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Mary Roberts Rinehart

 
American Theater Guide: Mary Roberts Rinehart

Rinehart, Mary Roberts (1876–1958), playwright. The Pittsburgh‐born author best known for her mystery novels was also a successful dramatist. Her first play, written under the pen name Rinehart Roberts, was The Double Life (1906), but she had her first hit when she collaborated with Avery Hopwood on the comedy Seven Days (1909). After writing Cheer Up (1912) she rejoined with Hopwood in 1920 to write two huge successes, Spanish Love and The Bat. Rinehart's last play, an adaptation of another of her books, was the mystery The Breaking Point (1923). Autobiography: My Story, 1931.

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Columbia Encyclopedia: Mary Roberts Rinehart
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Rinehart, Mary Roberts (rīn'härt), 1876-1958, American novelist, b. Pittsburgh. A graduate nurse, she married Dr. Stanley M. Rinehart in 1896. The first of her many mystery stories, The Circular Staircase (1908), established her as a leading writer of the genre; Rinehart and Avery Hopwood successfully dramatized the novel as The Bat (1920). Her other mystery novels include The Man in Lower Ten (1909), The Case of Jennie Brice (1914), The Red Lamp (1925), The Door (1930), The Yellow Room (1945), and The Swimming Pool (1952). Stories about "Tish," a self-reliant spinster, first appeared in the Saturday Evening Post and were collected into The Best of Tish (1955).

Bibliography

See Rinehart's autobiography (1931, rev. ed. 1948).

Dictionary: Rine·hart   (rīn'härt') pronunciation, Mary Roberts
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1876-1958.

American writer known for her mysteries, including The Circular Staircase (1908) and The Door (1930).


Works: Works by Mary Roberts Rinehart
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(1876-1958)

1908The Circular Staircase. Rinehart's first mystery establishes her reputation for witty suspense featuring ordinary people as sleuths. She would follow it with the equally successful The Man in the Lower Ten (1909). Rinehart would write a number of popular horror and crime stories, plays, and a comic series of novels featuring an old maid named "Tish."

Quotes By: Mary Roberts Rinehart
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Quotes:

"The great God endows His children variously. To some he gives intellect -- and they move the earth. To some he allots heart -- and the beating pulse of humanity is theirs. But to some He gives only a soul, without intelligence -- and these, who never grow up, but remain always His children, are God's fools, kindly, elemental, simple, as if from His palette the Artist of all had taken one color instead of many."

Wikipedia: Mary Roberts Rinehart
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Mary Roberts Rinehart, 1914

Mary Roberts Rinehart (August 12, 1876-September 22, 1958) was a prolific author often called the American Agatha Christie.[1] She is considered the source of the phrase "The butler did it", although she did not actually use the phrase herself, and also considered to have invented the "Had-I-But-Known" school of mystery writing.

Contents

Biography

She was born in Allegheny City, Pennsylvania, which has been a part of the city of Pittsburgh since 1907. Her father was a frustrated inventor, and throughout her childhood, the family often had financial problems. She was left-handed at a time when that was considered inappropriate, and she was trained to use her right hand instead.

She attended public schools and graduated at the age of sixteen, then enrolled at the Pittsburgh Training School for Nurses at Homeopathic Hospital, where she graduated in 1896. She described the experience as "all the tragedy of the world under one roof." After graduation she married Stanley Marshall Rinehart, a physician whom she met there. They had three sons and one daughter: Stanley Jr., Frederick, Alan, and Elizabeth Glory.

Mary Roberts Rinehart lunching after a morning's trouting on Flathead River, Glacier National Park, circa 1921

During the stock market crash of 1903 the couple lost their savings, and this spurred Rinehart's efforts at writing as a way to earn income. She was 27 that year, and she produced 45 short stories. In 1907 she wrote The Circular Staircase, the novel that launched her to national fame. According to her obituary in The Pittsburgh Post-Gazette, that book alone sold a million and a quarter copies. Her regular contributions to the Saturday Evening Post were immensely popular and helped the magazine mold American middle-class taste and manners. Rinehart’s commercial success sometimes conflicted with her domestic roles of wife and mother. Yet she often pursued adventure, including a job as the first woman war correspondent at the Belgian front during World War I.

In the early 1920s the family moved to Washington, DC when Dr. Rinehart was appointed to a post in the Veterans Administration. He died in 1932, but she continued to live there until 1935, when she moved to New York City. There she helped her sons found the publishing house Farrar & Rinehart, serving as its director.

She also maintained a vacation home in Bar Harbor, Maine, where she was involved in a real-life drama in 1947. Her Filipino chef, who had worked for her for 25 years, fired a gun at her and then attempted to slash her with knives, until other servants rescued her. The chef committed suicide in his cell the next day.

Rinehart suffered from breast cancer, which led to a radical mastectomy; she eventually went public with her story, at a time when such matters were not openly discussed. The interview "I Had Cancer" was published in a 1947 issue of the Ladies' Home Journal and in it Rinehart encouraged women to have breast examinations.

