Point of No Return

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Point of No Return

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Plot

Director John Badham's remake of French action thriller La Femme Nikita moves the action to the U.S., where Maggie (Bridget Fonda) is a strung-out Washington, D.C. drug addict who kills a policeman in a pharmaceutical-induced haze. Sentenced to death, Maggie is rescued by a shady operative, Bob (Gabriel Byrne), who offers to save her life if she'll become a covert government assassin. Maggie agrees and trains for a life as a professional killer under a new name, Claudia. Her classes include weaponry, martial arts, explosives, and even social graces under the tutelage of Amanda (Anne Bancroft). Claudia is transformed into a classy sophisticate and is assigned to Venice, California, where she falls for J.P. (Dermot Mulroney), an attractive photographer who lives downstairs. Claudia's highly dangerous job soon interferes when she's ordered to carry out a series of clever assassinations, including a hit in a restaurant and a hotel bombing. When one particular killing goes horribly wrong, she gets some assistance from Victor the Cleaner (Harvey Keitel), a disposal artist who may have also been ordered to get rid of Claudia. ~ Karl Williams, Rovi

Cast

Harvey Keitel - Victor the Cleaner; Olivia D'Abo - Angela; Richard Romanus - Fahd Bahktiar; Lorraine Toussaint - Beth; Geoffrey Lewis - Drugstore Owner; Clark Heathcliffe Brolly - Male Student; John Capodice - Detective; François Chau - Building Security Guard; Lieux Dressier - Johnny's Mom; Frank Girardeau - Policeman; James Handy - Operative; Robert Harvey - Police Detective; Gary Kasper - Angela's Bodyguard; Calvin Levels - Computer Instructor; Jodie Markell - Female Student; Michael Rapaport - Big Stan; Bill M. Ryusaki - Karate Instructor; Jan Speck - Kaufman's Assistant; Carmen Zapata - Judge; Kenny Endoso - Angela's Bodyguard; James Herbert; Harry Perry - Venice Guitar Player; Ray Oriel - Burt; Mic Rodgers - Cop; David Sosna - Operative with Headset; Peter Mark Vasquez - Guard in Booth; Michael Runyard - Weapons Instructor; Lee Dupree - Guy with Gun; Bonnie Timmermann; Joe J. Garcia - Hassan

Credit

Sydney Z. Litwack - Art Director, David Sosna - Associate Producer, D.J. Caruso - Associate Producer, Bonnie Timmermann - Casting, James Herbert - Co-producer, Marlene Stewart - Costume Designer, John Badham - Director, Frank Morriss - Editor, Hans Zimmer - Composer (Music Score), Lizbeth Williamson - Makeup, Randy Nolen - Camera Operator, Philip Harrison - Production Designer, Michael W. Watkins - Cinematographer, Michael Ferris - Cinematographer, James Herbert - Production Manager, Art Linson - Producer, James Bayliss - Set Designer, Eric Orbom - Set Designer, Sally Thornton - Set Designer, Alexandra Seros - Screen Story, Robert Getchell - Screenwriter, Alexandra Seros - Screenwriter, Luc Besson - From Screenplay by

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Wikipedia on Answers.com:

Point of No Return (film)

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Point of No Return

US release poster
Directed by John Badham
Produced by Art Linson
D.J. Caruso
Written by Robert Getchell
Alexandra Seros
Starring Bridget Fonda
Gabriel Byrne
Dermot Mulroney
Anne Bancroft
Harvey Keitel
Music by Hans Zimmer
Nick Glennie-Smith
Cinematography Michael Ferris
Michael Watkins
Editing by Frank Morriss
Distributed by Warner Bros.
Release date(s)
  • March 19, 1993 (1993-03-19)
Running time 101 minutes
108 minutes (US)
Language English
French
Box office $30,038,362

Point of No Return (also known as The Assassin) is a 1993 American action film directed by John Badham and starring Bridget Fonda. It is a remake of Luc Besson's 1990 film Nikita.

