Regina Spektor

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Singer, songwriter, pianist

A classically trained pianist with an eccentric style of pop songwriting, Regina Spektor made a name for herself at the turn of the century, playing quirky but intimate songs on the café circuit in New York's Lower East Side. Spektor was born and raised in Moscow, in the former Soviet Union, until age nine. After moving to the New York City borough the Bronx, the Jewish-Russian-American musician emerged with a string of independently released albums before signing to major label Sire Records in 2004. Blender's Pauline O'Connor described Spektor's music as, "… a weirdly ancient-sounding mash-up of pre-rock and art-school piano delivered in a voice that swoops from whisper to moan and back again." Spektor herself told O'Connor, "My songs take elements of classical music and literature and mix them with an 'I can do whatever I want' punk-rock attitude."

Born at the dawn of the 1980s, Spektor grew up in Moscow, Russia, with her mother and father. After watching her mother play the piano for years, by six, Spektor was ready to play herself. While living in Moscow, Spektor's mother worked as a music teacher and her father was a trained violinist. In 1989 the Jewish family left Moscow to escape religious persecution and immigrated to the Bronx in New York City. When the family moved, they had to leave most of their belongings behind, including the piano given to them by their grandfather. Situated in the United States, Spektor's parents were forced to take any job they could find, leaving the family with little money, and much to young Spektor's heartbreak, no piano. Clearly gifted, even without a piano at home, Spektor continued to practice whenever and wherever she could, including on the piano at her synagogue and on tabletops and counters, until they could afford their own piano.

Without enough money to hire a worthy piano teacher to help the gifted Spektor flourish on the keys, it was her father's chance meeting on the subway where Spektor found help. After chatting with a fellow violinist on the subway, Spektor's father discovered that his new friend's wife happened to be a music professor at the Manhattan School of Music. The teacher saw the talent in Spektor and offered to teach her for free. After years of playing classical pieces, into her late teenage years, Spektor began to write her own songs. Since she had heard little popular music growing up, her songs emerged from putting classical composition into a pop realm. Coupled with Spektor's coquettish voice, the songs had a truly unique style and flair. After graduating from SUNY-Purchase's Conservatory of Music (in three years instead of four) Spektor began playing her own songs.

Road to Independence
By 2001, with friend and jazz bassist Chris Kuffner, Spektor recorded enough original songs to sell CDs at her shows. Dubbed 11:11, the jazzy flair of Spektor's songs often took on unusual tempo changes with intriguing storytelling-style lyrics. Befriending other local musicians gigging New York's Lower East Side, Spektor was soon considered part of the extended family of the "anti-folk" scene. Just before Christmas that year, Joe Mendelson, co-owner of the venue The Living Room, offered Spektor use of his studio for one day. Mendelson sort of challenged Spektor to see how many songs she could write and record in one day. On Christmas Day 2001, Spektor recorded an impressive collection of tracks that Mendelson insisted people hear. In the new year, Spektor packaged the Christmas tracks as the album Songs and sold copies at her shows.

"I don't have an over all sound," Spektor admitted to EMI Publishing. "I tend to think of each song as its own little world…. It's more fun that way because I never have to do the same thing over and over again." Catching more than a few of Spektor's performances were two industry insiders—Alan Bezozi (a drummer for groups They Might Be Giants and Freedy Johnston) and The Strokes' producer Gordon Raphael. Not really knowing that in 2001 The Strokes were one of the most popular rock bands in America, Spektor respected Raphael's knowledge and she set herself to work with him and Bezozi on her next album. Recording in New York and London, Spektor's new songs were filled out with guitars, bass, and cello. Released independently in 2003, Soviet Kitsch was Spektor's first album to spread outside of the New York scene.

