pretender

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(prĭ-tĕn'dər) pronunciation
n.
  1. One who simulates, pretends, or alleges falsely; a hypocrite or dissembler.
  2. One who sets forth a claim, especially a claimant to a throne.

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noun

  1. One who fakes: charlatan, fake, faker, fraud, humbug, impostor, mountebank, phony, quack. See true/false.
  2. One who sets forth a claim to a royal title: claimant, claimer. See owned/unowned.

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Rock band

As a woman breaking into rock, Pretenders founder and lead singer Chrissie Hynde offered a much-needed upset to the genre’s domination by men. Even as she deplored her perceived lack of commercial "beauty," she was able to use this ostensible deficiency to her advantage—thus establishing herself as a serious songwriter and musician. She told Fred Schruers in a 1981 Rolling Stone story, "They’re not looking at me like I’m some sex symbol or girl with huge tits bouncing around the stage…. And this thing [her guitar], this isn’t an extension or a phallic symbol." Hynde has also insisted on being uncompromisingly straightforward in her music. Newsweek contributor Jim Miller noted her attack on the sexism prevalent in rock lyrics: [Her songs] are memorable not only for the skilled way in which Hynde reworks stock riffs, but also for the matter-of-fact, unsentimental manner in which sex is described from the viewpoint of a woman with appetites and a will of her own. Her best lyrics, at once tender and tough, are a bracing change from rock’s stock erotic fare, which often features a macho stud laying waste to the enemy."

Like other pivotal figures in popular music, Hynde did not initially fit neatly into the contemporary music scene, or for that matter, into her own band; while the rest of the original Pretenders were English—the band is known generally as an English one—Hynde was born in Akron, Ohio. Her upbringing took place against a typical blue-collar, Midwestern backdrop. Hynde’s father, Bud, worked for Ohio Bell; her mother, Dee, worked part-time as a secretary. At an early age, Hynde adopted rock musicians as her idols—proto-punk Iggy Pop, guitarists Jeff Beck and Jimi Hendrix, English rock pioneers the Kinks, and Brian Jones of the early Rolling Stones; her desire to be in a rock band spawned a fantasy world that became Hynde’s refuge from what she viewed as the static nature of life in Ohio.

An Unlikely Frontwoman
Despite her early devotion, however, Hynde had to fight her way slowly into the real music world. While male friends were playing in garage bands in Akron and Cleveland, Hynde had to teach herself to sing and play rhythm guitar without the feedback of a band or audience. She wrote songs as a teenager but had no forum for testing them. Shyness further limited her; she retreated to a closet whenever she wanted to sing, even after everyone left the house. Hynde had only one opportunity to play with a band in the U.S.—and that was only for one night, when she performed with a local band, Sat. Sun. Mat., whose Mark Mothersbaugh eventually went on to fame with the zany new-wave band Devo.

After a few years spent studying art at Kent State University in Ohio—during which she witnessed the fatal shooting of four student anti-war protesters during the infamous National Guard incident of 1970—Hynde left school to try her hand in the Cleveland rock circuit, where for several years she also held a series of odd jobs. Learning of the lively English music scene from the London rock tabloid New Music Express, Hynde decided to seek her fortune in London. She put the $1,000 she had saved as an investment in her future toward the move. Though the relocation was a gamble, she told Schruers, "I would rather have my head blown off than sit… in Akron, Ohio, and watch television or go to the mall." Most of her early years in London were so lean that she once viewed petty theft as an option. But Hynde did hold some jobs during that time. Writing for New Music Express connected her with several English musicians and producers; she also worked for a while in a small clothing store with Malcolm McLaren, who would figure prominently in the late 1970s punk-rock movement.

Between 1973 and 1978, however, Hynde’s determination to become part of a rock band met with only near misses. Despite invitations to various gigs, during which her peers recognized her as a strong musician and songwriter, none of the men forming bands would accept Hynde as a full-fledged member. After one failed attempt to start a band with guitarist Mick Jones, she reconnected with McLaren, who invited her to join his latest effort, Masters of the Backside. Hynde was a member of that group long enough to rehearse with them, but not long enough to enjoy their success as the noted punk band the Damned. Jones returned to the picture briefly, asking Hynde to play on tour with his new band, the Clash; but the temporary membership proved frustrating as Hynde was again dropped before the band caught on.

Teamed With Bassist Farndon
In Dave Hill, who had recently formed Read Records, Hynde recognized an opportunity to put together her own band. Hill offered himself as her manager in 1978 and urged her to take her time in recruiting the musicians she needed to record a demo tape. First Hynde heard about a bassist, Peter Farndon, through a friend. Farndon had been in Sidney, Australia, playing with the Bushwackers, a folk-rock outfit. Back in his hometown of Hereford, he was in the market for a new band himself; with Hynde, he found both the first real musical break of his life and, for a while, a romantic relationship. Farndon described his first impression of Hynde to Kurt Loder of Rolling Stone: "I walked into the pub and there was this American with a big mouth across the other side of the bar…. As soon as we got down to her rehearsal room, which was the scummiest basement I’d ever been in in my life, the first thing we played was ‘Groove Me,‘ by King Floyd…. I’ll never forget it: we go in, we do a soul number, we do a country and western number, and then we did The Phone Call,‘ which is like the heaviest… punk-rocker you could do in 5/4 time. Impressed? I was very impressed."

