cross paths properly until 1994 in London, England. At the time, Olsdal was taking guitar lessons and was on his way home, when he met Molko at the South Kensington tube station. Molko, observing that Olsdal had a guitar strapped to his back, invited Olsdal to watch him perform at a local bar. On the strength of Molko's performance, Olsdal decided that they should start a band.[4]

    Originally the two were unable to decide on a drummer. Molko had some experience playing with Steve Hewitt, making Hewitt the ideal choice for drummer (the two were introduced by Hewitt's ex-girlfriend in 1991 outside of Burger King). Because Hewitt had prior commitments to the London band Breed, he only had time to play on occasional demos with Molko and Olsdal, however. This led to Robert Schultzberg assuming the position of drummer when the band signed its contract with Caroline Records. Schultzberg had known Olsdal from school in Luxembourg as well as from an earlier Swedish band which they had both been a part of.[5]

    As to the name "Placebo, Stefan Olsdal remarked in an MTV interview that it was chosen because of its Latin origins[4]; “placebo” literally translates from Latin as “I will please". Frequently in interviews, Molko has stated that the name is loosely a satirical reflection of the 1990s cliche of naming one's band after a drug.[4] When asked about naming a band, Molko said:

    It’s a complex question to answer, really. As musicians you try to find a name for your band that represents you and you never really do, because, basically, names for bands lose their meaning after a while. They become a series of sounds that you associate with people in music. The most important thing for a name is that you can imagine forty-thousand people screaming it in unison.[6]

    Debut album, lineup change and glam connection (1996-1998)

    Placebo's self titled debut album was released 16 July 1996 and was a major success, peaking at five on the UK Albums Charts at the height of the Britpop era. Placebo featured ten tracks (eleven including the hidden bonus track "Hong Kong Farewell"), their most popular being Nancy Boy. In 1998 Q Magazine readers voted it as the 87th greatest album of all time. The band remastered and reissued the album on 18 September 2006 for its tenth anniversary.

    Tension with Schultzberg began to rise. The band initially let him go in September 1995, but he was rehired to record the first seven inch single "Bruise Pristine". After an argument in August 1996, right before doing their first TV show, Molko decided that it would be best for the band if Schultzberg left. Schultzberg suggested playing together until they finished the promotion of their first album, Placebo.[7]

    Eventually, Schultzberg did indeed leave the band. In September 1996, Placebo was on a United States tour; before going on stage for their first show in New York state, Olsdal informed Schultzberg that he wasn't going on the tour in Germany that was following the US one. At the manager’s request, Schultzberg did two more shows with the band in Paris after the US tour, the last of which was a performance on “Nulle Part Aillleurs.” Molko has said that he was "tired of being the focus of Robert’s rages against the world".[7] While Schultzberg was with the band, several early works were recorded including their first 7" single "Bruise Pristine", the "Come Home" EP, the single version of "Nancy Boy" with B-sides "Slackerbitch", "Miss Moneypenny", "Bigmouth Strikes Again" and their eponymous debut album. On the track "I Know", he played didgeridoo as well as drums. Schultzberg's departure left many fans disappointed, with the band switching to a softer sound after his leaving. In the same year, however, they were able to convince Hewitt to return to Placebo as their full-time drummer. Molko remembers: “Even at the beginning, Robert and I couldn’t be in the same room with each other without wanting to be violent".

    In early 1996, Placebo opened several concerts for David Bowie in Italy, France and Switzerland as part of his Outside Tour[8] after he had only heard one of their demos.[7] Placebo's initial success has partially been accredited to their relationship with Bowie.[citation needed]

    One of Hewitt's first performances with Placebo, upon returning, proved to be a big one. Bowie invited the trio to play at his 50th birthday at New York's Madison Square Garden in 1997. The party also included such luminaries as Billy Corgan of Smashing Pumpkins, Robert Smith of the The Cure, and Lou Reed.[9]

    The band's glam connections continued. In 1998, Placebo recorded a cover of T.Rex's "20th Century Boy" for the Velvet Goldmine soundtrack. The band also had minor roles in the film. Bowie made a special appearance onstage with Placebo during a tour stop in New York. A version of the song "Without You I'm Nothing", which originally appeared on the album with the same name, featured a duet containing both Molko and Bowie. Placebo played "20th Century Boy" live with David Bowie at the BRIT Awards show in 1999.

