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Gilles de Rais

 

Gilles de Rais (sometimes Retz) (c.1404-1440). Frequently identified as a prototype for Perrault's Bluebeard, Gilles was in reality a paedophile, who murdered many of his victims. Inheritor of vast estates in the Loire valley, he accompanied Jeanne d'Arc to the relief of Orléans in 1429 and was promoted to be a marshal of France. But his increasingly dissolute lifestyle (the first murders were committed c.1426) caused mounting financial difficulties. These were cynically exploited by Duke Jean V of Brittany and his servants, until Gilles had irretrievably mortgaged his substance. Then, as public disquiet over his crimes grew, Gilles was handed over for trial on charges of heresy and sorcery to a church court which condemned him to public execution on the gibbet at Nantes.

[Michael Jones]

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Columbia Encyclopedia: Gilles de Laval seigneur de Retz
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Retz or Rais, Gilles de Laval, seigneur de (zhēl də läväl' sānyör' də rĕts, rĕs), 1404-40, marshal of France, a lord of the Breton marches. A noted soldier, he was at Orléans with Joan of Arc. He was a liberal patron of music, literature, and the arts. After his retirement, rumors spread of satanic and vicious doings in his castle. He was tried in an ecclesiastical court, and he confessed to kidnaping more than 100 children, mostly boys, and to murdering them after maltreating them. He was handed over by the Church to the civil authorities and was executed. There is no reason to doubt his confession. He has been supposed, probably wrongly, to be the original of Bluebeard.

Bibliography

See E. Gabory, Alias Bluebeard (tr. 1930); T. Dix, Black Baron (1930); J. Benedetti, Gilles de Rais (1971).

(1404-1440)

Lord of Rais (or Retz) and marshal of France, the "Blue-beard" of nursery legends, and a famous sorcerer. He was born Gilles de Laval in September or October 1404 at Machecoul to one of the most outstanding families of Brittany. His father, Guy de Montmorency-Laval, died when Gilles was 20 years old, and the impetuous young man found himself possessed of unlimited power and wealth.

After his father's death he became Gilles de Rais, the lord of 15 princely domains, yielding a revenue of 300,000 livres. He was handsome and distinguished by a beard of bluish-black. His appearance was fascinating, his erudition extensive, and his courage unimpeachable. All this seemed to ensure him a splendid career, yet the name of Bluebeard came to be associated with horror and atrocious crimes.

At the outset of his career de Rais did nothing to suggest an evil predisposition. He served with zeal and gallantry in the wars of Charles VI against the English and fought under Joan of Arc in the Siege of Orléans. His exploits won him the dignified title marshal of France.

From that point de Rais's career drifted downward. He retired to his castle of Champtocé and indulged in the display of his luxury. Two hundred horsemen accompanied him on his travels, and the magnificence of his hunting entourage exceeded that of the king himself. His retainers wore the most sumptuous clothing; his horses were caparisoned with the richest trappings; his castle gates were open day and night to all comers. A whole ox was roasted daily for his guests. Sheep, pigs, poultry, mead, and hippocras (wine) were provided for five hundred persons.

De Rais carried the same love of pomp into his devotion. His principal chaplain, a dean, a chanter, two archdeacons, four vicars, a schoolmaster, twelve assistant chaplains, and eight choristers comprised his ecclesiastical establishment. Each of these had his own horse and servant; all were dressed in robes of scarlet and furs and had costly appointments. Sacred vessels and crucifixes, all of gold and silver, were transported with them wherever their lord went, as were many organs, each carried by six men. De Rais was intent on having all the priests of his chapel wear the mitre; he sent many embassies to Rome to obtain this privilege, but without success.

He maintained a choir of 25 young children of both sexes, who were instructed in singing by the best masters of the day. He also had comedians, morris dancers, and jugglers, and every hour was crowned with some sensual gratification or voluptuous pleasure.

In 1420 Lord de Rais wedded Catherine, the heiress of the noble House of Thouars. The wedding afforded him a fresh occasion to display his passion for luxurious pomp. He gave splendid banquets and participated in chivalric tournaments.

History or Legend?

From this point on it is difficult to separate fact from popular tradition. The folklore version of the horrific events that transpired is related by Éliphas Lévi in The History of Magic (1913). Lévi writes: "He had espoused a young woman of high birth and kept her practically shut up in his castle at Machecoul, which had a tower with the entrance walled up."

Since de Rais had spread a report that the tower was in a ruinous state, no one sought to enter it. Madame de Rais—who was frequently alone during the dark hours—saw red lights moving to and fro in the tower but did not venture to question her husband, whose bizarre and somber character filled her with terror.

De Rais's expenses were so extensive that they eventually exhausted even his apparently inexhaustible revenues, and to procure the funds for his pleasures and extravagance he was compelled to sell several of his baronies.

For de Rais, unable to live in diminished splendor, money became the principal object of desire, and to obtain it he decided to turn to alchemy.

