Share on Facebook Share on Twitter Email
Answers.com

Posterization

 

The effect produced when a photographic image is displayed or printed with a small number of colors or shades of gray. For example, displaying color photographs or video with 16 colors produces a visible posterization, but the images are discernible. At 256 colors, the flesh tones on color images are still mildly posterized. For realistic flesh tones, it takes 65K colors. For absolute realism, it requires 16M colors.

Posterization - 128 Colors
These examples show how an image posterizes as fewer colors are used to display it. The picture above is displayed with 128 colors, and each of the following pictures is halved.

Download Computer Desktop Encyclopedia to your iPhone/iTouch

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Photography Encyclopedia: posterization
Top

Posterization, a popular term for tone separation, a method of reducing the tonal information in a photographed scene to a small number of discrete levels. The traditional method of achieving this is by making three of five separation negatives on high-contrast material, going from clear direct to opaque at various levels at equally spaced points on the original tone scale. These are then printed in succession on one sheet of paper. Especially in colour, the effect is achieved more easily with modern computer software.

— Graham Saxby

Wikipedia: Posterization
Top
An example of a photograph in JPEG format (24-bit color or 16.7 million colors) before posterization, contrasting the result of saving to GIF format (256 colors). Posterization occurs across the image, but is most obvious in areas of subtle variation in tone.

Posterization of an image entails conversion of a continuous gradation of tone to several regions of fewer tones, with abrupt changes from one tone to another. This was originally done with photographic processes to create posters. It can now be done photographically or with digital image processing, and may be deliberate or may be an unintended artifact of color quantization.

Contents

Cause

The effect may be created deliberately, or happen accidentally.

As an artistic effect, posterization may be created deliberately using most photo-editing programs or using photographic processes.

A posterized photo of a hibiscus.

Unwanted posterization, also known as banding, may occur when the color depth, sometimes called bit depth, is insufficient to accurately sample a continuous gradation of color tone. As a result, a continuous gradient appears as a series of discrete steps or bands of color — hence the name. When discussing fixed pixel displays, such as LCD and plasma televisions, this effect is referred to as false contouring.[1] The result may be compounded further by an optical illusion, called the Mach band illusion, in which each band appears to have an intensity gradient in the direction opposing the overall gradient. This problem may be resolved, in part, with dithering.

Photographic process

Posterization is a process in photograph development which converts normal photographs into an image consisting of distinct, but flat, areas of different tones or colors. A posterized image often has the same general appearance, but portions of the original image that presented gradual transitions are replaced by abrupt changes in shading and gradation from one area of tone to another. Printing posterization from black and white requires density separations, which one then prints on the same piece of paper to create the whole image. Separations may be made by density or color, using different exposures. Density Separations may be created by printing three prints of the same picture, each at a different exposure time that will be combined for the final image.

Applications

Typically, posterization is used for tracing contour lines and vectorizing photo-realistic images. This tracing process starts with 1 bit per channel and advances to 4 bits per channel. As the bits per channel increases, the number of levels of lightness a color can display increases.

A visual artist, faced with line art that has been damaged through JPEG compression, may consider posterizing the image as a first step to remove artifacts on the edges of the image.

Posterizing time

Temporal posterization is the visual effect of reducing the number of frames of video, while not reducing the speed at which it actually plays. This compares to regular posterization, where the number of individual color variations is reduced, while the overall range of colors is not. The motion effect is similar to the effect of a flashing strobe light, but without the contrast of bright and dark. Unlike a pulldown, the unused frames are simply discarded, and it is intended to be apparent (longer than the persistence of vision that video and motion pictures normally depend on). The effect is available in After Effects and other motion graphics and video editing software.[1] An animated GIF often looks posterized because of its normally-low frame rate.

More formally, this is downsampling in the time dimension, as it is reducing the resolution (precision of the input), not the bit rate (precision of the output, as in posterization).

The resulting stop-go motion is a temporal form of jaggies; formally, a form of aliasing. This effect may be the intention, but to reduce the frame rate without introducing this effect, one may use temporal anti-aliasing, which yields motion blur.

Compare with time stretching, which adds frames.

See also

References

External links and sources

  • Source: Langford, Michael. The Darkroom Handbook. New York: Dorling Kindersley Limited, 1981. 245-249.
  • Source: Jasc Software. Paint Shop Pro Help, 1998.

 
 

 

Copyrights:

Computer Desktop Encyclopedia. THIS COPYRIGHTED DEFINITION IS FOR PERSONAL USE ONLY.
All other reproduction is strictly prohibited without permission from the publisher.
© 1981-2009 Computer Language Company Inc.  All rights reserved.  Read more
Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Posterization" Read more