Querelle des Bouffons
A Parisian controversy over the respective merits of French and Italian music, in particular opera. It was sparked off in 1752 by performances of Pergolesi's La serva padrona by a troupe called the Bouffons. F. M. Grimm's Lettre sur Omphale (1752) favoured the ‘natural’ Italian idiom and criticized ‘artificial’ French works; Rousseau's Lettre sur la musique française (1753) expressed similar views. But the French style, supported by J. -B. Jourdan and other writers, remained popular, and the quarrel subsided, unresolved, when the Bouffons left Paris in 1754.



