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Poi Dog Pondering

 
Artist: Poi Dog Pondering
Poi Dog Pondering

Group Members:

Kornell Hargrove, Arlene Newson, Leddie Garcia, John Nelson, Steve Goulding, Paul Mertens, Adam Sultan, Abra Moore, Dag Juhlin, Ted Cho, Susan Voelz, Dave Crawford, Frank Orrall, Bruce Hughes

Similar Artists:

Followers:

Performed Songs By:

Frank Orrall, Martin Stebbing, Scott Ramsayer

Formal Connection With:

  • Formed: 1986, Hawaii
  • Genres: Rock
  • Representative Albums: "Poi Dog Pondering", "The Best of Poi Dog Pondering (The Austin Years)", "7
  • Representative Songs: "Living With the Dreaming Body", "Complicated", "Diamonds and Buttermilk

Biography

The eclectic worldbeat/folk-rock outfit Poi Dog Pondering were formed in Waikiki by vocalist/guitarist Frank Orrall, violinist/vocalist Susan Voelz, and multi-instrumentalist Dave "Max" Crawford, the only constants in the group's history; sometimes swelling to upwards of ten members, the band has seen numerous personnel shifts. Named in part for a Hawaiian expression meaning "mutt," Poi Dog Pondering relocated to Austin, TX, and picked up a following through extensive touring; they released two EPs, 1988's Poi Dog Pondering and 1989's Circle Around the Sun, which attracted the attention of Columbia Records with their varied instrumentation, easygoing humor, and offbeat fusions of world musics and folk-rock. Columbia combined the two EPs for the group's 1989 self-titled major-label debut, which along with its slightly slicker follow-up, 1989's Wishing Like a Mountain and Thinking Like the Sea, earned Poi Dog Pondering critical acclaim and a devoted cult following.

However, all was not well between Poi Dog Pondering and their label; Columbia rejected much of the band's demo material over the next two years, and only a couple of EPs were released. Volo Volo was finally released in 1991, but shortly thereafter, the band was dropped from Columbia's roster. Bandleader Orrall responded by putting the group on hiatus, moving its home base to Chicago, and substantially revamping the lineup; during the hiatus, Orrall put together his Palm Fabric Orchestra, while Voelz recorded solo material. When the group returned in 1995 with Pomegranate, their sound had gravitated slightly more toward dance music, a switch confirmed on their 1996 EP, Electrique Plummagram. In 1997, Poi Dog Pondering debuted their own Plate.tec.tonic label with the live set Liquid White Light. In 1999, they issued the electronic-tinged Natural Thing, followed by the similarly themed In Seed Comes Fruit in 2003. The band returned in 2008 with the soul-heavy 7. ~ Steve Huey, All Music Guide
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Wikipedia: Poi Dog Pondering
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Poi Dog Pondering
Origin Hawaii
Austin, Texas
Chicago, Illinois
Genres Alternative
Years active 1985 - present
Labels Premontion
Plate.tec.tonic
Columbia
Website http://www.poidogpondering.com/

Poi Dog Pondering is an American musical group, noted for its cross-pollenation of diverse musical forms, including various forms of acoustic folk music, and modern electronic house music. Founded in Hawaii in 1985, the band moved to Austin, Texas in 1987, where they recorded their first three albums. In 1992, the band relocated once again, this time to Chicago, Illinois, and began to incorporate elements of house music into their style.

Contents

History

The band has always revolved around the music of lead singer-songwriter Frank Orrall. Poi Dog Pondering began in 1985 in Orrall's native Hawaii. The band traveled throughout the continental United States and in 1987 settled in Austin, Texas. At this time, member Abra Moore left to pursue a solo career. After some initial independent-label releases, including on the label Texas Motel Records, the band signed to Columbia Records and released three albums while in Austin.

During the Austin years (1987-1992), the band had the following lineup:

  • Frank Orrall - acoustic guitar, tin flute, drums, vocals
  • Susan Voelz - violin, vocals
  • Ted Cho - electric guitar, mandolin, bass
  • Adam Sultan - electric guitar, acoustic guitar, vocals
  • Dave Max Crawford - organ, trumpet, accordion
  • Bruce Hughes - bass, electric guitar, vocals
  • Dick Ross - drum kit (1987-1990)
  • John Nelson - congas, maracas, tom-toms, background vocals (1989-1992)
  • Darren Hess - drum kit (1991-1992)

Additionally, the records featured literally dozens of musicians credited as "Satellite Poi Members". Most prominent amongst these satellite members were vocalist Abra Moore, drummer Sean Coffey and (on their third album) turntable operator Andre "DJ Cassanova" Irons.

Beginning with that third album, 1992's Volo Volo, the band began to experiment with new musical styles, including fully incorporating DJ Cassanova into the line-up. Orrall's emerging interest in dance and house music led the band to relocate to Chicago in 1992, where it developed a loyal local following and was named best band by Chicago magazine in 1997. Since moving to Chicago, Poi Dog Pondering has released two studio albums and two live albums on its own label.

