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Process and Reality

 
Album Review: Process and Reality

  • Artist: Evan Parker
  • Rating: StarStarStarStarStar
  • Release Date: 1991
  • Genre: Jazz

Review

The first trap is to write that this is another phenomenal Evan Parker recording. It would be accurate because it is, and it would also be accurate to claim that this is a further step not only in Parker's development as an improviser, but in the development of improvised music as well. Another trap. But the entire picture is somewhat murkier while being even more monumental: This is Evan Parker's first album using multi-tracking technology and using the studio itself as a concert platform to capture, in the flux of the moment, the permanent sound, and, as Alfred North Whitehead (whose legendary philosophical tome this album is named for) pointed out, the flux that is always inherent in the permanent. Process and Reality is comprised of short pieces, 16 of them in fact. All but one are improvisations on the notions of the sonic, harmonic, and timbral thematics Parker was exploring at the time of this recording (who knows where he's off to now), and one is an improvisation based on Steve Lacy's "The Cryptosphere." The first half-hour features Parker "warming up," playing straight, live, moving through angular scales and tonal variations on whichever theme he states. From track six, "Amanita," on, the multi-tracking begins and the tonal balances fall off the roof; here, shocking reams of sound run against skittering skeins of atonal noise and shimmering notes, cascading in ribbons through the tape machines and creating a weave of "absolute sound," no more temporal or permanent than a flash of light that touches everything around it. This is a fascinating, and even maddeningly awakening, ride through Parker's tonal and psychological soundscape. It is an essential recording for anyone interested in improvised music. ~ Thom Jurek, All Music Guide

Tracks

Track TitleComposersPerformersTime
Mothon Evan Parker Evan Parker (4:40)
Borlung Evan Parker Evan Parker (8:29)
Broken Wing Evan Parker Evan Parker (7:50)
Fast Falls (for Mongezi Feza) Evan Parker Evan Parker (8:28)
Paros Gemutato Evan Parker Evan Parker (4:08)
Amanita Evan Parker Evan Parker (4:47)
AKA Evan Parker Evan Parker (2:38)
G.I.K.H. Evan Parker Evan Parker (3:10)
Bubble Chamber (for Conlon Nancarrow) Evan Parker Evan Parker (3:57)
Muzzle Evan Parker Evan Parker (4:13)
Diary of a Mnemonist (for Liz Fritsch) Evan Parker Evan Parker (3:07)
Banda (O.D.J.B.) Evan Parker Evan Parker (2:15)
Pfingstsonntag Evan Parker Evan Parker (2:18)
Blindfight Evan Parker Evan Parker (2:20)
And I Will Sing of This Second Kingdom Evan Parker Evan Parker (2:54)

Credits

Evan Parker (Sax (Soprano)), Evan Parker (Sax (Tenor)), Evan Parker (Producer), Evan Parker (Main Performer), Jost Gebers (Producer), Jost Gebers (Engineer), Jost Gebers (Layout Design), Steve Lake (Liner Notes), Dagmar Gebers (Photography)
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Wikipedia: Process and Reality
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In philosophy, especially metaphysics, the book Process and Reality by Alfred North Whitehead sets out its author's philosophy of organism, also called process philosophy. The book, published in 1929, is a revision of the Gifford Lectures he gave in 1927-28.

Process philosophy lays the groundwork for a paradigm of subjectivity, which Whitehead calls a "completed metaphysical language." (p. 18)

We diverge from Descartes by holding that what he has described as primary attributes of physical bodies, are really the forms of internal relationships between actual occasions. Such a change of thought is the shift from materialism to Organic Realism, as a basic idea of physical science.

Process and Reality, p. 471.

A signal technical feature of Process and Reality is the way its ontology is grounded in mereotopology, a mathematical formalism combining mereological and topological notions. Whitehead's exposition of his mereotopology was informal and flawed. A careful formal restatement and correction of Whitehead's theory had to await the work of Bowman Clarke (1981, 1985). For an accessible review of Clarke's work, see Simons (1987: 2.9.2). Biacino and Gerla (1991) criticised Clarke's work by proving that his connection relation coincides with the overlapping relation, which cannot be what Whitehead intended.

Contents

See also

Publication data

Process and Reality: An Essay in Cosmology (1929). 1979 corrected edition, edited by David Ray Griffin and Donald W. Sherburne, Free Press. ISBN 0-02-934570-7 (Part V. Final Interpretation)

Secondary literature

  • Biacino L., and Gerla G., 1991, "Connection structures," Notre Dame Journal of Formal Logic 32: 242-247.
  • Clarke, Bowman, 1981, "A calculus of individuals based on 'connection'," Notre Dame Journal of Formal Logic 22: 204-18.
  • ------, 1985, "Individuals and Points," Notre Dame Journal of Formal Logic 26: 61-75.
  • Lowe, Victor, 1962. Understanding Whitehead. Johns Hopkins Univ. Press.
  • Nicholas Rescher, 2000. Process Philosophy: A Survey of Basic issues. Univ. of Pittsburgh Press.
  • Sherburne, Donald W., 1966. A Key to Whitehead's Process and Reality. Macmillan.
  • Simons, Peter, 1987. Parts. Oxford Univ. Press.

External links


 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Process and Reality" Read more