(American mythology)
The plumed serpent god of Central America. He was the giver of breath and the god of winds. At the same time he was a creator deity, identified with the sun, and the god who descended into the land of the dead, mictlan, where ‘he fell like one dead’. On his recovery, perhaps aided by his double, he gathered up the precious bones there, returned to the earth and, sprinkling them with his own blood, he turned them into human beings.
The mystery surrounding the figure of Quetzalcoatl derives from his dual character. On one hand he is patently a deity at the centre of an amazing myth: as a man, on the other hand, he has acquired the legendary status of a cultural founder hero. In his History of Things of New Spain, written in the sixteenth century, Bernardino de Sahagun wrote: ‘In the city of Tollan reigned many years a king called Quetzalcoatl…. He was exceptional in moral virtues … the place of this king among these natives is like King Arthur among the English.’ The temple pyramid dedicated to Quetzalcoatl in this advanced city had been built by the Toltecs, whose ninth emperor priest he was. Three centuries after the collapse of Toltec power the rulers of Aztecs were pleased to call themselves ‘successors of Quetzalcoatl’. He was regarded as the greatest historical king: he started the cultivation of maize; he introduced weaving, the polishing of stone, and the making of feather mantles; he taught men how to measure time and study the movements of the stars; he invented the calendar along with its fixed ceremonies and days of prayer; he expounded religious doctrines. The brutal Aztecs, who exaggerated the Toltec obsession with human sacrifice, used the Quetzalcoatl myth to prop up their military state. However, they also inherited the prophecy that, one day, this king would return from the sea and reclaim his throne. It was a fatalism that Hernando Cortés exploited in 1519–21 when he posed as the undead Quetzalcoatl.
Myth recounts the fall and exile of Quetzalcoatl. His enemy was Tezcatlipoca, a chief warrior, who weakened the king by ‘giving him his body’. That is to say, Quetzalcoatl was tempted into drunkenness and sensuality. Anguish then consumed his heart and, after a mock death in a stone box, he ordered the abandonment of the city of Tollan. He burned his palace, buried his treasures, and, putting on his insignia of feathers as well as his green mask, he departed in great sorrow. Reaching the sea-shore, Quetzalcoatl may have immolated himself on a funeral pyre and rare birds have arisen from his ashes. Or, as was generally believed, he sailed eastwards on a raft of serpents after saying he would return. Historically, the deposed ruler could have arrived in Yucatan, since shortly before 987 Mayan records note the coming of Kukulkan, ‘the feather serpent’, and the foundation of a new state there.


Quetzalcoatl, god of civilization, was identified with the planet Venus and with the wind; he represented the forces of good and light pitted against those of evil and darkness, which were championed by Tezcatlipoca. According to one epic legend, Quetzalcoatl, deceived by Tezcatlipoca, was driven from Tula, the Toltec capital, and wandered for many years until he reached his homeland, the east coast of Mexico-where he was consumed by divine fire, his ashes turning into birds and his heart becoming the morning star. Another version has him sailing off to a mythical land, leaving behind the promise of his return. Adopting the name, the Aztec linked it with the worship of the war god Huitzilopotchtli and applied it to some of their ranking priests. Montezuma viewed the Spanish invaders as the returning hosts of Quetzalcoatl. There is a great pyramid in honor of the deity at Cholula, and the sky-serpent motif in the mosaics at Mitla probably represents Quetzalcoatl. The famous Temple of Quetzalcoatl at Teotihuacán is now regarded by some authorities as having been consecrated to a different god.
It is likely that the figure who gave rise to the legendary Quetzalcoatl was an ancestor of his Maya counterpart, Kulkulcán. The Toltec of Tula moved southward, settled in SW Campeche, and in the 10th cent. under the leadership of Kulkulcán, a historical figure, occupied Chichén Itzá and founded the cities of Uxmal and Mayapán. Although probably assimilated into the Maya culture by this time, the invaders still employed Mexican architectural motifs (especially the feathered serpent) extensively. After the death of Kulkulcán he became the patron deity of Chichén Itzá, and most of the temples were dedicated to him. The symbol for both Quetzalcoatl and Kulkulcán, the serpent with quetzal feathers, has an obvious connection with serpent worship.
Bibliography
See L. Séjourné, Burning Water (tr. 1957).