He sent accordingly into Italy, Spain, and Germany and invited the alchemical experts to the splendors of Champtocé. Among those who obtained the summonses, and continued attached to de Rais during the remainder of his career, was Prélati, an alchemist of Padua. At their instigation de Rais built a stately laboratory and, joined by other alchemists, they eagerly began the search for the philosophers' stone. For 12 months the furnaces blazed brightly and a thousand chemical combinations disposed of the marshal's gold and silver.

Impetuous, de Rais could not abide such lingering processes. He wanted wealth and he wanted it immediately. If the grand secret could not be discovered by any quicker method, he would have none of it, nor, as his resources were fast melting away, would it avail him much if the search occupied several years. At this junction the Poitousan physician and the Paduan alchemist whispered to de Rais that there were quicker methods of obtaining the desired alkahest if he had the courage to adopt them.

De Rais immediately dismissed the inferior alchemists and put himself in the hands of the two abler and subtler masters, one a physician. They persuaded him that the devil could at once reveal to them the secret and offered to summon him so that the marshal could conclude with him whatever arrangement he thought best. Short of sacrificing his soul, the lord of Rais professed himself willing to do anything the devil might command.

In this frame of mind he went to the physician at midnight to a solitary spot in the neighboring woods where the physician drew a magic circle and made the customary conjurations. De Rais listened to the invocation with wonder, expecting that at any moment the Spirit of Darkness would burst upon the startled silence. After a lapse of 30 minutes, the physician manifested signs of the greatest alarm—his hair seemed to stand on end, his eyes glared with unutterable horror, he talked wildly, his knees shook, a deadly pallor overspread his countenance, and he sank to the ground.

The lord of Rais was a dauntless man and gazed upon the strange scene unmoved. After awhile the physician seemed to recover. He arose and, turning to his master, inquired if he had not seen the wrathful countenance of the devil. De Rais replied that he had seen no devil, whereupon the physician declared that the Evil One had appeared in the form of a wild leopard and had growled at him horribly.

Lévi quotes the physician: "You would have been the same, and heard the same, but for your want of faith. You could not determine to give yourself up wholly to his service, and therefore he thrust a mist before your eyes." De Rais acknowledged that his resolution had indeed somewhat faltered, but said that he would believe if the Evil One could really be coerced into revealing the secret of the universal alkahest.

The physician said certain herbs grew in Spain and Africa that possessed the power necessary to coerce the devil, and offered to go in search of them himself if the lord of Rais would supply the funds. Since no one else would be able to identify the herbs, de Rais thanked the physician for volunteering and loaded him with all the gold he could spare. The man then took leave of his credulous patron, who never saw him again.

As soon as the physician left Champtocé, de Rais was once more seized with the fever of unrest. His days and nights were consumed in ceaseless visions of gold.

He now turned for help to the alchemist Prélati, who agreed to undertake the enterprise if de Rais furnished him with the necessary charms and talismans. The marshal was to sign with his blood a contract that he would obey the devil in all things and offer up a sacrifice of the hands, eyes, blood, heart, and lungs of a young child. The madman having willingly consented to these terms, Prélati went out alone on the following night. After an absence of three hours, he returned to his impatient lord. His tale was a monstrously extravagant one, but de Rais believed it.

The devil, Prélati improvised, had appeared in the shape of a comely young man of 20 who desired to be called "Barron" and had pointed out to him a store of ingots of pure gold buried under an oak in the adjacent woods. It was to become the property of the lord of Rais if he fulfilled the conditions of his contract. But this bright prospect was clouded by the devil's injunction that the gold was not to be searched for until a period of seven times seven weeks had elapsed, or it would turn to slates and dust.

Gilles was by no means willing to wait so many months for the realization of his wishes and asked Prélati to inform the devil that he would decline any further dealings with him if matters could not be expedited. Prélati persuaded de Rais to wait for seven times seven days, and then the two went with pickax and shovel to dig up the treasure.

They eventually dug up a load of slates inscribed with hieroglyphical characters. Prélati broke into a fit of rage and branded the Evil One a liar, a knave, and a rogue—de Rais heartily joining in his fierce denunciations. Prélati persuaded his master to give the devil a further trial, however, and led him on from day to day with dark oracular hints and pretended demoniac intimations until he had obtained nearly all de Rais's remaining valuables. He was preparing to escape with his plunder when a catastrophe occurred that involved him in his lord's ruin.

On Easter Day in the year 1440, Gilles de Rais received Communion solemnly in his chapel and bade farewell to his wife, telling her that he was departing to the Holy Land. The poor woman was even then afraid to question her husband. She was also several months along in her pregnancy. The marshal permitted her sister to come on a visit as a companion during his absence. Madame de Rais took advantage of this indulgence, after which de Rais mounted his horse and departed.

Madame de Rais communicated her fears and anxieties to her sister. The two women wondered what went on in the castle. Why was her lord so gloomy? What signified his repeated absences? What became of the children who disappeared day by day? What were those nocturnal lights in the walled-up tower? These and other questions caused both women to burn with curiosity. But what could they do?

