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Reasonable Doubt

 
Law Encyclopedia: Reasonable Doubt
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This entry contains information applicable to United States law only.

A standard of proof that must be surpassed to convict an accused in a criminal proceeding.

Reasonable doubt is a standard of proof used in criminal trials. When a criminal defendant is prosecuted, the prosecutor must prove the defendant's guilt beyond a reasonable doubt. If the jury — or the judge in a bench trial — has a reasonable doubt as to the defendant's guilt, the jury or judge should pronounce the defendant not guilty. Conversely, if the jurors or judge have no doubt as to the defendant's guilt, or if their only doubts are unreasonable doubts, then the prosecutor has proven the defendant's guilt beyond a reasonable doubt and the defendant should be pronounced guilty.

Reasonable doubt has been described a number of ways. One popular description, from the federal jury instructions, holds that proof beyond a reasonable doubt is "proof of such a convincing character that a reasonable person would not hesitate to rely and act upon it in the most important of his own affairs." A judge or juror has reasonable doubt as to a defendant's guilt if, based on all the evidence in the case, the judge or juror would be uncomfortable with a criminal conviction. A criminal conviction imposes public humiliation on the defendant, as well as various hardships such as incarceration, monetary fines, and, in many cases, forfeiture of property.

Reasonable doubt is the highest standard of proof used in court. In civil litigation the standard of proof is either proof by a preponderance of the evidence or proof by clear and convincing evidence. These are lower burdens of proof. A preponderance of the evidence simply means that one side has more evidence in its favor than the other, even by the smallest degree. Clear and convincing evidence is evidence that establishes a high probability that the fact sought to be proved is true. The main reason that the high proof standard of reasonable doubt is used in criminal trials is that criminal trials can result in the deprivation of a defendant's liberty or in the defendant's death, outcomes far more severe than occur in civil trials where money damages is the common remedy.

Reasonable doubt is required in criminal proceedings under the Due Process Clause of the Fifth Amendment to the U.S. Constitution. In In re Winship, 397 U.S. 358, 90 S. Ct. 1068, 25 L. Ed. 2d 368 (1970), the U.S. Supreme Court ruled that the highest standard of proof is grounded on "a fundamental value determination of our society that it is far worse to convict an innocent man than to let a guilty man go free."

The reasonable doubt standard is not used in every stage of a criminal prosecution. The prosecution and defense need not prove beyond a reasonable doubt that every piece of evidence offered into trial is authentic and relevant. If a prosecutor or defendant objects to a piece of evidence, the objecting party must come forward with evidence showing that the disputed evidence should be excluded from trial. Then the trial judge decides to admit or exclude it based on a preponderance of the evidence presented. A similar procedure employing a preponderance standard is used when a party challenges a variety of evidence, such as coerced confessions, illegally seized evidence, and statements extracted without the furnishing of the so-called Miranda warning.

The reasonable doubt standard is inapplicable to still other phases of a criminal prosecution. Lower standards of proof are permissible in parole revocation proceedings, proceedings to revoke probation, and prison inmate disciplinary proceedings.

See: Clear and Convincing Proof; Criminal Law; Criminal Procedure; Due Process of Law; Preponderance of Evidence.

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Album Review: Reasonable Doubt
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Reasonable Doubt

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Similar Albums:

No Way Out, It Was Written, Doe or Die, Only Built 4 Cuban Linx, Ready to Die
  • Artist: Jay-Z
  • Rating: StarStarStarStarStar
  • Release Date: June 25, 1996
  • Type: Contains explicit content
  • Genre: Rap