Contents

Plot

Maggie Hayward (Bridget Fonda) is a drug addict found guilty of murdering a police officer, and is sentenced to death by lethal injection. However, her death is faked, and a secret government agent named Bob (Gabriel Byrne) informs her that she is to become an operative. Maggie, having little choice, agrees to cooperate and she begins a regimen of intensive training that includes etiquette and computer use.

Operative Amanda (Anne Bancroft) transforms her into a refined, beautiful woman. She is taken on a dinner date with Bob, who informs her about the first job: an assassination of a VIP eating at the same restaurant. Maggie completes the task, and escapes pursuit by the man's bodyguards, by fleeing down a laundry chute. This task was her final test, and she has now completed her training.

The following morning she leaves for Venice, California, where she enters into a romantic relationship with apartment house manager J.P. (Dermot Mulroney). While her first assignments, both hit jobs, are ultimately successful, Maggie quickly comes to hate her work and tries to quit her job as a professional killer. As things progress between her and J.P., she asks for help in leaving the agency. Her request is denied, but Bob agrees to get her out of the agency if she completes the next task.

The new job is to masquerade as Angela (Olivia d'Abo), the girlfriend of Fahd Bakhtiar (Richard Romanus), an Iranian trading in nuclear weapons. However, taking out Angela proves problematic and results in the deaths of Angela's two bodyguards and the injury of Maggie's partner, Beth (Lorraine Toussaint). Director Kaufman then sends in Victor, a 'cleaner' (Harvey Keitel) to get rid of the bodies and salvage the mission. Unknown to Maggie, however, he has also been ordered to kill both agents as well because one failure results in death. After killing the wounded Beth in front of Maggie, he drives her to Fahd's home. At gunpoint she gets Fahd to unlock his computer and reveal his secrets, but he avoids execution and she is forced to flee.

As they purportedly drive back to her residence, Maggie sees a gun in Victor's waistband and correctly suspects he's going to kill her. This leads to a struggle and the car spins out of control. Finally, Victor is dragged over a ravine and killed. Maggie makes her way back to her apartment, but leaves sometime during the night. Bob subsequently learns of her disappearance from J.P. As Bob is leaving, he sees Maggie watching him through the mist. Instead of reporting her, though, he calls Kaufman and informs him, after some hesitation, that the cleaner and Maggie are both dead.

Cast

Reception

The film grossed approximately $30,038,362 in the US and received mixed reviews. Film critic Roger Ebert, who gave the original Nikita three and a half stars out of four,[1] gave Return three stars, saying: "Point of No Return is actually a fairly effective and faithful adaptation and Bridget Fonda manages the wild identity swings of her role with intensity and conviction, although not the same almost poetic sadness that Anne Parillaud brought to the original movie. If I didn't feel the same degree of involvement with Point of No Return that I did with Nikita it may be because the two movies are so similar in plot, look, and feel. I had déjà vu all through the movie. There are a few changes, mostly not for the better. By making the heroine's boyfriend a photographer this time instead of a checkout clerk, the movie loses the poignancy of their relationship; Nikita liked her clerk precisely because he was completely lacking in aggression."[2] Point of No Return currently holds a 50% rating on Rotten Tomatoes based on 22 reviews.

Box office

The movie debuted at No. 2 at the box office.[3]

Soundtrack

Maggie/Claudia has a fascination for the singer/pianist/songwriter Nina Simone. Throughout the movie, various songs of Nina's are used.

Together with the earlier re-release of "My Baby Just Cares for Me" in 1982, the movie helped bring Nina Simone back into the public limelight and made her better known with a younger audience.

The film score was composed by Hans Zimmer with contributions by Nick Glennie-Smith.

See also

References

  1. ^ La Femme Nikita review, Roger Ebert, Chicago Sun-Times, April 3, 1991
  2. ^ Point of No Return review, Roger Ebert, Chicago Sun-Times, March 19, 1993
  3. ^ Fox, David J. (March 23, 1993). "Weekend Box Office Ninja Turtles Capture Top Spot". The Los Angeles Times. http://articles.latimes.com/1993-03-23/entertainment/ca-14362_1_ninja-turtles-iii. Retrieved 2010-11-09. 

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return (Idiom)
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