Farndon brought in an exceptional lead guitarist, James Honeyman-Scott, who would later be described by Rolling Stone’s James Henke as "the guitarist whose lyrical playing formed the bedrock of the group’s sound." With Irish drummer Jerry Mcleduff, Hynde, Farndon, and Honeyman-Scott put together a demo featuring a number of cuts that would become Pretenders classics: "Precious," "The Wait," and "Stop Your Sobbing." Singer/songwriter Nick Lowe, one of Hynde’s New Music Express connections, agreed to produce a single of "Stop Your Sobbing" backed with "The Wait." Hynde’s years of dedication finally began to pay off in January of 1979 when Lowe released the first Pretenders single; "Stop Your Sobbing," a cover version of a Kink’s tune, was an instant success in the United Kingdom.

Solidified Lineup
Before cutting the single, however, the band had found a drummer who could produce exactly the sound they were seeking. Martin Chambers beat the skins so much harder than the average drummer, even in rock, that he had a drum kit "specially built to withstand his onslaughts," reported Rolling Stone’s Loder. Chambers and Honeyman-Scott had departed their hometown of Hereford some years earlier with a band called Cheeks. Although Cheeks lasted for three years, the band never cut an album, which left the drummer and guitarist without any real musical credits. Honeyman-Scott had been working in a music shop when bassist Farndon contacted him; Chambers was a driving instructor when Farndon and Honeyman-Scott asked him to audition.

The singles released after "Stop Your Sobbing" were received with mounting acclaim. In 1980, "Kid," "Talk of the Town," and "Brass in Pocket" all reached bestseller status in the U.K. "Brass in Pocket" even claimed the Number One spot on British charts. These scraps of recognition ultimately melded into a sure foundation with the early 1980 release of the first Pretenders album. Titled simply Pretenders, the record’s cover pictured Hynde, Farndon, Honeyman-Scott, and Chambers clad in leather jackets—mostly unsmiling. The cover and music exemplified the unforgiving attitude that the Pretenders’ blend of British punk and American rock brought to the music scene of the early 1980s. Chris Thomas, who replaced Nick Lowe as the band’s producer, graced the album with the same production values that had helped create the sound of famed British bands the Sex Pistols and Roxy Music. In the U.K., the album instantly shot to Number One.

Warm Reception From U.S. Audiences
The band’s reputation grew more gradually in the U.S. than in the U.K., but no less steadily. Once Sire Records won the American rights to Pretenders and released it in the U.S., the album’s success led to a gold record and a promotional concert tour. Mikal Gilmore of Rolling Stone explained the band’s appeal: "The Pretenders’ chief strength onstage, as on record, was their rhythmic ingenuity…. Hynde, [Honeyman-]Scott and bassist Pete Farndon wove a taut meshwork of staggered, propulsive rhythms that drummer Martin Chambers would spike with sinewy snare-and-tom bursts. In effect, it was a reversal of rhythmic standards, with the drums, instead of guitar, dictating fierce melodic lines."

Critics and fans received the group’s debut album with considerable excitement, promoting it to the Number Nine position on U.S. charts. Pretenders was later described, when placed at Number 20 of Rolling Stone’s "Top 100 Albums of the Decade," as "more diverse than the machine-gun rhythms of punk, because the three Britons were accomplished musicians and Hynde had grown up on a diet of AM radio." American fans immediately hailed the Pretenders as the embodiment of a no-holds-barred rebellion that they craved. Of their reception at a Los Angeles-area concert, Gilmore concluded, "The point, I gather, was to herald these Anglo-American New Wavers as something like preordained, conquering pop heroes, and in a way, that’s just what they were."

Backstage, the tone of the tour was rebellious as well. Bandmembers drank heavily while reaping the benefits of their burgeoning fortunes. Both Honeyman-Scott and Farndon were able to freely indulge their heroin addictions. Hynde became notorious for kicking out the windows of a police car after being arrested for disorderly conduct. Although the pace of the road took its toll—Chambers eventually collapsed from exhaustion—no one took a break after the tour. Instead, the Pretenders returned to London to immediately begin recording material for their next album.

Tensions Mount
1981 saw two more successful albums and more touring. Pretenders II and Extended Play cemented the band’s reputation for skill and hard work. The tenor of the 1981 tour was markedly different from that of its predecessor, however. Chambers and Hynde, in particular, began to "settle down." The music was hardhitting as ever, but the lifestyle behind it was changing. Chambers had married a woman who worked for Sire, and Hynde had met Ray Davies of the Kinks—one of her childhood idols—in a New York City nightclub. The meeting led to a committed relationship and, in 1983, to the birth of Hynde’s first child, Natalie. Even with the mellowing of Chambers and Hynde, though, the tour presaged difficulties to come. When Chambers cut his hand opening a window sash (Hynde later admitted that a rare fit of temper inspired the drummer to punch a lamp), the injury was so bad that he couldn’t play for a number of weeks. The band decided to postpone the tour rather than replace Chambers. Meanwhile, Farndon and Honeyman-Scott continued the excesses afforded them by their newfound wealth and fame. The former especially moved farther and farther away from the rest of the band, his heroin addiction increasingly affecting his playing. He became irritable and easily angered, behavior that seemed to intensify when Hynde turned her affections toward Davies.