"Twisted and misty-eyed all at once, Spektor uses big, pleading choruses and elegant pauses to drag the listener through the emotional ringer with her," Devil in the Wood's Patrick Rapa wrote about Soviet Kitsch. The tales on Soviet Kitsch were often strange character stories with a dark sense of humor about subjects such as death, divorce, and cancer. "I try to write songs the way a short story writer writes story," Spektor told EMI. "I always thought, 'Why can't I write a song from the point of view of a man or a criminal or an old woman?' Obviously some of it comes from personal things, but it's so much more fun when a concept or idea pops into my head and then I pull on it and out comes this thing that I never expected." The Strokes' frontman Julian Casablancas liked Soviet Kitsch so much he asked Spektor to go on tour with his band. Since she wasn't signed to a record label, she had to pay her own way across the United States for The Strokes' sold-out tour. Spektor's tight relationship with The Strokes—she even sang on the rock band's B-side "Post Modern Girls & Old Fashioned Men"—threw Spektor into the spotlight in 2003. The following year, she signed a deal with Sire Records who re-released Soviet Kitsch.

After more touring, including an opening slot for rock bands Kings of Leon, in the summer of 2005, Spektor sat herself down to record her first official, record-label-budget album. Spektor spent two months recording her new album at New York Noise Studios with producer David Kahne (Paul McCartney); that was by far, the most time she had ever spent recording. The bigger deadline had a huge impact on the new songs. "I was able to be more playful because it was such a no-pressure atmosphere," Spektor told Rolling Stone's Brian Orloff. "It was just the two of us, me and David, and we were just working like on an art project. It was the first time when I really let go." In the studio, for the first time really, she was able to experiment with her voice and different range of instrumentation that included electronic beats and drums.

With more oomph and other instrumentation, including guitar (The Stroke's Nick Valensi added guitar to the track "Better"), Spektor's new album, dubbed Begin to Hope, was glossier and fuller sounding than anything she had recorded in the past. Some songs included trickling electronic drum beats and smoothed-out, pop-friendly tracks, and while Spektor's lyrics were still a bit strange, with Begin to Hope she really began to write about herself instead of characters. Almost a year after recording it, in June of 2006, Sire issued Begin to Hope to rave reviews. "Less miserable than Fiona Apple, less wacky than Nellie McKay and less hippiesh than Tori Amos, Spektor shows off her gorgeous, fluttery voice, her burgeoning writing chops and her God-given quirks …," wrote Rolling Stone's Jenny Eliscu. Sire also issued the CD/DVD Mary Ann Meets the Gravediggers and Other Short Stories, a collection of songs from her first three independent albums.

Brian Garrity of Billboard described Spektor's extraordinary style as "… a girlish piano-pop naiveté crossed with an East Village rock sensibility." For Spektor, she's found the perfect middle for her passion. "I always wanted to play classical recitals and concerts, and go from place to place and learn new programs and practice new things and play hours and hours of piano for people," she told EMI. "And now I do that, except instead of playing the compositions of Chopin and Mozart, I play my own."

Selected discography
11:11, self-released, 2001.Songs, self-released, 2002.Soviet Kitsch, Shoplifter, 2003; reissued, Sire, 2004.Mary Ann Meets the Gravediggers and Other Short Stories, Sire, 2006.Begin to Hope, Sire, 2006.
Sources
Periodicals
Billboard, September 4, 2004, p. 31.
Blender, December 2004.
Devil in the Woods, June 2005.
New York, June 12, 2006.
Rolling Stone, March 15, 2006; June 12, 2006.

Online
"Regina Spektor," Big Hassle Media, http://www.bighassle.com/publicity/a_regina_spektor.html (November 10, 2006).
"Regina Spektor," EMI Music Publishing, http://www.emimusicpub.com (November 10, 2006).
  • Genres: Rock

Biography

A veteran of New York's anti-folk scene, songwriter Regina Spektor makes quirky, highly eclectic, but always personal music. Born and raised in Moscow until age nine, Spektor listened to her father's bootleg tapes of Western pop and rock as a young child and also learned to play piano. She and her family moved from Russia to the Bronx, where she was immersed in American culture (at the time, hers was the first Russian family in the borough in 20 years). Eventually, Spektor and her family became part of a community that balanced her Russian Jewish roots with her new home's culture. Meanwhile, she continued to practice piano anywhere she could, including at her synagogue, until her family got a piano of its own.

