Reboot

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Reboot, in serial fiction, means a discarding of much or even all previous continuity in the series, to start anew. Effectively, all previously-known fictive history is declared by the writer(s) to be null and void, or at least irrelevant to the current storyline, and the series starts over as if brand new.

Etymology

The term originates from its use in computer science.^{[citation needed]} After a computer is rebooted, nothing (except non-volatile storage, such as on a disk drive) of the computer's previous operating session has any bearing on its new session.

Comparison to remakes and prequels

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A reboot differs from a remake and a prequel, in that the latter two are generally consistent with the canon (previously-established continuity) of the series; with a reboot, the older continuity is largely discarded and replaced with a new canon.^{[citation needed]}

Additionally, prequels are often developed by the same creator as the original series it leads up to, while a remake is often produced by a different author to the original series, and can be seen as retelling of the same story and essentially sticking to the same canon. The term remake often applies to films or film adaptations of TV shows, like The Fugitive, whereas the term reboot is ascribed to franchises such as New Police Story, Batman Begins, Get Smart, Land of the Lost, Star Trek, James Bond 007, The Pink Panther, and The Incredible Hulk.^{[citation needed]}

Rationale

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This term is often applied to comic books, where the prevailing continuity can be very important to the progress of future installments, acting (depending on circumstances and one's point of view) either as a rich foundation from which to develop characters and storylines, a box limiting the story options available to tell, or even an irreconcilable mess of contradictory history. Such large continuities also become a barrier to introducing newcomers to the fandom, as the complex histories are difficult to learn, and make understanding the story very difficult. A reboot gives the chance for new fans to experience the core story by reintroducing it in smaller and easier-to-understand installments and/or by refocusing the story on its most important elements and abandoning many subplots and an overgrowth of minor details. Reboots may also serve changing audience expectations as to storytelling style, genre evolution, and sophistication of material.

Examples

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Film

• The Godzilla (ゴジラ - Gojira) film franchise has been rebooted several times since its inception in the 1950s. The most notable deviation from the original production was the 1998 American remake entitled Godzilla. Godzilla continuity reboots are as follows:
  • Godzilla 1984: Toho first rebooted the franchise in 1984, eliminating the entire Showa series (the films from Godzilla Raids Again through Terror of Mechagodzilla), stipulating that Godzilla's only prior attack was in 1954, in the original Godzilla film. This new series was called the "Heisei" series and continued until the events in Godzilla vs. Destoroyah, where Godzilla died.
  • The "Millennium" Godzilla series; in which each film in this series (except for Godzilla: Tokyo SOS, which is a direct sequel to Godzilla Against Mechagodzilla) was a self-contained alternate universe directly connected only to the original 1954 Godzilla film, in some cases retconning the end of the original to suggest Godzilla was never killed, and occasionally allowing minor references to earlier Godzilla-related movies, such as a nod to the American Godzilla remake in Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack and a reference to the events in War of the Gargantuas.
  • Similarly to Godzilla, Deiei's Kaiju star Gamera has undergone two continuity reboots. The first was in 1995 with in Gamera: Guardian of the Universe and again in 2006 with Gamera: The Brave. However, unlike the Godzilla series, both reboots ignored the original Gammera, the Invincible.
• 2001 saw the end of the cult children's hit Chiquititas but saw it rebooted into the feature film Chiquititas: Rincón de Luz.
• The Sum of All Fears (2002) was a reboot of the Jack Ryan series, with Ben Affleck as Ryan. The film is set in the present time with Ryan just beginning his career at the CIA. As commented by producer Mace Neufeld in an interview on the DVD, the film is neither a sequel nor a prequel to the other three Ryan films, and should not be seen as such.
• Home Alone 4: Taking Back the House (2002) is a reboot of the film series. It brings back the original characters from the first two films, yet in a different approach with the main character portrayed as being younger than in the first two films.
• New Police Story (2004) is a reboot of the Police Story film series starring Jackie Chan. Chan plays a different role with a different story plot with a more serious and darker tone.
• Batman Begins (2005) is a reboot of the Batman film series. It was done to not only start a new continuity that was more faithful to the tone of the comics, but also to distance itself from the Joel Schumacher films.
• Casino Royale (2006) is a reboot to the James Bond franchise, establishing a new timeline and narrative framework not meant to be preceded by any previous film. This not only freed the Bond franchise from more than forty years of continuity, but allows the film to show a less experienced and more vulnerable Bond.
• The Pink Panther (2006) was a reboot of the Blake Edwards/Peter Sellers. The Pink Panther series, starring Steve Martin as Inspector Clouseau and directed by Shawn Levy. This film made no references to the events in the previous series.
• Halloween (2007) is a total reboot of the Halloween series, directed by Rob Zombie.
• The Incredible Hulk (2008) is a reboot of the previous Hulk film (2003). It was originally written to be a sequel to the first film (but more faithful to the Hulk comics), but after rewriting it, star/screenwriter Edward Norton established it as a reboot. The film is set five years after Bruce Banner first becomes the Hulk, but that backstory is entirely different from the first film.
• Beethoven's Big Break (2008) is a reboot of the canine family comedy Beethoven. The film removes the entire storyline from the previous five films and starts a whole new story. Beethoven is a stray dog with three puppies who is found by a boy (Moises Arias) whose father (Jonathan Silverman) has a strict "no dog" rule but all that changes when a movie director (Eddie Griffin) wants the dog to be the star of a new film about a reckless family pet and titles the film "Beethoven" and the movie's plot is similar to the original movie.
• Friday the 13th (2009) is a reboot of the Friday the 13th series, retelling the events previously seen in the original film in a different approach. Though some believe the film is simply a remake of the first film, producer Michael Bay has confirmed that it is a reboot.
• Also in 2009, director J. J. Abrams' Star Trek film reboots the entire Star Trek franchise through the villain Nero traveling back in time from the Star Trek: The Next Generation time frame and altering the timeline.