Whatever the source of his demeanor, Farndon finally became so irascible that Honeyman-Scott refused to work with him; although the lead guitarist was also using heroin, he managed to maintain his professionalism. When the band returned to London after the 1981 tour, Hynde made the difficult decision to fire Farndon. Since the remaining trio again wished to begin recording material for their next album right away, Honeyman-Scott suggested his friend Robbie Mclntosh as a replacement for Farndon. But the Pretenders were devastated when—the very next day—Honeyman-Scott died of cocaine-induced heart failure. The group that had come to life as a powerhouse of diligence, pumping out tours, hit singles, and albums at a remarkable pace, took a three-year break between the release of their second album and their third.

Tragedy struck again in 1983; on April 14, Pete Farndon drowned in a bathtub, the result of heroin intoxication. Though his death dealt a severe blow to his former bandmates, the work of preparing a new album was already underway. Chambers and Hynde had put together a temporary band for some early summer recording sessions in 1982. The resulting single was a good omen; "Back on the Chain Gang," backed with "My City was Gone," became the Pretenders’ first hit single in the U.S., where it broke the Top Five.

Group Picked Up the Pieces
Robbie Mclntosh had come in as the Pretenders’ first permanent replacement member—on lead guitar— late in the summer of 1982. He brought in Malcolm Foster for an audition on bass. Forgoing the frantic pace, but with the old Pretenders dedication intact, the band had a strong album ready for release in 1984. Learning to Crawl debuted to critical acclaim in both the U.S. and the U.K., going platinum in the former, despite the inevitable reservations about the absence of Farndon and Honeyman-Scott. Various attempts to analyze the album in terms of the profound emotions surrounding the birth of Hynde’s daughter and the trauma of Farndon and Honeyman-Scott’s deaths led the Pretenders frontwoman to remark in Rolling Stone, "[It’s] just a collection of ten measly songs. It’s not a real important deal. I hate this sort of romantic or sentimental take people have on it—you know, the tragic demise, the reawakening. It wasn’t like that at all."

Hynde, however, was no longer the defiant punk she had been. After her breakup with Davies, she met and married Jim Kerr, lead singer of Simple Minds. Hynde’s second daughter, Yasmin, was born in April of 1985. Her activities during the hiatus between the release of Learning to Crawl and its follow-up, Get Close, cemented Hynde’s growing reputation as a spokesperson for liberal political causes and as a musician who demanded quality.

Solitary Core of the Pretenders
For Get Close, both Chambers and Foster stepped aside as Hynde brought in a variety of session musicians to work on tracks for the album. Jimmy lovine and Bob Clearmountain replaced longtime producer Thomas. The record emphasized keyboards, and L. Shankar’s Indian violin even emerged on one song. Get Close, however, was ultimately panned. Critics seemed to feel the release lacked the power of the Pretenders’ first two albums and failed to demonstrate the consistency of Learning to Crawl. Others argued that the album’s format attempted to cover too large a variety of musical styles, and that the production experimented with too many musical effects, detracting from Hynde’s vocals. Nonetheless, the first single, "Don’t Get Me Wrong," enjoyed Top Ten status.

High Fidelity contributor Ken Richardson reported in 1988 that Hynde had put together "an all-new Pretenders band." Even Mclntosh had vanished from this lineup, which would produce the album Packed! in 1990. As evidenced by their reviews of Packed!, critics had finally accepted that the original Pretenders—and their sound—would never be duplicated. And as it became clear that Packed! was more impressive, track after track, than Get Close—though certainly more mainstream than the group’s earliest work—critics and fans alike seemed to realized that Chrissie Hynde had, in fact, become the Pretenders. Richardson characterized the duality of the band’s sound thus: "The Pretenders were two different bands: purveyors of top 40 hits and, on their first two LPs, creators of potent new wave, grounded in punk energy."

Selected discography

On Sire Records
Pretenders (includes "Stop Your Sobbing" and "Brass in Pocket"), 1980.
Extended Play, 1981.
Pretenders II, 1981.
Learning to Crawl (includes "Back in the Chain Gang" and "My City Was Gone"), 1984.
Get Close (includes "Don’t Get Me Wrong"), 1987.
The Singles, 1988.
Packed!, 1990.

Sources
High Fidelity, September 1988.
Musician, March 1984.
Newsweek, April 2, 1984.
People, March 23, 1987.
Rolling Stone, May 29, 1980; June 12, 1980; November 26, 1981; April 26, 1984; April 10, 1986; November 16, 1989.
Random House Word Menu:

categories related to 'pretender'

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Random House Word Menu by Stephen Glazier
For a list of words related to pretender, see:

"The Young Pretender", Charles Edward Stuart, Bonnie Prince Charlie, pretender to the Scottish, Irish and English thrones

A pretender is one who claims entitlement to an unavailable position of honour or rank. Most often it refers to a former monarch, or descendant thereof, whose throne is occupied or claimed by a rival, or has been abolished.[1][2]

Although "claimant" is sometimes preferred, the term in itself is not pejorative. The original meaning of the English word pretend, from the French word prétendre (from the Latin praetendo lit. "to stretch out before"[3]) means "to put forward, to profess or claim"; this predates today's more common English meaning of "pretend", which is to claim falsely.