Review

Before Jay-Z fashioned himself into hip-hop's most notorious capitalist, he was a street hustler from the projects who rapped about what he knew -- and was very, very good at it. Skeptics who've never cared for Jigga's crossover efforts should turn to his debut, Reasonable Doubt, as the deserving source of his legend. Reasonable Doubt is often compared to another New York landmark, Nas' Illmatic: A hungry young MC with a substantial underground buzz drops an instant classic of a debut, detailing his experiences on the streets with disarming honesty, and writing some of the most acrobatic rhymes heard in quite some time. (Plus, neither artist has since approached the street cred of his debut, The Blueprint notwithstanding.) Parts of the persona that Jay-Z would ride to superstardom are already in place: He's cocky bordering on arrogant, but playful and witty, and exudes an effortless, unaffected cool throughout. And even if he's rapping about rising to the top instead of being there, his material obsessions are already apparent. Jay-Z the hustler isn't too different from Jay-Z the rapper: Hustling is about living the high life and getting everything you can, not violence or tortured glamour or cheap thrills. In that sense, the album's defining cut might not be one of the better-known singles -- "Can't Knock the Hustle," "Dead Presidents II," "Feelin' It," or the Foxy Brown duet, "Ain't No Nigga." It just might be the brief "22 Two's," which not only demonstrates Jay-Z's extraordinary talent as a pure freestyle rapper, but also preaches a subtle message through its club hostess: Bad behavior gets in the way of making money. Perhaps that's why Jay-Z waxes reflective, not enthusiastic, about the darker side of the streets; songs like "D'Evils" and "Regrets" are some of the most personal and philosophical he's ever recorded. It's that depth that helps Reasonable Doubt rank as one of the finest albums of New York's hip-hop renaissance of the '90s. ~ Steve Huey, All Music Guide

Tracks

Track TitleComposersPerformersTime
Can't Knock the Hustle (Lyrics) Sean Carter, M. Miller Jay-Z (5:17)
Politics as Usual (Lyrics) Cynthia Biggs, Sean Carter, Rev. Dan Willis Jay-Z (3:41)
Brooklyn's Finest (Lyrics) Rodney Franklin, Sean Carter, Chester Wallace, Gary Webster The Notorious B.I.G., Jay-Z (4:36)
Dead Presidents II [New Lyrics] Lonnie Liston Smith, Sean Carter, Peter Phillips, Rev. Dan Willis Jay-Z (4:27)
Feelin' It (Lyrics) Sean Carter, Rev. Dan Willis Jay-Z, Mecca (3:48)
D'evils (Lyrics) Sean Carter, Chris E. Martin Jay-Z (3:31)
22 Two's (Lyrics) Sean Carter, Rev. Dan Willis Jay-Z (3:29)
Can I Live (Lyrics) Burt Bacharach, Sean Carter, H. Davis, Irv Gotti Jay-Z (4:10)
Ain't No ***** J.T. Burks, Sean Carter, Inga Marchand Foxy Brown, Jay-Z (4:03)
Friend or Foe (Lyrics) Sean Carter, Chris E. Martin Jay-Z (1:49)
Coming of Age (Lyrics) Rodney Franklin, Sean Carter, James Mtume Jay-Z, Memphis Bleek (3:59)
Cashmere Thoughts (Lyrics) Rodney Franklin, Hamilton Bohannon, Sean Carter, Leroy Emanuel Jay-Z (2:56)
Bring It On (Lyrics) J.T. Burks, Sean Carter, Carl "Groove" Martin Jay-Z, Big Jaz, Sauce Money (5:01)
Regrets (Lyrics) Sean Carter Jay-Z (4:34)
Can I Live II [*] M. Johnson, Jay-Z Jay-Z, Memphis Bleek (3:57)