The marshal had expressly forbidden them even to approach the tower, and before leaving he had repeated this injunction. It must surely have a secret entrance, Madame de Rais and her sister Anne agreed, and they proceeded to search through the lower rooms of the castle, corner by corner, stone after stone. At last, in the chapel, behind the altar, they came upon a copper button hidden in a mass of sculpture. It yielded under pressure, a stone slid back, and the trembling curiosity seekers distinguished the lowermost steps of a staircase, which led them to the condemned tower.

At the top of the first flight there was a kind of chapel, with an inverted cross and black candles; on the altar stood a hideous figure, no doubt representing the devil. On the second floor they came upon furnaces, retorts, alembics, charcoal—all the apparatuses of alchemy. The third flight led to a dark chamber where the heavy and fetid atmosphere compelled the young women to retreat. Madame de Rais bumped into a vase, which fell over. She then became aware that her robe and feet were soaked by some thick liquid. On returning to the light at the head of the stairs, she found that she was bathed in blood.

Anne would have fled from the place, but Madame de Rais's curiosity was stronger than her disgust and fear. She descended the stairs, took a lamp from the infernal chapel, and returned to the third floor, where a frightful spectacle awaited her. Copper vessels filled with blood lined the whole length of the walls, bearing labels with a date on each. In the middle of the room was a black marble table on which lay the body of a child, obviously murdered recently. It was one of the gory basins that had fallen, and black blood spread over the grimy and worm-eaten wooden floor.

The two women were horrified. Madame de Rais endeavored at all costs to destroy the evidence of her indiscretion. She used a sponge and water to wash the boards, but she only extended the stain, and that which at first seemed black became all scarlet. Suddenly a loud commotion echoed through the castle, mixed with the cries of people calling to Madame de Rais: "Here is Monseigneur come back!" The two women made for the staircase, but at the same moment they were aware of footsteps and the sound of other voices in the devil's chapel. Sister Anne fled upward to the battlement of the tower; Madame de Rais rushed down the stairs trembling and found herself face to face with her husband, accompanied by an apostate priest and Prélati.

De Rais seized his wife by the arm and without speaking, dragged her into the infernal chapel. According to Lévi, Prélati told the marshal: "It is needs must, as you see, and the victim has come of her own accord…." "Be it so," answered his master. "Begin the Black Mass…." The apostate priest went to the altar while de Rais opened a little cupboard inside and drew out a large knife. He sat down close to his swooning spouse, who was crumpled in a heap on a bench against the wall. The sacrilegious ceremonies began.

Lévi explains that the marshal, instead of taking the road to Jerusalem, had proceeded only to Nantes, where Prélati lived, and had attacked the miserable traitor with the utmost fury, threatening to slay him if he did not reveal the means of extracting from the devil the long-sought gold. Stalling, Prélati declared that terrible conditions were required by the infernal master; first would be the sacrifice of the marshal's unborn child, after tearing it from the mother's womb. De Rais made no reply but returned at once to Machecoul, the Florentine sorcerer and his accomplice the priest on his heels.

Meanwhile, Anne, left to her own devices on the roof of the tower and not daring to come down, had used her veil to send distress signals. These were answered by two cavaliers accompanied by a posse of armed men, who were riding toward the castle. They proved to be her two brothers, who, on learning of the spurious departure of the marshal for Palestine, had come to visit and console Madame de Rais. Soon after, they arrived with a clatter in the court of the castle, Lévi narrates, whereupon Lord de Rais suspended the hideous ceremony and said to his wife: "Madame, I forgive you, and [put] the matter at an end between us if you do now as I tell you. Return to your apartment, change your garments, and join me in the guest-room, whither I am going to receive your brothers. But if you say one word, or cause them the slightest suspicion, I will bring you hither on their departure; we shall proceed with the Black Mass at the point where it is now broken off, and at the consecration you will die. Mark where I place this knife."

De Rais rose and led his wife to the door of her chamber, then received her brothers, saying their sister was preparing herself to come and greet them. Madame de Rais appeared almost immediately, pale as a specter. Her husband never took his eyes off her, seeking to control her by his glance. When her brother suggested that she was ill, says Lévi, she answered that it was the fatigue of pregnancy, but added in an undertone, "Save me, he seeks to kill me."

At the same moment Sister Anne rushed into the hall, crying, "Take us away; save us, my brothers, this man is an assassin," and she pointed to de Rais. The marshal summoned his men, but the visitors' escort surrounded the women with drawn swords. The marshal's people disarmed instead of obeying him. Madame de Rais, with her sister and brothers, crossed the drawbridge and left the castle.

Terrible rumors spread through all the countryside. Many young girls and boys had disappeared; some had been traced to the castle of Champtocé and not beyond. The public accused de Rais of murder and of crimes even worse than murder. It was true that no one dared openly accuse a baron so powerful as the lord of Rais. Whenever the disappearance of so many children was mentioned in his presence, he reacted with the greatest astonishment. Suspicions aroused are not easily allayed, however, and the castle of Champtocé and its lord had acquired a fearful reputation and were shrouded in mystery.

