Rhys Chatham

 
Artist:

Rhys Chatham

Rhys Chatham

Born:
Sep 19, 1952 in New York City

Representative Albums:

Angel Moves Too Fast to See: Selected Works 1971-1989, Die Donnergotter, Factor X

Similar Artists:

Cornelius Cardew, Glenn Branca

Influences:

Followers:

  • Genre: Avant-Garde
  • Active: '70s, '80s, '90s
  • Instrument: Composer

Biography

Post-minimalist composer and New York downtown music figure Rhys Chatham was involved in music at an early age. He studied classical flute, and was already playing works by contemporary composers such as Luciano Berio and Pierre Boulez by the time he began studying composition (including serialism) in his early teens. Chatham started writing electronic works after meeting Morton Subotnick in college, and came into contact with Eliane Radigue, Maryanne Amacher, and Ingram Marshall, among others, at NYU's Studio for Electronic Music. Starting in the '70s, Chatham began composing in just intonation, and made a living tuning instruments, sometimes in trade for lessons, as he did with LaMonte Young. He played in Young's Dream House band and in a group with Tony Conrad during this time. Later in the '70s, Chatham began incorporating rock elements into his music and explored non-notated forms. The rock part of his work mainly focused on electric guitars which he was inspired to love after seeing the Ramones play at CBGB's. Chatham's guitar works -- the first of which, "Guitar Trio," was premiered by a trio including Glenn Branca -- were played at high volumes, revealing the overtones, which can sound like voices, but also resulted in tinnitus for him by the early '80s. Chatham's better-known guitar works include "Drastic Classicism" (1982) for four guitars with alternate tunings, and the symphony "An Angel Moves Too Fast to See" (1989) for 100 electric guitars (with bass and drums). Performances of his large-scale works utilized guitarists including Bill Brovold (who went on to form Larval) and Robert Poss (Band of Susans). Chatham began composing for brass (such as "Factor X") in addition to guitar, and resumed notating his works. After years of living in NYC, he relocated to Paris. Chatham also began incorporating his trumpeting (often electrified, with effects) after about a decade of studying the instrument. You can hear his trumpet on Hard Edge (1999, Wire Editions) and Neon (1996, NTone), an album by Chatham and Martin Wheeler. In the late '90s, Chatham co-founded the group Septile with a Bronx DJ and ex-Swans drummer Jonathan Kane. ~ Joslyn Layne

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Wikipedia: Rhys Chatham
Rhys Chatham
Birth name Rhys Chatham
Born September 19 1952 (1952--) (age 55)
Origin New York City, New York, U.S. Flag of the United States
Genre(s) Minimalism
No wave
Experimental rock
Occupation(s) Composer/ Guitarist/ Music theorist/ Trumpeter
Instrument(s) electric guitar, trumpet
Years active 1971 - Present
Label(s) Moers
Dossier
Homestead
New Tone (NTone)/ Ninja Tune
Table of the Elements
Wire
Associated
acts
Tony Conrad
Glenn Branca
Band of Susans
Martin Wheeler
Website Rhys Chatham, Rhys Chatham's Guitar Trio Tour, Winter 2007
Notable instrument(s)
electric guitar, drums/percussion, electric bass guitar, amplified trumpet

Rhys Chatham (b. September 19, 1952, New York City[1]) is an American composer, guitarist, and trumpet player, primarily active in avant-garde and minimalist fields of experimentation. He is best known for his "guitar orchestra" compositions, which are acknowledged as the major influence on his sonic contemporary Glenn Branca. He has lived in France since 1987.

Early Years

Chatham began his musical career as a piano tuner for avant-garde pioneers La Monte Young and Glenn Gould. He soon studied under electronic music pioneer Morton Subotnick and minimalist iconTony Conrad; Chatham and Conrad played together in an early ensemble. In 1971, while still in his teens, Chatham founded of the experimental music program at The Kitchen in lower Manhattan. His early works, such as Two Gongs (1971) owed a significant debt to Young and other minimalists, though his compositions soon grew to be more "large" and menacing.

His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative rockers such as Brian Eno, Robert Fripp, John Lurie, and Fred Frith. He has worked closely with visual artist/musician Robert Longo, particularly in the 1980s, and on an experimental opera called XS: The Opera Opus (1984) with the visual artist Joseph Nechvatal.