Credits

Mary J. Blige (Vocals), Mary J. Blige (?), DJ Premier (Producer), DJ Premier (Mixing), Clark Kent (Producer), Clark Kent (Mixing), Joe Quinde (Engineer), Joe Quinde (Mixing), Kenny Ortíz (Engineer), Kenny Ortíz (Mixing), Carlos Bess (Mixing), Jay-Z (Main Performer), Jay-Z (Executive Producer), Eddie S. (Engineer), Eddie S. (Mixing), Ski (Producer), Ski (Mixing), DJ Irv (Producer), DJ Irv (Mixing), Jonathan Mannion (Photography), Cey Adams (Artwork), Big Jaz (Producer), Big Jaz (Performer), Big Jaz (Mixing), Adrien Vargas (Art Direction), Adrien Vargas (Design), Damon Dash (Producer), Damon Dash (Executive Producer), Sauce Money (Performer), Peter Panic (Producer), Peter Panic (Mixing), Kareem "Biggs" Burke (Executive Producer), Dahoud (Producer), Memphis Bleek (Performer), Sean Cane (Producer), Sean Cane (Dahoud)
Wikipedia: Reasonable Doubt
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Home > Library > Miscellaneous > Wikipedia
This article is about the Jay-Z album. For the legal principle, see Reasonable doubt. For other uses, see Reasonable doubt (disambiguation).
Reasonable Doubt
Studio album by Jay-Z
Released June 25, 1996
Recorded 1995–1996
D&D Studios
(New York, New York)
Genre East Coast Hip Hop, Hardcore Rap, Mafioso Rap
Length 55:28
Label Roc-A-Fella (U.S.)
Northwestside (UK)
Priority (distribution)
Producer Big Jaz, Clark Kent, Dahoud Darien, Damon Dash, DJ Irv, DJ Premier, Knobody, Peter Panic, Sean Cane, Ski Beatz
Professional reviews
Jay-Z chronology
Reasonable Doubt
(1996)		 In My Lifetime, Vol. 1
(1997)
Singles from Reasonable Doubt
  1. "Dead Presidents"
    Released: February 20, 1996
  2. "Ain't No Nigga"
    Released: March 26, 1996
  3. "Can't Knock the Hustle"
    Released: August 27, 1996
  4. "Feelin' It"
    Released: April 15, 1997

Reasonable Doubt is the debut album of American hip hop rapper Jay-Z, released June 25, 1996 on Roc-A-Fella Records in the United States and on Northwestside Records in the United Kingdom. The album features production by DJ Premier, Ski, Knobody and Clark Kent, and guest vocals by Memphis Bleek, Mary J. Blige, Sauce Money, and The Notorious B.I.G.. It peaked at number 23 on the Billboard 200, received platinum status in 2002,[11] and sold 1.5 million copies as of 2006.[12] Four singles were released, the most popular being "Ain't No Nigga" and "Can't Knock the Hustle". Both reached the top 40 in the United Kingdom, but were less popular in the United States; the former reached #50 on the Billboard Hot 100, while the latter reached #73.

Reasonable Doubt received strong critical reviews and has been heralded as Jay-Z's "crowning achievement", a seminal work[13] and an "undisputed classic".[14][15] Reasonable Doubt received a "4 Mics" rating from The Source[16] and five stars from Allmusic,[17] the highest ratings issued by AMG. The Source ranks it among the top 100 albums of all time,[18] Blender ranks it as one of the 500 best albums of all time,[19] and Rolling Stone ranks it at 248 on their "500 Greatest Albums of All Time".[20]

Contents

Conception

Background

Shawn Carter grew up in Brooklyn's Marcy Projects, a New York housing project. Shawn's father abandoned the family when he was 11, the first of many traumas that led him to write raps.[21] In his neighborhood, Carter was known as "Jazzy", a nickname that developed into his stage name, "Jay-Z". The moniker is a homage to his musical mentor Jaz-O and to the J-Z subway lines that stop by Marcy Avenue. Fellow Brooklynite Jaz-O gave Jay-Z his first break by recruiting him on the 1989 song "Hawaiian Sophie". Jay-Z appeared on two more Jaz-O songs in the next year, but when Jaz-O was dropped from his label EMI, Jay-Z began supporting himself by dealing drugs.[21] He continued to pursue a rap career, however, and appeared on two songs from Original Flavor's 1993 album Beyond Flavor. Jay-Z then caught Big Daddy Kane's attention and began touring with him; they collaborated on Kane's 1994 posse cut "Show & Prove" along with Wu-Tang Clan's Ol' Dirty Bastard, Wu-Tang affiliate Shyheim, Sauce Money & Scoob Lover.[21] Sauce Money appears on the song "Bring It On".