The continued disappearance of young boys and girls had caused so bitter a feeling in the neighborhood that the church felt compelled to intervene. At the urging of the bishop of Nantes, the duke of Brittany ordered de Rais and his accomplices arrested.

De Rais's Trial

Their trial took place before a commission composed of the bishop of Nantes, the chancellor of Brittany, the vicar of the Inquisition, and Pierre l'Hôpital, the president of the provincial parliament. De Rais was accused of sorcery, sodomy, and murder. At first he stood his ground, denouncing his judges as worthless and impure and declaring that rather than plead before such shameless knaves he would be hung like a dog, without trial. But overwhelming evidence brought against him day after day—terrible revelations by Prélati and de Rais's servants about his unquenchable sexual lust, his sacrifices of young children for the supposed gratification of the devil, and the ferocious pleasure with which he gloated over the throbbing limbs and glazing eyes of those who were the victims of both his sensuality and his cruelty—shook even de Rais's imperturbability and he confessed everything.

The final count showed that 140 children had fallen victim to de Rais and his insane lust for the philosophers' stone. Both de Rais and Prélati were doomed to be burned alive, but in consideration of rank, the punishment of the marshal was somewhat mitigated—he was strangled before he was given over to the flames.

The sentence was executed at Nantes, on October 26, 1440. The chronicler Monstrelet states: "Notwithstanding his many and atrocious cruelties, he made a very devout end, full of penitence, most humbly imploring his Creator to have mercy on his manifold sins and wickedness. When his body was partly burned, some ladies and damsels of his family requested his remains of the Duke of Brittany, that they might be interred in holy ground, which was granted. The greater part of the nobles of Brittany, more especially those of his kindred, were in the utmost grief and confusion at his shameful death."

The records of the trial and judgment are preserved in the Bibliothèque Nationale in Paris, and at Nantes.

The castle of Champtocé stands in a beautiful valley, and many a romantic legend flowers about its gray old walls. Novelist Anthony Trollope described it thus: "The hideous, half-burnt body of the monster himself circled in flames, pale, indeed, and faint in colour, but more lasting than those the hangman kindled around his mortal form in the meadow under the walls of Nantes—is seen on bright moonlight nights, standing now on one topmost point of craggy wall, now on another, and is heard mingling his moan with the sough of the night-wind. Pale, bloodless forms, too, of youthful growth and mien, the restless, unsepulchred ghosts of the unfortunates who perished in these dungeons unassoiled, may at similar times be seen flitting backwards and forwards in numerous groups across the space enclosed by the ruined walls, with more than mortal speed, or glancing hurriedly from window to window of the fabric, as still seeking to escape from its hateful confinement."

Sources:

Bataille, Georges. Procès de Gilles de Rais. Paris, 1959.

Gabory, Emile. Alias Bluebeard. New York: Brewer & Warren, 1930.

Lévi, Éliphas. The History of Magic. London: Rider, 1913.

Wilson, Thomas. Blue-Beard: A Contribution to History & Folk-Lore. London, 1899. Reprint, New York: B. Blom, 1971. Reprint, New York: Arno Press, 1981.

Wolf, Leonard. Bluebeard: The Life & Crimes of Gilles de Rais. New York: Crown, 1980.

Wikipedia: Gilles de Rais
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Gilles de Rais
Background information
Birth name: Gilles de Laval
Born: 1404
Machecoul, France
Died: October 26, 1440 (aged 36)
Cause of death: Execution by hanging at Nantes, France
Killings
Number of victims: 80-200 (exaggerations as high as 800 by people such as Crowley)
Span of killings: 1435–1440
Country: France
Date apprehended: September 15, 1440

Gilles de Rais, Seigneur and Baron de Retz (1404 – 1440), was a Breton knight, the companion-in-arms of Joan of Arc, and a Marshal of France, but is best known as a prolific serial killer of children. He was born in late 1404 to Guy de Laval and Marie de Craon, but grew up under the tutelage of his maternal grandfather Jean de Craon following the deaths of his parents in 1415. De Rais' fortunes increased substantially with his marriage in 1420 to the wealthy Catherine de Thouars, and gifts of money granted him following the War of the Breton Succession. From 1427 to 1435, Rais served as a commander in the Royal Army, and in 1429 fought beside Joan of Arc in some of the campaigns waged against the English and their Burgundian allies during the Hundred Years War. In 1434–35, he retired from military life, dabbled in the occult, and depleted his wealth by staging an extravagant theatrical spectacle of his own composition.

Sometime between spring 1432 and spring 1433, the first child-murder occurred and was followed by similar crimes. The victims may have numbered in the hundreds. In 1440, Rais reacted violently in a dispute with a clergyman and the church conducted an investigation in which his crimes were brought to light. At his trial, the parents of missing children in the surrounding area and Rais's own accomplices-in-crime testified against him. The ecclesiastical court excommunicated him and the secular court condemned him, although the church reversed his excommunication when he confessed and repented shortly before his death. He was executed by hanging at Nantes on 26 October 1440.