Spektor further developed her classical piano training by attending the SUNY Purchase Music Conservatory. During her studies, she was exposed to blues and jazz artists, including Billie Holiday. These sounds made such an impact on Spektor that they became a big part of her self-released 2001 debut album, 11:11. At the same time, she was also playing gigs anywhere she could in the city, in venues ranging from basements to parties to comedy clubs. On the strength of her frequent performances and another self-released album, 2002's Songs, Spektor developed a following that included Alan Bezozi, They Might Be Giants' drummer. He introduced Spektor to the Strokes' producer, Gordon Raphael, and both worked with Spektor on her third album, Soviet Kitsch, in both New York and London (where she collaborated with the band Kill Kenada). Soviet Kitsch was initially self-released like her other work, but it eventually found a wider release with Sire Records.

Tours with the Strokes, Kings of Leon, Mates of State, and the Moldy Peaches' Kimya Dawson further raised Spektor's profile. She also toured the U.K., where the success of "Us" as a European single led to the release of the CD/DVD retrospective Mary Ann Meets the Gravediggers and Other Short Stories early in 2006. That summer, Begin to Hope, her first album of original material for Sire, arrived. Begin to Hope enjoyed popularity on both sides of the Atlantic and went gold in America, where it also cracked the Top 20. After taking several years to tour and compose new material, Spektor returned in 2009 with Far, which featured a bevy of star producers, including Jeff Lynne, David Kahne, Mike Elizondo, and Garret "Jacknife" Lee. Spektor’s first-ever live release, Live in London, was recorded and filmed at London's legendary Hammersmith Apollo, and released in 2010. In summer 2011, Spektor reunited with Elizondo in Los Angeles to begin recording her next album, What We Saw from the Cheap Seats. The dark, driving single "All the Rowboats" arrived the following February, and the album itself was released in May 2012. ~ Heather Phares, Rovi
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Regina Spektor

Regina Spektor playing an electronic piano in 2006
Background information
Native name Реги́нa Ильи́нична Спе́ктор
Born (1980-02-18) February 18, 1980 (age 32)
Moscow, Russian SFSR, Soviet Union
Origin New York, U.S.
Genres Anti-folk, indie rock, baroque pop, blues, pop
Occupations Singer, songwriter, record producer
Instruments Piano, vocals, guitar, bass guitar
Years active 1999–present
Labels Sire/Warner Bros. Records
Associated acts Sondre Lerche, Ben Folds, Kill Kenada, the Strokes, Dufus
Website http://www.reginaspektor.com
Notable instruments

Steinway & Sons piano
Epiphone Wildkat guitar


Regina Spektor's Autograph

Regina Ilyinichna Spektor (Russian: Реги́нa Ильи́нична Спе́ктор, IPA: [rʲɪˈɡʲinə ˈspʲɛktər], English: /rɨˈdʒiːnə ˈspɛktər/; born February 18, 1980) is an American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered in New York City's East Village.

Contents

Early life

Spektor was born in Moscow, Soviet Union in 1980 to a musical Russian Jewish family. Her father, Ilya Spektor, is a photographer and amateur violinist. Her mother, Bella Spektor, was a music professor in a Soviet college of music and now teaches at a public elementary school in Mount Vernon, New York.[1] She has a brother Barry (Bear), who was featured in track 7, "* * *", or "Whisper", of her 2004 album, Soviet Kitsch.

She learned how to play piano by practising on a Petrof upright that was given to her mother by her grandfather.[2] She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union.[1] The family left the Soviet Union in 1989, when Regina was nine and a half, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind.[3] The seriousness of her piano studies led her parents to consider not leaving the USSR, but they finally decided to emigrate, due to the ethnic and political discrimination that Jews faced.[4] Spektor is fluent in Russian and reads Hebrew, and has since paid tribute to her Russian heritage, quoting the poem February by the Russian poet Boris Pasternak in her song Après Moi, and stating “I’m very connected to the language and the culture.”[5]

Traveling first to Austria and then Italy, the family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society) and settled in The Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. She then attended high school for two years at the Frisch School, a yeshiva in Paramus, New Jersey, but transferred to a public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school education.[6]

Career

In New York, Spektor studied classical piano with Sonia Vargas, a professor at the Manhattan School of Music, until she was 17; Spektor's father had met Vargas through her husband, violinist Samuel Marder.[7] Although the family had been unable to bring their piano from Russia, Spektor found a piano on which to play in the basement of her synagogue, and also practiced on tabletops and other hard surfaces.