Future film reboots

• A Nightmare on Elm Street (2010) will be a reboot of the film series.

• Mortal Kombat: Devastation (2010) will be a reboot of the Mortal Kombat film series, drawing from the entire universe of MK from the beginning until now.^[1]

• Daredevil (2010) will be a reboot of the previous 2003 film.

• The First Avenger: Captain America (2011) will be a reboot of the 1990 film Captain America.

• For the 25th anniversary of the Care Bears, American Greetings opted to reboot the franchise. Prior plot elements and devices like Cloudmobiles, the caring meter, and even Care-a-Lot castle was wiped from the universe, the Care Bears Cousins are nowhere in sight, the bears are implied to live in a village with the centerpiece being the Gathering Tree, that they have never met humans or went on caring missions (although this is set to change with the release of the Grizz-ly Adventures DVD which will see the first human enter the new Care-a-Lot), and that they have never met any villains prior to Grizzle, the current franchise's villain. This continuity began with the movie Care Bears: Oopsy Does It!, and continues into the TV series Care Bears: Adventures in Care-a-Lot.

Television

• On April 10, 2000, Eric Bischoff and Vince Russo rebooted all existing World Championship Wrestling storylines on Monday Nitro, vacating the promotion's titles, ending rivalries and shaking up heel and babyface status among wrestlers.
• New Captain Scarlet which debuted in February 2005 is a reboot of the 1967 Supermarionation puppetry series, Captain Scarlet and the Mysterons by the same producer, Gerry Anderson.
• In 2003, Battlestar Galactica (1978) was rebooted or "re-imagined" as the Sci-Fi channel's miniseries and later series of the same name.
• Jim Henson's Secret Life of Toys (1996) is a reboot of its 1986 TV featurette The Christmas Toy.
• In 2002 the He-Man story was rebooted.
• The Tenchi Muyo anime series has undergone several reboots.
• In 2007 The Bionic Woman was rebooted; the new series was cancelled after eight episodes due to negative reviews and low ratings.
• The Transformers franchise has undergone several separate reboots. The first occurred in 2001 with the self-contained Transformers: Robots in Disguise series. The second rebooted continuity launched in 2002, encompassing three TV and toy series: Transformers: Armada, Transformers: Energon and Transformers: Cybertron. In Japan, the Cybertron series itself is a reboot of the preceding Armada/Energon continuity. On July 4, 2007, the live-action and CGI Transformers film was released, resulting in yet another reboot. The most recent reboot is the Transformers: Animated series, set in the "near future".
• In 2000, X-Men was rebooted in the X-Men: Evolution series, a retelling of the saga from the beginning. It is similar to the original comic in the 1960s, in that many of the main characters are teens living at the Xavier Institute, but also deviates from that concept by making Beast, Storm and Wolverine adult staff members. Beast was one of the original X-Men in the comics and was not blue and furry at that time, though he is in Evolution, which mixes concepts from various decades of X-Men comics.
• Digimon Tamers (Japanese name for Digimon season 3) in 2001 was a rebooted version of the previous Digimon Adventure seasons (seasons 1 & 2). Featuring new methods of Digivolving new creatures, and making the concept of Digimon as a popular game and toy franchise that Takato Matsuki and his friends enjoy, until they come to life. The subsequent seasons (Frontier and Savers) of Digimon were complete reboots in that they lack any relation to the first three seasons.
• The 2003 Teenage Mutant Ninja Turtles cartoon series is a reboot of the franchise, being in a separate continuity from the 1987 cartoon, the comic books and the movies. The TMNT 2007 movie is a sequel to the earlier film trilogy.
• The Mexican hit Rebelde is a rebooted replica of its Argentinian counterpart Rebelde Way.

