(b Vienna, 8 April 1892; d Wuppertal, 10 April 1970). American architect and writer of Austrian birth. He entered the Technische Hochschule in Vienna in 1911 but did not graduate until 1917 after serving in the Austrian army. In Vienna he became well acquainted with the work of Otto Wagner and attended many of the weekly meetings held by Adolf Loos. In 1912 he met Rudolph Schindler, and, like him and like many other Europeans at the time, he was deeply affected by the designs of Frank Lloyd Wright.

See the Abbreviations for further details.

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The lifework of the Austrian-born American architect Richard Joseph Neutra (1892-1970) was an attempt to combine the technical precision of the International Style with other elements more organic to American architectural traditions.

Richard Neutra was born in Vienna on April 8, 1892. He trained at the Technische Hochschule, receiving his diploma in 1917. While there he was greatly influenced by the buildings and writings of a contemporary Viennese architect, Adolf Loos, one of the pioneers of the modern movement in Europe. Loos introduced Neutra to innovations occurring in American architecture, particularly the experiments of Louis Sullivan and the Chicago school. Neutra's interest in American architecture grew when he became familiar with the work of Frank Lloyd Wright.

In 1918 Neutra went to Switzerland, working as a landscape architect and city planner. In 1921 he moved to Lukenwalde, Germany, to serve in the Municipal Building Office. The next year he became associated with Erich Mendelsohn in the design of the Business Center in Haifa, Palestine. Neutra emigrated to the United States in 1923, joining the Chicago firm of Holabird and Roche. At the same time he met Frank Lloyd Wright and began working at Wright's Wisconsin home, "Taliesin." Three years later Neutra moved to Los Angeles, setting up a partnership with another Vienna-born architect, Rudolph Schindler.

As his first major American commission, Neutra designed a home for Richard Lovell (1927-1929) in Los Angeles. Its clear-cut lines and planar surfaces are suggestive of the International Style, but the placement of the building on its mountain site echoes Wright's concept of organic setting. The house is constructed of thin steel elements cantilevered over a ravine; the entire structure is supported from above by steel cables. Interestingly, the smooth white treatment of the walls and the use of broad areas of glass may have influenced Wright himself in his design for the kaufmann House (1936) in Bear Run, Pa.

During the 1930s Neutra continued to express the box-like forms of the International Style in his own personal idiom. For example, in both the Josef von Sternberg House (1936) in the San Fernando Valley and the Corona School (1934-1935) in Bell, Calif., he combined many of the technical approaches associated with the International Style with the use of unusual building materials such as native stone and redwood.

The most significant of Neutra's projects in the early 1940s was Channel Heights, a government-sponsored housing development in San Pedro, Calif. Neutra was responsible for the entire project, from the overall plan to the specific details such as redwood trim. Although the units were identical, he succeeded in individualizing them by varying the placement of each house in accordance with its particular terrain. Neutra designed a number of private homes in southern California. Among them was the Kaufmann (now Lisk) House in Palm Springs; here by brilliantly integrating the house with its desert site, Neutra reached a high point in his domestic style.

In 1949 an expanding practice prompted Neutra to form a partnership with Robert E. Alexander. Although the firm continued to design domestic structures, it concentrated on larger, public commissions, designing, for example, office buildings and university libraries. A motel complex at Malibu Beach, Calif. (1955), which overlooks the Pacific, is characteristic of Neutra's ambition to express as vividly and simply as possible the relationship between a structure and its natural surroundings. By successfully maintaining structural clarity while relating a building to its site, Neutra achieved a uniquely personal style. He died on April 16, 1970, in Wuppertal, West Germany.

Further Reading

Useful for an understanding of Neutra's work is his early theoretical essay, Survival through Design (1954). The best work on him is Esther McCoy, Richard Neutra (1960). Bruno Zevi, Richard Neutra (1954), is a good, secondary biography and critique. A résumé of Neutra's projects and designs through the 1950s is in Willy Boesiger, ed., Richard Neutra: Buildings and Projects (3 vols., 1966).

For more information on Richard Joseph Neutra, visit Britannica.com.

(1892–1970)

Vienna-born American architect, he worked with Loos in Vienna (1912–14) and Mendelsohn in Berlin (1921–3). In 1923 he emigrated to the USA, working first with Holabird and Roche, which gave him material for Wie Baut Amerika? (How Does America Build?—1927). He met Sullivan and F. L. Wright, and in 1925 formed an association in Los Angeles with Schindler. Together they built the Jardinette Apartments (1927), using reinforced concrete, cantilevered balconies, and horizontal strips of metal-framed windows. It was one of the first International Modernist buildings in America, and was followed by the steel-framed Lovell ‘Health House’, Hollywood Hills, Los Angeles (1927–9), largely made of components selected from catalogues. It made Neutra's name.

He became a visiting critic at the Bauhaus and represented America at CIAM. His most productive years as an architect were the 1930s and 1940s, when he designed several houses for famous Hollywood names (e.g. Josef von Sternberg House, San Fernando Valley, CA, 1935–6—destroyed). The Kaufmann House, Palm Springs, CA (1946–7), was influenced by Mies van der Rohe. Later works included the US Embassy, Karachi, Pakistan (1959), his own house, Silverlake, Los Angeles (1932–3 and 1963–4), and the Los Angeles Hall of Records (1961). He published Survival Through Design (1954) and Life and Shape (1962).

Bibliography

• Boesiger (1966)
• Drexler & Hines (eds.) (1982)
• Hines (1994)
• Lamprecht (2000)
• Leatherbarrow (2000)
• McCoy (1960, 1979)
• Neutra (1954, 1962)
• Placzek (ed.) (1982)
• Spade (1971b)
• Jane Turner (2000)

The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)

(noi'trə, nū'trə) , 1892–1970, American architect, born and educated in Vienna. Although Neutra worked for a time with Eric Mendelsohn and later with Frank Lloyd Wright, after he opened his own practice in Los Angeles in 1926 he adhered to a more functionalist approach (see modern architecture). A notable early example (1929) is the Lovell “Health House,” Los Angeles. His Corona Avenue School, Los Angeles (1935) reflects his interest in opening a structure directly into natural surroundings. Neutra planned several federal housing projects, including Channel Heights, San Pedro (1943). Among his later works are Research House II, Los Angeles (1967) and the Northridge Medical Arts Building, Calif. (1968). Neutra's many books include Survival through Design (1954), World and Dwelling (tr. 1962), and Building with Nature (1971).

Bibliography

See his autobiography (1962); studies by E. McCoy (1979) and T. S. Hines (1982).

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