Despite the exposure he received from Kane, Jay-Z was still without a record deal. He began selling tapes from his car with help from friend Damon Dash.[22] The success of his street-level marketing led to a deal with Payday Records, which released his first solo single, "In My Lifetime" and its B-side "I Can't Get wid Dat". In an unconventional move, Jay-Z then spurned the record contract he had long sought and left Payday Records to form his own label, Roc-A-Fella Records, with Damon Dash and Kareem "Biggs" Burke. Jay-Z later explained that he thought he could do a better job of marketing his records on his own:

[Payday] eventually signed me to a deal, but were acting shady the whole time, like they didn't know how to work a record or something," says Jay. "The things that they were setting up for me I could have done myself. They had me traveling places to do instores, and my product wasn't even available in the store. We shot one video, but when the time came for me to do the video for the second single, I had to be cut out. They gave me the money and I started my own company. There was a little arguing back and forth, but our conflict finally got resolved. The bottom line was they wasn't doing their job, so I had to get out of there.[22]

Jay-Z rented a small, cheap office for Roc-A-Fella Records on John Street in one of the "dreariest parts of the busiest city in the world".[22] Jay-Z and his compatriots thought of their low-rent headquarters as a "starting point" that would eventually lead them to Manhattan.[22] In 1995 and early 1996, Jay-Z appeared on records by Big L and Mic Geronimo, further raising his profile. At this point, he was still considered an "underground"[23] rapper with a "new jack" style.[24]

Recording

Reasonable Doubt was recorded in the Bronx's D&D Studios and mixed at Platinum Island, but its beats were formed elsewhere. Knobody produced "Can't Knock the Hustle" at his mother's home in 1994 and Ski produced "Feelin' It" and "Politics as Usual" while recording with Camp Lo.[25] The recording sessions were generally dominated by competition; Ski and Clark Kent created similar beats for "Politics as Usual", but Ski submitted his to Jay-Z first causing his to appear on the album.[25] "Brooklyn's Finest" was a competitive, though friendly battle between Jay-Z and The Notorious B.I.G. in which Jay-Z tried proving that he is of Biggie's caliber, while Biggie tried brushing his rhymes off as insignificant.[25] Although the rappers had already met on the set for the "Dead Presidents" music video, they discovered that neither write down their rhymes while recording.[25] The recording of "Brooklyn's Finest" spanned two months and moved from D&D Studios to Giant Studios where the Clark Kent-sung chorus was recorded.[25] The studio sessions affected Jay-Z mentally: as he told Rolling Stone, "The studio was like a psychiatrist's couch for me".[20]

Music

Lyrical content

Reasonable Doubt is generally classified as Mafioso rap because of Jay-Z's prevalent references to crime within his songs. David Drake of Stylus Magazine considers the lyrics to be characterized by "gritty realism".[26] Aside from the lyrical showcase on "22 Two's", the discussion of relationship infidelities on "Ain't No Nigga" and braggadocios rhymes on "Brooklyn' Finest", the album's subject matter exclusively deals with Jay-Z's past criminal lifestyle. Allmusic's Steve Huey describes him as a "a street hustler from the projects who rapped about what he knew—and he was very, very good at it...detailing his experiences on the streets with disarming honesty".[17] Multiple aspects of this lifestyle are explored: "Can't Knock the Hustle" details Jay-Z's hustling talent, "Cashmere Thoughts" and "Dead Presidents II" explain his financial goals and other tracks like "D'evils" and "Regrets" detail how hustling negatively affects the mind. Huey summarizes the album's subject matter saying:

He's cocky bordering on arrogant, but playful and witty, and exudes an effortless, unaffected cool throughout. And even if he's rapping about rising to the top instead of being there, his material obsessions are already apparent [...] the album's defining cut might [...] be the brief "22 Two's," which not only demonstrates Jay-Z's extraordinary talent as a pure freestyle rapper, but also preaches a subtle message through its club hostess: Bad behavior gets in the way of making money. Perhaps that's why Jay-Z waxes reflective, not enthusiastic, about the darker side of the streets.[17]