"The Rinehart career was crowned with a Mystery Writers of America Special Award a year after she published her last novel ... and by the award, as early as 1923, of an honorary Doctorate in Literature from George Washington University."[1]

She died at age 82 in her Park Avenue home in New York City.[2]

Writing

Rinehart wrote hundreds of short stories, poems, travelogues and special articles. Many of her books and plays were adapted for movies, such as The Bat (1926), The Bat Whispers (1930), and The Bat (1959 remake). In 1933 RCA Victor released The Bat as one of the earliest talking book recordings.

While many of her books were best-sellers, critics were most appreciative of her murder mysteries. Rinehart, in The Circular Staircase (1908), is credited with inventing the "Had-I-But-Known" school of mystery writing. The Circular Staircase is a novel in which "a middle-aged spinster is persuaded by her niece and nephew to rent a country house for the summer. The house they choose belonged to a bank defaulter who had hidden stolen securities in the walls. The gentle, peace-loving trio is plunged into a series of crimes solved with the help of the aunt. This novel is credited with being the first in the "Had-I-But-Known" school."[3] The Had-I-But-Known mystery novel is one where the principal character (frequently female) does less than sensible things in connection with a crime which have the effect of prolonging the action of the novel. Ogden Nash parodied the school in his poem Don't Guess Let Me Tell You: "Sometimes the Had I But Known then what I know now I could have saved at least three lives by revealing to the Inspector the conversation I heard through that fortuitous hole in the floor."

The phrase "The butler did it", which has become a cliché, came from Rinehart's novel The Door, in which the butler actually did do it, although that exact phrase does not actually appear in the work. [1] Tim Kelly adapted Rinehart's play into a musical "The Butler Did It, Singing." This play includes five lead female roles and five lead male roles.

Bibliography

Novels and plays

  • The Circular Staircase (1908)
  • Seven Days (Broadway comedy, 1909)
  • The Window at the White Cat (1910)
  • When A Man Marries (1910)
  • Where There's a Will (1912)
  • The Cave on Thundercloud (1912)
  • Mind Over Motor (1912)
  • The Case of Jennie Brice (1913)
  • Street of Seven Stars (1914)
  • The After House : a story of love, mystery and a private yacht (1914)
  • K (1915)
  • Bab, a Sub-Deb (1916)
  • Long live the King! (1917)
  • The Amazing Interlude (1918)
  • Tenting To-Night : a chronicle of sport and adventure in Glacier park and the Cascade mountains (1918)
  • Dangerous Days (1919)
  • Salvage (1919)
  • A Poor Wise Man (1920)
  • The Bat (with Avery Hopwood, 1920)
  • The Breaking Point (1922)
  • The Red Lamp (1925)
  • The Mystery Lamp (1925)
  • Two Flights Up (1928)
  • The Truce of God (1920)
  • The Door (1930)
  • The Double Alibi (1932)
  • The Album (1933)
  • The State Vs Elinor Norton (1933)
  • The Wall (1938)
  • The Great Mistake (1940)
  • The Yellow Room (1945)
  • The Swimming Pool (1952)
  • The Wandering Knife (1952)
  • The Frightened Wife (1953) (Special Edgar Award, 1954)

Series

  • Miss Cornelia Van Gorder
    • The Man in Lower Ten (1906)
    • The Circular Staircase (1908)
    • The Bat (1920)
  • Letitia (Tish) Carberry
    • The Amazing Adventures of Letitia Carberry (1911)
    • Tish (1916)
    • More Tish (1921)
    • The Book of Tish (1926)
    • Tish Plays the Game (1926)
    • Tish Marches On (1937)
  • Hilda Adams
    • Miss Pinkerton (1932)
    • Haunted Lady (1942)
    • Episode of the Wandering Knife (1950)
    • Lost Ecstasy (1927)

Collections

  • Love Stories (1919)
  • Affinities : and other stories (1920)
  • Sight Unseen / The Confession (omnibus) (1921)
  • Temperamental People (1924)
  • Nomad's Land (1926)
  • The Romantics (1929)
  • Mary Roberts Rinehart 's Crime Book (1933)
  • Married People (1937)
  • Familiar faces; stories of people you know (1941)
  • Alibi for Isabel (1944)
  • The Confession / Sight Unseen (1959)

Autobiography

  • My Story (1931, revised 1948)

External links

Sources

References

  • Cohn, Jan (2005). Improbable Fiction: The Life of Mary Roberts Rinehart. Pittsburgh: University of Pittsburgh Press. ISBN 0-8229-5912-7. 
  1. ^ a b Keating, H.R.F., The Bedside Companion to Crime. New York: Mysterious Press, 1989, p. 170. ISBN 0-89296-416-2
  2. ^ "Mary Roberts Rinehart Is Dead; Author of Mysteries and Plays; Mary Roberts Rinehart Is Dead; Author of Mysteries," New York Times. September 23, 1958.
  3. ^ Roseman, Mill et al. Detectionary. New York: Overlook Press, 1971. ISBN 0-87951-041-2

 
 

 

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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