Several well-known tokusatsu franchises in Japan- notably the sub-genre of Super Sentai, Metal Hero, Ultra series, and Kamen Rider- are based around the similar formula that with each successive year, each new series reinvents itself in style, characters, sets, story & plot lines, and notably the armored suits, weapons, and vehicles (and mecha in some cases); events happening in one series not affecting any of the others (except for movie crossovers). While each season of these saga are considered a separate series unto themselves rather than being referred to as a "season", each has a common formula upon which all series in the saga are based. For example, while Juken Sentai Gekiranger (2007) closely matches the themes seen in Gosei Sentai Dairanger (1993) regarding Chinese martial arts and drawing superhuman powers from controlling one's aura through intensive training and self control, the characters, story lines, and mecha are completely unrelated.

• An exception to this may be the last two series from the Metal Hero saga. B-Fighter Kabuto (1996) is a direct sequel to Juukou B-Fighter (1995), both feature identical beetle-themed powers, several of the same characters and plot lines carryover into the latter, even though the armored suits, mecha, weapons, and settings are different.
• Since the Power Rangers saga is an Americanized version of Super Sentai, it too reinvents itself accordingly each year, though from its debut in 1993 to 1998, there was a continuity between the first six seasons which was eventually written out due to the complicated duty of keeping track of that continuity for later seasons and keeping the younger audience involved. The cost of production in having to streamline things between the Japanese versions was also complicated. And so starting in 1999, each succeeding PR series has its own continuity just for that one year. Although each season has its own continuity, they have been shown to exist within the same universe (although not necessarily the same time period or geographic location) through special "team-up" episodes, where the previous team of Rangers teams up with the current team.

Comic books

• Arguably, DC Comics rebooted in the late 1950s when it introduced several new versions of superheroes that had been staples of their comics in the 1940s, but had ceased appearing in publication. The Flash, Green Lantern, Hawkman, and the Atom were all re-introduced with new identities, costumes and powers (mostly with more science fiction-influenced attributes), and seemingly outside the continuity of their predecessors. Later, it was retconned that the 1940s-era heroes existed on "Earth-Two", leading to DC’s complex "multiverse" system.

• DC Comics’ 1985 maxi-series Crisis on Infinite Earths portrayed a complex sequence of reality-altering events that revised DC continuity. Editors intended to make the DC Universe less complicated and more modern and accessible to readers. This allowed for new origin stories for many characters and drastic changes to Wonder Woman, Hawkman and Superman. It may not be considered a true reboot because Crisis utilized, not discarded, previously existing continuity.

• DC's Legion of Super-Heroes comic book had its continuity rebooted in the events surrounding Zero Hour in 1994. The characters' stories came to a decisive close, the previous 36 years of continuity were discarded and a new Legion made up of similar characters based on the earlier versions began their careers without any mention of the previous continuity (except for tacit allusions). The franchise was rebooted again in 2004.

• The Ultimate Marvel Universe, which is the setting of the Marvel Comics labeled with "Ultimate" (such as Ultimate Spider-Man or Ultimate X-Men), is a reboot of the Marvel Universe. However, the previously-established continuity was not truly discarded, as the two continuities co-exist as alternate universes.