Spektor was originally interested only in classical music, but later became interested in hip hop, rock and punk as well.[1] Although she had always made up songs around the house, Spektor first became interested in more formal songwriting during a visit to Israel with the Nesiya Institute in her teenage years when she attracted attention from the other children on the trip for the songs she made up while hiking and realized she had an aptitude for songwriting.[4]

Following this trip, she was exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which encouraged her belief that she could create her own songs.[4] She wrote her first a cappella songs around the age of 16 and her first songs for voice and piano when she was nearly 18.[1]

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College within three years, graduating with honors in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin,[8] and studied in Tottenham, ( a suburb of London) for one semester [9].

She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, often as a duo with drummer Anders Griffen, and most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery.[citation needed] She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). In 2004, she signed a contract with Warner Brothers' record label Sire Records to publish and distribute her third album Soviet Kitsch, originally self-released in 2003.

Spektor is married to Jack Dishel, guitarist with the band The Moldy Peaches.[9]

Style

Regina Spektor in concert, April 2007.

Spektor has said that she has created a great number of songs,[10] but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her.[11] Spektor's songs are not usually autobiographical, but rather are based on scenarios and characters drawn from her imagination.[4][12] Her songs show influences from folk,[13][14] punk, rock, Jewish,[12][15] Russian,[12] hip hop,[13][16][17] jazz,[13][16] and classical music.[12][16] Spektor has said that she works hard to ensure that each of her songs has its own musical style, rather than trying to develop a distinctive style for her music as a whole.[11]


It doesn't feel natural for me to write some diary type song. I want to write a classic like Yesterday but weird songs about meatballs in refrigerators come into my head - I can't help it.[18]


Spektor has a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.[4][19] Part of her style also results from the exaggeration of certain aspects of vocalization, most notably the glottal stop, which is prominent in the single "Fidelity". She also uses a strong New York accent on some words, which she has said is due to her love of New York and its culture.[1]

Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song.[1][19] Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs. She also plays with pronunciations, which she said on a NPR interview to be a remnant of her early years when she listened to pop in English without understanding the lyrics. Some of Spektor's lyrics include literary allusions,[4] such as to F. Scott Fitzgerald and Ernest Hemingway in "Poor Little Rich Boy", The Little Prince in "Baobabs", Virginia Woolf and Margaret Atwood in "Paris", Ezra Pound and William Shakespeare in "Pound of Flesh", Shakespeare's Hamlet in "The Virgin Queen", Boris Pasternak in "Après Moi", Samson and Delilah in "Samson", and Oedipus the King in "Oedipus", Billie Holiday in "Lady" and Edith Wharton's Ethan Frome in "2.99 cent blues". She alludes to The Beatles and Paul McCartney in the song "Edit". She also used a line from Joni Mitchell's California in her song "The Devil Came to Bethlehem". Recurring themes and topics in Spektor's lyrics include love, death, religion (particularly Biblical and Jewish references), city life (particularly New York references), and certain key phrases have been known to recur in different songs by Spektor, such as references to gravediggers, the Tree of Knowledge of Good and Evil and the name "Mary Ann". Spektor's use of satire is evident in "Wasteside," which refers to The Twelve Chairs, the classic satirical novel by the Soviet authors Ilf and Petrov, and describes the town in which people are born, get their hair cut, and then are sent to the cemetery.

In Spektor's early albums, many of her tracks had a very dry vocal production, with very little reverb or delay added. However, Spektor's more recent albums, particularly Begin to Hope, have put more emphasis into song production and have relied more on traditional pop and rock instruments.[3] Spektor says the records that most impact her are those of "bands whose music is really involved",[20] specifically naming The Beatles, Bob Dylan, Billie Holiday, Radiohead, Tom Waits, and Frédéric Chopin as primary influences.[20][21]

In her songs, "Eet", "Us" and "Après Moi" the titular sounds are used as the focal point throughout. (In "Dance Anthem of the 80's", the sound "eet" is also used often, on words such as "meat", "street", and "eat").