Production

The beats on Reasonable Doubt were provided by already established East Coast hip hop producers, including DJ Premier, Clark Kent, Knobody and Ski. The production relies on soul, funk and jazz samples of artists such as Isaac Hayes, the Ohio Players and Ahmad Jamal. The refrains of a few songs contain vocal samples of rappers including Nas, Fat Joe and Snoop Dogg. Allmusic's Steve Birchmeier describes this production style as representing "the pre-gangsta era, a foregone era when samples fueled the beats and turntablism supplied the hooks" which "sets Reasonable Doubt apart from Jay-Z's later work".[27]

"Can't Knock the Hustle" contains a "silky smooth"[28] atmospheric beat layered with hard-hitting programmed drums and a xylophone loop. "Politics as Usual" has an R&B sound with its softer drums and sample of "Hurry Up This Way Again" by The Stylistics.[28] "Brooklyn's Finest" contrasts heavily with the first two tracks; it features an upbeat honky tonk piano loop and smooth drums sampled from "Ecstasy" by the Ohio Players. "Dead Presidents" contains a down tempo beat composed of three samples: the drums from "Oh My God (remix)" by A Tribe Called Quest, the melody and piano loop from "A Garden of Peace" by Lonnie Liston Smith and a vocal sample from "The World Is Yours" by Nas. According to IGN's Spence D., "Ski brings back the stripped down piano fill style lending the track a late night jazz vibe" on "Feelin' It".[28] "D'evils" features a downtrodden piano loop sampled from Allen Toussaint's "Go Back Home" and vocal samples from LL Cool J's "I Shot Ya (remix)" and Snoop Dogg's "Murder Was the Case". "22 Two's" has a "mournful jazz inclined groove" that prominently features string instruments.[28]

"Can I Live" samples Isaac Hayes' cover of "The Look of Love" creating a slow beat with a mix of percussion, brass and string instruments. "Ain't No Nigga" contains a quick funky beat that samples the melody and drums from "Seven Minutes of Funk" by The Whole Darn Family. "Friend or Foe" follows with a slower funky beat that contains heavy use of brass and a programmed drum loop. "Coming of Age" contains a Clark Kent-produced beat that samples the melody and drums from "Inside You" by Eddie Henderson (musician).[28] "Cashmere Thoughts" samples the guitar loop from Bohannon's "Save Their Souls" and adds claps and other sound effects. "Bring It On" contains a down tempo slow beat that features a string instrument loop and programmed drums. "Regrets" is driven by a jazzy sample from "It's So Easy Loving You" by Earl Klugh and Hubert Laws, as well its heavy triangle use and acoustic guitar loop.

Singles

Four singles—"Dead Presidents", "Ain't No Nigga", "Can't Knock the Hustle" and "Feelin' It"—were released in promotion of Reasonable Doubt. "Dead Presidents" features lyrics about illegally acquiring money and a somber Ski-produced beat that samples Lonnie Liston Smith's "A Garden of Peace". Its chorus, sampled from Nas' "The World Is Yours",[29] illustrates the song's lyrical thesis and was cited throughout the Nas vs. Jay-Z feud. "Dead Presidents" is the only single that did not chart, but it was certified gold by the Recording Industry Association of America.[11] "Dead Presidents II" appears on Reasonable Doubt, while the original appears on a single and on a music video directed by Abdul Malik Abbott. "Dead Presidents II" has the same beat and chorus as the original, but its lyrics are different.

The second single, "Ain't No Nigga", features female rapper Foxy Brown. The song details a love relationship between Jay-Z and the materialistic Foxy Brown. The chorus interpolates "Ain't No Woman (Like the One I've Got)" by The Four Tops. The funky Big Jaz-produced beat sounds like EPMD's "It's My Thing" because both tracks sample "Seven Minutes of Funk" by The Whole Darn Family. "Ain't No Nigga" was the most commercially successful single, reaching #50 on the Billboard Hot 100 and #1 on the Hot Dance Music/Maxi-Singles Sales.[30] Abdul Malik Abbot directed the song's music video.