The term "pretender" applies not only to claimants with arguably genuine rights to the throne (as the various pretenders of the Wars of the Roses) who regarded the de facto monarch as a usurper, but also to impostors with wholly fabricated claims (as pretenders to Henry VII's throne Lambert Simnel and Perkin Warbeck). People in the latter category often assume the identities of deceased or missing royalty, and are sometimes referred to for clarity as false pretenders or royal impersonators. A Papal pretender is instead called an Antipope.[4]

Contents

Modern pretenders

Pretenders in the Roman Empire

Ancient Rome knew many pretenders to the offices making up the title of Roman Emperor, especially during the crisis of the Third Century.

These are customarily referred to as the Thirty Tyrants, which was an allusion to the Thirty Tyrants of Athens some five hundred years earlier; although the comparison is questionable, and the Romans were separate aspirants, not (as the Athenians were) a Committee of Public Safety. The Loeb translation of the appropriate chapter of the Augustan History therefore represents the Latin triginta tyranni by "Thirty Pretenders" to avoid this artificial and confusing parallel. Not all of them were afterwards considered pretenders; several were actually successful in becoming Emperor at least in part of the Empire for a brief period.

Greek pretenders

The claimant to the throne of the last Greek kingdom is Constantine II, who reigned as king from 1964 to 1973, of the House of Schleswig-Holstein-Sonderburg-Glücksburg (a branch of the House of Oldenburg), whose designated heir is his son Pavlos, Crown Prince of Greece. There are pretenders to other Greek thrones:

The Byzantine Empire

Disputed successions to the Roman (Byzantine) Empire long continued at Constantinople. Most seriously, after the fall of Constantinople to the Fourth Crusade in 1204, and its eventual recovery by Michael VIII Palaeologus, there came to be three Byzantine successor states, each of which claimed to be the Roman Empire, and several Latin claimants (including the Republic of Venice and the houses of Montferrat and Courtenay) to the Latin Empire the Crusaders had set up in its place. At times, some of these states and titles were subjected to multiple claims.

Cypriot pretenders

Following the defeat and death of King James III of Cyprus in 1474, his younger and illegitimate brother, Eugène Matteo de Lusignan, also styled d'Arménie (died 1523) removed to Sicily, then to Malta. He was acknowledged as rightful heir to the thrones of Cyprus, Armenia, Jerusalem, and Antioch, although he never made serious efforts to pursue the claims. The title of "Barone de Baccari" was created in 1508 for Jacques Matteo (sives Eugene Matteo) d'Armenia with the remainder to his descendants in perpetuity. Eugene, illegitimate son of King Jacques II of Cyprus, had, when his family were exiled, first gone to Naples, then Sicily, then settled on Malta, marrying a Sicilian heiress, Donna Paola Mazzara (a descendant of the Royal House of Aragon of Sicily and Aragon), with issue.[5]

French pretenders

The establishment of the First Republic and the execution of Louis XVI in 1793 led to the king's son becoming pretender to the abolished throne, styled as Louis XVII. As Louis XVII was a child and imprisoned in Paris by the revolutionaries, his uncle, the Comte de Provence, proclaimed himself regent in his nephew's name. After Louis XVII died in 1795, the Comte de Provence became pretender himself, as Louis XVIII.

Louis XVIII was restored to the throne in 1814, and was succeeded by his brother Charles X in 1824. Charles X was, however, forced into exile by the July Revolution. Charles X and his son, the Dauphin Louis-Antoine, abdicated their claims in favor of Charles's grandson, the Duke of Bordeaux; however, their cousin the Duke of Orléans, a descendant of Louis XIV's younger brother, mounted the throne as Louis Philippe I.

For most of the July Monarchy, the legitimists, as supporters of the exiled senior line came to be known, were uncertain of whom to support. Some believed the abdication of Charles and his son legal, and recognized the young Chambord as king, while others maintained that abdication was unconstitutional in France of the ancien régime, and continued to recognize first Charles X and then Louis-Antoine, until the latter's death in 1844. On his uncle's death, Bordeaux proclaimed himself king as "Henry V", but remains known to history by his title of pretense, the "Count of Chambord".

In 1848, Louis Philippe was himself overthrown by the February Revolution, and abdicated the throne in favor of his young grandson, the Philippe, Comte de Paris. However, a republic was proclaimed, leaving Paris, like his cousin Chambord, merely a pretender to a no longer existing crown. Over the next several decades, there were several attempts at a so-called "fusion", to unite both groups of monarchists in support of the childless Chambord as king, who would recognize the Count of Paris as his heir. Those efforts failed in the 1850s, but after the establishment of the Third Republic in 1870, when a royalist majority was elected to the Chamber of Deputies, fusion again became the royalist strategy. As a result, in 1873 the Count of Paris withdrew his own bid for the throne and recognized Chambord as legitimate pretender to the French crown. In spite of this apparent unity among royalist forces, restoration of the monarchy was not to be; Chambord refused to accept the Tricolour flag, which rendered him unacceptable to most Frenchmen as a constitutional king. The monarchists hoped that after Chambord's death they could unite behind the Orléanist candidate. Chambord died in exile in 1883. But France's royalists had lost their majority in parliament by 1877. The erstwhile Orléanist Adolphe Thiers called Chambord "The French Washington", i.e. the true founder of the Republic.

