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Ray Barretto

 
Artist: Ray Barretto
Ray Barretto

Similar Artists:

Influenced By:

Followers:

Héctor Giovanni, Brownout, Laudir DeOliveira, Marcelo Salazar, Guaco

Performed Songs By:

C. Curet Alonso, Hugo Gonzalez, Roberto Rodriguez, Michael Mossman

Worked With:

Formal Connection With:

Rubén Blades, Guarare, Alfredo "Alfredito" Valdés, Jr., Fania All-Stars
  • Born: April 29, 1929, Brooklyn, NY
  • Died: February 17, 2006, Hackensack, NJ
  • Active: '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: Latin
  • Instrument: Conga, Percussion
  • Representative Albums: "Acid," "Latin Soul Man," "Portraits in Jazz and Clave"
  • Representative Songs: "Acid," "El Watusi," "Indestructible"

Biography

While Ray Barretto's congas have graced more recording sessions than virtually any other conguero of his time, he has also led some refreshingly progressive Latin jazz bands over the decades. His records often have a more tense, more adventurously eclectic edge than those of most conventional salsa groups, unafraid to use electronics and novel instrumental or structural combinations, driven hard by his rocksteady, endlessly flexible percussion work. This no doubt reflects Barretto's wide range of musical interests and also the fact that he came to Latin music from jazz, rather than the usual vice versa route for Latin-descended musicians. Indeed, he has said that he learned how to play swing-style before he came to master Latin grooves. Puerto Rican by extraction, Barretto took up the congas while stationed in Germany during an Army hitch. He began working with American jazz musicians upon his return to New York, eventually replacing Mongo Santamaria in the Tito Puente band for four years, beginning in the late '50s. Barretto made his debut as a leader for Riverside in 1962 and scored a crossover hit (number 17 on the pop charts) the following year on Tico with "El Watusi" (in tandem with a dance craze of the time). He tried to modernize the charanga sound with injections of brass, covering rock and pop tunes of the time as several Latin artists did then. However, Barretto made his main mark in the '60s as a super session player, playing on albums by Gene Ammons, Cannonball Adderley, Kenny Burrell, Lou Donaldson, Red Garland, Dizzy Gillespie, Freddie Hubbard, Wes Montgomery, Cal Tjader, and several other jazz and pop albums. In moving over to the Fania label in 1967, Barretto began to achieve recognition as one of the leading Latin jazz artists of the day, eventually becoming music director of the Fania All-Stars. In the '70s, he was incorporating rock and funk influences into his music -- with only limited success -- while recording for Atlantic, and in 1981, he made a highly regarded album for CTI La Cuna, with Puente, Joe Farrell, and Charlie Palmieri as guest players. He became music director of the Bravisimo television program and took part in the multi-idiom, all-star, anti-apartheid Sun City recording and video in 1985. In 1992, he unveiled a new Latin jazz sextet, New World Spirit, which made some absorbingly unpredictable albums for Concord Picante. ~ Richard S. Ginell, All Music Guide
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Discography: Ray Barretto
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Hot Hands

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Time Was - Time Is

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Greatest Hits

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Jazz

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Jazz

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Salsa Caliente de Nu York! [Nascente]

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On Fire Again

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Que Viva La Musica [Compilation]

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Incontournables

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Latin Soul Man

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Fuerza Gigante: Live in Puerto Rico April 27, 2001

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Live in Puerto Rico

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Live in Puerto Rico

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Portraits in Jazz and Clave

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Acid/Head Sounds

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Bomba Bomba

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Best

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Indestructible [Masterworks]

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Irresistible

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Barreto 50th Anniversary

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Best of Ray Barretto [Charly]

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Trancedance

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Essential Ray Barretto: A Man and His Music

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Standards Rican-ditioned

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Ray Criollo [Bonus Tracks]

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Salsa Caliente de Nu York! [Music Club]

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Homage to Art

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Homage to Art

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Giant of Salsa: Live in Puerto Rico

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Contact!