"Can't Knock the Hustle", the third single, features soulful singing by Mary J. Blige. The song features Jay-Z bragging about the lifestyle he created by becoming a successful hustler. Produced by Knobody, the beat samples "Much Too Much" by Marcus Miller and "Fool's Paradise" by Meli'sa Morgan. It reached #73 on the Billboard Hot 100 making it the second most successful single on the album,[30] but it also reached #30 on the UK Singles Chart making it the most successful single in the United Kingdom.[31] A high budget music video directed by Hype Williams was made for "Can't Knock the Hustle".

The fourth and final single is the jazzy "Feelin' It". Guest singer Mecca sings the song's chorus and Jay-Z provides three verses about his lifestyle as a hustler. The song's piano-led beat is produced by Ski, who samples "Pastures" by jazz musician Ahmad Jamal. "Feelin' It" is the third most commercially successful single, reaching #79 on the Billboard Hot 100.[30] A low budget music video directed by Alan Ferguson was created for "Feelin' It".

Release and reception

Reasonable Doubt was released June 25, 1996 on Roc-A-Fella Records in the United States and on Northwestside Records in the United Kingdom.[32][33] Upon its release, the album peaked at #23 on the Billboard 200, a rank lower than Jay-Z's future studio albums.[34] On February 7, 2002, Reasonable Doubt was certified platinum in sales by the Recording Industry Association of America (RIAA).[11] The album received generally positive reviews from music critics. Allmusic awarded it five out of five stars,[17] and Entertainment Weekly gave it a B+ rating,[35] while The Source magazine gave it four out of five mics.[16] The magazine later changed it to a classic five mic rating. In 1998, it was listed one of The Source's 100 Best Rap Albums.[18] Reasonable Doubt also ranks on top of albums lists by Rolling Stone (2003's "The 500 Greatest Albums of All Time",[20] Blender (2003's "500 CDs You Must Own Before You Die"),[19] Vibe (2004's "51 Albums Representing a Generation, a Sound and a Movement"),[19] and Hip Hop Connection (2006's "The 100 Greatest Rap Albums 1995-2005").[19]

Lyrically, the album earned praised for its honest and visual depictions of a hustler's life. Journalist Dream Hampton explains Jay-Z's lyrics saying: "MC's had definitely touched, you know, on hustling. But Jay, talks about what it can do to a person's inner peace, and what it can do to their mind".[21] Allmusic's Steve Huey explains that the lyrical appeal lies within Jay's "effortless, unaffected cool" flow, "disarming honesty", and his knack for "writing some of the most acrobatic rhymes heard in quite some time".[17] Huey writes that this lyrical depth "helps Reasonable Doubt rank as one of the finest albums of New York's hip-hop renaissance of the '90s".[17] Fellow Allmusic writer Jason Birchmeier claims that Jay-Z's lyrics are "candidly professional, but it's the producers more so than Jay-Z himself that make this album so untouchable".[27] Birchmeier remarks that the album "boasts an amazing roster of producers", and Steve Juon agrees describing Ski, Clark Kent and DJ Premier as "the best beatmakers in rap".[24] Juon also recognizes the album's lyrical strength and describes the album's reception saying:

This is not only the definitive album from H to the Izzo's catalogue, it's one of the ten most important rap records of the entire 1990's. It's possible to live without having heard it - but after you do, you'll wonder how you ever managed without it. Even nearly six years later, this album stands up to the best production and strongest lyricism coming out of any rap around the globe. If an album could be said to have made corny MC's into Jay-Z haters, this is the one.[24]
—Steve Juon