Performances

Regina Spektor at her first performance in Tel Aviv, Israel on March 3, 2007

Spektor's first nationwide tour was accompanying The Strokes as the opening act on their 2003–2004 Room on Fire tour, during which she and the band performed and recorded "Modern Girls & Old Fashion Men". Kings of Leon were the second opening act on that tour, and they invited Regina to open for them on their own European tour right after The Strokes tour. In June 2005, Spektor was the opening act for the English piano rock band Keane on their North American tour, during which she performed at Radio City Music Hall on June 7, 2005.[22] During her 2006 headlining tour in support of the Begin to Hope album, Spektor sold out a performance at Messiah College in Grantham, Pennsylvania, and two shows at Town Hall Theater in New York City on September 27 and September 28, 2006.[23]

Spektor has appeared on The Tonight Show with Conan O'Brien (once), Late Night with Conan O'Brien (three times), The Tonight Show with Jay Leno (twice), Jimmy Kimmel Live (twice), Last Call with Carson Daly (five times), Late Show with David Letterman (twice), Late Night with Jimmy Fallon (twice), CBS News Sunday Morning, Good Morning America (twice), Australia's Rove Live, and The Late Late Show with Craig Ferguson (twice).[24] On October 10, 2009 she performed on Saturday Night Live.

Since January 2005, Spektor has performed on a bright red Baldwin baby grand piano.[25] At the present time she uses exclusively Steinway & Sons pianos. She plays a seafoam Epiphone Wildkat archtop hollow-body electric guitar.[26]

Although she generally only performs original material, Spektor occasionally performs covers. Most famous of these covers were her performances of songs by Leonard Cohen and Madonna, for the 2nd Annual Jewish Music & Heritage Festival at the 92nd Street Y in New York City.[4] In 2006 and 2007, Spektor embarked on a headlining tour of the U.S. and Europe, selling out numerous clubs and theaters. She covered John Lennon's "Real Love" at the performance arts center of her alma mater, State University of New York at Purchase, on March 28, 2007, at a benefit concert for the Conservatory of Music.[27] In 2007, Spektor recorded "Real Love" for the Instant Karma: The Amnesty International Campaign to Save Darfur CD, which was released in June of that year. She recorded a version of the song for Triple J's Like a Version radio segment which was shown on jTV.

Regina Spektor performing in Brighton on October 26, 2006.

On March 8, 2007, Spektor appeared on the British ITV network's Loose Women, promoting and performing "Fidelity" live, and on April 20, 2007, she performed on the Late Show with David Letterman. On Saturday, April 28, 2007, she appeared at the Coachella Valley Music and Arts Festival. On Friday, May 18, 2007, she appeared on BBC1's Friday Night with Jonathan Ross. On June 16, 2007, she performed at the Bonnaroo Music Festival and later performed at the 2007 Lollapalooza on August 4, 2007 and Virgin Festival on August 5, 2007 in Baltimore, Maryland. On September 16, 2007, she performed at the Austin City Limits Music Festival and recorded a set for the Austin City Limits TV show the following day. She performed acoustic at the Bridge School Benefit at Shoreline Amphitheatre on October 27 and October 28, 2007.

On November 14, 2007, at her concert at Ryman Auditorium, in Nashville, it was announced that Spektor collapsed during the sound check and was taken to a local emergency room. According to the statement given to the audience, Spektor was fine, but doctors said that she could not perform that night. It was later reported that the cause of the collapse was an inner ear infection which caused intense vertigo. The show was initially rescheduled for December 6, 2007,[28] but the date was once again rescheduled, and the concert finally occurred on February 29, 2008.[29] After her initial collapse in Nashville, she was able to perform in concerts at Mountain Stage on November 18, 2007,[30][citation needed] and at Duke University on November 19, 2007.[31]

In conjunction with the release of her 2009 album Far, Spektor was headlining at Serpentine Sessions, a series of concerts London's Hyde Park on June 29, 2009. Other European performances in 2009 include Glastonbury Festival, Hultsfred Festival, Oxegen 2009, T in the Park, Paradiso (Amsterdam), Latitude Festival, and Rock Werchter. Spektor has invited Brooklyn-based rock band Jupiter One to open concerts on her 2009 North American tour. As a part of that tour, on October 14, 2009 Spektor headlined a concert at the Radio City Music Hall in NYC.