The Poi Dog line-up fluctuates frequently, and Orrall, Voelz and Nelson are the only members of the band left from the Austin era. With the release of In Seed Comes Fruit' in 2003, Poi Dog Pondering consisted of:

  • Frank Orrall - vocals, guitar, piano, synth. vibes, drums, samples, sequencing
  • Susan Voelz - violin, vocals
  • Paul Mertens - flute, sax, clarinet
  • Leddie Garcia - congas, bongos, ganzas, bells, shakers, various percussion
  • Kornell Hargrove - vocals
  • Ron Hall - bass
  • Rick Gehrenbeck - rhodes electric piano, clavinet, organ, synthesizers
  • Charlette Wortham - vocals
  • Alison Chesley - cello
  • Carla Prather - vocals
  • Tim Gant - piano, synthesizers
  • John "El John" Nelson - drums

Music

Using a wide variety of instruments, Poi Dog Pondering altered the traditional verse-chorus-bridge structure of modern popular music. In some songs, melodic interludes entirely replace choruses, featuring lengthy, intricate solos blending the tin whistle, violin, trumpet, or other instruments in the Poi Dog menagerie (e.g. "Living with the Dreaming Body", "Bury me Deep"). Some Polynesian influences are evident ("Aloha Honolulu", written by bass player Bruce Hughes, and the introduction to "Circle round the sun"). Following the move to Chicago, the influence of house music became more apparent.

Lyrics & Philosophy

Lyrically, many songs paint slice-of-life portraits of people and situations, without telling a story ("Living with the Dreaming Body", "Wood Guitar"). The song topics vary widely, from the joys of eating breakfast ("Toast and jelly", the coda to "Postcard from a Dream") to:

  • Environmentalism ("Ancient Egyptians")
  • Globalism ("Big Walk")
  • Death ("Fact of Life", "Circle Round the Sun", "Bury me Deep", "The me that was your son"), and
  • Spirituality ("Praise the Lord").

In "Praise the Lord", Orrall contrasts Christianity with his naturalistic philosophy. "Praise the Lord he said to me.. And I said, 'Yeah!'. I was just down at the sea and it occurred to me that I like to feel it knock me down, twist and throw and churn me around. 'Cause it's Mother Ocean and I'm just one of her sons." Continuing in the vein of naturalism, Orrall paraphrases Nietzsche, "...where the lion will lay down with the lamb, 'cause you know damn well he'll eat him if he can. The lion doesn't want to be pacified with promises of an endless life...". In "Fact of Life", traces of stoicism, Taoism and Buddhism exist, "Relentlessly climbing and conquering and swallowing fresh pain". Stoicism and Taoism are again echoed in "Fruitless" and "Circle round the sun", "Pushing up, I hope for the sun, but I'll take the rain with what all it comes... Who am I to try to guide my life?".

In Orrall's lyrics, water imagery is prominent, with water as life-giving and cleansing, "Melting, reemerging and rising up clean in the pouring rain" (this theme is also found in "Sound of Water").

Orrall describes his view of the afterlife in the song, "And I know about heaven's gate...and I know that I'll be nothing there just food for fish and twisting worms". In "Bury me deep", he sings, "Only in death can one truly return. Return the carrots, the apples and potatoes, the chickens, the cows, the fish and tomatoes".

Two songs, "Fall upon me" ("Fall upon me like a hundred flowers") and "Pulling Touch" ("Are you the cup that I hold by the cheekbones, I pull you close and I drink you up") are about love, and in particular, sex. Jealousy (particularly of past loves) is addressed in "Thanksgiving" (written by guitarist Adam Sultan) and "Everybody's trying to figure it out", and the band comes out firmly against it. Their philosophy is further described in "U Li La Lu", "You should wear with pride the scars on your skin, they're a map of the adventures and the places you've been".

In spite of the number of songs about death and spirituality, a few songs venture into comedy, "The watermellon song" and "U Li La Lu" ("If I should die in a carwreck, may I have Van Morrison on my tapedeck").

Albums

Studio albums

  • Poi Dog Pondering (1989)
  • Wishing Like a Mountain and Thinking Like the Sea (1990)
  • Volo Volo (1992)
  • Pomegranate (1995)
  • Natural Thing (1999)
  • In Seed Comes Fruit (2003)
  • 7 (2008)

Live albums

  • Liquid White Light (1997)
  • Soul Sonic Orchestra (2000)

Compilations

  • Sweeping Up the Cutting Room Floor (2001)
  • The Best of Poi Dog Pondering (The Austin Years) (2005)

External links


 
 
Learn More
Soul Sonic Orchestra (2000 Album by Poi Dog Pondering)
Poi Dog Pondering: Audio Visivo (Music Film)
Kerrville Folk Festival: 1990 (1990 Album by Various Artists)

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