Rick Danko

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Biography

Rick Danko was -- and will forever be known as -- one of the three singing members of the Band, as well as their bassist. Their principal lead singer on the first album, he was second of the members to join the group back in its days backing Ronnie Hawkins, and the second of its members to pass away.

He was born Richard Clare Danko on December 29, 1942, in Greens Corner, Ontario, Canada, near the town of Simcoe. The latter is in a part of Ontario populated by a large number of families descended from expatriate Southerners from the United States, and the echoes of Southern culture ran through the music and language in the area, with a special emphasis on country music. Danko's whole family played or sang, and he was playing banjo for his classmates as early as the first grade. As a boy, he listened to Hank Williams, among other country artists of the late '40s and early '50s, in addition to gospel and R&B, with Sam Cooke and Fats Domino both strong influences during his teen years. He gave up school to go into music full-time when he was in his mid-teens, and made the jump to the big time -- relatively speaking -- by joining Hawkins' backing band, the Hawks, at age 17. Guitarist Robbie Robertson was already a member of a couple of years' standing at that point, and Danko was initially the group's rhythm guitarist, but he soon learned to play bass and switched to the four-string instrument. He not only mastered the electric bass but also the upright acoustic bass, and became an amazingly accomplished player on both instruments at a very young age.

Danko was part of the split with Hawkins when the group broke away from their former employer, and he was along for the ride when they got picked up as Bob Dylan's backing band, and for the switch in name from the Hawks to the Band. And when they emerged to fame in their own right in 1968, it was as equals -- initially, at least, no member was more or less prominent than any other in terms of their sound; this changed somewhat as Robbie Robertson (also their in-house songwriter) began receiving greater exposure, but in the beginning and for the first few years, everyone had an equal part and was equally important in the eyes of the public. Danko's bass work was distinctive enough, but along with Levon Helm and Richard Manuel, he was also one of the three singing members of the group, and his lead vocals were all over their debut album, Music from Big Pink. But Danko was badly injured in an automobile accident soon after that album's release -- people write about Dylan's motorcycle accident from this era, but relatively few realize that the man who sang lead on most of Music from Big Pink broke his neck and back in nine places, and spent months in traction recovering. He was back for their second album, The Band, and he became one of the most memorable new vocalists in rock during this period, his performances on songs such as "When You Awake," "The Unfaithful Servant," and "It Makes No Difference" among the most searingly beautiful in '60s and '70s rock.

The group got through its prime years with some shifts in emphasis and changes in its dynamics -- Manuel and Helm became much more visible as singers after the debut album, and Robertson had what amounted to a lock on the songwriting as well; and eventually, amid the stresses of touring and performing, recording and meeting the obligations of their record label, all of the members decided it was time to move on to develop identities separate from the group. In 1977, less than a year after the Band played what was supposed to be its farewell concert, Danko was signed to Arista Records, and his self-titled debut solo album appeared in 1978, unfortunately a little too close to the release of the Band's swan song, The Last Waltz, as a movie and LP set. Danko got good reviews from those critics who could devote the time and space to it, but the Band's release eclipsed any chance he had to find an audience as a solo artist, and by 1980, Danko was without a recording contract. He subsequently rejoined Helm, Manuel, and keyboardist Garth Hudson in a re-formed version of the Band (sans Robbie Robertson) for a tour, which yielded a superb concert video (released on laser disc as well). It was to be the last time that the four members would work together -- in early March of 1986, pianist/singer Richard Manuel, succumbing to years of struggling with alcohol and drug problems, committed suicide.

Danko re-emerged in the mid-'80s in various musical ensembles and combinations, with other ex-Band members (including a film appearance with Helm, Hudson, and Manuel in the movie Man Outside), as well as working with Paul Butterfield and Jorma Kaukonen, among others. He and Helm became part of ex-Beatle Ringo Starr's All-Starr Band, and he also participated in such live events as the Roger Waters concert presentation of The Wall in Berlin, and -- with his fellow ex-members -- was part of a Band reunion in the Bob Dylan 30th-anniversary tribute concert at Madison Square Garden.

For all of this activity, Danko was not -- and had not been for some time -- a well man. He'd shown signs of having an addictive personality fairly early in his post-Ronnie Hawkins career, and as was later revealed, the car accident in 1968 had exacerbated a precarious psychotic condition. And although he'd kept matters under control, there was a price to be paid in terms of his health. Meanwhile, he kept busy musically, joining with American '60s folkie Eric Andersen and Norwegian singer/songwriter Jonas Fjeld for a project that was released as Danko/Fjeld/Andersen in 1993. That same year, he was part of the re-formed Band's Jericho album, a critical success that was followed three years later by High on the Hog. A year after that came Ridin' on the Blinds, a follow-up to Danko/Fjeld/Andersen, and in 1998 came the Band's Jubilation; it would be the last time that the three active original members worked together on a Band project. Danko toured occasionally during this period, but his physical condition made it difficult for him to go on the road; his weight increased dramatically as his health declined, and he was nowhere near his best at some shows. He was also arrested for an attempt to smuggle heroin into Japan, and during the trial he revealed that he had become addicted to the drug while seeking a relief from the constant pain he'd been in since the car accident in 1968.

