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| Biography: Ringgold Wilmer Lardner |
Ringgold Wilmer Lardner (1885-1933), American writer, was an important literary humorist and the author of sports fiction. His stories are distinguished by a bitterly sardonic view of humanity. He has been called the "greatest and sincerest pessimist America has produced."
Ring Lardner was born on March 6, 1885, in Niles, Mich. The family was wealthy, and Lardner was privately educated until he entered high school. At his father's insistence, he entered engineering school in 1902 but soon flunked out.
Lardner began his career as a newspaperman in 1905 on the South Bend Times in Indiana. Two years later he went to Chicago and for the next dozen years was a sports columnist on city newspapers. In 1911 Lardner married Ellis Abbott; they had four sons.
While working for the Chicago Tribune in 1914, for the Saturday Evening Post Lardner conceived of a series of illiterate letters between a baseball pitcher and his wife. The sketches were enormously popular, and their publication in book form, You Know Me, Al (1916), was a landmark in American sports fiction. In place of the idolatry traditionally lavished on sports heroes, Lardner introduced a lingering note of skepticism.
In 1917 Lardner served briefly in France as a war correspondent for Collier's magazine. More of Lardner's sports pieces appeared in Treat 'Em Rough (1918) and The Real Dope (1919), but the sports world is absent from Own Your Own Home (1917), Gullible's Travels (1917), The Young Immigrunts (1919), and The Big Town (1921).
In 1919 Lardner began to write a syndicated weekly column in which he commented on life in general. By 1924 he was earning $20,000 a year writing continuity for a daily comic strip called "You Know Me, Al."
At the prompting of his friend F. Scott Fitzgerald, Lardner wrote his most contemptuous, nonhumorous sports collection, How to Write Short Stories (1924). It contained the famous "Champion," the story of Midge Kelly, a champion prizefighter but a wretched human being, as brutal out of the ring as in, and it includes the best idiomatic prose since Mark Twain.
The Love Nest and Other Stories (1926) was followed by The Story of a Wonder Man (1927), Lardner's zany autobiography. Lardner then collaborated on two stage productions: Elmer the Great (produced in 1928) with George M. Cohan, and June Moon (produced in 1929) with George S. Kaufman. The latter was based on Lardner's story "Some Like Them Cold." Lardner's last works, Round Up (1929) and Lose with a Smile (1933), are rueful and sardonic. He died of a heart attack on Sept. 25, 1933.
Further Reading
The standard biography is Donald Elder, Ring Lardner: A Biography (1956). Otto Friedrich, Ring Lardner (1965), is a good, short critical biography. See also Walton R. Patrick, Ring Lardner (1963). There are critical discussions in Maxwell Geismar, Writers in Crisis: The American Novel between Two Wars (1942), and in Gilbert Seldes's introduction to The Portable Ring Lardner (1946).
Additional Sources
Lardner, Ring, Some champions: sketches and fiction from a humorist's career, New York: Collier Books; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, 1993; New York: Scribner, 1976.
Lardner, Ring, The story of a wonder man: being the autobiography of Ring Lardner, Westport, Conn.: Greenwood Press, 1975.
Yardley, Jonathan, Ring: a biography of Ring Lardner, New York: Atheneum, 1984, 1977; Random House, 1977.
| Columbia Encyclopedia: Ring Lardner |
Bibliography
See his Best Short Stories (1938, repr. 1957); his autobiography, The Story of a Wonder Man (1927, repr. 1975); biographies by D. Elder (1956) and J. Yardley (1984); studies by M. Geismar (1972) and E. Evans (1980); bibliography by M. J. Bruccoli and R. Layman (1976).