Conspiracy theories involving the church in the death of Rais and speculation regarding witchcraft persecution have been put forth but without considerable support, especially by Aleister Crowley. Rais has had some cultural impact and is one among several candidates believed to be the inspiration for the 1697 fairy tale Bluebeard by Charles Perrault. His life is the subject of several modern novels, and the subject of various rock bands albums and songs.

Contents

Early life

Gilles de Rais was born in late 1404 to Guy de Laval-Montmorency and Marie de Craon in the family castle at Machecoul, or, according to other sources, at Champtocé, 35 miles east of Nantes.[1][2] He was an intelligent child, speaking fluent Latin, illuminating manuscripts, and dividing his education between military discipline and moral and intellectual development.[3][4] Following the deaths of his father and mother in 1415, Gilles and his younger brother René de la Suze were placed under the tutelage of Jean de Craon, their maternal grandfather.[5] Jean de Craon was a schemer who attempted to arrange a marriage for twelve-year-old Gilles with four-year-old Jeanne Paynel, one of the richest heiresses in Normandy, and, when the plan failed, attempted unsuccessfully to unite the boy with Béatrice de Rohan, the niece to the Duke of Brittany.[6] On 30 November 1420, however, Craon substantially increased his grandson's fortune by marrying him off to Catherine de Thouars of Brittany, heiress of La Vendée and Poitou.[7] Their only child Marie was born in 1429.[8]

Military career

Coat of arms of Gilles de Rais

In the years following the Breton War of Succession, sixteen-year-old Gilles took the side of the Montfort Dukes of Brittany against a rival house led by Olivier de Blois, Count of Penthièvre.[9] The Blois faction, who still refused to relinquish their rule over Brittany, had taken the Montfort Duke John V prisoner.[10] Rais was able to secure the Duke's release, and was rewarded with generous land grants which were converted to monetary gifts.[11]

In 1425, Rais was introduced to the court of the Dauphin at Saumur and learned courtly manners while studying the future king Charles VII.[12] In combat at Saint-Lô and Le Mans between 1427 and 1429, Rais was allowed to indulge his taste for violence and carnage.[13] At the battle for the Château of Lude, he climbed the assault ladder and slew the English captain Blackburn.[14] He was young, handsome, and rich with companions-in-arms of his own stripe about him.[15]

From 1427 to 1435, Rais served as a commander in the Royal Army, distinguishing himself by displaying reckless bravery on the battlefield during the renewal of the Hundred Years War.[16] In 1429, he fought along with Joan of Arc in some of the campaigns waged against the English and their Burgundian allies.[17] He was present with Joan when the Siege of Orléans ended.[18]

On Sunday 17 July 1429, Gilles was chosen as one of four lords for the honor of bringing the holy ampulla from the Abbey of Saint-Remy to Notre-Dame de Reims for the coronation of Charles VII of France.[19] On the same day, he was officially created a Marshal of France.[17]

Following the Siege of Paris, Rais was granted the right to add the royal arms, the fleur-de-lys on an azure ground, to his own. The letters patent authorizing the display cited Gilles’ "high and commendable services", the "great perils and dangers" he had confronted, and "many other brave feats".[20]

In May 1431, Joan of Arc was burned at the stake; Gilles was not present. He was more than likely engaged in private raids, holding local merchants for ransom, entertaining lavishly, or patronizing the arts. His grandfather died 15 November 1432, and, in a public gesture to mark his displeasure with Gilles' reckless spending of a carefully amassed fortune, left his sword and his breastplate to Gilles' younger brother René de la Suze.[21]

Private life

In 1434–35, Rais gradually withdrew from military and public life in order to pursue his own interests: the construction of a splendid Chapel of the Holy Innocents (where he officiated in robes of his own design),[22] and the production of a theatrical spectacle called Le Mistère du Siège d'Orléans. The play consisted of more than 20,000 lines of verse, 140 speaking parts, and 500 extras. Gilles was almost bankrupt at the time of the production and began selling property as early as 1432 to support his extravagant lifestyle. By March 1433, he had sold all his estates in Poitou (except those of his wife) and all his property in Maine. Only two castles in Anjou, Champtocé and Ingrandes, remained in his possession. Half of the total sales and mortgages were spent on the production of his play. The spectacle was first performed in Orléans on 8 May 1435. Six hundred costumes were constructed, worn once, discarded, and constructed afresh for subsequent performances. Unlimited supplies of food and drink were made available to spectators at Gilles' expense.[23]

In June 1435, family members gathered to put a curb on Gilles. They appealed to Pope Eugene IV to disavow the Chapel of the Holy Innocents (which he refused to do) and carried their concerns to the king. On 2 July 1435, a royal edict was proclaimed in Orléans, Tours, Angers, Pouzauges, and Champtocé denouncing Gilles as a spendthrift and forbidding him from selling any further property. No subject of Charles VII was allowed to enter into any contract with him, and those in command of his castles were forbidden to dispose of them. Gilles' credit fell immediately and his creditors pressed upon him. He borrowed heavily, using his objets d'art, manuscripts, books and clothing as security. When he left Orléans in late August or early September 1435, the town was littered with precious objects he was forced to leave behind. The edict did not apply to Brittany and the family was unable to persuade the Duke of Brittany to enforce it.[24]

Occult involvement

It was during this period that, according to trial testimony given by Rais and his accomplices, he began to experiment with the occult under the direction of a man named Francesco Prelati, who promised de Rais that he could help him regain his squandered fortune by sacrificing children to a demon called "Barron." However, this story may have been encouraged at his trial as an attempt to find an explanation for the crimes he committed.

