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rebec

 
Dictionary: re·bec  re·beck ('bĕk') pronunciation
also
n. Music
A pear-shaped, two-stringed or three-stringed medieval instrument, played with a bow.

[French, from Old French, alteration (influenced by bec, beak, from its shape) of rebebe, from Old Provençal rebeb, from Arabic rabāb, from rabba, to be master, control.]


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A bowed stringed instrument of 10th-century origin, used in European art music chiefly during the Middle Ages and Renaissance. There were two basic forms, pear-shaped or straight and narrow. The pegbox was sometimes right-angled and later became sickle-shaped. The strings varied from one to five or more, three being typical; it was usually tuned in 5ths (a 1545 authority gives different sizes, tuned g-d′-a′, c-g-d′; and F-G-d-a). It could be played on the lap, as in southern Europe, or on the shoulder, as in the north. It was commonly played in processions, dances and at court, notably that of Henry VIII; later it was used in consorts.



 
rebec ('bĕk), one of the earliest forms of the violin. It was pear-shaped, had from three to five strings, and possessed a strident tone. Its use, which began in the 13th cent., was to play melodies of popular songs and dance music, accompanied by percussion. The rebec, prevalent in European medieval and early Renaissance music, developed from the Arab instrument, the rehāb.


Wikipedia: Rebec
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Rebec
Rebac.jpg
The rebec in "Virgin among Virgins" (1509), by Gerard David.
String instrument
Classification
Hornbostel-Sachs classification 321.21-71
(Bowl lyre sounded by a bow)
Developed Middle Ages
Related instruments

The rebec (sometimes rebeck, and originally various other spellings) is a bowed string musical instrument. In its most common form, it has narrowboat shaped body, three strings and is played on the arm or under the chin, like a violin.

Contents

Origins

The rebec dates back to the Middle Ages and was particularly popular in the 15th and 16th centuries. The instrument is European and was derived from the Arabic bowed instrument rebab [1] and the Byzantine lyra[2]. The rebec was first referred to by name around the beginning of the 14th century, although instruments very similar to it had been played since around the 9th century and refered with the term "lyra" [3].

A singular distinguishing feature of the rebec is that the bowl (or body) of the instrument is carved from a solid piece of wood. This distinguishes it from the later period veilles and gambas known in the renaissance.

Tuning

The number of strings on the rebec varies from one to five, although three is the most common number. The strings are often tuned in fifths, although this tuning is by no means universal. The instrument was originally in the treble range, like the violin, but later larger versions were developed, such that by the 16th century composers were able to write pieces for consorts of rebecs, just as they did for consorts of viols.

In use

In time, the viol came to replace the rebec, and the instrument was little used beyond the renaissance period. The instrument did remain in use by dance masters until the 18th century, however, often being used for the same purpose as the kit, a small pocket-sized violin. The rebec also continued to be used in folk music, especially in eastern Europe and Spain. Andalusi nubah, a genre of music from North Africa, often includes the rebec.

Artists

  • The original Michael Nyman Band included a rebec before the band switched to a fully amplified lineup.
  • Les Cousins Branchaud, a folk music group from Quebec, Canada, includes a rebec player.
  • Ensemble Micrologus, an Italian medieval music group, has a member who performs on rebec.
  • Tina Chancey is a multi-instrumentalist specializing in early bowed strings like the rebec. She also plays in Hesperus, an early music and folk music group.
  • Dominique Regef is a French musician, composer and improvisor who performs on, among other instruments, the rebec.
  • Giles Lewin, while being more famous for his work on violin and bagpipes, also plays the rebec in the Dufay Collective.
  • Rossen Genkov is a rebec virtuoso. He appeared onstage with the Bulgarian band Epizod.
  • Sisters Shirley and Dolly Collins have released a number of albums that include the rebec.
  • Oni Wytars, a European music group, often includes the rebec in their performances.
  • Helen Johnson plays the rebec, and its close relative the violetta, in the British early music group Cancionero.
  • Siba de Oliveira Veloso, from Mestre Ambrósio and Siba e a Fuloresta, and Antônio Nóbrega plays the rabec in a very Brazilian folcloric way, which has a large number of players in its north-east part.
  • Swedish progressive rock band Älgarnas Trädgård list rebec as an instrument used on their 1972 album 'FRAMTIDEN ÄR ETT SVÄVANDE SKEPP, FÖRANKRAT I FORNTIDEN'

The rebec in popular culture

Hugh Rebeck is a minor character in William Shakespeare's Romeo and Juliet, one of the musicians called by Peter in an oft-cut scene. Presumably, he is named for the instrument that he plays.

A scene in Don Quixote has a goatherd play a rebeck and sing a song of love in order to entertain Don Quixote and Sancho Panza.

A rebec was featured prominently in one of Ellis Peters's (12th century) Brother Cadfael stories: Liliwin, the title character of The Sanctuary Sparrow, earned his living by playing that instrument. His rebec was damaged by a mob that accused him of murder, but it was repaired by one of the monks and returned to him at the end of the story.

'Rebec' is also a common name used to abbreviate the name Rebecca, it is famously used as the nickname for the female suffrage pioneer of New Zealand, Rebecca Lea.

See also

References

  1. ^ Farmer, Henry George (1988), Historical facts for the Arabian Musical Influence, Ayer Publishing, 137, ISBN 040508496X
  2. ^ Panum, Hortense (1939), The stringed instruments of the Middle Ages, their evolution and development, London : William Reeves, 434
  3. ^ Bachmann, Werner (1969), The origins of bowing and the development of bowed instruments up to the thirteenth century, Oxford U.P., 35

External links


 
 

 

Copyrights:

Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Rebec" Read more