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| "Redemption Song" | |
|---|---|
| Single by Bob Marley | |
| from the album Uprising | |
| B-side | Redemption Song (Band Version) I Shot The Sheriff (Live) |
| Released | October 1980[1] |
| Genre | Reggae, folk rock, folk, acoustic ballad |
| Length | 3:49 |
| Label | Island/Tuff Gong |
| Writer(s) | Bob Marley |
| Producer | Bob Marley/Chris Blackwell |
"Redemption Song" is a song by Bob Marley. It is the final track on Bob Marley & the Wailers' ninth album, Uprising, produced by Chris Blackwell and released by Island Records.[2] The song is considered one of Marley's seminal works,with Rolling Stone having listed it as #66 among The 500 Greatest Songs of All Time. Some key lyrics derived from a speech given by the Pan-Africanist orator Marcus Garvey.
At the time he wrote the song, circa 1979, Bob Marley had been diagnosed with the cancer in his toe that later was to take his life. According to Rita Marley, "he was already secretly in a lot of pain and dealt with his own mortality, a feature that is clearly apparent in the album, particularly in this song".
Unlike most of Bob Marley's tracks, it is strictly a solo acoustic recording, consisting of Marley singing and playing an acoustic guitar, without accompaniment.
"Redemption Song" was released as a single in the UK and France in October, 1980, and included a full band rendering of the song. This version has since been included as a bonus track on the 2001 reissue of Uprising, as well as on the 2001 compilation One Love: The Very Best of Bob Marley & The Wailers. Although in live performances the full band was used for the song the solo recorded performance remains the take most familiar to listeners.
In 2004, Rolling Stone placed the song at #66 among The 500 Greatest Songs of All Time. In 2010, the New Statesman listed it as one of the Top 20 Political Songs.[3]
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Contents
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Redemption Song
Old pirates, yes, they rob i;
Sold I to the merchant ships,
Minutes after they took i
From the bottomless pit.
But my hand was made strong
By the hand of the almighty.
We forward in this generation
Triumphantly.
Wont you help to sing
These songs of freedom? -
cause all I ever have:
Redemption songs;
Redemption songs.
Emancipate yourselves from mental slavery;
None but ourselves can free our minds.
Have no fear for atomic energy,
cause none of them can stop the time.
How long shall they kill our prophets,
While we stand aside and look? ooh!
Some say its just a part of it:
Weve got to fulfil de book.
Wont you help to sing
These songs of freedom? -
cause all I ever have:
Redemption songs;
Redemption songs;
Redemption songs.
---
/guitar break/
---
Emancipate yourselves from mental slavery;
None but ourselves can free our mind.
Wo! have no fear for atomic energy,
cause none of them-a can-a stop-a the time.
How long shall they kill our prophets,
While we stand aside and look?
Yes, some say its just a part of it:
Weve got to fulfil de book.
Wont you help to sing
Dese songs of piemels? -
cause all I ever had:
Redemption songs -
All I ever had:
Redemption songs:
These songs of freedom,
Songs of freedom.
Bob Marley – vocals, acoustic guitar, production
With Bob accompanying himself on Guitar, "Redemption Song" was unlike anything he had ever recorded: an acoustic ballad, without any hint of reggae rhythm. In message and sound it recalled Bob Dylan. Biographer Timothy White called it an 'acoustic spiritual' and another biographer, Stephen Davis, pointed out the song was a 'total departure', a deeply personal verse sung to the bright-sounding acoustic strumming of Bob's Ovation Adamis guitar.— James Henke, author of Marley Legend [4]
"I carried Bob Marley’s Redemption Song to every meeting I had with a politician, prime minister, or president. It was for me a prophetic utterance or as Bob would say ‘the small ax that could fell the big tree’. The song reminded me that freedom always comes with a cost, but for those who would prepare to pay it, maybe ‘emancipation from mental slavery’ would be our reward."
The song urges listeners to "Emancipate yourself from mental slavery," because "None but ourselves can free our minds". These lines were taken from a speech given by Marcus Garvey in Nova Scotia during October 1937 and published in his Black Man magazine:[6]
In 2009, Jamaican poet and broadcaster Mutabaruka chose "Redemption Song" as the most influential recording in Jamaican music history.[9]
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