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Ray Heindorf

 
Actor: Ray Heindorf
  • Born: Aug 25, 1908 in Haverstraw, New York
  • Died: 1980 in Los Angeles, California
  • Active: '40s-'50s
  • Major Genres: Musical, Drama
  • Career Highlights: A Streetcar Named Desire, Strangers on a Train, A Star is Born
  • First Major Screen Credit: Big City Blues (1932)

Biography

American conductor/musical arranger Ray Heindorf was fourteen when he took on his first film-related job as a pianist in his local movie house. Almost from the instant that the Vitaphone sound system was introduced in the late '20s, Heindorf was in Hollywood. After his first orchestration job for MGM's Hollywood Revue of 1929, Heindorf was put in charge of Warner Bros.' music department. This kept him busier than most of his contemporaries, since few studios relied as much on evocative background music as did Warners. Heindorf collected Oscars for his scores for the Warner musicals Yankee Doodle Dandy (1942), This is the Army (1943) and The Music Man (1962). And when Jack L. Warner broke away from his own studio to become an independent producer, he chose Ray Heindorf to score his maiden independent effort, 1776 (1972). ~ Hal Erickson, All Movie Guide
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Filmography: Ray Heindorf
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1776

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Finian's Rainbow

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The Music Man

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Up Periscope

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The Young Philadelphians

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The Miracle

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Auntie Mame

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Marjorie Morningstar

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Wikipedia: Ray Heindorf
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Ray Heindorf (August 25, 1908 - February 2, 1980) was an American songwriter, composer, conductor, and arranger.

Born in Haverstraw, New York, Heindorf worked as a pianist in the movie house in Mechanicville in his early teens. In 1928, he moved to New York City, where he worked as a musical arranger before heading to Hollywood. He landed his first orchestration job at MGM, where he worked on Hollywood Revue of 1929, then went on the road playing piano for Lupe Velez [1].

After completing this engagement, he joined Warner Bros., composing and/or arranging and conducting music exclusively for the studio for nearly forty years. Heindorf, along with Georgie Stoll at MGM, were jazz aficionados well known in the black entertainment community for employing minority musicians in their studio music departments.[2]

In such a long and distinguished career, it is pointless to single out representative highlights; however, his tasteful musical direction of Judy Garland's 1954 comeback A Star is Born must be mentioned. Perhaps he took particular pride in this work too as he deigns to make a cameo appearance as himself in the premiere party sequence when Jack Carson's character rightly congratulates him on a great score.

Among Heindorf's other screen credits are 42nd Street, Gold Diggers of 1935, The Great Lie, Knute Rockne All American, Kings Row, Night and Day, Tea for Two, A Streetcar Named Desire, The Jazz Singer, No Time for Sergeants, The Helen Morgan Story, Marjorie Morningstar, Damn Yankees, Auntie Mame, Finian's Rainbow, and his final musical for Jack Warner, 1776.

Between 1943 and 1969 he was nominated for eighteen Academy Awards and won three, for Yankee Doodle Dandy, This is the Army, and The Music Man.

Heindorf was a friend and admirer of legendary jazz pianist Art Tatum. He hosted two Tatum piano performances at his Hollywood home in 1950 and 1955 for their mutual friends. Heindorf taped the private concerts, complete with background conversations of Tatum and the group, with some of the pianist's very best playing. These performances are now available on the Verve label.

Census records from 1930 show that Heindorf lived with bandleader and composer Arthur Lange, who was nearly 20 years his senior, in the Hollywood Hills.

Heindorf died in Tarzana, California and reputedly was buried with his favorite conducting baton.

References

  1. ^ Ray Heindorf at Mechanicville.com
  2. ^ Clora Bryant & Steven Isoardi (1999), Central Avenue Sounds: Jazz in Los Angeles, University of California Press, p. 68

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Actor. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Ray Heindorf" Read more

 

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