Influence

Mafioso rap and hip hop music

Less than two years before Reasonable Doubt's release, three popular Mafioso rap albums were released: Wu-Tang Clan member Raekwon's Only Built 4 Cuban Linx..., AZ's Doe or Die and Nas' It Was Written. Jay-Z then burst on to the scene with his debut album that further popularized a genre in which drinking Cristal, driving Lexus automobiles and living out the plots of films like Scarface was commonplace.[36] Stylus Magazine writer Evan McGarvey claims that hustler rap group The Clipse try emulating Jay-Z's Reasonable Doubt sound on their 2006 song "We Got It for Cheap".[37]

Jay-Z's influence also extended to hip hop music in general. On the title track from The Game's 2005 album The Documentary, he references Reasonable Doubt as a classic album. Jean Grae also references the album on her 2004 song "Not like Me" by claiming that she would argue whether Reasonable Doubt or Nas' Illmatic is a better album. The album's vocals have been sampled on multiple occasions: Chubb Rock's "Survive", Termanology's "Watch How It Go Down", Apathy's "9 to 5" and Mary J. Blige's "Round and Round" contains samples from "D'evils" and De La Soul's "Shopping Bags (She Got from You)" contains samples from "Brooklyn's Finest". It is often "considered one of hip-hop's landmark albums" according to Pitchfork Media's Ryan Schreiber.[38] It is compared to The Notorious B.I.G.'s Ready to Die and Nas' Illmatic as a classic album.[17][39][40]

Subsequent work by Jay-Z

Despite being the lowest charting Jay-Z album,[34] it is generally considered his best record.[14] It differs from his future albums in its lack of "pop-crossover" songs and chart topping hits.[14] Also, future Jay-Z albums were mainly produced by The Hitmen, Timbaland and Swizz Beatz. Shaheem Reid of MTV explains, "Reasonable Doubt might not have the radio hits or club bangers of many of his other albums, but it may be Jay at his most lyrical—and certainly at his most honest, according to him".[23] Jay-Z continued many themes from Reasonable Doubt on future albums; his second album In My Lifetime, Vol. 1 featured a song named "Friend or Foe '98" that continues the story from "Friend or Foe" and features similar DJ Premier production. Jay-Z's third album Vol. 2... Hard Knock Life contains a track named "Coming of Age (Da Sequel)". It features Memphis Bleek as does the original "Coming of Age", but it is produced by Swizz Beatz and its story changes drastically. Jay-Z feels that recreating Reasonable Doubt is challenging because he was living a different lifestyle with a completely different state of mind as he wrote the album.[23][29][38] Ian Cohen of Stylus Magazine states its significance in context of Jay-Z's other major albums, The Blueprint and The Black Album: "Reasonable Doubt was the come-up, The Blueprint was the comeback, and The Black Album may not have found him at his strongest lyrically, but it gained gravitas from meta-awareness and introspection".[41]

10 Year Anniversary Concert

In 2006, Jay-Z performed the songs from Reasonable Doubt at the Radio City Music Hall to celebrate its ten-year anniversary. The concert's band included The Roots' drummer Questlove, the Illadelphonics, a 50-piece orchestra dubbed The Hustla's Symphony and Just Blaze, the performance's disc jockey.[23] It featured vocals from all original album guests except Mary J. Blige, The Notorious B.I.G. and Jaz-O. Beyoncé Knowles replaced Mary J. Blige for "Can't Knock the Hustle", Jay-Z rapped The Notorious B.I.G.'s verses on "Brooklyn's Finest" and Jaz-O's verse was left out of "Bring It On". While Blige was preparing for her Breakthrough Tour and The Notorious B.I.G. had died nine years before the concert, Jaz-O did not perform because of his feud with Jay-Z.[23] Jay-Z added a verse to "22 Two's" in which he says variations of the words "for/four" 44 times over the beat of "Can I Kick It?" by A Tribe Called Quest. Other alterations include Jay-Z changing a lyrical mention of Cristal to Dom Pérignon and Jay-Z's band "spruc[ing] up tracks like 'Regrets' to add more energy".[23] Celebrities including Alicia Keys, Young Jeezy, Jadakiss, Chris Tucker, LeBron James and Carmelo Anthony attended the concert. Three thousand tickets were put on sale; all were sold within two minutes according to Roc-A-Fella Records' website.[42]