    Without You I'm Nothing and Black Market Music (1998-2003)

    Brian Molko in 1999.

    In 1998, Placebo switched to the major label Virgin Records, and issued their album Without You I'm Nothing in November. It was another large seller in England and initially appeared to be the group's breakthrough in the US, where MTV embraced the album's lead single "Pure Morning", but subsequent singles/videos failed to match the success of its predecessor.[10]

    The singles "Nancy Boy", from Placebo (1996), and "Pure Morning", from Without You I'm Nothing, were the peak of their British success, both charting in the top ten. Since Without You I'm Nothing, the band have received less positive coverage from the British music press who, on occasion, have mocked the perceived pretension of front-man Molko. However, the band has retained a huge popular and critical following in continental Europe. By way of their English-accented fluent French front-man, France has become their first target market in Europe, which has led to them gaining a huge popularity there, even in excess of their British fan base.[11]

    The band's third release, Black Market Music, added hip-hop and disco elements to the band's tense rock sound. The UK saw a release date in October 2000; US fans were treated to a re-sequenced version that autumn. The US version featured a slightly different track listing, adding the aforementioned Bowie version of "Without You I'm Nothing" and the band's cover of Depeche Mode's "I Feel You". The recording spawned additional UK hits such as "Taste in Men" and "Slave to the Wage".[10]

    Placebo encountered resistance from the British music industry upon release of the single "Special K" due to its use of a ketamine high as a simile for love. The song was released in Australia as a single before eventually being made available in the UK as an EP featuring the B-sides and remixes that would have filled out a conventional two-disc single release. At the time the band claimed this was due to dissatisfaction with the two-disc single format, a claim somewhat undermined by their subsequent single releases all being made available in two-CD formats accompanied by a 7" vinyl.

    Their style altered little from Placebo through Black Market Music, based around fairly straightforward guitar playing, often influenced by the style of 1970s British and American rock, and Molko's high-pitched vocals. The first single for the album, "Taste in Men", was one of their most popular, with a trance synthesiser in the background and wailing distorted guitars.[12] Black Market Music did not receive the same level of long term recognition and media hype as Without You I'm Nothing did, but its peak sales outperformed those of its predecessor, in both the UK and France.

    Sleeping With Ghosts and Once More With Feeling (2003-2006)

    In spring 2003, Placebo showcased a harder edge with the release of their fourth album, Sleeping with Ghosts. The album went Top Ten in the UK and sold 1.4 million copies worldwide. Australian tour dates with Elbow and UK shows with Har Mar Superstar followed in 2004. Sleeping with Ghosts was more adventurous than Black Market Music, experimenting with dance tunes, electronic music influences and a less rocky, more polished guitar sound, though keeping the traditional sound for several songs, including the first single "The Bitter End".

    In autumn of 2004, Placebo's singles collection, Once More with Feeling: Singles 1996-2004 (on both CD and as a DVD featuring the band's videos) was released. The 19-song compilation included their biggest UK hits and the new track "Twenty Years". That same year, they played a one-night-only gig at Wembley Arena. Robert Smith of The Cure guested with them on two tracks, "Without You I'm Nothing" and a cover of the Cure's "Boys Don't Cry". This performance was to be their last UK gig until 2006. After the Wembley gig, Placebo went on a short Once More With Feeling tour in South America. On 2 July 2005, the group performed "Twenty Years" and "The Bitter End" at the Live 8 concert, at the Palais de Versailles in France (see Live 8 concert, Paris). Their 2006 tour of the UK sold out in one weekend.