In 1883 the majority of French monarchists accepted the Count of Paris as rightful pretender to the French throne. A minority of ultra-reactionaries, the so-called Blancs d'Espagne ("Spanish Whites"), continued to withheld support from the House of Orléans and chose instead Juan, Count of Montizon, the Carlist pretender to the Spanish throne, who also happened to be the senior male descendant of Louis XIV.

The arguments are, on one side, that Louis XIV's younger grandson, Philip de Bourbon, Duke of Anjou renounced any future claim to the French throne when he left France to become king of Spain as Philip V in 1700 (ratified internationally by the Treaty of Utrecht), leaving the Dukes of Orléans as heirs to the throne of France in the event of extinction of descendants of Louis XIV's elder grandson, Louis, Duke of Burgundy, which occurred in 1883. On the other side, Anjou's renunciation is held to be invalid because prior to the revolution it was a fundamental tenet of the French monarchy that the crown could never be diverted from the rightful heir of Hugh Capet. Moreover, although the Orléans volunteered to defer their rival claim to the throne after 1873, the regicidal vote of their ancestor Philippe Égalité in 1789 and the usurpation of Louis Philippe in 1830 are alleged to have extinguished all rights to the throne for the Orléans branch. The schism has continued to the present day, with supporters of the senior line reclaiming the title of Legitimist, leaving their opponent royalists to be known, once again, as Orléanists. The current representative of the senior line is Louis Alphonse, Duke of Anjou, the senior living descendant of Hugh Capet (and of Philip V d'Anjou of Spain) who was born and raised in Spain. The Orléanist line, which returned to live in France when its law of banishment was repealed in 1950, is represented by Henri, Count of Paris, Duke of France, senior male-line descendant of King Louis Philippe.

In addition to these two claims to the historic royal throne of France, there has also been a pretender to the imperial throne of France, created first by Napoleon Bonaparte in 1804 and recreated by his nephew Emperor Napoleon III in 1852. This claim is today disputed between Jean Christophe, Prince Napoléon and his own father, the self-avowed republican Prince Charles Napoléon (likewise deemed to be excluded from the succession due to a non-dynastic marriage), both descendants of Napoleon I's youngest brother, Jérôme Bonaparte.

German pretenders

The Hohenzollern of Prussia

Since the abolition of the German monarchy in 1918, the heads of the House of Hohenzollern have claimed to be the titular Kings of Prussia and German Emperors. These claims are linked by the Constitution of the former (2nd) German Empire: according to this, whoever was King of Prussia was also German Emperor, although that Empire was abolished, making the link somewhat tenuous.

Hohenzollern pretenders to the Prussian and German Thrones
Image Name Titular
Reign
Comments
Georg Friedrich Prinz von Preussen.jpg Prince Georg Friedrich since 1994

The Habsburgs of Austria & Hungary

Habsburg pretenders to the Austrian throne
Image Name Titular
Reign
Comments
Otto von Habsburg Belvedere 1998 c.JPG Otto von Habsburg 1922-2011 renounced all claims in order to enter Austria and so cannot be said to be a true pretender.

The Wittelsbachs of Bavaria

Wittelsbach pretenders to the Bavarian throne
Image Name Titular Reign Comments
Franz, Duke of Bavaria 8 July 1996–present

The Welfs of Hanover

Guelph pretenders to the Electorship of Hanover
Image Name Titular
Reign
Comments
Ernst August, Prince of Hanover present head of the Welfs

Russian pretenders

There is much debate over who is the legitimate heir to the Russian throne, and bitter dispute within the family itself.[6] Grand Duchess Maria Vladimirovna is considered by some to be the legitimate heir.[7] She is the only child of Grand Duke Vladimir who died in 1992, a great-grandson of Tsar Alexander II, whom some considered the last male dynast of the House of Romanov. Some of her opponents believe she is ineligible to claim the throne because she was born of a marriage that would have been deemed morganatic under Russia's monarchy, which was abolished in 1917.[6] Others oppose her for reasons similar to those of anti-Orleanists: her father's and grandfather's perceived disloyalty and dynastic ambition are seen as vitiating any rights which might otherwise have belonged to her branch of the former dynasty.

Still others maintain that the severe, pre-revolutionary marital rules of the Romanovs leave no one who can claim to be rightful heir to the dynasty's legacy. Others recognize Nicholas Romanov, Prince of Russia as head of the family.[8] A descendant of Emperor Nicholas I, he is the elected president of the Romanov Family Association, which consists of most living descendants of the Romanov emperors.

