Wikipedia:
Éric Rohmer |
| Éric Rohmer | ||||||||||
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| Birth name | Jean-Marie Maurice Scherer | |||||||||
| Born | April 4 1920 |
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| Years active | 1950 - present | |||||||||
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Éric Rohmer (born Jean-Marie Maurice Scherer, April 4, 1920, Tulle, France) is a French film director and screenwriter. He is regarded as a key figure in the post-war New Wave cinema and is a former editor of influential French film journal Cahiers du cinéma.
Scherer fashioned his pseudonym from the names of two famous artists: actor and director Erich von Stroheim and writer Sax Rohmer, author of the Fu Manchu series.[citation needed]
Rohmer was the last of the French New Wave directors to become established, working as the editor of the Cahiers du cinéma periodical from 1957 to 1963, while most of his Cahiers colleagues (among them Jean-Luc Godard and François Truffaut) were making their name in international cinema.
Biography
Early career
His beginnings as a film director were halting, not completing his first feature, Le signe du lion until 1959, but it had little effect.
It was with his cycle of films entitled Six Moral Tales that his career began to take off. The first, La boulangère de Monceau lasts 20 minutes, the second 60 minutes, the rest are feature-length. Each tale follows the same basic story, inspired by F.W. Murnau's Sunrise — a man, married or otherwise committed to a woman, is tempted by a second woman, but ultimately resists the temptation. It was the third in the series (but the fourth to be filmed), Ma nuit chez Maud (1969) that brought international recognition and the following film, Le genou de Claire, secured it.
Later professional life
Rohmer's films invariably concentrate on intelligent, articulate protagonists who nevertheless frequently fail to own up to their real desires and it is the contrast between what they say and what they do that fuels much of the drama in his films.
Following the Moral Tales, Rohmer made two period films — Die Marquise von O... (1976) from a novella by
Heinrich von Kleist and Perceval le Gallois (1978), based on a 12th century
manuscript by Chrétien de Troyes. Rohmer is a highly literary man, and his films
frequently refer to ideas and themes in plays and novels, such as references to Jules Verne
(in The Green Ray),
He then embarked on a second series, the Comedies and Proverbs, each one based on a different proverb. This was followed by a third series in the 1990s: Tales of the Four Seasons. Recently Rohmer, now well into his 80s, has turned once again to period drama with The Lady And The Duke and Triple Agent. The Lady And The Duke caused considerable controversy in France, where its negative portrayal of the French Revolution led some critics to label it pro-monarchist propaganda. It has been well-received elsewhere, thanks to its innovative cinematic style and strong acting performances.
Awards & Nominations
Éric Rohmer was given the Career Golden Lion in 2001 by the Venice Film Festival
- La Collectionneuse (1967)
- Berlin Film Festival Silver Bear Winner - Special Prize of the Jury
- Berlin Film Festival Youth Award Film Winner
- Ma nuit chez Maud (1969)
- Cannes Film Festival Official Selection
- La Marquise d'O... (1976)
- Pauline à la plage (1983)
- Berlin Film Festival Silver Bear Winner - Best Director
- Berlin Film Festival OCIC Award Winner - Honorable Mention
- Berlin Film Festival FIPRESCI Prize Winner - Competition
- Le Rayon vert (1986)
- Venice Film Festival Golden Lion Winner
- Venice Film Festival FIPRESCI Prize Winner
- Conte d'hiver (1992)
- Berlin Film Festival FIPRESCI Prize Winner - Competition
- Berlin Film Festival Prize of the Ecumenical Jury Winner - Special Mention - Competition
- Conte d'automne (1998)
- Venice Film Festival Golden Osella Winner - Best Original Screenplay
- Venice Film Festival Sergio Trasatti Award - Special Mention
- Triple Agent (2004)
- Berlin Film Festival Official Selection
Filmography
Feature films
Contes moraux (Six Moral Tales):
- 1963 #1 La Boulangère de Monceau (The Bakery Girl of Monceau) — short, not released theatrically
- 1963 #2 La Carrière de Suzanne (Suzanne's Career) — short, not released theatrically
- 1967 #4 La Collectionneuse (The Collector)
- 1969 #3 Ma nuit chez Maud (My Night at Maud's) — although planned as the third moral tale, its production was delayed due to the unavailability of actor Jean-Louis Trintignant and consequently it was released after the fourth tale.
- 1970 #5 Le Genou de Claire (Claire's Knee)
- 1972 #6 L'Amour l'après-midi (Love in the Afternoon/Chloe in the Afternoon)
Comédies et Proverbes (Comedies and Proverbs):
- 1980 La Femme de l'aviateur (The Aviator's Wife) — "It is impossible to think about nothing."