Yet on a good night, or at a good recording session, he could still surprise fans by recapturing much of his past glory. His live album Rick Danko in Concert, recorded at two 1997 shows, is everything one could wish for in a live performance from the man, vocally and instrumentally; and Live on Breeze Hill, although more uneven, cut with the Band's Garth Hudson, has its transcendent and near-transcendent moments, most notably Danko's performance on "Crazy Mama," and even the band standards come off OK. A brief tour in late 1999 proved him closer to the end than anyone wanted to think -- on December 10, 1999, just under three weeks before what would have been his 56th birthday, Rick Danko died in his sleep of heart failure. ~ Bruce Eder, Rovi
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Rick Danko

Rick Danko, performing at Woodstock Reunion, on September 7, 1979
Background information
Birth name Richard Clare Danko
Born December 29, 1942(1942-12-29)
Green's Corners, Ontario, Canada
Died December 10, 1999(1999-12-10) (aged 56)
Marbletown, New York, United States
Genres Rock, blues, country rock, folk rock, folk
Occupations Musician, songwriter, producer
Instruments Vocals, bass, double bass, fiddle, guitar, mandolin, accordion, trombone, piano, banjo, cello
Years active 1956–1999
Labels Capitol, Arista, Rykodisc, Woodstock, Breeze Hill
Associated acts The Band, Ronnie Hawkins, Bob Dylan, Ringo Starr & His All-Starr Band, Danko/Fjeld/Andersen
Notable instruments
Fender Bass VI, Ampeg AUB-1, Gibson Ripper, custom semi-hollow 5-string bass

Richard Clare "Rick" Danko (December 29, 1942 – December 10, 1999) was a Canadian musician and singer, best known as a member of The Band.

Contents

Biography

Early years (1943–1960)

The third of four sons, Danko was born in Green's Corners, Ontario, a farming community outside of the town of Simcoe, to a musical family of Ukrainian descent.

Growing up in front of the family radio (as his future bandmates also did), he was exposed to country and R&B music at an early age. His musical heroes included Hank Williams and, later, Sam Cooke. He also drew inspiration from the music of his oldest brother, Maurice "Junior" Danko. Danko's younger brother, Terry, also became a musician. After entering the first grade in school, he performed on a 4 string tenor banjo.[1]

Danko formed the Rick Danko Band at the age of 12 or 13,[2] and at 14, he left school to pursue music. At 17, already a five-year music veteran, he booked himself as the opening act for Ronnie Hawkins,[3] an American rockabilly singer whose group, The Hawks, were considered to be one of the best in Canada.[citation needed]

The Hawks (1960-1964)

Hawkins invited Danko to join The Hawks as rhythm guitarist. Around this time, Hawks bassist Rebel Paine was fired by Hawkins, who, wasting no time, had Danko learn bass, given help by other members of the band. By September 1960, he was Hawkins's bassist, using the Fender VI six-string bass, then switching to a Fender Jazz Bass.[citation needed]

Soon joined by pianist Richard Manuel and organist/reedsman Garth Hudson, The Hawks played with Hawkins through mid-1963. An altercation that year between Danko and Hawkins led Danko, Levon Helm, Robertson, Manuel, and Hudson to give two-weeks' notice in early 1964 and parted ways with Hawkins on reasonably amicable terms.[4] The group had been planning to leave Hawkins and strike out together as a band without a frontman, as a team of equal members.[5]

Pre-The Band (1964-1968)

Danko and the former Hawks initially performed as the Levon Helm Sextet, with saxophonist Jerry Penfound, later became The Canadian Squires, after Penfound left, and finally being called Levon and the Hawks. Playing a circuit that stretched in an arc from Ontario to Arkansas, they became known as "the best damn bar band in the land."

By 1965, with two singles under their belt, recorded as the Canadian Squires, they met the legendary blues harmonicist and vocalist Sonny Boy Williamson and planned a collaboration with him as soon as he returned to Chicago.[citation needed] Unfortunately for the group (who went on to play a four-month stand of gigs in New Jersey immediately afterward), Williamson died two months after their meeting, and the collaboration never happened.

