Push processing, colloquial term for a method of increasing effective emulsion speed by extending the development time. It is usually applied to colour reversal material; increasing the first development time by up to 50 per cent can increase the effective speed by up to two stops, with some loss in colour saturation and shadow density. Most modern professional colour transparency films are designed to give good results when processed for a variety of speeds.
— Graham Saxby
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Push processing in photography, sometimes called uprating, refers to a film developing technique that increases the effective sensitivity of the film being processed.[1] Push processing involves developing the film for more time, possibly in combination with a higher temperature, than the manufacturer's recommendations. This technique results in effective over-development of the film, compensating for under-exposure in the camera.
Push processing allows relatively insensitive films to be used under lighting conditions that would ordinarily be too low for adequate exposure at the required shutter speed and aperture combination. This technique alters the visual characteristics of the film, such as higher contrast, increased grain and lower resolution.[1] Saturated and distorted colours are often visible on film that has been push processed.
Pull processing involves over-exposure and under-development, effectively decreasing the sensitivity of the processed film. It is achieved by developing the film for a shorter time, and possibly at a lower temperature. Film that has been pull processed will display the opposite change in visual characteristics. This may be deliberately exploited for artistic effect.
When a film's effective sensitivity has been varied, the resulting sensitivity is called the exposure index; the film's speed remains at the manufacturer's indication. For example, an ISO 200/24 film could be push processed to EI 400/27 or pull processed to EI 100/21.
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