Anna Anderson attempted to prove she was Grand Duchess Anastasia Nikolaevna of Russia, the lost daughter of Nicholas II, but DNA testing on her remains eventually proved her to be an impersonator.[9] Although she did not claim the throne, per se, as women could not succeed to the Russian throne so long as any male dynast survived, she became more famous than any of the various Russian pretenders.[9]

English, Irish, Scottish, Welsh and British pretenders

England, Scotland and Great Britain

Pretenders to the thrones of the United Kingdom and its predecessor realms, as well as the other historical jurisdictions that are modernly England, Ireland, Scotland, and Wales, have existed from time to time.

Lambert Simnel (ca. 1477 – ca. 1525) was a pretender to the throne of England. His claim to be the Earl of Warwick in 1487 threatened the newly established reign of King Henry VII (reigned 1485–1509). This was just after The Wars of the Roses. He was just a boy but was used to try to take over the Kingdom.
After the execution of Charles I in 1649, his son Charles II became pretender until his restoration 11 years later. In modern times, the chief claim was that of the Jacobites. After the overthrow of the Catholic James II and VII in the Glorious Revolution in 1688, many refused to accept the legality of the new regime of William and Mary, James's Protestant daughter and son-in-law, and continued to recognize James as king. James made a significant effort in 1690 to recover Ireland, but was defeated by William at the Battle of the Boyne. After James's death, his supporters recognized his son,

  • James Francis Edward Stuart, the Roman Catholic son of the deposed King James VII and II. James was barred from the succession to the throne by the Act of Settlement 1701. Notwithstanding the Act of Union 1707, he claimed the separate thrones of Scotland, as James VIII, and of England and Ireland, as James III, until his death in 1766. In Jacobite terms, Acts of Parliament (of England or Scotland) after 1688, (including the Acts of Union) did not receive the required Royal Assent of the legitimate Jacobite monarch and, therefore, were without legal effect. James was responsible for a number of conspiracies and rebellions, particularly in the Highlands of Scotland. The most notable was The Fifteen, which took place in 1715-16
  • Charles Edward Stuart, James' elder son, the would-be Charles III, known as Bonnie Prince Charlie, led in his father's name the last major Jacobite rebellion, the Forty-Five, in 1745-46. He died in 1788, without legitimate issue.
  • Henry Benedict Stuart, younger brother of Charles Edward, a Roman Catholic Cardinal, best known as the Cardinal-Duke of York, took up the claim to the throne as the would-be Henry IX of England, though he was the final Jacobite heir to publicly do so. He died unmarried in 1807.

After 1807, the line of James II and VII became extinct. As the Jacobites had ceased to have much political significance after the failure of the Forty-five, the movement became essentially completely dormant after Henry's death. Genealogically, the next most senior line to the English and Scottish thrones was through James II's youngest sister, Henriette Anne, whose daughter had married into the House of Savoy. To the very limited extent that Jacobitism survived the death of Cardinal York, they supported the claims of this line. Its current representative is Franz, Duke of Bavaria, though he himself does not claim the title.

Wales

Owain Glyndŵr (1349–1416) is probably the best-known Welsh pretender, though whether he was pretender or Prince of Wales depends upon one's source of information. Officially, Llywelyn ap Gruffydd ap Llywelyn, who died in 1282, was the only Prince of Wales whose status as ruler was officially recognised by the English Crown, though three of the four men who claimed the throne of Gwynedd between the assumption of the title by Owain Gwynedd in the 1160s and the loss of Welsh independence in 1283 also used the title or similar. Madog ap Llywelyn also briefly used the title during his revolt of 1294-5. Since 1301, the title of Prince of Wales has been given to the eldest living son of the King or Queen Regnant of England (subsequently of Great Britain, 1707, and of United Kingdom, 1801). The word "living" is important. Upon the death of Arthur, Prince of Wales, Henry VII invested his second son, the future Henry VIII, with the title. The title is not automatic, however, but merges into the Crown when a prince dies or accedes to the throne, and has to be re-conferred by the sovereign.

Nevertheless, it is Glyndŵr whom many remember as the last native Prince of Wales. He was indeed proclaimed Prince of Wales by his supporters on 16 September 1400, and his revolt in quest of Welsh independence was not quashed by Henry IV until 1409. Later, however, one of Glyndŵr's cousins, Owain Tudor, would marry the widow of Henry V, and their grandson would become Henry VII, from whom the current British monarch is descended (through his daughter Margaret Tudor, who married James IV of Scotland).

The various minor kingdoms that came together to form what is today known as the Principality of Wales each had their own royal dynasty. The most important of these realms were Gwynedd, Powys and Deheubarth. After 878 the ruling dynasties in these kingdoms each claimed descent from the sons of Rhodri Mawr who had conquered them or otherwise achieved their thrones during his reign. Merfyn Frych, the father of Rhodri Mawr, had come to power in Gwynedd because the native dynasty, known as the House of Cunedda had expired. Merfyn was descended from royalty through his own father Gwriad and claimed ancestors from among the rulers of British Rheged (in particular Llywarch Hen). It was acknowledged by all of the realms of Wales after the time of Rhodri Mawr that the House of Gwynedd (known as the House of Aberffraw) was senior and homage should be paid by each of them to the king of Gwynedd. After the reign of Owain ap Gruffudd of Gwynedd the realm began to merge with the concept of a Principality of Wales. This was realised by Owain's descendant Llywelyn ap Gruffudd in 1267. It was not to last and this new Wales was invaded by England and dismantled between 1277 and 1284. All of the descendants of Llywelyn "the last" and his brothers were either imprisoned or killed. Surviving members of the House of Aberffraw descended in the male line from Rhodri ab Owain Gwynedd in the guise of the Wynn and Anwyl families. Other surviving cadet branches of the Aberffraw and other Welsh princely houses have also survived into the modern age.