- 1982 Le Beau mariage (A Good Marriage) — "Can anyone refrain from building castles in Spain?"
- 1983 Pauline à la plage (Pauline At The Beach) — "He who talks too much will hurt himself."
- 1984 Les Nuits de la pleine lune (Full Moon In Paris) — "He who has two women loses his soul, he who has two houses loses his mind."
- 1986 Le Rayon vert (The Green Ray/Summer) — "Ah, for the days/that set our hearts ablaze,"
- 1987 L'Ami de mon amie (My Girlfriend's Boyfriend/Boyfriends And Girlfriends) — "My friends' friends are my friends."
Contes des quatre saisons (Tales of the Four Seasons):
- 1990 Conte de printemps (A Tale Of Springtime)
- 1992 Conte d'hiver (A Winter's Tale/A Tale of Winter)
- 1996 Conte d'été (A Summer's Tale)
- 1998 Conte d'automne (Autumn Tale)
Non-series
- 1959 Le Signe du lion
- 1976 La Marquise d'O... (The Marquise of O...)
- 1978 Perceval le Gallois
- 1987 Quatre Aventures de Reinette et Mirabelle (Four Adventures of Reinette and Mirabelle)
- 1993 L'Arbre, le maire et la médiathèque (The Tree, The Mayor, and the Mediatheque)
- 1995 Les Rendez-vous de Paris (Rendezvous in Paris)
- 2000 L'Anglaise et le duc (The Lady And The Duke)
- 2004 Triple Agent
- 2007 Les Amours d'Astrée et de Céladon
Short films
- 1950 Journal d'un scélérat
- 1951 Présentation ou Charlotte et son steak
- 1952 Les Petites filles modèles (unfinished)
- 1954 Bérénice
- 1956 La Sonate à Kreutzer
- 1958 Véronique et son cancre
- 1964 Nadja à Paris
- 1965 "Place de l'étoile" from Paris vu Par... (Six in Paris)
- 1966 Une Étudiante d'aujourd'hui
- 1983 Loup y es-tu? (Wolf, Are You There?)
- 1986 Bois ton café (Drink your coffee it's getting cold!) (music video])
- 1997 Fermière à Montfaucon
- 1997 Un dentiste exemplaire
- 1999 La Cambrure (The Curve)
- 1999 Une histoire qui se dessine
- 2004 Le canapé rouge
Works for theatre
- 1979 Catherine de Heilbronn
- 1987 Le trio en si bémol
Works for television
Episodes for En profil dans le texte
- 1963 Paysages urbains
- 1964 Les cabinets de physique, la vie de société au XVIIIe siècle
- 1964 Les métamorphoses du paysage, l'ère industrielle
- 1964 Les salons de Diderot
- 1964 Perceval ou le conte du Graal
- 1965 Don Quichotte de Cervantes
- 1965 Les histoires extraordinaires d'Edgar Poe
- 1965 Les caractères de La Bruyère
- 1965 Entretien sur Pascal
- 1966 Victor Hugo, les contemplations
- 1968 Entretien avec Mallarmé
- 1968 Nancy au XVIIIe siècle
- 1969 Victor Hugo architecte
- 1969 La sorcière de Michelet
- 1969 Le béton dans la ville
- 1970 Le français langue vivante?
Episodes for Cinéastes de notre temps
- 1965 Carl Th. Dreyer
- 1966 Le celluloïd et le marbre
Episodes for Aller au cinéma
- 1968 Post-face à l'Atalante
- 1968 Louis Lumière
- 1968 Post-face à Boudu sauvé des eaux
Ville nouvelle (1975, four-part miniseries)
- Épisode 1: L'enfance d'une ville
- Épisode 2: La diversité du paysage urbain
- Épisode 3: La forme de la ville
- Épisode 4: Le logement à la demande
Episode for Histoire de la vie privée
- 1989 Les Jeux de société
non-series
- 1967 L'homme et la machine
- 1967 L'homme et les images
- 1968 L'homme et les frontières
- 1968 L'homme et les gouvernements
External links
- Éric Rohmer at the Internet Movie Database
- Éric Rohmer at SensesOfCinema.com
- Éric Rohmer — a highly unofficial page
- Éric Rohmer — critical essay at Kamera
- Interview with Rohmer on The Lady and the Duke from 2001
- Interview with 'The French Revolutionary - Eric Rohmer
- Criterion Collection essay by Geoff Andrew
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