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My Summertime

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Taboo

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Ancestral Messages

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Handprints

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Hard Hands [Charly]

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Aqui Se Puede

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Rhythm of Life

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Que Viva La Musica

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Soy Dichoso

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Soy Dichoso

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Giant Force

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Giant Force

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Cuna

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Cuna

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Rican/Struction

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Rican/Struction

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Gracias

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Energy to Burn

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Energy to Burn

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Tomorrow: Barretto Live

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Barretto

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Barretto

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Carnaval (Latino!/Pachanga with Barretto)

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Indestructible

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Indestructible

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Other Road

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Other Road

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Barretto Power

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Barretto Power

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Message

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Message

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From the Beginning

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From the Beginning

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Something to Remember

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Together

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Together

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Fiesta en El Barrio

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Acid

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Acid

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Hard Hands

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Hard Hands

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Latino con Soul

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Señor 007

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Ray Criollo

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Viva Watusi!

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On Fire Again (Encendido Otra Vez)

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Pachanga

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Wikipedia: Ray Barretto
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Ray Barretto

Background information
Birth name Ray Baretto
Also known as The King of the Hard Hands
Born April 29, 1929(1929-04-29)
Origin New York, New York
Died February 17, 2006 (aged 76) Hackensack, New Jersey
Genre(s) Latin, jazz, salsa
Occupation(s) Singer, drummer
Instrument(s) Conga
Years active 1949-2006
Label(s) Fania

Ray Barretto (April 29, 1929 – February 17, 2006) was a Grammy Award-winning Puerto Rican jazz musician, widely credited as the godfather of Latin jazz.

Contents

Early years

Barretto (whose surname is really "Barreto"; a mistake at the time Ray's birth certificate was filed gave his last name its formal spelling) was born in New York City of Puerto Rican descent. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and at a very young age was influenced by his mother's love of music and by the jazz music of musicians such as Duke Ellington and Count Basie.

In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, Barretto met Belgium vibist Fats Sadi, who was working there. However, it was when he heard Dizzy Gillespie's "Manteca" with Cuban percussionist, Chano Pozo, that he realized his true calling in life.

Barretto plays for Charlie Parker

In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for Jose Curbelo and Tito Puente, for whom he played for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.

Success with "El Watusi"

Ray Barretto in concert in 1991.

In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. New York had become the center of Latin music in the United States and a style called "Charanga" was the Latin music craze of the time.

In 1961, Barretto recorded his first hit, "El Watusi", the first Latin song to enter in April 1963 the Billboard charts. He was quite successful with the song and the genre, to the point of being type casted (something that he disliked). In 1967, he joined the Fania record label where he recorded the 1968 album Acid, an experiment joining rhythm and blues with Latin music. Just as his salsa group attained a remarkable following most of its members left it to form Tipica 73, a multinational salsa conglomerate. This left Barretto depressed and disappointed with salsa; he then redirected his efforts into Latin jazz, while remaining as musical director of the Fania All Stars. Acid contained the song "Deeper Shade of Soul", which was sampled for the 1991 Billboard Hot 100 #21 hit of the same name by Dutch band Urban Dance Squad.

Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975 he was nominated for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records, and was nominated for a Grammy for Barretto Live...Tomorrow. In 1979, he recorded La Cuna for CTI records, and produced a salsa record for Fania, titled Ricanstruction, which was named 1980 "Best Album" by Latin N.Y. Magazine, with Barretto crowned as Conga Player of the Year.

Later years

Ray Barretto in January 2006, roughly a month before his death.

In 1990, Barretto finally won a Grammy for the album Ritmo en el Corazon ("Rhythm in the Heart"), which featured the vocals of Celia Cruz. In 1999, Barretto was inducted into the International Latin Music Hall of Fame.

Barretto lived in New York and was an active musical producer, as well as the leader of a touring band which has embarked in tours of the United States, Europe, Israel and Latin America.