Ireland

The business of Irish pretenders is rather more complicated because of the nature of kingship in Ireland before the Norman take-over of 1171. In both Ireland and Scotland, succession to kingship was elective, often (if not usually) by contest, according to matrilineal descent. That is, the head of state of any kingdom, sub-kingdom, high kingdom, etc., was always a king, but the king always inherited the crown through his mother, as a ranking princess royal, not through his father. (See, e.g., The Lion in the North: A Personal View of Scotland's History, by John Prebble ISBN 0-14-003652-0; among other works.)

Thus, a king would not be succeeded by his own son but would normally be succeeded by his mother's other sons; then by his sisters' sons; then his maternal aunt's sons; and so on, traveling through the female line of the royal house. This combination of male succession through matrilineal descent produced a cumbersome system under which the throne passed cyclically from brother to brother, then uncle to nephew, and then cousin to cousin, before starting over as brother to brother, uncle to nephew, etc. {See, e.g., The Lion in the North: A Personal View of Scotland's History, by John Prebble; among other works.} In Ireland, however, the high king from the time of Maelsheachlainn I (died 862) exercised a measure of control over the country. He belonged to the Ui Neill dynasty and under the Brehon laws, succession was open to any kinsman up to and including second cousin.

In Scotland, Malcolm II tried to get around this system by killing off all of the heirs between himself and his grandson, Duncan; except for Prince Lulach of Moray, who was just five years old at the time and - more importantly - was successfully rumoured to be half-witted (thus, he survived). Duncan I did become king, but Lulach's stepfather, Maelbeth - rendered "Macbeth" in English - successfully claimed the throne in his own right and on Lulach's behalf.

Duncan I's son, Malcolm III 'Canmore', ultimately returned from exile in England and took the throne from Maelbeth and Lulach (the latter reigning 1057-1058, after the death of Maelbeth in battle against Malcolm). Malcolm was succeeded by his brother, as Duncan II, but then by four of his own sons - one of whom, Edgar (1097–1107), changed the official language of Scotland from Gàidhlig (then, still a Scottish dialect of Old Irish) to Scots (then, a language similar to English but missing the Saxon element that has always been part of standard English). Gaelic dominance of Scotland ended during the reign of Alexander I (1107–1124), and the old Celtic system of matrilineal kingship finally ended and was replaced by a system of primogeniture.

Such a transition never happened in Ireland, but civil war and the imposition of Anglo-Norman rule intervened. Although Ireland had been culturally unified for centuries, it was not politically unified, even as a tribal nation.

The High King of Ireland was essentially a ceremonial, pseudo-federal overlord (where his over-lordship was even recognised), who exercised actual power only within the realm of which he was actually king. In the case of the southern branch of the Uí Niall, this would have been the Kingdom of Meath (modernly the counties of Meath, West Meath and part of County Dublin). High Kings from the northern branch of the family ruled various kingdoms in what eventually became the province of Ulster.

Nevertheless, the Uí Niall were apparently powerful in ceremony if not in politic, so that political unification of Ireland was not aided by the usurpation of the high kingship from Mael Sechnaill II and the southern Uí Niall in 1002 by Briain ‘Boruma’ mac Cennédig, of the Kingdom of Munster. This was the third of the so-called "Three Usurpations of Brian Boru."

Brian Boru was a strong king who could have unified Ireland politically, and there is some suggestion he intended to make himself High King of Scotland as well. But he was killed in the Battle of Clontarf in 1014, and twelve years as High King was not long enough to unify the island politically. Mael Sechnaill II was restored to the High Kingship but he died in 1022, too soon to undo the damage done by Brian's "coup." From 1022 through the Norman take-over of 1171, the High Kingship was held by "Kings with Opposition" - that is, whoever was strong enough to overthrow the High King of the day and take the Hill of Tara simply did so. This 150-year period of regnal unrest between families now called O'Brian, O'Conner, McLoughlin/O'Melaghlin, and others, was eventually immortalised in the children's game called "King of the Hill". The game is still popular among American children, who take turns trying to push each other off a low stool, chair, or other makeshift hill while arguing, "I'm king of the hill!" "No! I'm king!"