Quetzalcoatl (Classical Nahuatl: Quetzalcohuātl [ketsaɬˈko.aːtɬ]) is a Mesoamerican deity whose name comes from the Nahuatl language and has the meaning of "feathered serpent".[1] The worship of a feathered serpent deity is first documented in Teotihuacan in the first century BC or first century AD.[2] That period lies within the Late Preclassic to Early Classic period (400 BC–600AD) of Mesoamerican chronology, and veneration of the figure appears to have spread throughout Mesoamerica by the Late Classic (600–900 AD).[3]
In the Postclassic period (900 – 1519 AD) the worship of the feathered serpent deity was based in the primary Mexican religious center of Cholula. It is in this period that the deity is known to have been named "Quetzalcoatl" by his Nahua followers. In the Maya area he was approximately equivalent to Kukulcan and Gukumatz, names that also roughly translate as "feathered serpent" in different Mayan languages. In the era following the 16th-century Spanish Conquest a number of sources were written that describe the god "Quetzalcoatl" and relates him to a ruler of the mythico-historic city of Tollan called by the names "Ce Acatl", "Topiltzin", "Nacxitl" or "Quetzalcoatl".
It is a matter of much debate among historians to which degree, or whether at all, these narratives about this legendary Toltec ruler Topiltzin Ce Acatl Quetzalcoatl describe actual historical events.[4] Furthermore early Spanish sources written by clerics tend to identify the god-ruler "Quetzalcoatl" of these narratives with either Hernán Cortés or St. Thomas—an identification which is also a source of diversity of opinions about the nature of "Quetzalcoatl".[5]
Among the Aztecs, whose beliefs are the best-documented in the historical sources, Quetzalcoatl was related to gods of the wind, of Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge.[6] Quetzalcoatl was one of several important gods in the Aztec pantheon along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli.
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A feathered serpent deity has been worshipped by many different ethno-political groups in Mesoamerican history. The existence of such worship can be seen through studies of iconography of different Mesoamerican cultures, in which serpent motifs are frequent. On the basis of the different symbolic systems used in portrayals of the feathered serpent deity in different cultures and periods scholars have interpreted the religious and symbolic meaning of the feathered serpent deity in Mesoamerican cultures.
The earliest iconographic depiction of the deity is believed to be found on Stela 19 at the Olmec site of La Venta, depicting a serpent rising up behind a person probably engaged in a shamanic ritual. This depiction is believed to have been made around 900 BC, although probably not exactly a depiction of the same feathered serpent deity worshipped in classic and post-classic periods it shows the continuity of symbolism of feathered snakes in Mesoamerica from the formative period and on, for example in comparison to the Mayan Vision Serpent shown below.
The first culture to use the symbol of a feathered serpent as an important religious and political symbol was Teotihuacan. At temples such as the aptly named "Quetzalcoatl temple" in the Ciudadela complex, feathered serpents figure prominently and alternate with a different kind of serpent head. The earliest depictions of the feathered serpent deity were fully zoomorphic, depicting the serpent as an actual snake, but already among the Classic Maya the deity began acquiring human features.
In the iconography of the classic period Maya serpent imagery is also prevalent: a snake is often seen as the embodiment of the sky itself, and a vision serpent is a shamanic helper presenting Maya kings with visions of the underworld.
The archaeological record shows that after the fall of Teotihuacan that marked the beginning of the epi-classic period in Mesoamerican chronology around 600 AD, the cult of the feathered serpent spread to the new religious and political centers in central Mexico, centers such as Xochicalco, Cacaxtla and Cholula.[3] Feathered serpent iconography is prominent at all of these sites. Cholula is known to have remained the most important center of worship to Quetzalcoatl, the Aztec/Nahua version of the feathered serpent deity, in the postclassic period.
During the epi-classic period a dramatic spread of feathered serpent iconography is evidence throughout Mesoamerica, and during this period begins to figure prominently at cites such as Chichén Itzá, El Tajín, and throughout the Maya area. Colonial documentary sources from the Maya area frequently speak of the arrival of foreigners from the central Mexican plateau often led by a man whose name translates as "Feathered Serpent", it has been suggested that these stories recall the spread of the feathered serpent cult in the epiclassic and early postclassic periods.[3]
In the postclassic Nahua civilization of central Mexico (Aztec) the worship of Quetzalcoatl was ubiquitous. The most important center was Cholula where the world's largest pyramid was dedicated to his worship. In Aztec culture depictions of Quetzalcoatl were fully anthropomorphic. Quetzalcoatl was associated with the windgod Ehecatl and is often depicted with his insignia: a beak-like mask.
