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quincunx

 
(kwĭn'kŭngks') pronunciation
n.
An arrangement of five objects with one at each corner of a rectangle or square and one at the center.

[Latin quīncūnx, quīncūnc-, five twelfths : quīnque, five + ūncia, twelfth part of a unit; see ounce1.]


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A simple arrangement of pegs on a board that can be used to illustrate the binomial and normal distributions. A funnel allows a ball to roll down and strike the single peg on the top line. The ball rolls to left or right (ideally, with equal probability) and then falls to strike a peg on the next row and the process is repeated on each row. At the bottom the ball is held in one of a number of channels. When many balls are fed through the system it is found that the central channels will contain more balls than the extreme ones. Sir Francis Galton used a quincunx in his 1874 lecture on the normal distribution at the Royal Institution in London. See diagram overleaf.




Quincunx. In the diagram each point represents a peg. A series of small balls is inserted at the top of the quincunx. Each ball hits a sequence of pegs before coming to rest in a channel at the bottom of the quincunx. The distribution of balls in channels will be a realization of a binomial distribution, with n being the number of rows of pegs.



An arrangement of elements so that four are symmetrically placed around a central one.


An astrology term denoting planets at a distance of five signs of 150 degrees from each other. The term was once generally used to denote a disposition of five objects (especially plants or trees) placed so that there is one in each corner of a square or rectangle with the fifth in the center. The use of the quincunx in various aspects throughout history was exhaustively discussed by the English physician and author Sir Thomas Browne (1605-1682) in his book The Garden of Cyrus (1658).

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an arrangement of things with one at each corner and one in the middle [of a square/rectangle]
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Random House Word Menu by Stephen Glazier
For a list of words related to quincunx, see:
  • Fixed Positions and Points - quincunx: arrangement of five items around a square or rectangle with one at each corner and one in the center


The spots on the fifth side of a (playing) die form a quincunx.

A quincunx /ˈkwɪn.kəŋks/ is a geometric pattern consisting of five points arranged in a cross, that is five coplanar points, four of them forming a square or rectangle and a fifth at its center.[1] It forms the arrangement of five units in the pattern corresponding to the five-spot on a six-sided die, playing cards, or dominoes.

Contents

Historical origins of the name

The quincunx was originally a coin issued by the Roman Republic c. 211–200 BC, whose value was five twelfths (quinque + uncia) of an as, the Roman standard bronze coin. On the Roman quincunx coins, the value was sometimes indicated by a pattern of five dots or pellets. However, these dots were not always arranged in a quincunx pattern.

Examples

Quincunx patterns occur in many contexts:

The flag of the Solomon Islands features a quincunx of stars.
A quincuncial map.
Cosmatesque pavements with the quincunx pattern.
  • In heraldry, groups of five elements (charges) are often arranged in a quincunx pattern, called in saltire in heraldic terminology. The flag of the Solomon Islands features this pattern, with its five stars representing the five main island groups in the Solomon Islands. Another instance of this pattern occurs in the flag of the Republic of Yucatán, where it symbolized the five departments into which the republic was divided.
  • A quincunx is a standard pattern for planting an orchard.[2]
  • Quincunxes are used in modern computer graphics as a multisampling pattern for anti-aliasing. Quincunx antialiasing samples scenes at the corners and centers of each pixel. These five sample points, in the shape of a quincunx, are combined to produce each displayed pixel. However, samples at the corner points are shared with adjacent pixels, so the number of samples needed is only twice the number of displayed pixels.[3]
  • In numerical analysis, the quincunx pattern describes the two-dimensional five-point stencil, a sampling pattern used to derive finite difference approximations to derivatives.[4]
  • In architecture, a quincuncial plan, also defined as a "cross-in-square", is the plan of an edifice composed of nine bays. The central and the four angular ones are covered with domes or groin vaults so that the pattern of these domes forms a quincunx; the other four bays are surmounted by barrel vaults.[5]
  • A quincunx is one of the quintessential designs of Cosmatesque inlay stonework.[6]
  • A quincuncial map is a conformal map projection that maps the poles of the sphere to the centre and four corners of a square, thus forming a quincunx.
  • The points on each face of a unit cell of a face-centred cubic lattice form a quincunx.
  • The quincunx as a tattoo is known as the five dots tattoo. It has been variously interpreted as a fertility symbol,[7] a reminder of sayings on how to treat women or police,[8] a recognition symbol among the Romani people,[8] a group of close friends,[9] standing alone in the world,[10] or time spent in prison (with the outer four dots representing the prison walls and the inner dot representing the prisoner).[11] Thomas Edison, whose many inventions included a tattooing machine, had this pattern tattooed on his forearm.[12]

Literary symbolism

Various literary works use or refer to the quincunx pattern for its symbolic value:

  • The English physician Sir Thomas Browne in his philosophical discourse The Garden of Cyrus (1658) elaborates upon evidence of the quincunx pattern in art, nature and mystically as evidence of "the wisdom of God".
  • In the first chapter The Rings of Saturn W.G. Sebald's narrator cites Browne's writing on the quincunx. The quincunx in turn becomes a model for the way in which the rest of the novel unfolds.[13]
  • James Joyce uses the term in Grace, a short story in The Dubliners of 1914, to describe the seating arrangement of five men in a church service. Lobner[14] argues that in this context the pattern serves as a symbol both of the wounds of Christ and of the Greek cross.
  • Lawrence Durrell's novel-sequence The Avignon Quintet is arranged in the form of a quincunx, according to the author; the final novel in the sequence is called Quinx, the plot of which includes the discovery of a quincunx of stones.
  • The Quincunx (ISBN 0-345-37113-5) is the title of a lengthy and elaborate novel by Charles Palliser set in 19th-century England, published in 1989; the pattern appears in the text as a heraldic device, and is also reflected in the structure of the book.
  • Séamus Heaney describes Ireland's provinces together forming a quincunx, as the Irish word for province cúige (literally: "fifth part") also explicates. The five provinces of Ireland are Ulster (north), Leinster (east), Connacht (west), Munster (south) and Meath (the center). More specifically, in his essay Frontiers of Writing, Heaney creates an image of five towers forming a quincunx pattern within Ireland, one tower for each of the five provinces, each having literary significance.[15]

References

  1. ^ Webster's Collegiate Dictionary, 10th ed., as quoted by Pajares-Ayuela (2001).
  2. ^ Gourley, Joseph Harvey (2008), Modern Fruit Production, Read Books, pp. 106–107, ISBN 9781443726061 .
  3. ^ Chambers, Mike (February 27, 2001), "NVIDIA GeForce3 Preview", NV News, http://www.nvnews.net/previews/geforce3/quincunx.shtml .
  4. ^ Knabner, Peter; Angermann, Lutz (2003), "1.2 The Finite Difference Method", Numerical Methods for Elliptic and Parabolic Partial Differential Equations, Texts in Applied Mathematics, 44, Springer-Verlag, pp. 21–29, ISBN 9780387954493 .
  5. ^ R. Krautheimer, Early Christian and Byzantine Architecture, 1965
  6. ^ Pajares-Ayuela, Paloma (2001), "The Signification — The Cosmatesque Quincunx: A Double-Cross Motif", Cosmatesque ornament: flat polychrome geometric patterns in architecture, W. W. Norton & Company, pp. 196–246, ISBN 9780393730371, http://books.google.com/?id=LX2ooH1uFpsC&pg=PA196 .
  7. ^ Gilbert, Steve (2000), Tattoo history: a source book : an anthology of historical records of tattooing throughout the world, Juno Books, p. 153, ISBN 9781890451066 .
  8. ^ a b Turner, Robert (2005), Kishkindha, Osiris Press Ltd, p. 53, ISBN 9781905315055, http://books.google.com/books?id=cnxh8vR2HzQC&pg=PA53 .
  9. ^ Daye, Douglas D. (1997), A law enforcement sourcebook of Asian crime and cultures: tactics and mindsets, CRC Press, p. 113, ISBN 9780849381164, http://books.google.com/books?id=Z0k0kTGivP4C&pg=PA113 .
  10. ^ Vigil, James Diego (2002), A rainbow of gangs: street cultures in the mega-city, University of Texas Press, p. 115, ISBN 9780292787490, http://books.google.com/books?id=0qKcorWNve0C&pg=PA115 .
  11. ^ Baldayev, Danzig (2006), Russian criminal tattoo encyclopedia, Volume 3, FUEL Publishing, p. 214 .
  12. ^ Sherwood, Dane; Wood, Sandy; Kovalchik, Kara (2006), The Pocket Idiot's Guide to Not So Useless Facts, Penguin, p. 48, ISBN 9781592575671, http://books.google.com/books?id=9F6Xq8WtmeMC&pg=PT48 .
  13. ^ Sebald, W.G. The Rings of Saturn. New York: New Directions Books. 1998 pp. 19-22 ISBN 9780811214131
  14. ^ Lobner, Corinna del Greco (1989), "Equivocation As Stylistic Device: Joyce's "Grace" and Dante", Lectura Dantis 4, http://www.brown.edu/Departments/Italian_Studies/LD/numbers/04/lobner.html ; for additional work on this instance of the quincunx pattern, see Duffy, Charles F. (1972), "The Seating Arrangement in 'Grace'", James Joyce Quarterly 9: 487–489 .
  15. ^ Heaney, Séamus (1995), "Frontiers of Writing", The Redress of Poetry: Oxford Lectures, Faber and Faber, pp. 186–202 .

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