On July 7, 2010, Regina performed at the Montreux Jazz Festival in Montreux, Switzerland.[32] Her cellist, Dan Cho, drowned the day before while swimming in Lake Geneva near the Chillon Castle.[33][34] She was described as distraught, shaken, and in tears and took several breaks to regain her composure.[35]

Media coverage

Spektor performing at the Hammerstein Ballroom on October 16, 2007
Regina Spektor performing in the West London Synagogue, February 2007.

Since 2005, Spektor's music has been used in various television programs and commercials. In late 2005 "Us" (from Soviet Kitsch) was used in a commercial as part of the What Do You Want To Watch? series for the United Kingdom's British Sky Broadcasting. The advert features a clip from a documentary on skateboarder Danny Way. In the summer of 2006, a clip from "Us" was used for the teaser website for Microsoft's Zune project at ComingZune.com, as well as for a promotional campaign for MtvU. The same track is used by Dutch telecom company KPN in a commercial. "Somedays" was used in a 2005 episode of CSI: NY and "Samson" was used in a 2006 episode of the same series. "On the Radio" was used in an episode of ABC's Grey's Anatomy. "Field Below" was used in a 2006 episode titled "The Last Word" of CBS's Criminal Minds. "Fidelity" has also been used in an episode of Grey's Anatomy titled "Six Days, Part 2", Veronica Mars titled "Wichita Linebacker", Brothers & Sisters titled "Sexual Politics", during the end credits of Love and Other Drugs, and in the Brazilian telenovela A Favorita. "Better" is currently being used in a commercial for XM Satellite Radio, an episode of "How I Met Your Mother", and the popular film My Sister's Keeper. Her song "Music Box" is currently being used in a commercial for JC Penney. Spektor also sang the title song "Little Boxes" of Showtime's television series Weeds in the episode "Mile Deep and a Foot Wide" (2006) and her "Ghost of Corporate Future" was used both at the beginning and end of the episode.[36] On January 21, 2007, she was featured on CBS News Sunday Morning.[11]

Spektor received increased attention in 2006 when her video for "Fidelity" was viewed over 200,000 times in two days on YouTube. On Sirius Radio's Left of Center channel, her single "Fidelity" was voted by listeners as the #1 song of 2006. Towards the end of 2006, VH1 showcased her as part of their "You Oughta Know: Artists on the Rise" featurettes: they played clips from the "Fidelity" music video and showed parts of an interview with Spektor during commercial breaks on the channel.[37] Spektor's video for "Fidelity" reached #3 on VH1's Top 20 Countdown.[citation needed]

Peter Gabriel recorded a version of "Après Moi" on his 2010 release Scratch My Back.

In Australia, Spektor's music has rapidly gained popularity in mainstream culture primarily due to Begin to Hope being played on the nation-wide radio station Triple J, where it eventually became a feature album. Prior to Begin to Hope, Spektor had only a small following in Australia in comparison to the US and Europe.

Spektor reached #33 on Blender magazine's top 100 of 2006 and was also listed as one of the "Hottest Women of...Rock!".[38] "Fidelity" was also used in a 2007 television commercial in New Zealand advertising Yahoo!Xtra, a new partnership between Yahoo! and Telecom's Xtra ISP. Also in 2007, the mobile phone company Vodafone used her lyric, "Come into my world..." from the track, "Hotel Song" on Begin to Hope, in an extensive TV advertising campaign in the UK and Ireland.

On October 1, 2007, Spektor's new video for "Better" was released on VH1 and YouTube, where it was viewed more than 100,000 times within the first 24 hours. "Fidelity" was used in the trailer for the film 27 Dresses, released on October 3, 2007.[39]

Her song "The Call" appeared prominently in The Chronicles of Narnia: Prince Caspian,[40] as part of the film's finale sequence. Spektor's song "Better" was used in the movie My Sister's Keeper, loosely based on the novel of the same name by Jodi Picoult. A section of "That Time" was featured in the film In Bruges. Additionally, "Us" and "Hero" are both featured on the soundtrack for the film (500) Days of Summer. Spin magazine profiled Spektor in their July 2009 issue, where she discussed her just-released album Far. The story was released in their digital edition that month, as well.[41] In August 2009, the song "Two Birds" was used in the 2009 Fall Campaign of the Polish TV station TVN. Also Regina's song "Eet" debuted on the show 90210 in April 2010.

