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Ralph J. Gleason

 
Artist: Ralph J. Gleason
  • Born: March 01, 1917, New York, NY
  • Died: June 03, 1975, Berkeley, CA
  • Genres: Jazz
  • Instrument: Liner Notes

Biography

Ralph Gleason only lived to be 58 but he had a very productive career. After graduating from Columbia University in 1938, Gleason was the founder and editor of Jazz Information, one of the first jazz magazines. He was originally a partisan for dixieland and New Orleans jazz but always kept an open mind. Gleason was a regular contributor to Down Beat (1948-61) and the San Francisco Chronicle (1950-75). He also wrote for a variety of magazines including Stereo Review and Jazz. Gleason was the editor of a 1958 book Jam Session: An Anthology of Jazz, helped found the Monterey Jazz Festival with Jimmy Lyons and was the host of the Jazz Casual television show (videos of which exist) in the 1960s. Gleason (who wrote many liner notes through the years) was always interested in popular music and he surprised many by not only founding Rolling Stone in 1967 but becoming its editor and embracing creative rock. However his passion for jazz never lessened and Ralph Gleason (who was a vice president of Fantasy Records during 1970-75) came out with a jazz book (Celebrating the Duke) shortly before his premature death. ~ Scott Yanow, All Music Guide
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Ralph J. Gleason (1917-1975) was an influential American jazz and pop music critic. He contributed for many years to the San Francisco Chronicle, was a founding editor of Rolling Stone magazine, and cofounder of the Monterey Jazz Festival.[1]

Gleason was born in New York City and attended Columbia University. At the end of the 1940s, he moved to San Francisco and began contributing to the San Francisco Chronicle in 1950, initiated the first regular coverage of jazz and pop music in the mainstream US media. Gleason was the first critic to review folk, pop, and jazz concerts with the same attention and space as was given to classical music. He interviewed such luminaries as Hank Williams, Elvis Presley, and Fats Domino. Gleason was one of the first critics to perceive the importance of Lenny Bruce, Bob Dylan, and Miles Davis. His liner notes for the 1970 Davis album Bitches Brew are widely considered as a classic of the genre.

Gleason was both an observer and a contributor to what is sometimes termed the San Francisco Renaissance, the era of increased cultural vitality in that city which began in the mid-1950s and fully bloomed in the mid-to-late 1960s. In the later 1960s, Gleason was a widely respected commentator and he chose to write supportively of the better cut of the Bay Area rock bands, such as Jefferson Airplane and the Grateful Dead. However, Gleason was sometimes criticized for minimizing the importance of or simply ignoring acts from Los Angeles.

Gleason was a contributing editor to Ramparts, a prominent leftist magazine based in San Francisco, but quit after editor Warren Hinckle criticized the city's growing hippie population. With Jann Wenner, another Ramparts staffer, Gleason founded the bi-weekly music magazine, Rolling Stone, to which he contributed until his death in 1975. For ten years, he also wrote syndicated weekly columns on jazz and pop music, which ran in the New York Post and many other papers throughout the US and Europe. For twelve years, he was an associate editor and critic for the leading jazz publication, Down Beat.

Gleason's articles also appeared other publications including the New York Times, The Guardian, The Times, New Statesman, Evergreen Review, American Scholar, Saturday Review, New York Herald Tribune, Los Angeles Times, Chicago Sun Times, Sydney Herald, Playboy, Esquire, Variety, and Hi-Fi/Stereo Review.

For National Educational Television (now known as PBS), Gleason produced a series of twenty-eight programs on jazz and blues, Jazz Casual[2], featuring B.B. King, John Coltrane, Dave Brubeck, the Modern Jazz Quartet, Jimmy Witherspoon, and Sonny Rollins, among others. The series ran from 1961 to 1968. He also produced a two-hour documentary on Duke Ellington, which was twice nominated for an Emmy.

Other films for television included a four-part series on the Monterey Jazz Festival, the first documentary for television on pop music, Anatomy of a Hit, and a two-hour performance and documentary on San Francisco rock, Go Ride the Music and A Night At The Family Dog.

Gleason's name shows up in tribute on Red Garland's Ralph J. Gleason Blues from the 1958 recording Red Garland Quartet (Prestige PRLP 7193), re-released on Red's Blues in 1998.

Gleason's lasting legacy however, would still be his work with Rolling Stone. His name, alongside the late Dr. Hunter S. Thompson still remains on the magazine's masthead today, more than three decades after his death as testimony to his legacy.

Contents

Footnotes

  1. ^ Don't let the tweed jackets, trench coat and pipe fool you -- Ralph J. Gleason was an apostle of jazz and rock with few peers, article from San Francisco Chronicle: Thursday, December 23, 2004
  2. ^ Jazz Casual

External links

Books

  • Gleason, Ralph J. Jam Session (1957), G.P. Putnam's & Sons - ASIN B0000CK30O
  • _______. Jam Session. An Anthology Of Jazz (1958), Peter Davies Pub. - ASIN B000NZ1NM6
  • _______. The Jefferson Airplane and the San Francisco Sound (1969), Ballantine Books - ASIN: B000LVP1PM
  • _______. Celebrating the Duke and Louie, Bessie, Billie, Bird, Carmen, Miles, Dizzy & Others (1975), Atlantic-Little, Brown - ASIN B000GW7FVO

DVD

  • _______. West Pole from Go ride the Music with Jefferson airplane, Quicksilver messenger service, West Pole with The Grateful dead, Sons of champlin and Ace of cups (1969 & 2008) eagle vison, WWW.eagle-rock.com

 
 

 

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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