    There was a bit of controversy while the band was on their promotional South American Tour. As revealed on the Once More With Feeling DVD Extras, whilst on tour in South America, Placebo and Limp Bizkit played on the same evening. Trouble occurred when Placebo's manager would not let Fred Durst on stage as he did not recognise him and thought he was simply a fan trying to get an autograph. After eventually getting on stage, Durst began the chant "Placebo sucks". Placebo roadie Adam Okrasinski was later charged with aggravated battery when he allegedly punched a member of Durst's entourage in an altercation that took place after the show between members of both band's camps. Charges were later dropped in lieu of community service.[citation needed]

    Meds and lineup change (2006-2009)

    In September 2005, the band finished the recording phase of Meds which was released on 13 March (delayed in US until 4 April). The first single on the new album to be released in the UK was "Because I Want You". "Song To Say Goodbye" was the first international single (released simultaneously with "Because I Want You"). The album was remastered from October to January. Two songs, recorded on the album, feature duets with American singers: "Meds" with Alison Mosshart of The Kills and "Broken Promise" with Michael Stipe of R.E.M.. Frenchman Dimitri Tikovoi (Goldfrapp, the Cranes) who mixed select songs on Once More with Feeling, produced Placebo's fifth effort. The band has stated that the album is an attempt to capture the feel of a first album, though the album has not forgotten many of the techniques used in their previous ones.

    Meds was leaked over the Internet on 17 January 2006. The official release date of Meds was 13 March 2006, making the leak almost two months early. It was projected by the band's record label to potentially cause a very dangerous loss of profit upon the album's release; nevertheless in most countries the album debuted relatively well, at #4 in Australia and #7 in the UK. The second single from Meds was "Infra-Red". It was released on 19 June 2006 in the UK.

    In 2006, Placebo switched labels to Astralwerks and re-released several revisions of their earlier works. In October their debut album Placebo was digitally remastered and re-released with the title "10th Anniversary Collectors Edition"; the box set also includes a DVD containing music videos, concerts and TV performances. Three additional songs: "UNEEDMEMORETHANINEEDU", "Lazarus", and "Running Up That Hill" were added to the US Version of Meds (and the song "In The Cold Light of Morning" was taken off of the album).[citation needed]

    Placebo joined Linkin Park and various other acts for 2007's Projekt: Revolution tour. The tour is an annual event and, in 2007, Linkin Park decided to make the tour ostensibly "green" by donating $1 of every ticket to American Forests through their charity Music for Relief.[13]

    In 2007, after the tour "Projekt: Revolution" had been scheduled, Virgin released the Extended Play '07 EP as a simple introduction for new fans to the band's past decade of music. The compilation features eight songs, namely: "Nancy Boy", "Every You Every Me", "Taste In Men", "The Bitter End", "Meds", "Pure Morning", "Infra-Red" and the cover "Running Up That Hill".

    On 1 October 2007, Steven Hewitt left Placebo. Brian Molko commented "Being in a band is very much like being in a marriage, and in couples—in this case a triple—people can grow apart over the years. To say that you don't love your partner anymore is inaccurate, considering all that you've been through and achieved together. There simply comes a point when you realise that you want different things from your relationship and that you can no longer live under the same roof, so to speak."[14] In mid-2008, the band acquired new drummer Steve Forrest.[14]

    Molko gave two performances in 2008. The first was in late October, when he performed on the Serge Gainsbourg tribute show that was recorded and posted on the Internet; this was the only video of any Placebo member since Projekt Revolution ended in 2007. The second was with the rest of the band, when they gave one live performance in 2008, as part of an MTV Europe Foundation event, a campaign against human trafficking held in Angkor Wat in December 2008.[14]

    Placebo left EMI in 2008, but the label plans to release the complete Placebo recordings [15] including all the studio albums, DVDs and B-Sides. Released on 8 June 2009 it holds ten discs.