| Works: Works by Ring Lardner |
| 1916 | You Know Me Al: A Busher's Letters. While writing a sports column for the Chicago Tribune, Lardner creates the letters of Jack Keefe, a baseball rookie shuttling between the minors and the White Sox, to his Indiana hometown friend, Al Blanchard. Lardner's portrayal of Keefe's experiences in the bigs and out has been called the best use of baseball in American fiction and the most effective dialect humor since Huckleberry Finn. Additional letters would be collected in Treat 'Em Rough (1918) and The Real Dope (1919). |
| 1917 | Gullible's Travels, Etc. Lardner extends his satire beyond the baseball milieu of Busher's Letters in this series of adventures in social climbing by an American Gulliver, a naif who bumbles up the class ladder of the so-called classless American society. |
| 1924 | How to Write Short Stories. The book's title and mock critical preface were suggested by F. Scott Fitzgerald, and the collection, with stories such as "Alibi Ike," "My Roomy," "A Caddy's Diary," "Some Like Them Cold," "Champion," and "The Golden Honeymoon," is the first of Lardner's works to receive major critical attention and recognition for its author as a serious literary artist. |
| 1925 | What of It? Lardner's miscellany includes articles about his 1924 trip to Europe, parodies, several of his nonsense plays, and a reprinting of his earlier The Young Immigrunts and Symptoms of Being 35. |
| 1926 | The Love Nest and Other Stories. Some of Lardner's greatest stories, including the title work, "A Day with Conrad Green," and what many consider his finest, "Haircut," are collected here. Evident is a shift away from his usual sports subjects to a darker, more satiric exposure of the hypocrisies of the respectable. |
| 1927 | The Story of a Wonder Man. In this witty mock-autobiography, the humorist takes aim at a wide range of subjects. |
| 1929 | Round Up. Lardner's last important short story collection brings together the stories of his two previous collections and adds sixteen stories, allowing the reader to sample the full range of Lardner's achievement. In 1929, Lardner also collaborates with George S. Kaufman in the comedy June Moon, about Tin Pan Alley and based on Lardner's short story "Some Like Them Cold." |
| 1934 | First and Last. This posthumously published collection gathers the author's initial sports page columns as well as his most recent writings for The New Yorker. |
| Quotes By: Ring Lardner |
Quotes:
"The family you come from isn't as important as the family you're going to have."
"They gave each other a smile with a future in it."
"An optimist is a girl who mistakes a bulge for a curve."
| Wikipedia: Ring Lardner |
| Ring Lardner | |
|---|---|
| Born | March 6, 1885 Niles, Michigan |
| Died | September 25, 1933 East Hampton, New York USA |
| Occupation | Writer Journalist |
Ringgold Wilmer Lardner (March 6, 1885 – September 25, 1933) was an American sports columnist and short story writer best known for his satirical takes on the sports world, marriage, and the theatre.
Contents |
Born in Niles, Michigan, Ring Lardner was the son of wealthy parents Henry and Lena Phillips Lardner. He was the youngest of nine children. Lardner's name came from a cousin with the exact same name. The cousin, in turn had been named by Lardner's uncle, Rear Admiral James L. Lardner, who had decided to name his son after a friend, Rear Admiral Cadwalader Ringgold, who was from a distinguished military family. Lardner never liked his given name and shortened it.
Lardner was married to Ellis Abbott of Goshen, Indiana in 1911. They had four sons, John, James, Ring Jr., and David. John was a newspaperman, sports columnist and magazine writer. James, also a newspaperman, was killed in the Spanish Civil War fighting with the International Brigades. Ring Lardner, Jr., a screenwriter who was blacklisted after the Second World War as one of the Hollywood Ten, screenwriters who were incarcerated for contempt of Congress after refusing to answer questions posed by the House Un-American Activities Committee (HUAC). He won two Academy Awards for his screenplays—one before (for Woman of the Year in 1942) and one after (for M*A*S*H in 1970) his imprisonment and blacklisting.[1] His book, The Lardners, My Family Remembered (ISBN 0060125179), is a reliable source of Lardner information. David worked for The New Yorker as a general reporter and war correspondent before he was killed by a landmine near Aachen, Germany in October 1944, less than one month after his arrival to the European Theater of war. Lardner was a grand uncle to 1993 Pulitzer Prize winner George Lardner, Jr., a journalist at The Washington Post since 1963.[2]
In 1916 Lardner published his first successful book, You Know Me Al, which was written in the form of letters (an epistolary), written by "Jack Keefe," a bush league baseball player, to a friend back home. The letters made heavy use of the fictional author's idiosyncratic vernacular. It had initially been published as six separate, but inter-related short stories in The Saturday Evening Post, leading some to classify the book as a collection of short stories; others have classified it as a novel. Like most of Lardner's stories, You Know Me Al employed satire, in this case to show the stupidity and avarice of a certain type of athlete. "Ring Lardner thought of himself as primarily a sports columnist whose stuff wasn't destined to last, and he held to that absurd belief even after his first masterpiece, You Know Me Al, was published in 1916 and earned the awed appreciation of Virginia Woolf, among other very serious, unfunny people", wrote Andrew Ferguson, who named it, in a Wall Street Journal article, one of the top five pieces of American humor writing.[3]
Lardner went on to write such well-known stories as Haircut, Some Like Them Cold, The Golden Honeymoon, Alibi Ike, and A Day in the Life of Conrad Green. He also continued to write follow-up stories to You Know Me Al, with the hero of that book, the headstrong but gullible Jack Keefe, experiencing various ups and downs in his major league career and in his personal life. Private Keefe's World War I letters home to his friend Al were collected in Treat 'Em Rough.
