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Polyester

 
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Polyester

  • Director: John Waters
  • AMG Rating: starstar
  • Genre: Comedy
  • Movie Type: Domestic Comedy, Satire
  • Themes: Suburban Dysfunction, Eccentric Families, Kids in Trouble
  • Main Cast: Divine, Tab Hunter, Edith Massey, Mink Stole, David Samson
  • Release Year: 1981
  • Country: US
  • Run Time: 86 minutes
  • MPAA Rating: R

Plot

After making a name for himself with such underground gross-out epics as Pink Flamingos and Desperate Living, director John Waters made a bid for somewhat wider acceptance with this black comedy, which is sedate only by the standards of his previous work. Francine Fishpaw (Divine) is a housewife whose life has become a living hell. Her husband Elmer (David Samson) runs a porno theater (currently showing the classic My Burning Bush) and is having an affair with secretary Sandra (Mink Stole), a vision of sleaze in Bo Derek-style cornrow braids who informs Elmer, "Children would only get in the way of our erotic lifestyle!" Francine has two teenage children, Dexter (Ken King), who likes to sniff glue and stomp on women's feet, and Lulu (Mary Garlington), a brazen slut who hangs out with overage juvenile delinquent Bobo (Stiv Bators) and gleefully anticipates her next abortion. Francine's best friend, Cuddles (Edith Massey), is a slightly insane heiress who is somehow convinced she's a debutante. Francine's life has become so miserable that her dog commits suicide rather than witness it, but a light appears on the horizon -- Todd Tomorrow (Tab Hunter), the handsome and dashing owner of a local drive-in specializing in art films (their current bill is a Margurerite Duras triple feature), with whom Dawn enters into a torrid affair. Subversive on all fronts, Polyester was originally shown in "Odorama" (patrons were given a card with ten scratch-and-sniff patches, to be smelled at key points in the action) and featured a romantic theme song sung by that new hitmaking duo, Deborah Harry and Bill Murray. ~ Mark Deming, All Movie Guide

Review

John Waters' first 'mainstream' film is a subtler, slicker affair than previous wild outings like Pink Flamingos but this doesn't mean that it is tame. In fact, Polyester is just as bitingly satirical as his more underground efforts but aim its sights at more everyday targets like suburbia and the nuclear family. The film benefits from one of Waters' most polished scripts, which sets up a wonderfully weird array of characters and subplots with comedic flair and then interweaves them to create something that plays like Douglas Sirk and William Castle teaming up to do a remake of Peyton Place. Waters also turns in some slick work behind the camera, working in some novel visual devices like split-screen and an opening credits sequence that makes surprisingly sophisticated use of a steadicam. He also gets strong comedic performances from his cast: Tab Hunter is perfectly cast as low-rent romeo Todd Tomorrow and Stiv Bators makes a perfect cartoon punk as Bobo. Best of all, Divine turns in a wonderful cast-against-type performance as the put-upon Francine Fishpaw, wringing every last drop of over-the-top melodrama out of the material and conjuring up memories of old Joan Crawford melodramas as she chews up the scenery. In short, Polyester is one of Waters' most accomplished films from many standpoints and well-crafted enough to appeal to viewers who wouldn't normally go for his far-out brand of screen comedy. ~ Donald Guarisco, All Movie Guide

Cast

Joni Ruth White - LaRue, mother; Mary Garlington - Lulu Fishpaw; Ken King - Dexter Fishpaw; Hans Kramm - Chauffeur; Stiv Bators - Bo-Bo Belsinger; Tommy Allen - Porno Picket; Rick Breitenfeld - Dr. Quackenshaw; George Figgs - Abortion Picket; Jean Hill - Gospel Bus Hijacker; Jim Hill - Picket Reporter; Susan Lowe - Mall Victim; Nancy Morgan - Alcoholic Leader; Cookie Mueller - Betty Lalinski; Derek Neal - Pimp; Mary Vivian Pearce - Nun A; George Stover - Press A; Frank Tamburo - Pizza Man 3; Michael Watson - Freddy Ashton; John Allen - Porno Picket; Steve Yeager - Press B; Brook Yeaton - Porno Picket; David Klein - Detective B