    Battle for the Sun (2009-present)

    In January 2009, Placebo confirmed that they had finished working on the follow-up to 2006's Meds and plan to release it in June 2009. The full track list was announced on the band's website in March 2009. The album, Battle for the Sun, is the first to feature new drummer Steve Forrest. It was released on 8 June 2009, through the PIAS Entertainment Group.[2] The album was recorded in Toronto, Canada, with producer David Bottrill.[16]

    The album's title track "Battle for the Sun" debuted on Zane Lowe's BBC Radio 1 show on 17 March 2009. Subsequently, it became available for free download on the band's official website. On the same day, they played a secret concert in London, performing some of the material from the album, including the tracks ‘Ashtray Heart’, ‘Julien’, ‘Kitty Litter’, ‘Speak in Tongues’ and ‘Devil in the Details’. In their review for the gig, Rock Sound wrote[citation needed] that the new album is a heavier-sounding record compared to its predecessor Meds, and recalls the atmosphere of ‘Without You I’m Nothing’. There are also string arrangements present on the new tracks.

    The first single, "For What It's Worth", made its radio debut on 20 April 2009. It became available for download on iTunes and emusic from 12:00am GMT on 21 April 2009[14], and the video for the single premiered on Myspace at the same time.[17] It was physically released on 1 June 2009.[14]

    In May 2009, Placebo went on to perform three concerts in the United Kingdom, at relatively intimate venues in Sheffield, Bournemouth and London, before departing to the 2009 summer festival season in Europe and Asia. Unveiling the new album with a full track-by-track rundown, Molko told the Scottish News of the World's A-Listed magazine: "It feels like a new beginning...we're reinvigorated, refreshed and ready to take on the world."[18]

    On 13 May 2009, the band's official website, "Placeboworld", was launched in a revamped version with more interactive features and an online shop. From 29 to 31 May 2009, Placebo streamed the new album on their official website. Fans signed up for the official mailing list received an unique code for logging in to 5 listenings of the album in its entirety.

    In July 2009, Placebo - "Every You Every Me" was voted #83 in Triple J Hottest 100 of all time, voted by the Australian public.[19]

    On November 5th, 2009, Placebo won the MTV Europe Music Awards for Best Alternative.

    In December 2009, Placebo released iTunes Live: London Festival '09, a live album recorded at the iTunes Festival at The Roundhouse, Camden, on 14 July 2009. The album contains 19 live songs and a digital booklet. It is only currently available through the iTunes Store.

    Style and Songwriting

    Influences

    Due to their penchant for androgynous attire/makeup and raw guitar riffs, Placebo have been described by some as a glam version of Nirvana.[20] The multi-national band were influenced by the likes of Sonic Youth, the Pixies, Depeche Mode, and Nirvana.[20]

    Humanity and emotions

    Placebo are known for addressing various emotional issues, primarily regarding failed romantic relationships. In general, their intent is to address "the human condition".[21] Often the roles that Molko takes on in Placebo's songs are based on the experiences, and corresponding psychological sicknesses, of both himself and others whom he is acquainted with. When addressing Placebo's second album, Without You I'm Nothing, Molko said: "Most of these are love songs where I'm trying to come to grips with relationships. They're frequently told from the point of view of ex-lovers, so at first it may seem like I'm being arrogant, but actually I'm eating humble pie. I'm cutting open a vein and letting it bleed for you."

    Each album is laced with songs about love, loss, and failure. Their first album set the precedent with songs such as: Come Home which is about the sadness of a break-up, and the desire for the return of the protagonist's ex-partner; 36 Degrees which depicts a failed romantic relationship and references to the protagonist's humanity via his temperature; Teenage Angst which, as the title suggests, is about teenage angst; and Bionic, which is about one not meeting some standard set forth. The trend has continued through Meds. Molko has stated that the album Battle for the Sun will be more optimistic than its predecessors.