• Marvel Comics published Spider-Man: Chapter One by John Byrne from 1998-1999, which was meant to be a reboot of sorts, modernizing the classic Amazing Spider-Man series to appeal to modern fans. However, the series only lasted thirteen issues, and any continuity to current Spider-Man titles was dropped after fan outcry and a restructuring of the Marvel Comics executive and creative teams in 2001.

• In 2003, the Robotech universe was rebooted with the launch of Wildstorm's new comic book series. While it does frequently borrow characters and situations introduced in previously existing lore (most notably Robotech II: The Sentinels), Harmony Gold USA now considers only the original 85 episode animated series (and possibly the current Wildstorm comics and animated Shadow Chronicles sequel)^{[citation needed]} as canon and everything else (novels, comics, the aborted Sentinels project) as "secondary continuity". According to Harmony Gold, this secondary continuity was not necessarily completely invalidated but subject to critical review and revision if it comes into conflict with either the original series or possibly it's 2006 animated sequel.

• The mainstream Wildstorm universe continuity was rebooted in the Worldstorm event.

• In 2005 the webcomic Melonpool featured a complex time travel storyline which resulted in a reboot. This coincided with a change from newspaper style strips to a comic book format and the removal of the previous strips from the site's archives, though the strips were eventually returned to the archive.

• The Transformers Generation One was rebooted in 2002 with the Dreamwave comic and again in 2006 with the IDW comic.

Video games

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• Armored Core 3 reboots the Armored Core series's ongoing storyline. The first five games in the series follow humanity's recovery over the span of roughly a century from a catastrophic war known as "The Great Destruction". Armored Core 3 begins a storyline that concludes with humanity's downfall in Armored Core: Nexus and Last Raven. Armored Core 4, which is actually the eleventh in the proper series, reboots the storyline a second time.

• Doom 3 is a reboot of the original Doom's storyline. This time the setting is on Mars itself, rather than on its moons or, in Doom II's case, Earth.

• Driver: Parallel Lines is a reboot of Driver series. None of the characters of the previous games returns and the story ignores all the events from past games.

• Lara Croft Tomb Raider: Legend reboots the entire Tomb Raider series, as it features a different personality and completely new backstory for Lara Croft, and disregards all the events from many of the older games.

• The Legend of Spyro: A New Beginning discards many aspects of the platforming-based Spyro series in favor of a completely new storyline and more action-oriented gameplay.

• Mechwarrior reboots the franchise of the same name.

• Need for Speed Underground (2003) is a reboot of the Need for Speed series, discarding the simple race formula and creates a storyline, although it is also considered the 7th Need for Speed game. Also, the new Need for Speed game (2010) in development by Criterion Games possibly can be another reboot to the series.

• Ninja Gaiden apparently reboots the series and retelling altering the story established in the original games.

• Prince of Persia: The Sands of Time was initially intended as a rough prequel to the original game, but the two later sequels it spawned ignored the earlier series entirely and began a completely new storyline. Later, the next generation Prince of Persia game is the second reboot in the series, ignoring the original trilogy and The Sands of Time trilogy and establishing new contunity.

• Resident Evil 4 was a partial reboot of the already successful franchise. Although changing the game play and style of the series, it did not discard the already established story from previous entries in the series. It's sequel, Resident Evil 5, kept this same formula, although Resident Evil 6 has been stated to be yet another reboot.

RPGs

• White Wolf, Inc. rebooted World of Darkness, a popular modern horror series of roleplaying games in 2004, which actually a collection of settings including Vampire: The Masquerade, Werewolf: The Apocalypse and Mage: The Ascension. White Wolf cited dissatisfaction with certain overarching themes in the games, such as the apocalyptic storylines and the lack of mystery to the setting. They released new settings, Vampire: The Requiem, Werewolf: The Forsaken and Mage: The Awakening, respectively, to replace the old systems. Although certain features, concepts and names carry over from the old systems, no discernible storyline similarities exist between the settings, and the "old" World of Darkness is assumed to take place in a completely different universe to the "new" World of Darkness.

See also

• Canon (fiction)
• Retcon
• Reset button technique

References

http://not-the-climber-guy.com/2009/06/in-the-end-there-was-the-beginning/ A tongue-in-cheek look at reboots in the world of horror/thriller cinema, with various British and American pop culture references threaded throughout.