Investigation

On 15 May 1440, Rais kidnapped a cleric during a dispute at the Church of Saint-Étienne-de-Mer-Morte.[25][26] The act prompted an investigation by the Bishop of Nantes, during which evidence of de Rais' crimes was uncovered.[25] On July 29, the Bishop released his findings,[27] and subsequently obtained the prosecutorial cooperation of Rais's former protector, Jean V, the Duke of Brittany. Rais and his bodyservants Poitou and Henriet were arrested on 15 September 1440,[28][29] following a secular investigation which paralleled the findings of the investigation from the Bishop of Nantes. Rais's prosecution would likewise be conducted by both secular and ecclesiastical courts, on charges which included murder, sodomy, and heresy.[30]

The extensive witness testimony convinced the judges that there were adequate grounds for establishing the guilt of the accused. After Rais admitted to the charges on 21 October,[31] the court canceled a plan to torture him into confessing.[32] Peasants of the neighboring villages had earlier begun to offer up accusations that since their children had entered Rais's castle begging for food they had never been seen again. The transcript, which included testimony from the parents of many of these missing children as well as graphic descriptions of the murders provided by Rais's accomplices, was said to be so lurid that the judges ordered the worst portions to be stricken from the record.

The precise number of Rais's victims is not known, as most of the bodies were burned or buried. The number of murders is generally placed between 80 and 200; a few have conjectured numbers upwards of 6000. The victims ranged in age from six to eighteen and included both sexes.

Execution

On 23 October 1440, the secular court heard the confessions of Poitou and Henriet and condemned them both to death.[33] On 25 October, Gilles was condemned to death, excommunicated, immediately readmitted to the church and allowed to make confession.[33] On the same day, the secular court condemned him to be hanged and burned the following day at eleven o‘clock.[33] His request to be buried in the church of the monastery of Notre-Dame des Carmes in Nantes was granted.[34]

On Wednesday 26 October 1440 at nine o‘clock, Gilles and his two accomplices made their way in procession to the place of execution on the Ile de Biesse.[35] There, Gilles addressed the throng of onlookers with contrite piety, and exhorted Henriet and Poitou to die bravely and think only of salvation.[34] Rais’s request to be the first to die had been granted the day before.[33] The brush at the platform was set afire and Rais was hanged. His body was cut down before being consumed by the flames and claimed by “four ladies of high rank” for burial.[34][36] Henriet and Poitou were executed in similar fashion; their bodies however were reduced to ashes in the flames and then scattered.[34][36][note 1][37]

The murders

In his confession Gilles maintained the first assaults on children occurred between spring 1432 and spring 1433.[38] The first murders occurred at Champtocé; however, no account of these murders survives.[39] Shortly after, Gilles moved to Machecoul where, as the record of his confession states, he killed, or ordered to be killed, a great but uncertain number of children after he committed sodomy upon them.[39] Forty bodies were discovered in Machecoul in 1437.[39]

The first documented case of child-snatching and murder concerns a boy of about twelve years old called Jeudon, an apprentice to the furrier Guillaume Hilairet.[40] Gilles de Sillé and Roger de Briqueville, both cousins of de Rais, asked the furrier to lend them the boy to take a message to Machecoul, and, when Jeudon did not return, the two noblemen told the inquiring furrier that they were ignorant of the boy's whereabouts and suggested he had been carried off by thieves at Tiffauges to be made into a page.[40] In Gilles’s trial, the events were testified to by Hillairet and his wife, Jean Jeudon and his wife, and five others from Machecoul. There is no evidence linking Gilles de Rais to this kidnapping, but he was charged with the boy’s death.[citation needed]

In his 1971 biography of de Rais, Jean Benedetti tells how the children who fell into Rais's hands were put to death:

"[The boy] was pampered and dressed in better clothes than he had ever known. The evening began with a large meal and heavy drinking, particularly hippocras, which acted as a stimulant. The boy was then taken to an upper room to which only Gilles and his immediate circle were admitted. There he was confronted with the true nature of his situation. The shock thus produced on the boy was an initial source of pleasure for Gilles."[40]

Gilles' bodyservant Etienne Corrillaut, known as Poitou, was an accomplice in many of the crimes and testified that Rais hanged his victim with ropes from a hook to prevent the child from crying out, then masturbated upon the child's belly or thighs. Taking the victim down, Rais comforted the child and assured him he only wanted to play with him. Gilles then either killed the child himself or had the child slain by his cousin Gilles de Sillé, Poitou or another bodyservant called Henriet.[41] The victims were killed by either decapitation, cutting their throats, dismemberment, or by breaking their necks with a stick. A short, thick, double-edged sword called a braquemard was kept at hand for the murders.[41] Poitou further testified that Rais sometimes committed his vices on the victims (whether boys or girls) before wounding them and at other times after the victim had been slashed in the throat or decapitated. According to Poitou, Rais disdained the victim's sexual organs, and took "infinitely more pleasure in debauching himself in this manner...than in using their natural orifice, in the normal manner."[41]