Death

Barreto died on February 17, 2006 at the Hackensack University Hospital of heart failure and multiple health complications. His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture; his remains were eventually cremated.

Discography

Solo albums

  • Barretto para bailar (Riverside, 1961)
  • Charanga moderna (Tico, 1962)
  • Cocinando suave (Riverside, 1962)
  • La moderna & El watusi (Tico, 1962)
  • Pachanga (Saludos Amigos, 1962)
  • Latino! (Riverside, 1963)
  • On Fire Again (Encendido otra vez) (Tico, 1963)
  • The Big Hits Latin Style (Tico, 1963)
  • Guajira y guaguancó (Tico, 1964)
  • Swing la moderna & Los cueros (Tico, 1964)
  • Viva Viva Watusi! (Polydor, 1965)
  • Señor 007 (United Artists, 1966)
  • Alma alegre (Jazzland, 1967)
  • Latino con Soul (West Side Latino, 1967)
  • Soul Drummer (Fania, 1967)
  • Acid (Fania, 1968)
  • Fiesta en el barrio (Polydor, 1968)
  • Hard Hands (Fania, 1968)
  • Together (Fania, 1970)
  • From the Beginning (Fania, 1971)
  • Carnaval (1972)
  • Barretto Power (Fania, 1972)
  • Cocinando (Fania, 1972)
  • Head Sounds (Fania, 1972)
  • The Message (Fania, 1972)
  • El Ray criollo (Polydor, 1972)
  • Que viva la música (Salsa, 1972)
  • Indestructible (Fania, 1973)
  • The Other Road (Fania, 1973)
  • Barretto (Fania, 1975)
  • Tomorrow: Barretto Live (Atlantic, 1976)
  • Energy to Burn (Fania, 1977)
  • Eye of the Beholder (Atlantic, 1977)
  • Can You Feel It? (Atlantic, 1978)
  • Gracias (FNA, 1978)
  • La cuna (CTI, 1979)
  • Rican/Struction (Fania, 1979)
  • Giant Force (Fania, 1980)
  • Rhythm of Life (Fania, 1982)
  • Todo se va poder (FNA, 1984)
  • Aquí se puede (Fania, 1987)
  • Irresistible (Fania, 1989)
  • Ray Barretto (T.H. Rodven, 1990)
  • Handprints (Concord Picante, 1991)
  • Soy Dichoso (Fania, 1992)
  • Live in New York (Messidor, 1992)
  • Moderna de Siempre (Tico, 1995)
  • Descarga criolla (Palladium, 1995)
  • Salsa Caliente de Nu York (Universe, 2001)
  • Fuerza Gigante: Live in Puerto Rico April 27, 2001 (Universe, 2004)
  • Standards Rican-ditioned (Zoho Music, 2006) Letzte CD, ASIN B000GETWAO (Vertrieb D,CH: LeiCom)

With Guarare

  • Guarare (1977)
  • Guarare (1979)
  • La onda típica (1981)

With Celia Cruz

  • Tremendo trío! (Fania, 1983)
  • Ritmo en el corazón (Off-Beat, 1988)

With New World Spirit

  • Ancestral Messages (Concord Picante, 1992)
  • Taboo (Concord Picante, 1994)
  • My Summertime (Owl, 1995)
  • Contact! (Blue Note, 1997)
  • Portraits in Jazz and Clave (RCA, 2000)
  • Trancedance (Circular Moves, 2001)
  • Homage to Art Blakey and The Jazz Messengers (Sunnyside, 2003)
  • Time Was - Time Is (O+ Music, 2005)

See also

References

  • "Grammy-winning Latin-jazz drummer Ray Barretto dies at 76", Houston Chronicle, 17 February 2006

External links


 
 
Learn More
Something to Remember (1970 Album by Ray Barretto y su Orquesta)
Live in New York (1992 Album by Ray Barretto)
Eye of the Beholder (1977 Album by Ray Barretto)

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