Lardner also had a lifelong fascination with the theatre, although his only success was June Moon, a comedy co-written with Broadway veteran George S. Kaufman. He did write a series of brief nonsense plays which poked fun at the conventions of the theatre using zany, offbeat humor and outrageous, impossible stage directions, such as "The curtain is lowered for seven days to denote the lapse of a week."
Lardner was a close friend of F. Scott Fitzgerald and other writers of the Jazz Age. He was published by Maxwell Perkins, who also served as Fitzgerald's editor. To create his first book of short stories Lardner had to get copies from the magazines he'd sold them to—he held his own short stories in light regard and did not save copies.
He was in some respects the model for the tragic character Abe North in Fitzgerald's last completed novel, Tender Is the Night[citation needed]. With the exception of You Know Me Al, which was initially written and published as six separate stories, Lardner never wrote a novel, but is considered by many to be one of America's best writers of the short story.
Lardner was also a well-known sports columnist, who began his career as a teenager with the South Bend Tribune. Soon after, he took a position with the rival South Bend Times, the first of many professional switches. In 1907, Lardner moved to Chicago, where he joined the Inter-Ocean, considered the worst newspaper in the city. Within the space of a year, he moved up to the Chicago Examiner, then to the Tribune.[4] Two years later, Lardner was in St. Louis , writing the humorous baseball column "Pullman Pastimes" for Taylor Spink and the Sporting News; some of this work was the genesis for "You Know Me Al." Within three months, he was an employee of the Boston American.
Lardner returned to the Chicago Tribune in 1913, which became the home paper for his syndicated "In the Wake of the News" column (started by Hugh Keough, who died in 1912); it appeared in more than 100 newspapers, and still runs in the Tribune.
Sarah Bembrey has written about a singular event in Lardner's sportswriting experience: "In 1919 something happened that changed his way of reporting about sports and changed his love for baseball. This was the Black Sox scandal when the Chicago White Sox sold out the World Series to the Cincinnati Reds. Ring was exceptionally close to the White Sox and felt he was betrayed by the team. After the scandal, Ring always wrote about sports as if there were some kink to the outcome."[4]
Walter Allen stated “It is like Lardner perfectly feeds a specific American trait into every character of every story he ever wrote.”
In the 1988 movie about the Black Sox, Eight Men Out, writer-director John Sayles portrayed Lardner as one of the clear-eyed observers who were not taken in by the conspiracy. In one scene, Sayles strolls through the White Sox train, singing a parody of the song "I'm Forever Blowing Bubbles," changed to "I'm Forever Blowing Ballgames."[5]
Lardner's last baseball writing was Lose With a Smile in 1933.
Lardner influenced Ernest Hemingway, who sometimes wrote articles for his high school newspaper under the pseudonym Ring Lardner, Jr.[6]
He died Sept. 25, 1933 at age 48 in East Hampton, New York, of complications from tuberculosis.
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