Around that same time, Bob Dylan contacted them, and they became his backing group. The nature of Dylan's tour, however, became too much for Helm, who departed in November. Through May 1966, Dylan and the remaining foursome (together with pick-up drummers, including actor/musician Mickey Jones) traveled across America, Australia, and Europe, playing new versions of Dylan classics. After the final shows in England, Dylan retreated to his new home in Woodstock, New York, and the Hawks joined him shortly thereafter.[6]

The Band (1968–1977)

Danko performing with The Band, in Hamburg, on 1971

It was Danko who had found the pink house on Parnassus Lane, just off Stoll Road, in Saugerties, New York, which became known as "Big Pink". Danko, Hudson, and Manuel moved in, with Robertson ensconcing himself nearby. The Band's musical sessions with Dylan took place in the basement of Big Pink, between June and October 1967, generating recordings that were officially released in 1975 as The Basement Tapes album. In October, The Hawks began their demo recordings for their first album, with Helm re-joining the group in that month. Their manager, Albert Grossman, secured them a recording deal with Capitol Records in late 1967.[7]

From January to March 1968, The Band recorded their debut album, Music From Big Pink, in recording studios in New York and Los Angeles.[8] On this album, Danko sang lead vocal on three songs: "Caledonia Mission", "Long Black Veil" and "This Wheel's on Fire," which Danko had co-written with Dylan.[8] Before The Band could promote the album by touring, Danko was severely injured in a car accident, breaking his neck and back in six places, which put him in traction for months. The Band finally made their concert debut at Bill Graham's Winterland in San Francisco April 1969.

By this time, they were already hard at work on their eponymous second album. On that record, sometimes known as "The Brown Album," Danko sang what would become two of his signature songs—and two of the group's best-loved classics: the reflective yet whimsical story-song "When You Awake" and the achingly poignant "The Unfaithful Servant." Both songs exemplified Danko's talents as a lead singer and demonstrated his naturally plaintive voice.

The Band's albums were defined by each member—Robertson's lyrics and guitar work, Helm's "bayou folk" drumming and Southern voice, Manuel's Ray Charles-like vocals and complex keyboard rhythms, and Hudson's arrangements on an assortment of instruments and Danko's iconic tenor, his on-top-of-the-melody harmonies, and his percussive, melodic bass-playing style were an integral part of the group's sound. In an interview with Guitar Player, Danko cited bassists James Jamerson, Ron Carter, Edgar Willis, and Chuck Rainey as his musical influences. He eventually moved from the Fender Jazz Bass to an Ampeg fretless model and later a Gibson Ripper for The Last Waltz.

Later years (1977–1999)

After The Band performed its farewell concert ("The Last Waltz") at Winterland in November 1976, Danko was offered a contract with Arista Records by Clive Davis, making him the first Band member to record a solo album. Issued in 1977, his self titled début featured each of his former bandmates in addition to Ronnie Wood, Eric Clapton, Doug Sahm and Danko's brother, Terry. The album was primarily recorded at The Band's California Studio, Shangri-La. The poor sales of the album destined it for rarity status. After he recorded an unreleased follow-up album, Danko was dropped from Arista. The follow-up album was finally released as a part of 2005's Cryin' Heart Blues.

Rick Danko with Paul Butterfield Woodstock Reunion, 1979

In early 1979 Danko opened shows for Boz Scaggs. Also in 1979, Danko and Paul Butterfield toured together as the Danko/Butterfield Band. Among the songs they covered was Sail On, Sailor, originally recorded by The Beach Boys.

From 1983 to 1999, Danko alternated between a reformed version of The Band featuring Helm, Hudson, and guitarist Jim Weider (and, from 1983 to 1986, Manuel); a solo career; and collaborations including award-winning work with singer/songwriter Eric Andersen and Norway's Jonas Fjeld as Danko/Fjeld/Andersen.[9]

In 1984, Rick Danko joined members of the Byrds, the Flying Burrito Brothers and others in a touring company called "The Byrds Twenty-Year Celebration." Several members of the band performed solo songs to start the show including Danko, who performed "Mystery Train". In 1989, he toured with Levon Helm and Garth Hudson as part of Ringo Starr's first All-Starr Band.

Danko sang on the Pink Floyd songs "Comfortably Numb" and "Mother", the former with Van Morrison, Roger Waters, and Levon Helm, and the latter with Helm and Sinéad O'Connor on July 21, 1990, in Roger Waters' stage production of The Wall Concert in Berlin. He recorded demos and made a number of appearances on albums by other artists throughout the 1980s and 1990s, and, in 1997, released Rick Danko in Concert. Two years later, a third solo album (Live on Breeze Hill) was released, and Danko was at work on a fourth (Times Like These) at the time of his death.

In the meantime, The Band, without Robertson, recorded three more albums, and Danko teamed with Fjeld and Andersen for two trio albums, Danko/Fjeld/Andersen in 1991 and Ridin' on the Blinds in 1994.