In his own confession, Gilles testified that “when the said children were dead, he kissed them and those who had the most handsome limbs and heads he held up to admire them, and had their bodies cruelly cut open and took delight at the sight of their inner organs; and very often when the children were dying he sat on their stomachs and took pleasure in seeing them die and laughed...”[42]

Poitou testified that he and Henriet burned the bodies in the fireplace in Gilles' room. The clothes of the victim were placed into the fire piece by piece so they burned slowly and the smell was minimized. The ashes were then thrown into the cesspit, the moat, or other hiding places.[42] The last recorded murder was the son of Eonnet de Villeblanche and his wife Macée. Poitou paid twenty sous to have a page's doublet made for the victim who was then assaulted, murdered, and incinerated in August 1440.[43]

Controversy

Some believe that Gilles de Rais was framed for murder and heresy by elements within the Church as part of an ecclesiastic plot to expropriate his lands. This theory is considered doubtful by most historians,[citation needed] since the Church itself stood little chance of acquiring the properties. Title to the lands was ultimately transferred to the Duke of Brittany, who in turn divided them among his nobles. Moreover, the guilty verdict was based on the detailed eyewitness accounts of his confederates and the testimony of his victims' parents.[44]

Anthropologist Margaret Murray and occultist Aleister Crowley are among those who have questioned the account of the ecclesiastic and secular authorities involved in the case. Murray, in her book The Witch-Cult in Western Europe (pp. 173–74), speculated that Rais was a witch and adherent of a fertility cult centered on the pagan goddess, Diana. According to Murray, "Gilles de Rais was tried and executed as a witch and, in the same way, much that is mysterious in this trial can also be explained by the Dianic Cult."[45]

Many historians reject Murray's theory.[46][47][48][49][50][51] Norman Cohn[52][53] argues that her theory does not agree with what is known of de Rais's crimes and trial. Historians generally do not regard Rais as a martyr to an antiquated religion; recent scholars tend to view Rais as a pious Catholic who descended into crime and depravity.[54][55][56]

Cultural references

In literature, Gilles de Rais (under the name Gilles de Retz) is the villain in the 1899 novel The Black Douglas by S.R. Crockett. The novels The Life and Death of my Lord Gilles de Rais by Robert Nye and Le Bas by Joris-Karl Huysmans are among the works which retell the Rais legend. The novel Gilles & Jeanne by Michel Tournier covers his campaigning with Joan of Arc, this relationship was also partly behind David Rudkin's play The Triumph of Death[1]. Rais has been named the inspiration for Charles Perrault's fairy tale Bluebeard.[citation needed]

In music, Swiss avant-garde metal band Celtic Frost based their 1984 song "Into the Crypt of Rays" from the Morbid Tales album on the atrocities committed by Rais, and Belgian black metal band Ancient Rites based their 1994 song "Morbid Glory (Gilles de Rais 1404-1440)" from Diabolic Serenades on the life of Gilles de Rais. American surrealist black/death metal band Sangraal released Unearthly Night, a concept album based on Rais, in 2005. British extreme metal band Cradle of Filth released Godspeed on the Devil's Thunder (subtitled The Life and Crimes of Gilles de Rais), a concept album based on the life of Rais, in 2008.

In manga, Gilles de Rais was featured as the main antagonist in the comic book "Tetragrammaton Labyrinth" against the main characters which consisted of one of the child victims that he murdered. It was explained that he murdered the children to turn himself into an immortal demon. Later it was revealed that this was to further his plans to resurrect Joan of Arc.

In Castlevania 64 and Castlevania: Legacy of Darkness, Gilles de Rais is one of Dracula's closer companions, attempting to resurrect him together with Actrice and Death.