    Their name draws attention to the psychology aspect of humanity, because it refers to a drug with no therapeutic effects, so any reaction at all is purely psychological (see placebo effect). In other words, there is a tacit reference to the fact that one's reaction to something can be completely determined by a psychological predisposition, which justifies Placebo's heavy emphasis on the topic.

    Gender

    Another objective of Placebo is to challenge gender norms. One of their most popular songs, "Nancy Boy" (a slang term for an effeminate male), is an example of this. The song displays Molko's "nancy boy"-like tendencies in an attempt to encourage listeners with similar predispositions to be more comfortable with themselves. Molko's androgyny is partially explained in this way. The song "Nancy Boy", however, is not the only example of the band's continuous promotion of alternative sexualities. Molko himself is openly bisexual and guitarist/bassist Stefan Olsdal is gay. In addition, numerous other Placebo songs, besides "Nancy Boy", have addressed non-normative identities within their lyrics, including homosexuality.[citation needed]

    Drugs

    Molko has been open about his use of recreational drugs; in a 1997 interview with New York Doll, he admitted at one point that heroin was "probably the only drug on this planet I haven’t tried."[22] However, he later admitted to experimenting with heroin as well.[23] The band holds that the drug references within their music reflects the nature of current times and to reduce them would deteriorate the meaningfulness of their songs.[24][25][26]

    Discography

    Studio albums

    Members

    Current members

    Additional live lineup members:

    Former members

    Notes

    1. ^ Placebo announce UK Arena tour, http://www.indielondon.co.uk/Music-Review/placebo-announce-uk-arena-tour, retrieved 7 January 2009 
    2. ^ a b PIAS To Sign PLACEBO Across Europe, http://www.pias.be/incnews4.asp?offset=1 
    3. ^ Discography
    4. ^ a b c "Placebo--The Sex and the Drugs and the Complications", MTV News, http://yourhereblog.mtv.com/2007/08/18/girls-gone-punk-placebo-the-sex-and-the-drugs-and-the-complications/, retrieved 30 July 2008 
    5. ^ Placebo Biography, http://www.sing365.com/music/lyric.nsf/Placebo-Biography/3ECAB98DE613670B48256A2500150190, retrieved 1 February 2009 
    6. ^ Placebo (Brian Molko) Interview 2000, http://www.youtube.com/watch?v=0Lxop360sc0, retrieved 13 January 2009 
    7. ^ a b c Exclusive: interview of Robert Schultzberg!, http://www.placebocity.com/forum/sujet-6802-exclusive-interview-of-robert-schultzberg, retrieved 29 January 2009 
    8. ^ Placeboworld 1996 tour dates, http://www.placeboworld.co.uk/tour/1996dates.html, retrieved 24 January 2009 
    9. ^ Bowie at Madison Square Garden, http://www.nyrock.com/bowie.htm, retrieved 7 January 2000 
    10. ^ a b Placebo, http://www.vh1.com/artists/az/placebo/bio.jhtml, retrieved 7 January 2000 
    11. ^ Gabriella (April 2001), "Interview with Brian Molko", NYRock, http://www.nyrock.com/interviews/2001/placebo_int2.asp, retrieved 7 March 2007 
    12. ^ Placebo Biography, http://www.sing365.com/music/lyric.nsf/Placebo-Biography/3ECAB98DE613670B48256A2500150190, retrieved 18 January 2009 
    13. ^ variety.com, Music: Linkin Park's hybrid theories, Retrieved on 26 July 2007
    14. ^ a b c d e Farrell, M; Ryan, S; Langrick, B (Dec 2001), "News", Journal of advanced nursing 36 (6): 765–75, ISSN 0309-2402, PMID 11903706, http://www.placeboworld.co.uk/news/index.html 
    15. ^ Placebo boxset out in June together with new album 'Battle For The Sun', http://www.side-line.com/news_comments.php?id=42332_0_2_0_C, retrieved 10 May 2009 
    16. ^ LATEST NEWS STORIES, http://www.placeboworld.co.uk/news/index.html, retrieved 6 January 2009 
    17. ^ http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=17442338&blogId=483835812
    18. ^ Battle For The Sun Puts Placebo Back In the Limelight, http://www.newsoftheworld.co.uk/scottish/scottish_listings/scottish_music/322076/Sensational-Battle-For-The-Sun-puts-band-back-in-the-limelight-again.html, retrieved 27 July 2009 
    19. ^ Hottest 100 Of All Time 2009, http://www.abc.net.au/triplej/hottest100_alltime/countdown/cd_list.htm, retrieved 27 July 2009 
    20. ^ a b Placebo, http://www.mtv.com/music/artist/placebo/artist.jhtml#bio, retrieved 26 May 2009 
    21. ^ Placebo Interview Hanging Out, MTV 1996, http://www.youtube.com/watch?v=p5CZ6KJ2Ngg, retrieved 13 January 2009 
    22. ^ Kerrigan, "Kerrang Interview", New York Doll, http://web.archive.org/web/20080130153315/http://placeboworld.co.uk/archive/doll.htm, retrieved 20 December 2006 
    23. ^ "I Thought I Was Good at Handling Pussy", Select Magazine, http://web.archive.org/web/20080324003724/http://www.placeboworld.co.uk/archive/selpussy.htm, retrieved 15 April 2007 
    24. ^ Funny Mexican Placebo Interview part 1, http://www.youtube.com/watch?v=9ELbPys9xHI, retrieved 6 January 2009 
    25. ^ Funny Mexican Placebo Interview part 2, http://www.youtube.com/watch?v=0zjsvTBF81Y&feature=related, retrieved 6 January 2009 
    26. ^ Funny Mexican Placebo Interview part 3, http://www.youtube.com/watch?v=ZmS5tfMIQag&feature=related, retrieved 6 January 2009 