Compositions from the Late 1970s and Early 1980s

By 1977, Chatham's music was heavily influenced by punk rock, having seen an early Ramones concert. He was particularly intrigued by and influential upon the group of artists music critics would label No Wave in 1978. That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Branca, as well as Nina Canal of Ut. Some of this work parallels multi tracked and unison tuned guitar directions developed by Lou Reed and Chuck Hammer. During this period, he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage. Drastic Classicism was first released in 1982 on the compilation New Music from Antarctica, put together by Kit Fitzgerald, John Sanborn and Peter Gordon. It was also included on the 1987 album that also included his 1982 composition Die Donnergötter (German for "The Thundergods").

Members of the New York City noise rock band Band of Susans began their careers in Chatham's ensembles; they later performed a cover of Chatham's "Guitar Trio" on their 1991 album, The Word And The Flesh. (This parallels the way that members of fellow NYC noise rockers Sonic Youth began their careers in Branca's ensembles; Thurston Moore of S.Y. did play with Chatham as well.)

Chatham began taking trumpet lessons in 1983, and his more recent works explore improvisatory trumpet solos; these are performed by Chatham himself, employing much of the same amplification and effects that he acquired with the guitar, over synthesized dance rhythms by the composer Martin Wheeler. His 1990s recordings in this style saw release on Ninja Tune Records as the compilation Neon.

Recent activity

In 2002, he enjoyed a resurgence following the release of a limited-edition 3 CD retrospective box set on Table of the Elements Records, An Angel Moves Too Fast To See: Selected Works 1971-1989, complete with 130-page booklet. (The An Angel Moves Too Fast To See part of the title comes from Chatham's 1989 composition for 100 guitars.)

In 2005, he was commissioned by the city of Paris, in his adopted homeland, to write a composition for 400 electric guitars entitled A Crimson Grail, as part of the Nuit Blanche Festival. Approximately 10,000 people were present at the performance, and 100,000 more watched it on live television. A CD of excerpts from this concert was released in January 2007 by Table Of The Elements.

Rhys Chatham is currently touring the original 30 minute version of Guitar Trio in the USA and Europe, renamed G3 because the instrumentation has been increased to between 6-10 electric guitars, electric bass and drums. He recently completed a 12-city tour called the Guitar Trio (G3) Is My LIfe North America Tour in February 2007, which was accompanied by the original film by Robert Longo that was projected behind the performance, entitled Pictures for Music (1979). The sets consisted of local musicians from the city of the performance, including his friends and colleagues from Sonic Youth, Tortoise, God Speed You Black Emperor, Husker Du, Brokeback, Lichens, Town and Country, Die Kruetzen, Bird Show and others. Three separate CDs of these performances are due for release by the Table of the Elements Records in January 2008.

Discography

Compilations

  • Factor X (Moers Music CD2008) (1983) Contains: For Brass (1982), Guitar Ring (1982), The Out Of Tune Guitar (1982), Cadenza (1981)
  • Die Donnergötter (The Thundergods) (Dossier DCD9002 [Europe]/ Homestead HMS 120-4 [U.S.]) Contains: Die Donnergötter (1984-86), Waterloo No. 2 (1986), Guitar Trio (1977), Drastic Classicism (1982)
  • Neon (NTone CDS15) (Collaborations with Martin Wheeler) Contains: Charm (1996), Ramatek (1994), Hornithology (1996), Neon (1993)
  • A Rhys Chatham Compendium (Table Of The Elements TOE-CD-56) (2002 single-CD distillation of concurrent 3 CD box set)
  • An Angel Moves Too Fast To See: Selected Works 1971-1989 (Table Of The Elements TOE-CD-57) (2002 retrospective; 3 CDs + book)

Albums

  • Two Gongs (composed 1971; recorded live in NYC on Dec. 15, 1989) (reissue on Table Of The Elements, TOE-CD-73)
  • Echo Solo (Solo piano performances) (1989)
  • Hardedge (Wire Editions 8002-2) (Collaborations with Pat Thomas, Gary Smith, Gary Jeff, Lou Ciccotelli) (1999)
  • A Crimson Grail: For 400 Electric Guitars (Table Of The Elements TOE-CD-106) (2007)

EPs

  • Septile (NTone CDS28) (Collaborations with Jonathan Kane & DJ Elated System) (1997)
  • Three Aspects Of The Name (Table Of The Elements TOE-LP-65) (2004; on red vinyl)

External links


 
 

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