See also

References

Notes
  1. ^ Several years after Rais’s death, his daughter Marie had a stone memorial erected at the site of his execution. Over the years, the structure came to be regarded as a holy altar under the protection of Saint Anne. Generations of pregnant women flocked there to pray for an abundance of breast milk. The memorial was destroyed by rioting Jacobins during the French Revolution.
Footnotes
  1. ^ Benedetti 1971, p. 27,31
  2. ^ Wolf 1980, p. 9
  3. ^ Benedetti 1971, p. 33
  4. ^ Wolf 1980, p. 13
  5. ^ Benedetti 1971, p. 35
  6. ^ Benedetti 1971, pp. 37–38
  7. ^ Wolf 1980, p. 28
  8. ^ Benedetti 1971, pp. 45,102
  9. ^ Wolf 1980, pp. 22,24
  10. ^ Wolf 1980, p. 23
  11. ^ Wolf 1980, p. 26
  12. ^ Wolf 1980, p. 35
  13. ^ Wolf 1980, p. 37
  14. ^ Wolf 1980, pp. 37–38
  15. ^ Wolf 1980, p. 38
  16. ^ Benedetti 1971, pp. 63–64
  17. ^ a b Benedetti 1971, p. 198
  18. ^ Benedetti 1971, pp. 83–84
  19. ^ Benedetti 1971, p. 93
  20. ^ Benedetti 1971, p. 101
  21. ^ Benedetti 1971, pp. 106,123
  22. ^ Benedetti 1971, p. 123
  23. ^ Benedetti 1971, pp. 128–133
  24. ^ Benedetti 1971, p. 135
  25. ^ a b Benedetti 1971, p. 168
  26. ^ Wolf 1980, p. 173
  27. ^ Benedetti 1971, p. 169
  28. ^ Benedetti 1971, pp. 176–177
  29. ^ Wolf 1980, p. 178
  30. ^ Benedetti 1971, pp. 177, 179
  31. ^ Benedetti 1971, pp. 182–183
  32. ^ Benedetti 1971, p. 184
  33. ^ a b c d Benedetti 1971, p. 189
  34. ^ a b c d Benedetti 1971, p. 190
  35. ^ Wolf 1980, p. 213
  36. ^ a b Wolf 1980, p. 215
  37. ^ Wolf 1980, p. 223
  38. ^ Benedetti 1971, p. 109
  39. ^ a b c Benedetti 1971, p. 112
  40. ^ a b c Benedetti 1971, p. 113
  41. ^ a b c Benedetti 1971, p. 114
  42. ^ a b Benedetti 1971, p. 115
  43. ^ Benedetti 1971, p. 171
  44. ^ "Gilles de Rais: The Pious Monster." The Crime Library.
  45. ^ "Historical Association for Joan of Arc Studies."
  46. ^ Trevor-Roper, Hugh. The European Witch-craze of the Sixteenth and Seventeenth Centuries, 1969.
  47. ^ Russell, Jeffrey. A History of Witchcraft: Sorcerers, Heretics, and Pagans, 1970.
  48. ^ Simpson, Jacqueline. "Margaret Murray: Who Believed Her and Why?." Folklore 105, 1994, pp. 89–96.
  49. ^ Hutton, Ronald. The Pagan Religions of the Ancient British Isles: Their Nature and Legacy. Oxford: Blackwell Publishers Ltd, 1991.
  50. ^ Hutton, Ronald. The Triumph of the Moon: A History of Modern Pagan Witchcraft. Oxford: Oxford University Press, 1999
  51. ^ Kitteredge, G. L. Witchcraft in Old and New England. 1951. pp. 275, 421, 565.
  52. ^ Cohn, Norman. Europe's Inner Demons. London: Pimlico, 1973.
  53. ^ Thomas, Keith. Religion and the Decline of Magic, 1971 and 1997, pp. 514–517.
  54. ^ Barett, W.P. The Trial of Joan of Arc. 1932.
  55. ^ Pernoud, Regine and Marie Veronique Clin. Joan of Arc, Her Story. 1966
  56. ^ Meltzer, Françoise. For Fear of the Fire: Joan of Arc and the Limits of Subjectivity. 2001.
Bibliography
  • Benedetti, Jean (1971), Gilles de Rais, New York: Stein and Day, ISBN 978-0-8128-1450-7 
  • Wolf, Leonard (1980), Bluebeard: The Life and Times of Gilles De Rais, New York: Clarkson N. Potter, Inc., ISBN 978-0-517-54061-9 

Further reading

  • Bataille, Georges. The Trial of Gilles de Rais. Amok Books. ISBN 978-1-878923-02-8.
  • Bordonove, Georges. Gilles de Rais. Pygmalion. ISBN 978-2-85704-694-3.
  • Cebrián, Juan Antonio. El Mariscal de las Tinieblas. La Verdadera Historia de Barba Azul. Temas de Hoy. ISBN 978-84-8460-497-6 (Spanish).
  • Huysmans, Joris K. La Bas (Down There). Dover. ISBN 978-0-486-22837-2.
  • Hyatte, Reginald. Laughter for the Devil: The Trials of Gilles De Rais, Companion-In-Arms of Joan of Arc (1440). Fairleigh Dickinson Univ Press. ISBN 978-0-8386-3190-4.
  • Lampo, Hubert. De duivel en de maagd. 207 p., Amsterdam, Meulenhoff, 1988 (11e druk), ISBN 9029004452. (1e druk: ’s-Gravenhage, Stols, 1955).
  • Lampo, Hubert. Le Diable et la Pucelle. 163 p., Presses universitaires du Septentrion, 2002, ISBN 2-85939-765-5. (traduction française de De duivel en de maagd).
  • Morgan, Val. The Legend of Gilles De Rais (1404-1440) in the Writings of Huysmans, Bataille, Plancon and Tournier (Studies in French Civilization, 29). Edwin Mellen Press. ISBN 978-0-7734-6619-7.
  • Nye, Robert. The Life and Death of My Lord, Gilles de Rais. Time Warner Books. ISBN 978-0-349-10250-4.

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