Credit

Sara Risher - Associate Producer, Van Smith - Costume Designer, John Waters - Director, Charles Roggero - Editor, Robert Shaye - Executive Producer, Michael Kamen - Composer (Music Score), Chris Stein - Composer (Music Score), Deborah Harry - Songwriter, Michael Kamen - Songwriter, Chris Stein - Songwriter, Vincent Peranio - Production Designer, David Insley - Cinematographer, Robert Maier - Production Manager, Robert Maier - Producer, John Waters - Producer, Vincent Peranio - Set Designer, Pernaio - Set Designer, Steven J. Rogers - Sound/Sound Designer, John Waters - Screen Story, John Waters - Screenwriter, Steven J. Rogers - Production Sound Mixer

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Polyester

Theatrical release poster
Directed by John Waters
Produced by John Waters
Robert Shaye
Michael White
Written by John Waters
Starring Divine
Tab Hunter
David Samson
Edith Massey
Mink Stole
Music by Chris Stein
Debbie Harry
Michael Kamen
Cinematography David Insley
Editing by Charles Roggero
Distributed by New Line Cinema
Dreamland
Release date(s) May 29, 1981
Running time 86 min.
Country United States
Language English
Budget $300,000

Polyester is a 1981 American John Waters comedy film starring Divine, Tab Hunter, Edith Massey, and Mink Stole. It was filmed in Waters' native Baltimore, Maryland, and features a gimmick called "Odorama", whereby viewers could smell what they saw on screen through scratch and sniff cards.

The film is a satire of suburban life involving divorce, abortion, adultery, alcoholism, foot fetishism, and the Religious Right.

Contents

Plot

Polyester tells the story of housewife Francine Fishpaw (Divine), whose life is crumbling around her in her upper middle class suburban Baltimore home. Her husband, Elmer (David Samson), is a polyester-clad lout who owns an X-rated theater, causing anti-pornography protesters to picket the Fishpaws' house. She also states that "All the neighborhood women spit at me" whenever she is at the Shopping Mall. Francine's children are Lu-Lu (Mary Garlington), her spoiled, slutty daughter, and Dexter (Ken King), her delinquent, glue-sniffing son who derives illicit pleasure from stomping on women's feet. Also adding to Francine's troubles is her snobby, cocaine-snorting mother, La Rue (Joni Ruth White), who robs Francine blind and only cares about her "valuable shopping time."

Francine seeks solace in her best friend, Cuddles Kovinsky (Edith Massey), an independently wealthy, simple-minded woman and the world's oldest debutante. Cuddles was once the Fishpaws' housekeeper, but she has inherited a large sum of money from a very affluent family that she used to work for and befriended Francine. This infuriates Francine's class-conscious mother, who admonishes Francine, "She was a scrubwoman. Give her...a ham at Easter, but for God's sake, don't hang around with her!" Cuddles tries to cheer up Francine with "seize-the-day" bromides, to no avail.

Francine discovers that her husband is having an affair with his secretary, Sandra Sullivan (Mink Stole), and later confronts them during a tryst at a motel and demands a divorce. Francine then falls into alcoholism and depression, exacerbated by her children's behavior: Lu-lu becomes pregnant with her delinquent boyfriend Bobo (Stiv Bators)'s child and announces to her mother, "I'm having an abortion, and I can't wait!"; and after Dexter is arrested at a supermarket for stomping on a woman's foot, the media reveal he's the "Baltimore foot stomper".

Lu-Lu goes to family planning clinic for an abortion, but is harassed by anti-abortion picketers. She flees, goes home, and tries to induce a miscarriage, causing Francine to call an unwed mothers' home. Two nuns arrive, cart Lu-Lu out of the house, lock her in the trunk of a car, and whisk her off to a Catholic home for unwed mothers.

Meanwhile, on Halloween evening, La Rue is shot by Bobo and his friend, who have come to trash the Fishpaw house. La Rue manages to retrieve the gun and shoots Bobo dead. Lu-Lu comes home from the unwed mothers' home and, upon discovering her dead boyfriend, tries to commit suicide by sticking her head in the oven. Francine comes home, sees her daughter's suicide attempt, and faints.