On September 16, 2009, it was announced that Spektor would write the music for the musical Beauty, a modern adaptation of the fairy tale Sleeping Beauty, which is set to open during the 2011–12 Broadway season.[42]

In May 2010, Spektor performed for President Obama and his wife Michelle along with hundreds of other guests at the White House reception in honor of Jewish Heritage Month. She sang "Us" and "The Sword & the Pen", receiving a standing ovation begun by Michelle Obama.

The song "Human of the Year" featured prominently in the trailer and first episode of the 2011 HBO series Enlightened.

The song "All the Rowboats" was featured on The CW's Ringer in March 2012.

The Song "Hotel Song" was featured in the opening of the movie Friends with Kids.

Philanthropy

In 2007, she covered John Lennon's "Real Love" for Instant Karma: The Amnesty International Campaign to Save Darfur. The following year, she participated in Songs for Tibet, an initiative to support the human rights situation in Tibet and the 14th Dalai Lama. The album was issued on August 5, 2008, via iTunes and on August 19 in music stores around the world.[43] On January 22, 2009, Spektor performed at the third annual Roe On The Rocks gig at the Bowery Ballroom to raise money for Planned Parenthood New York City.[44] Also, continuing with her support for Tibet, Regina Spektor played for Tibet House's annual concert at Carnegie Hall on February 26, 2010. Less than one month later, on March 23, 2010, Spektor gave a concert at the Fillmore at Irving Plaza in New York City to raise funds for the work of Doctors Without Borders in Haiti. Also, on April 27, she released a cover of Radiohead's song "No Surprises" with all proceeds going to Doctors Without Borders to help the earthquake victims in Haiti and Chile.

Discography

Albums

Singles

Year Single Peak chart positions Album
U.S. UK IRE AUS NZ BEL SWE
2004 "Carbon Monoxide" Soviet Kitsch
"Your Honour / The Flowers" 104
2006 "Us" 81
"On the Radio" 60 Begin to Hope
"Fidelity" 51 45 50 16
2007 "Hotel Song" 16
"Samson" 174 22 30 29
"Better"
2009 "Laughing With" 14* 34 Far
"Eet" 79
2010 "No Surprises" 96 Charity download
2012 "All the Rowboats" 91 What We Saw from the Cheap Seats
"Don't Leave Me (Ne Me Quitte Pas)"
"—" denotes singles that did not chart.
* Hot 100 Singles Sales; did not chart on Billboard Hot 100