On the basis of the Teotihuacan iconographical depictions of the feathered serpent, archaeologist Karl Taube has argued that the feathered serpent was a symbol of fertility and internal political structures contrasting with the War Serpent symbolizing the outwards military expansion of the Teotihuacan empire.[7] Historian Enrique Florescano also analysing Teotihuacan iconography shows that the Feathered Serpent was part of a triad of agricultural deities: the Goddess of the Cave symbolizing motherhood, reproduction and life, Tlaloc, god of rain, lightning and thunder and the feathered serpent, god of vegetational renewal. The feathered serpent was furthermore connected to the planet Venus because of this planet's importance as a sign of the beginning of the rainy season. To both Teotihuacan and Mayan cultures, Venus was in turn also symbolically connected with warfare.[8]
While not usually feathered, classic Maya serpent iconography seems related to the belief in a sky-, Venus-, creator-, war- and fertility-related serpent deity. In the example from Yaxchilan the Vision Serpent has the human face of the young maize god, further suggesting a connection to fertility and vegetational renewal, the Mayan Young Maize god was also connected to Venus.
In Xochicalco depictions of the feathered serpent is accompanied by the image of a seated, armed ruler and the hieroglyph for the day sign 9 Wind. The date 9 wind is known to be associated with fertility, venus and war among the Maya and frequently occurs in relation to Quetzalcoatl in other Mesoamerican cultures.
On the basis of the iconography of the feathered serpent deity at sites such as Teotihuacan, Xochicalco, Chichén Itzá, Tula and Tenochtitlan combined with certain ethnohistorical sources, historian David Carrasco [9] has argued that the preeminent function of the feathered serpent deity throughout Mesoamerican history was as the patron deity of the Urban center, a god of culture and civilization.
To the Aztecs, Quetzalcoatl was, as his name indicates, a feathered serpent, a flying reptile (much like a dragon), who was a boundary maker (and transgressor) between earth and sky. He was also a creator deity having contributed essentially to the creation of Mankind. He also had anthropomorphic forms, for example in his aspects as Ehecatl the wind god. Among the Aztecs the name Quetzalcoatl was also a priestly title, as the most two important priests of the Aztec Templo Mayor were called "Quetzalcoatl Tlamacazqui". In the Aztec ritual calendar, different deities were associated with the cycle of year names: Quetzalcoatl was tied to the year Ce Acatl (One Reed), which correlates to the year 1519.[10]
The exact significance and attributes of Quetzalcoatl varied somewhat between civilizations and through history. Quetzalcoatl is one of the four sons of Ometecuhtli and Omecihuatl, he was often considered the god of the morning star, and his twin brother Xolotl was the evening star (Venus). As the morning star he was known by the title Tlahuizcalpantecuhtli, meaning "lord of the star of the dawn." He was known as the inventor of books and the calendar, the giver of maize (corn) to mankind, and sometimes as a symbol of death and resurrection. Quetzalcoatl was also the patron of the priests and the title of the twin Aztec high priests.
Most Mesoamerican beliefs included cycles of suns. Usually, our current time was considered the fifth sun, the previous four having been destroyed by flood, fire and the like. Quetzalcoatl went to Mictlan, the underworld, and created fifth-world mankind from the bones of the previous races (with the help of Cihuacoatl), using his own blood, from a wound he inflicted on his earlobes, calyes, tongue, and penis, to imbue the bones with new life.
It is also suggested that he was a son of Xochiquetzal and Mixcoatl.[citation needed]
One Aztec story claims that Quetzalcoatl was tricked by Tezcatlipoca into becoming drunk and sleeping with a celibate priestess (in some accounts, his sister Quetzalpetlatl) and then burned himself to death out of remorse. His heart became the morning star (see Tlahuizcalpantecuhtli).
Since the sixteenth century it has been widely held that the Aztec Emperor Moctezuma II initially believed the landing of Hernán Cortés in 1519 to be Quetzalcoatl's return. This has been questioned by ethno-historian Matthew Restall (and a great majority of others) who argues that the Quetzalcoatl-Cortés connection is not found in any document that was created independently of post-Conquest Spanish influence, and that there is little proof of a pre-Hispanic belief in Quetzalcoatl's return. Most documents expounding this theory are of entirely Spanish origin, such as Cortés's letters to Charles V of Spain, in which Cortés goes to great pains to present the naïve gullibility of the Aztecs in general as a great aid in his conquest of Mexico.
