(ordnance) General term, expressing the mass rate of gas evolution of a propellant in a quantitative sense; basically a function of the propellant geometry.
This is an interesting, if not entirely successful detour into funk-metal for the band that pioneered Rastafarian hard-core punk. Everything is slowed down here, and the sonic textures have thickened considerably. Drummer Earl Hudson delivers both ponderous, stomping metal rhythms and funked-up grooves, while Dr. Know gets to show off his chops a bit more than he has in the past. The religious messages have, if anything, gotten more mystical and less coherent -- song titles like "Soul Craft," "Voyage into Infinity," and "Messengers" give you an idea of what to expect. "Don't Blow Bubbles" may or may not be a slightly homophobic cautionary tale for the age of AIDS, and "Sheba" appears to be a paean to King Solomon's wife (a perennial favorite subject for reggae musicians). As on I Against I, reggae is given short shrift on this album. In fact, the only reggae rhythm to be found at all is on "The Prophet's Eye," an awkward tune that feels tacked onto the album's end. Fans will defend it, and Quickness is by no means a failure, but it's also far from being Bad Brains' best work. ~ Rick Anderson, All Music Guide
Tracks
Track Title
Composers
Performers
Time
Soul Craft
Bad Brains, Earl Hudson, Phil Hudson, Darryl Jenifer, Dr. Know
Bad Brains (Main Performer), Chuck Treece (Vocals (Background)), H.R. (Vocals), Ron Saint Germain (Vocals (Background)), Ron Saint Germain (Producer), Earl Hudson (Drums), Earl Hudson (Vocals (Background)), Darryl Jenifer (Bass), Phil Burnett (Engineer), Dave Hahn (Vocals (Background)), Dr. Know (Guitar), Dr. Know (?)
Quickness is the fourth full-length studio album by hardcore punk pioneers Bad Brains. At the time of its release, it was the best selling Bad Brains album and also featured an MTV video for the lead-off track "Soul Craft" directed by Paul Rachman who later went on to produce and direct the feature documentary American Hardcore. Drummer Earl Hudson, though pictured on the cover, is absent, with the drum parts instead being performed by Mackie Jayson of the Cro-Mags.
The album was a crossover release that contained elements of several genres, including funk, hip hop, heavy metal, punk, and reggae, which made a notable return after being absent from 1986's I Against I. It is also the band's most controversial release, containing lyrics that some claim were homophobic. More specifically, the song "Don't Blow Bubbles" had lyrics that were generally interpreted as being homophobic and suggesting that AIDS was God's cure for homosexuality. When asked about the song, guitarist Dr. Know said that "We wrote that song as kind of an angry warning to homosexuals. We didn't really mean to insult them, but a lot of people we knew seemed to be living with their eyes closed."[1]. In a 2007 interview where bassist Darryl Jenifer called their previous homophobic views "ignorant" he was asked about the song and the furor over the lyrics and replied "They don’t understand that we’ve grown. Just like anyone, I’m not ashamed to say, “Maybe I could have been…” Damn right, I was a homophobe! I shouldn’t have to explain that to the world because everyone will do that. That’s wisdom. You have to grow to be wise."[2]
The Sacramento internet radio show, Soulcraft, got their name from the first track of this album.
"Pay to Cum" · "Sailin' On" · "Attitude" · "Banned in D.C." · "F.V.K. (Fearless Vampire Killers)" · "Big Take Over" · "I Luv I Jah" · "Joshua's Song" · "Destroy Babylon" · "At the Movies" · "Riot Squad" · "How Low Can a Punk Get?" · "I and I Survive" · "The Meek" · "I Against I" · "Re-Ignition" · "Sacred Love" · "Soul Craft" · "With the Quickness" · "The Prophet's Eye" · "Rise" · "God of Love" · "Give Thanks and Praises" · "Jah Love"