Because the native Irish high kingship never transitioned to a system of nation-state kingship primogeniture but simply faded into an oblivion of civil war between competing Irish royal families, there are literally as many as a million or more people[citation needed] who can make a claim to the ancient high kingship of Tara that is as equally valid as anybody else's under the old system disrupted by what may be called Brian Boru's "coup de tribe." Indeed, as a reputed descendant of Brian Boru and of the Uí Niall Dynasty both through his late grandmother, the current heir to the statutory throne that includes Northern Ireland, Prince Charles, could be considered a viable pretender[citation needed] to the high kingship of Ireland, especially as he would be making the claim through the female line of his ancestry. (The British Royal Family has publicly claimed descent from Brian Boru through the late Queen Elizabeth, the Queen Mother, and from other ancestors associated with the Ui Niall Dynasty - usually via marriage through the Royal Family's Scottish ancestry; see the history section of the Royal Family's website for bloodlines and timelines.) But see the remarks above regarding existing native dynasties, whose claims are more valid than those of the current British royal family.

Interestingly, some Irish rebels discussed offering the Irish throne to Prince Joachim of Prussia (son of Kaiser Wilhelm II) before the 1916 Easter Rising. This was obviously anti-English sentiment following the execution of the leaders of the rebellion. After the failure of the Rising (whose leaders established an Irish republic; the royalists were a minority among the rebels), the offer was, of course, never made. But had he been crowned, and Ireland had subsequently became a republic, Joachim's son, Franz Wilhelm, would be an Irish pretender; and, afterward, his son, George of Russia, would be an Irish as well as a Russian pretender.

Ottoman pretenders

Cem Sultan, eldest son born during the reign of his father, Mehmet the Conqueror claimed the Sultanate although he was defeated in battle months later by his eldest brother (by birth) Bayezid II. He fled to Rhodes Island then eventually to the Papal Territories. His descendants claimed Cem Sultan rights until Malta defeated the Ottomans in the 16th century. After the Ottoman empire was abolished, and the Republic of Turkey came into power, the successive heads of the Ottoman family claimed the throne of the Turkish empire.

Kingdom of Jerusalem

The Emperors of Ethiopia held the title of "King of Zion" through their claim of descent from the Biblical House of David through his son King Solomon. Menelik II dropped the use of this title. The Ethiopian Emperors continued to use the honorific of "Conquering Lion of the Tribe of Judah" up until the monarchy ended with the fall of Emperor Haile Selassie in 1974.

Since the fall of the Kingdom of Jerusalem, many European rulers have claimed to be its rightful heir. None of these, however, have actually ruled over a part of the former Kingdom. Today there are several potential European claimants on the basis of the inheritance of the title. None of the claimants have any power in the area of the former Kingdom. See the article Kings of Jerusalem for a list of potential claimants.

False pretenders

A number of individuals have claimed to be princes who disappeared or died under somewhat mysterious circumstances:

Claimant descendants of royalty

There have also been individuals who claimed to be descendants of royalty:

Japanese descendants of Chinese emperors

Japanese clans like the Hata clan were descended from the first emperor of China, Qin Shi Huang. See the article within Japanese clans for other descendants of Chinese emperors in Japan.

See also

References and notes

  1. ^ Valynseele, Joseph. Les Prétendants aux trônes d'Europe. Paris, 1967, p. 11 (French).
  2. ^ Curley, Jr., Walter J.P. Monarchs-in-Waiting. New York, 1973, pp. 4-6, 10. ISBN 0-396-06840-5.
  3. ^ Cassell's Latin Dictionary, ed. Marchant & Charles
  4. ^ See for example of revisionist use of the term upon Antipope Christopher.
  5. ^ Leto Severis, Ladies of Medieval Cyprus and Caterina Cornaro; Nicosia: 1995; ISBN 9963-8102-1-7.
  6. ^ a b Massie, Robert K. The Romanovs: The Final Chapter. New York, 1995, p. 278. ISBN 394-58048-6.
  7. ^ de Badts de Cugnac, Chantal. Coutant de Saisseval, Guy. Le Petit Gotha. Nouvelle Imprimerie Laballery, Paris 2002, p. 702 (French) ISBN 2-9507974-3-1
  8. ^ Ministry of Foreign Affairs of Denmark
  9. ^ a b c Massie, Robert K. The Romanovs: The Final Chapter. New York, 1995, pp. 239, 251. ISBN 394-58048-6.

Translations:

Pretender

Top

Dansk (Danish)
n. - hykler, prætendent

Nederlands (Dutch)
komediant, iemand die ongegrond aanspraak maakt op de troon

Français (French)
n. - simulateur, prétendant

Deutsch (German)
n. - Anwärter, Prätendent

Ελληνική (Greek)
n. - διεκδικητής ή μνηστήρας (θρόνου)

Italiano (Italian)
pretendente, simulatore

Português (Portuguese)
n. - fingido (m), aspirante

Русский (Russian)
притворщик, претендент

Español (Spanish)
n. - pretendiente, simulador

Svenska (Swedish)
n. - pretendent, hycklare, charlatan

中文(简体)(Chinese (Simplified))
冒牌者, 要求王位者, 要求者

中文(繁體)(Chinese (Traditional))
n. - 冒牌者, 要求王位者, 要求者

한국어 (Korean)
n. - ~인 체하는 사람, 요구자

日本語 (Japanese)
n. - ふりをする人, 詐称者, 要求者

العربيه (Arabic)
‏(الاسم) متظاهر‏

עברית (Hebrew)
n. - ‮תבען, תובע, טוען לכתר, מתחזה‬


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