In 1994, Rick Danko was inducted into The Rock and Roll Hall of Fame as a member of The Band.[10]

By the late 1990s, alcoholism, prescribed opiates, including morphine, and rapid weight gain in the mid 1990s took its toll. Danko was found guilty of smuggling heroin into Japan. He told the presiding judge that he had begun using the drug (together with prescription morphine) to fight life-long pain resulting from his 1968 auto accident.[9]

Death

Rick Danko's grave at the Woodstock (NY) Cemetery, November 20, 2010

On December 10, 1999, days after the end of a brief tour of the Midwest that included two shows in the Chicago area and a final gig at The Ark in Ann Arbor, Michigan, Danko died in his sleep at his home in Marbletown, New York, near Woodstock.[11] Following an autopsy, Danko's cause of death was determined to be drug-related heart failure.[12][13]

He was survived by his wife, Elizabeth; son Justin (adopted stepson); and daughter, Lisa, by his first marriage. His son Eli, also from his first marriage, died in 1989 at the age of 18 from asphyxiation.

Danko was buried in the Woodstock Cemetery in Woodstock, New York; his bandmate Levon Helm was buried near him following his death in April, 2012.

Posthumous recognition

The Drive-By Truckers' song "Danko/Manuel" was released on their album The Dirty South in 2004. "Originally [guitarist/vocalist Jason] Isbell tried to tell the story of Rick Danko, Richard Manuel, and The Band's demise, but found the scope of the concept too difficult to actually do justice to their story, and instead shifted the concept to a telling of life of a musician through the eyes and actions of Danko and Manuel. Isbell stated that the horn parts for the song came to him in a dream."

Steve Forbert released "Wild as the Wind (A Tribute to Rick Danko)," on his album Just Like There's Nothin' To It in 2004. http://theband.hiof.no/articles/SteveForbertBandBite3.html

For the April 2012 edition of BASS MUSICIAN: Bass Magazine For Bass Players & the Bass Industry, Rob Collier wrote an article titled "How to Danko: A Lesson in the Style of Rick Danko." http://bassmusicianmagazine.com/2012/04/how-to-danko-a-lesson-in-the-style-of-rick-danko-by-rob-collier/

On IrishTimes.com (April 20, 2012), Laurence Mackin wrote that ". . .Together with bass player Rick Danko, [Levon] Helm formed one of the finest rhythm sections to ever put a groove to a beat, and a partnership that formed the backbone of The Band. In Danko, he had the perfect complementary player, one of the finest bassists and one of the gentlest souls. His music was subtle, his instinct for just the right note unwavering – he could play one beat in four bars, but lord could he make it count. Their subtle, intense rhythmic conversation brought shape and distinction to the Band’s music – it gave it heart and soul. . ." http://www.irishtimes.com/blogs/pursuedbyabear/2012/04/20/levon-helm-an-appreciation/

Discography

With The Band

Solo

Filmography

See also

Citations

  1. ^ "Fuller Up The Dead Musician Directory". The Dead Musician Directory. Copied from an article posted in the newsgroup rec.music.dylan by Mike Fink.. http://elvispelvis.com/rickdanko.htm#obit. Retrieved 2009-07-12. 
  2. ^ Rising Sun Sage. Gary Alexander. 05 July 2003. Hudson Valley Music.
  3. ^ Rick Danko - The Last Interview. Robert L. Doerschuk. 07 December 1999. All-music Guide.
  4. ^ Life Is A Carnival. Rob Bowman. 26 July 1991. Goldmine.
  5. ^ This Wheel's on Fire: Levon Helm and the Story of the Band. Levon Helm and Stephen Davis. Oct 20 1993. Harper-Collins Canada.
  6. ^ Sounes 2001, p. 221
  7. ^ Hoskyns 1993, p. 143
  8. ^ a b Hoskyns, Barney. "Liner Notes for The Band 2000 remasters". theband.hiof. http://theband.hiof.no/articles/hoskyns_ln_remasters.html. Retrieved 2010-08-04. 
  9. ^ a b "News - Obituaries - Rick Danko". The Guardian, 17 November 1999
  10. ^ List of Rock and Roll Hall of Fame inductees
  11. ^ New York Times article: "Rick Danko, 56, a Groundbreaker With the Band, Dies."
  12. ^ Sydney Morning Herald article: "Waltz time."
  13. ^ New York Daily News article: "WONDER 'WALTZ' Scorsese's classic rock film returns."

References

  • Hoskyns, Barney (1993), Across The Great Divide: The Band and America, Viking, ISBN 0-670-84144-7 
  • Sounes, Howard (2001), Down the Highway: The Life of Bob Dylan, Grove Press, ISBN 0-8021-1686-8 
  • Shelton, Robert (1986), No Direction Home: The Life and Music of Bob Dylan (hardback ed.), New English Library, ISBN 0-450-04843-8 

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