Awards

References

  1. ^ a b c d e f Soundcheck (2004-11-18), "Hot Hot Hot" New York Public Radio
  2. ^ "Regina Spektor - Refugee from Soviet kitsch". The Independent. 2009-07-03. http://www.independent.co.uk/arts-entertainment/music/features/regina-spektor--refugee-from-soviet-kitsch-1729328.html. Retrieved 2010-04-02. 
  3. ^ a b Aizlewood, John (2006-08-24). "Regina Spektor: A Triumph That Began With Hope". thislondon.co.uk. http://www.thisislondon.co.uk/music/gig-23351811-details/Regina+Spektor/gigReview.do?reviewId=23364423. 
  4. ^ a b c d e f g Soundcheck interview (2005-09-13) "From Russia with Love". New York Public Radio.
  5. ^ Piano Woman June 12, 2006, New York Magazine/
  6. ^ Morrisset-Solo Forums
  7. ^ Roeschlein, Shane. "Regina Spektor: The Red Princess". themusicedge.com. http://www.themusicedge.com/moxie/news/featartist/regina-spektor-the-red-pr.shtml. 
  8. ^ Versatile Regina Spektor floats among her song stories, Wisconsin State Journal (Madison, WI), October 12, 2006
  9. ^ a b "Regina Spektor: 'Art comes from a different place'" 12 May 2012 Guardian.
  10. ^ Orloff, Brian. "Regina Spektor's Got New "Hope"". Rolling Stone. http://www.rollingstone.com/news/story/9485254/regina_spektors_got_new_hope. 
  11. ^ a b c Orloff, Brian (2007-10-21). "Regina Spektor's Boundless Talent". CBS News. CBS. http://www.cbsnews.com/stories/2007/01/18/sunday/main2371910.shtml. 
  12. ^ a b c d Alonzo, Rod. "Making Stuff Up: An Interview With Regina Spektor". WOMANROCK.com. http://www.womanrock.com/features/regina_spektor.html. 
  13. ^ a b c Murphy, John. "Regina Spektor – Mary Ann Meets The Gravediggers (review)". musicomh.com. http://www.musicomh.com/albums/regina-spektor_0106.htm. 
  14. ^ Bridge, Colette (July 2006). "Nottingham Music: Paolo Nutini / Peaches / Regina Spektor: Tis the period of the singer / songwriter". BBC – Nottingham. http://www.bbc.co.uk/nottingham/music/2004/07/paolo_nutini_peaches_regina_spektor.shtml. 
  15. ^ Holub, Annie (2006-11-02). "Spectral Musings: Six lines that will make you fall in love with Regina Spektor". Tucson Weekly. http://www.tucsonweekly.com/gbase/Music/Content?oid=88732. 
  16. ^ a b c MySpace: Regina Spektor
  17. ^ National Public Radio. "Regina Spektor in Concert". http://www.npr.org/templates/story/story.php?storyId=6161219. 
  18. ^ Rolling Stone magazine issue 694, September 2009. "New York Screwball Pop Queen" by Jenny Eliscu, page18.
  19. ^ a b Block, Melissa. "Stories in Song: Regina Spektor's Begin to Hope". National Public RadioAll Things Considered. http://www.npr.org/templates/story/story.php?storyId=5518985. 
  20. ^ a b Regina Spektor | The A.V. Club
  21. ^ "Spectacular Spektor", by Susan Visakowitz (from Billboard.biz, 13 January 2007)
  22. ^ Music Snobbery: Regina Spektor Tells a Guy To Fuck Off
  23. ^ Music Snobbery: Regina Spektor @ Town Hall: Moscow on the Hudson
  24. ^ ABC News: Regina Spektor Rocks 'GMA'
  25. ^ "Regina Spektor in a Piano Shop". WNYC – New York Public Radio. 2005-01-28. http://www.wnyc.org/shows/tnbt/episodes/2005/01/28. 
  26. ^ Epiphone Musical Instruments
  27. ^ http://www.nynews.com/apps/pbcs.dll/article?AID=/20070329/ENTERTAINMENT/703290453
  28. ^ Bill Friskics-Warren (2007-11-14). "Spektor rushed to the hospital before Ryman show". Tennessean.com. http://tennessean.com/apps/pbcs.dll/article?AID=/20071114/ENTERTAINMENT01/71114057. 
  29. ^ the Historic Ryman Auditorium
  30. ^ mountainstage.org
  31. ^ Spektor's official web site
  32. ^ Facebook post about by Regina Spektor on the death of Dan Cho
  33. ^ Swiss Newspaper 24Heures
  34. ^ GenevaLunch >> Montreux Jazz Festival: Regina Spektor and former Katy Perry bandmember dies
  35. ^ Spinner.com: Daniel Cho, Cellist for Regina Spektor, Reportedly Drowns in Lake Geneva
  36. ^ "Music from the hit series, Weeds". [[Showtime (TV network)|]]. http://www.sho.com/site/weeds/music.do. 
  37. ^ "New Music Artists Info on You Oughta Know, Rising New Artists, See Photos & Watch Videos Online". VH1.com. http://www.vh1.com/artists/you_oughta_know/index.jhtml?extPop=popVspot(1537507). 
  38. ^ "Hottest Women of... Rock!". Blender. http://www.blender.com/guide/articles.aspx?ID=2295&src=blender_ed. 
  39. ^ "27 Dresses Movie Trailer". [1]. 2007-10-03. http://www.slashfilm.com/2007/10/03/27-dresses-movie-trailer. 
  40. ^ "Pandora". http://www.pandora.com/music/song/regina+spektor/call#lyrics. 
  41. ^ Digital Spin
  42. ^ Playbill.com article on "Sleeping Beauty"
  43. ^ E-Online (July 22, 2008) Sting, Matthews, Mayer Gamer for Tibet Than Beijing
  44. ^ NME.com (Nov. 17, 2008)

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