    External links


    Translations: Placebo
    Top

    Dansk (Danish)
    n. - placebo, narretablet

    idioms:

    • placebo effect    placeboeffekt

    Nederlands (Dutch)
    placebo, geneesmiddel zonder werkzaam bestanddeel

    Français (French)
    n. - (Méd) placebo, (fig) os à ronger

    idioms:

    • placebo effect    (Méd, fig) effet placebo

    Deutsch (German)
    n. - Placebo

    idioms:

    • placebo effect    Placeboeffekt

    Ελληνική (Greek)
    n. - (ιατρ.) ψευδοφάρμακο, αδρανές φάρμακο, πλασέμπο

    idioms:

    • placebo effect    επίδραση πλασέμπο (θετική αντίδραση ασθενούς)

    Italiano (Italian)
    placebo

    idioms:

    • placebo effect    effetto placebo

    Português (Portuguese)
    n. - placebo (m) (medicamento)

    idioms:

    • placebo effect    efeito placebo

    Русский (Russian)
    плацебо

    idioms:

    • placebo effect    эффект плацебо

    Español (Spanish)
    n. - placebo

    idioms:

    • placebo effect    efecto placebo

    Svenska (Swedish)
    n. - placebo, sockerpiller

    中文(简体)(Chinese (Simplified))
    为死者所诵的晚祷词, 安慰剂

    idioms:

    • placebo effect    安慰作用, 使人宽慰的事, 安慰剂

    中文(繁體)(Chinese (Traditional))
    n. - 為死者所誦的晚禱詞, 安慰劑

    idioms:

    • placebo effect    安慰作用, 使人寬慰的事, 安慰劑

    한국어 (Korean)
    n. - (유효 성분이 없는) 위약, 아첨

    日本語 (Japanese)
    n. - 気休め薬, 偽薬

    idioms:

    • placebo effect    プラシーボ効果

    العربيه (Arabic)
    ‏(الاسم) صلاة الأصيل أو المساء عن روح الميت, دواء لا فعل له يوصف لتهدئه المريض‏

    עברית (Hebrew)
    n. - ‮תרופת הרגעה, תרופת דמה, דברי הרגעה ועידוד‬


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