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Richard Meltzer

 
Artist: Richard Meltzer
  • Genres: Rock
  • Instrument: Liner Notes, Photography, Composer Representative Album: "Tropic of Nipples"

Biography

Richard Meltzer is considered to be one of the original rock critics. He began his career as a writer for the seminal magazine Crawdaddy and has also written for publications such as Rolling Stone, the Village Voice, and Creem. He has also published several books. His first, The Aesthetics of Rock, came out in 1970. Nevertheless, he is probably less known for his writing than for cultivating his own persona as a rock critic, through scathing critiques of the industry and iconoclastic behavior. The latter often included launching into personal narratives in reviews -- which had a tenuous relationship to the album in question -- or even writing about albums he had never heard. He also often sprinkled his pieces with textbook philosophy (he had been kicked out of the graduate philosophy program at Yale) and reportedly he and Nick Tosches even reviewed albums under each other's bylines, trying to emulate each other's styles. Along the way, Meltzer has had close associations with Lester Bangs (the late critic whose posthumous celebrity status Meltzer has cast aspersions upon), Patti Smith, Jefferson Airplane, and Minutemen. He has also penned lyrics for Blue Öyster Cult (including "Burnin' for You") and lived with the group for a time. While Meltzer has published works outside the field of music (including novels), fronted an L.A. punk group (Vom), and claimed during different periods to be ignoring rock music entirely, he is primarily -- in most cases, solely -- known as a rock critic. A Whore Just Like the Rest: The Music Writings of Richard Meltzer (2000), collects much of his work, including his 1967 piece Pythagoras the Cave Painter, purported to be the first American feature on Jimi Hendrix. ~ Erik Hage, All Music Guide
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Richard Meltzer

Richard Meltzer (born May 11, 1945) was one of the earliest rock music critics. His first book, The Aesthetics of Rock, evolved out of his undergraduate studies in philosophy at the State University of New York at Stony Brook and graduate studies at Yale University. At school, he developed a reputation as something of a prankster, although his actions were closer to the spirit of performance art happenings promoted by one of his professors, Allan Kaprow, than to fraternity hijinks.[citation needed] One of his actions involved sending a tape recorder to class with his comments for the day on tape. Fellow student Sandy Pearlman was responsible for pushing the button. Meltzer also dabbled in art, including "detourned" comic books in the style of the Situationists, which had various objects added to the pages.

Meltzer, along with Sandy Pearlman and several other students, earned money on the side as booking agents for the big musical acts that came to Stony Brook in the 1960s. Following that, the two started writing lyrics and arranging gigs for a musical group they were promoting called Soft White Underbelly, later renamed Blue Öyster Cult (BÖC). Meltzer wrote the lyrics to many of the band's songs, including the hit Burnin' for You.

BÖC guitarist and keyboardist Allen Lanier is often credited with coming up with the umlaut over the O, but Meltzer claims to have suggested it to producer and manager Pearlman just after Pearlman came up with the name: "I said, 'How about an umlaut over the O?' Metal had a Wagnerian aspect anyway."

Meltzer started his career in 1967 writing for Paul Williams' Crawdaddy! magazine. That year, he also taught a class in aesthetics at the Maryland Institute College of Art.

During the punk rock era, he formed a band called VOM (short for "Vomit") and released a four-song, 7-inch EP that included "Electrocute Your Cock". Meltzer also produced a student movie filmed in Malibu, The Pike in Long Beach, and a beach-side sewage treatment plant in El Segundo, with future Mau Maus guitarist Mike R. Livingston pantomiming rhythm guitar, and other members who would evolve into The Angry Samoans. The film for "Electrocute Your Cock" shows "Halifax, NS" t-shirt-clad Meltzer in the shower with jumper cables attached to his crotch, and sparks hand-drawn onto the film cels simulating electrocution. Also included was a beach-side clip for "Punkmobile." The film is included in The Angry Samoans' posthumous 1995 VHS compilation, True Documentary Video.

In the 1980s, Meltzer dabbled in architectural criticism, writing a series of articles for the L.A. Reader alternative weekly on the ugliest buildings in Los Angeles; these pieces were later published as a book. He moved to Portland, Oregon in the 1990s, but continued contributing to the San Diego Reader. He was also a regular columnist for Addicted to Noise, and by 2004 he was a contributor to a new weekly, Los Angeles CityBeat. He has also performed and recorded over the past decade with the improvisational music group Smegma.

He is the uncle of professional wrestling writer Dave Meltzer.

Books

  • The Aesthetics of Rock (1970)
  • Gulcher: Post-Rock Cultural Pluralism in America (1972)
  • 17 Insects Can Die In Your Heart: Good verse and bad from Richard Meltzer's golden decade (1968-83) (1982)
  • Frankie, Part 1 (Talltales Series) (1984)
  • Post-Natal Trash (Caned Out: The Authorized Autobiography of Richard Meltzer) (1984)
  • Prickly Heat and Cold (Caned Out Series) (1984)
  • Richard Meltzer's Guide to the Ugliest Buildings of Los Angeles (1984)
  • Frankie, Part 2 (Talltales Series) (1987)
  • Boat Ride Down the Maguire (Caned Out Series) (1987)
  • L.A. Is the Capital of Kansas: Painful Lessons in Post-New York Living (1988)
  • Tropic of Nipples (1995) (unpublished)
  • The Night Alone: A Novel (1995)
  • Holes: A Book Not Entirely About Golf (1999)
  • A Whore Just Like the Rest: The Music Writings of Richard Meltzer (2000)
  • Autumn Rhythm: Musings on Time, Tide, Aging, Dying, and Such Biz (2003)

External links


 
 

 

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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