Track listing

# Title Producer(s) Samples[43] Length
1 "Can't Knock the Hustle" (feat. Mary J. Blige) Knobody, The Hitmen 5:17
2 "Politics as Usual" Ski 3:41
3 "Brooklyn's Finest" (feat. The Notorious B.I.G.) Clark Kent 4:36
4 "Dead Presidents II" Ski 4:27
5 "Feelin' It" (feat. Mecca) Ski 3:48
6 "D'Evils" DJ Premier 3:31
7 "22 Two's" Ski 3:29
8 "Can I Live" Irv Gotti 4:10
9 "Ain't No Nigga" (feat. Foxy Brown) Big Jaz
  • "Seven Minutes of Funk" by The Whole Darn Family
  • "Ain't No Woman (Like the One I Got)" by The Four Tops
 4:03
10 "Friend or Foe" DJ Premier
  • "Hey What's That You Say" by Brother to Brother
 1:49
11 "Coming of Age" (feat. Memphis Bleek) Clark Kent
  • "Inside You" by Eddie Henderson
 3:59
12 "Cashmere Thoughts" Clark Kent 2:56
13 "Bring It On" (feat. Big Jaz & Sauce Money) DJ Premier 5:01
14 "Regrets" Peter Panic 4:34
15* "Can I Live II" (feat. Memphis Bleek) K-Rob
  • "Mother's Day" by 24 Carat Black
 3:57
16* "Can't Knock the Hustle" (Fool's Paradise Remix) Irv Gotti 4:45

Chart history

Album
Chart (1996)[34] Peak
position
U.S. Billboard 200 23
U.S. Top R&B/Hip Hop Albums 3
Singles
Song Chart (1996)[30] Peak
position
"Ain't No Nigga" U.S. Billboard Hot 100 50
U.S. Hot R&B/Hip-Hop Songs 17
UK Singles Chart 31
"Can't Knock the Hustle" U.S. Billboard Hot 100 73
U.S. Hot R&B/Hip-Hop Songs 35
UK Singles Chart 30
Song Chart (1997) Peak
position
"Can't Knock the Hustle" New Zealand Singles Chart 26
"Feelin' It" U.S. Billboard Hot 100 79
U.S. Hot R&B/Hip-Hop Songs 46

References

  1. ^ Huey, Steve. Review: Reasonable Doubt. Allmusic. Retrieved on 2009-09-06.
  2. ^ Columnist. "Review: Reasonable Doubt". Billboard: 56. July 20, 1996.
  3. ^ Christgau, Robert. "Consumer Guide: Reasonable Doubt". The Village Voice: August 1996.
  4. ^ Ehrlich, Dimitri. Review: Reasonable Doubt. Entertainment Weekly. Retrieved on 2009-09-06.
  5. ^ D., Spence. Review: Reasonable Doubt. IGN. Retrieved on 2009-09-06.
  6. ^ Pendleton, Tonya. "Review: Reasonable Doubt". Los Angeles Daily News: July 26, 1996.
  7. ^ Juon, Steve 'Flash'. Review: Reasonable Doubt. RapReviews. Retrieved on 2009-09-06.
  8. ^ Hoard, Christian. "Review: Reasonable Doubt". Rolling Stone: 424. November 2, 2004.
  9. ^ Braxton, Charlie. "Review: Reasonable Doubt". The Source: 95. August 1996. Archived from the original on 2009-09-06.
  10. ^ Columnist. "Retrospective: XXL Albums". XXL: December 2007.
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External links

v • d • e
Jay-Z
Studio albums
Compilations
Collaborations
Tours
Hard Knock Life Tour (1998)  · Roc The Mic Tour (2003)  · Best of Both Worlds Tour (2004)  · American Gangster Live (2007)  · Heart of the City Tour (2008)  · Jay-Z & Ciara Live (2009)  · Fall Tour (2009)  · The Blueprint 3 Tour (2010)
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