Much of the idea of Cortés being seen as a deity can be traced back to the Florentine Codex written down some 50 years after the conquest. In the codex's description of the first meeting between Moctezuma and Cortés, the Aztec ruler is described as giving a prepared speech in classical oratorial Nahuatl, a speech which, as described in the codex written by the Franciscan Bernardino de Sahagún and his Tlatelolcan informants, included such prostrate declarations of divine or near-divine admiration as,
"You have graciously come on earth, you have graciously approached your water, your high place of Mexico, you have come down to your mat, your throne, which I have briefly kept for you, I who used to keep it for you,"
and,
"You have graciously arrived, you have known pain, you have known weariness, now come on earth, take your rest, enter into your palace, rest your limbs; may our lords come on earth."
Subtleties in, and an imperfect scholarly understanding of, high Nahuatl rhetorical style make the exact intent of these comments tricky to ascertain, but Restall argues that Moctezuma politely offering his throne to Cortés (if indeed he did ever give the speech as reported) may well have been meant as the exact opposite of what it was taken to mean: politeness in Aztec culture was a way to assert dominance and show superiority. This speech, which has been widely referred to, has been a factor in the widespread belief that Moctezuma was addressing Cortés as the returning god Quetzalcoatl.
Other parties have also propagated the idea that the Mesoamericans believed the conquistadors, and in particular Cortés, to be awaited gods: most notably the historians of the Franciscan order such as Fray Gerónimo de Mendieta.[11] Some Franciscans at this time held millennarian beliefs [12] and some of them believed that Cortés' coming to the New World ushered in the final era of evangelization before the coming of the millennium. Franciscans such as Toribio de Benavente "Motolinia" saw elements of Christianity in the precolumbian religions and therefore believed that Mesoamerica had been evangelized before, possibly by St. Thomas whom legend had it had "gone to preach beyond the Ganges". Franciscans then equated the original Quetzalcoatl with St. Thomas and imagined that the Indians had long awaited his return to take part once again in God's kingdom. Historian Matthew Restall concludes that:
"The legend of the returning lords, originated during the Spanish-Mexica war in Cortés' reworking of Moctezuma's welcome speech, had by the 1550's merged with the Cortés-as-Quetzalcoatl legend that the Franciscans had started spreading in the 1530's." (Restall 2001:114 )
Some scholarship still maintains the view that the Aztec Empire's fall may be attributed in part to the belief in Cortés as the returning Quetzalcoatl, notably in works by David Carrasco (1982) and H. B. Nicholson (2001 (1957)). However, a majority of modern Mesoamericanist scholars such as Matthew Restall (2003), James Lockhart (1994), Susan D. Gillespie (1989), Camilla Townsend (2003a, 2003b), Louise Burkhart, Michel Graulich and Michael E. Smith (2001) among others, consider the "Quetzalcoatl/Cortés myth" as one of many myths about the Spanish conquest which have risen in the early post-conquest period.
Some Mormon scholars believe that Quetzalcoatl, who has been described as a white, bearded god who came from the sky and promised to return, was actually Jesus Christ. According to the Book of Mormon, Jesus visited the American natives after his resurrection.[13]
Latter-day Saint President John Taylor wrote:
The story of the life of the Mexican divinity, Quetzalcoatl, closely resembles that of the Savior; so closely, indeed, that we can come to no other conclusion than that Quetzalcoatl and Christ are the same being. But the history of the former has been handed down to us through an impure Lamanitish source.[14]
These ideas were adapted by science fiction author and Mormon Orson Scott Card in his story America.
Various theories about Quetzalcoatl are popular in the New Age movement, especially since the publication of Tony Shearer's 1971 book "Lord of the dawn: Quetzalcoatl and the Tree of Life" republished also under the title "Lord of the dawn: Quetzalcoatl, the plumed serpent of Mexico."
The British author Graham Hancock published a controversial theory that Quetzalcoatl is a being that is shared across many cultures including Egyptian, Aztec, Mayan and Olmec. The stories of a bearded white man bringing "knowledge" are alleged to be common, and sprouting from a central source or "master" culture. (Source: Fingerprints of the Gods, Graham Hancock, 1995)
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