After this, Francine's life begins to change. Dexter is released from jail, completely rehabilitated. Lu-Lu suffers a miscarriage from her suicide attempt and sees the error of her ways, turning from a high-school harlot to an artistic flower child who enthuses, "Look mother, I've discovered macramé!". Francine finally summons the strength to tell off La Rue. A beacon of light arrives in the form of lounge-suit-wearing, Corvette-driving Todd Tomorrow (Tab Hunter), lifting Francine's spirits. Todd proposes marriage to an elated Francine, who accepts.

However, it is soon revealed that Todd is romantically involved with La Rue and they are conspiring to embezzle Francine's divorce settlement and drive her insane. Meanwhile, Elmer and Sandra break into the house to kill Francine, but are felled by Dexter and Lu-Lu (Dexter steps on Sandra's foot, causing her to accidentally shoot Elmer; Lu-Lu uses her macramé to strangle Sandra.) Cuddles and her German chauffeur/fiancé Heintz (Hans Kramm) arrive on the scene and strike La Rue and Todd with their limousine. The film concludes with a happy ending for Francine, her children, and Cuddles and Heintz.

Cast

Dreamlanders

Waters' usual troupe of actors, the Dreamlanders, played minor roles in Polyester compared to Waters' previous films Desperate Living, Female Trouble, and Pink Flamingos, which starred several Dreamlanders in major roles. Only two Dreamlanders, Divine and Edith Massey, received top billing in Polyester. Dreamlander perennials Mink Stole, Mary Vivian Pearce, Cookie Mueller, Sharon Niesp, Marina Melin, Susan Lowe, and Jean Hill each played small roles in Polyester. While their parts are integral to the plot, they are much smaller compared to their earlier roles.

Polyester was the first of Waters' movies to skirt the mainstream, even garnering an R rating (his previous films were all unrated or rated X). The film was set in a middle-class suburb of Baltimore instead of its slums and bohemian neighborhoods (the setting of Waters' earlier films).

"Women’s pictures"

Polyester was meant as a send-up of “women’s pictures,” an exploitative genre of film that was popular from the 1950s-60s and typically featured bored, unfulfilled, or otherwise troubled women, usually middle-aged suburban housewives, finding release or escape through the arrival of a handsome younger man. “Women’s pictures” were typically hackneyed B-movies, but Waters specifically styled Polyester after the work of the director Douglas Sirk, making use of similar lighting and editing techniques, even using film equipment and movie-making techniques from Sirk's era.[citation needed]

Odorama

Odors, especially Francine's particularly keen sense of smell, play an important role in the film. To highlight this, Waters designed Odorama, a "scratch-and-sniff" gimmick inspired by the work of William Castle and the 1960 film Scent of Mystery, which featured a device called Smell-O-Vision. Special cards with spots numbered 1 through 10 were distributed to audience members before the show, in the manner of 3D glasses. When a number flashed on the screen, viewers were to scratch and sniff the appropriate spot. Smells included the scent of flowers, pizza, glue, gas, grass, and feces.

After being prompted to scratch and sniff the bouquet of flowers, a quick swap was made substituting old ratty sneakers, resulting in a joke on the audience.

A video version of the film omits the numbers flashing onscreen as well as the opening introduction explaining Odorama. This version, created by Lorimar Telepictures, was shown on cable TV in the United States.

In 1999, the Independent Film Channel released reproduction Odorama cards for John Waters film festivals.

In the commentary track on the film's 2004 DVD release, Waters expressed his delight at having the film's audiences actually "pay to smell shit".

Critical response

Polyester received some good reviews from the mainstream press. Said Janet Maslin of the New York Times:

Ordinarily, Mr. Waters is not everyone's cup of tea - but Polyester, which opens today at the National and other theaters, is not Mr. Waters' ordinary movie. It's a very funny one, with a hip, stylized humor that extends beyond the usual limitations of his outlook. This time, the comic vision is so controlled and steady that Mr. Waters need not rely so heavily on the grotesque touches that make his other films such perennial favorites on the weekend Midnight Movie circuit. Here's one that can just as well be shown in the daytime.

Songs used in film

  1. "Polyester" - Tab Hunter - Words and music by Chris Stein and Debbie Harry
  2. "Be My Daddy's Baby (Lu-Lu's theme)" - Michael Kamen - Words and music by Debbie Harry and Michael Kamen
  3. "The Best Thing" - Bill Murray - Words and music by Debbie Harry and Michael Kamen

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