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| Pub Rock | |
| Stylistic origins | rock and roll, garage rock, British blues, folk rock, power pop, funk, hard rock, R&B, beat music, twelve bar blues |
|---|---|
| Cultural origins | 1970s England (especially the pub circuit of London and Essex). |
| Typical instruments | Guitar - Bass - Drums - Piano |
| Mainstream popularity | Largely popular in the United Kingdom. |
| Derivative forms | protopunk, punk rock, New Wave, mod revival, indie rock, Britpop |
Pub rock was a mid- to late-1970s musical movement, largely centred around North London and South East Essex, particularly Canvey Island and Southend on Sea. Pub rock was largely a reaction to much of the popular music of the era, which tended to be dominated by progressive rock and highly polished, supposedly over-produced American West Coast 'AOR' sounds. Many viewed such music as inaccessible and 'out of touch', while pub rock was very much about getting 'back to basics', tending to be based around live performances in small pubs and clubs, playing unpretentious music, from country rock to rhythm and blues-influenced hard rock.
Pub rock was viewed by many as being an immediate precursor to the UK punk rock scene. Indeed, many pub rock acts such as Eddie and the Hot Rods went on to find fame in the first wave of British punk, while groups such as The 101'ers featured Joe Strummer of The Clash, and Kilburn and the High Roads included Ian Dury amongst their members.
Pub rock is usually traced back to the "Tally Ho", a former jazz pub in Kentish Town, where Eggs over Easy started playing in May 1971, and were soon joined by Bees Make Honey, Brinsley Schwarz, Max Merritt and the Meteors, Ducks Deluxe and others.[1]
Most of the venues were in large Victorian pubs “north of Regents Park” where there were plenty of suitable pubs. [2] One of the most notable venues was the Hope and Anchor pub on Islington's Upper Street, still a venue (right). Other important pub rock venues included the Pegasus Music Hall - a pub in spite of its name - on Green Lanes, the Dublin Castle in Camden Town, The Pied Bull at The Angel (also gone), Bull and Gate in Kentish Town, the Kensington near Olympia and the George Robey in Finsbury Park (now demolished).
Out of London, venues included the Dagenham Roundhouse, The Grand in Leigh on Sea and the Admiral Jellicoe on Canvey Island. Many of these pub venues, particularly the Hope and Anchor, became notable for hosting punk rock later.
Besides the well-known venues, many other London pubs of the time would hire out the large meeting halls, music halls or ex-billiards rooms they often had available as do-it-yourself gigs for aspiring pub or punk rock musicians.
Contents |
Notable acts
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Compilation albums
In addition to albums by the individual bands, there are two retrospective compilations, both double CDs, which demonstrate the breadth of musical styles covered by the description "pub rock":
- Naughty Rhythms: The Best of Pub Rock - November 1996 (EMI Premiere 37968) Allmusic




link - Goodbye Nashville, Hello Camden Town: A Pub Rock Anthology - March 2007 (Castle Music CMEDD1451) Allmusic




link
See also
- British popular music
- Stiff Records
- Garage rock
- Mod revival
- New Wave music
- Power pop
- Pub rock (Australia)
References
- ^ Birch, Will (2003). No Sleep Till Canvey Island – The Great Pub Rock Revolution (1st ed.). London: Virgin Books Ltd. pp. 120-129. ISBN 0-7535-0740-4.
- ^ NME article on Pub Rock by Roy Carr published 29 October 1977 retrieved 14 December 2008
External links
- Southend Music Venues by Southend Sites
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