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The English scholar and clergyman Robert Burton (1577-1640) wrote "The Anatomy of Melancholy," an analysis of the symptoms, causes, and cures of the melancholic temperament.
Robert Burton was born at Lindley, Leicestershire, on Feb. 8, 1577. He entered Brasenose College, Oxford, in 1593 but transferred to Christ Church. In 1599 he was elected a fellow at Christ Church, where he remained until his death on Jan. 25, 1640. He received three degrees: bachelor of arts, master of arts, and finally bachelor of divinity in 1611. He presumably did some tutoring at Christ Church, and from 1626 he acted as its librarian. He served as vicar of St. Thomas's Church in suburban Oxford (1616-1640) and conducted some services there. He was a bright conversationalist, took delight in nature, and enjoyed visits to relatives and friends.
Burton's Latin comedy Philosophaster (written in 1605 and later revised) was performed successfully at Christ Church in 1618. But he devoted most of his life to composing and augmenting his major opus, The Anatomy of Melancholy. This work was first published in 1621, and later editions (1624, 1628, 1632, 1638, and 1651) incorporated Burton's revisions. Its modern relevance would be obvious if it were retitled "An Analysis of the Blues" or "The Psychology and Cure of Depression."
In the Anatomy Burton uses the device of a fictitious author, Democritus Junior. The utopia, which he includes in the introductory section and which is the first example of this genre to be written by an English author, shows acute awareness of economic abuses and practical remedies. He advocates a planned, capitalistic society which makes maximum use of resources of men and materials, and he cogently analyzes England's faults, treating them as a sort of national melancholia.
Burton then presents an exhaustive medical analysis of the disease of melancholy based on the old theory that a healthy body contains a proper balance of four "humors," or fluids: phlegm, blood, choler, and black bile. Imbalance makes a man phlegmatic, sanguine, choleric, or, if the excess is black bile, melancholy. The melancholy man could be introspective like Hamlet, or mildly eccentric and able to enjoy a good cry like Jacques in Shakespeare's As You Like It, or healthily contemplative like Milton's II Penseroso.
Next, larding his text with quotations from "authorities," Burton explores the cures of melancholy. Underlying his jaunty erudition is common sense: be moderate in diet; enjoy sex reasonably and morally; get plenty of fresh air and exercise; keep the bowels moving; and avoid strain and worry or learn how to cope with them. The final section deals with the melancholy evoked by love, jealousy, and religion.
Burton's usual style is diffuse and amiable, but he is also capable of magnificent, carefully structured baroque prose - for example, the section "Man's Excellency." His style and persona owe a debt to Montaigne, his satire to Erasmus. His contents include a variety of prose genres, the equivalents of essays, character sketches, sermons, and treatises.
Burton's range is encyclopedic, including the new and the old science, medical lore of previous ages, geography, philosophy, and current literature. John Milton echoed him; Laurence Sterne pillaged his erudition; the Anatomy got Samuel Johnson "out of bed two hours earlier"; Lord Byron found it the easiest means of acquiring "a reputation of being well read"; Charles Lamb loved the "fantastic, great old man"; John Keats based "Lamia" on one of Burton's passages; and Sir William Osler praised the "golden compilation" as the greatest medical treatise written by a layman.
The Anatomy is a tome to be browsed in for delight or to be mined for 17th-century views on almost any subject, from witchcraft and attitudes toward women to theories on laughter and concepts of imagination and fancy. It is both a key to the early Stuart period and, because of its underlying common sense and humanity, a book for all times.
Further Reading
The three-volume edition of Burton's The Anatomy of Melancholy, edited by Holbrook Jackson (1932), retains Burton's quotations in Latin and inserts English translations of them. A well-chosen volume of selections from this work is Lawrence Babb, ed., The Anatomy of Melancholy (1965). Babb's Sanity in Bedlam: A Study of Robert Burton's Anatomy of Melancholy (1959) is an excellent introduction to the scholarship on Burton's work. Bergen Evans, The Psychiatry of Robert Burton (1944), dispels the old notion that the Anatomy is quaint erudition and finds Burton a sound psychologist and relevant today. William R. Mueller, The Anatomy of Robert Burton's England (1952), is useful on style and social ideas.
Bibliography
See M. O'Connell, Robert Burton (1986).
Quotes:
"The devil is the author of confusion."
"Like dogs in a wheel, birds in a cage, or squirrels in a chain, ambitious men still climb and climb, with great labor, and incessant anxiety, but never reach the top."
"They are proud in humility, proud that they are not proud."
"Idleness is an appendix to nobility."
"No cord nor cable can so forcibly draw, or hold so fast, as love can do with a twined thread."
"One was never married, and that's his hell; another is, and that's his plague."
See more famous quotes by
Robert Burton
| Robert Burton | |
|---|---|
| Born | 8 February 1577 Lindley, Leicestershire, England |
| Died | 25 January 1640 (aged 62) Oxford, Oxfordshire, England |
| Church | Church of England |
| Writings | The Anatomy of Melancholy |
| Offices held | Vicar, rector |
Robert Burton (8 February 1577 – 25 January 1640) was an English scholar at Oxford University, best known for the classic The Anatomy of Melancholy. He was also the incumbent of St Thomas the Martyr, Oxford, and of Segrave in Leicestershire.
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He was born at Lindley, Leicestershire, Robert Burton was the son of Ralph Burton and the brother of William Burton the antiquary. Burton spent most of his life at Oxford, first as a pupil at Brasenose College, and then as a student (the equivalent of a fellow at other Oxford and Cambridge colleges) of Christ Church. He studied a large number of diverse subjects, many of which informed the study of melancholia, for which he is chiefly famous. He was appointed vicar of St Thomas' Church in Oxford in 1616, and in 1630 he was also made the rector of Segrave, Leicester.
Burton was a mathematician and dabbled in astrology. When not depressed he was an amusing companion, "very merry, facete, and juvenile," and a person of "great honesty, plain dealing, and charity." Merry, indeed, Burton had favourite sources for laughter. In 1728 Bishop Kennet wrote that:
I have heard that nothing could make him laugh, but going down to the Bridge-foot in Oxford and hearing the Barge-men scold and storm and swear at one another, at which he would set his Hands to his Sides, and laugh most profusely.
There was a rumour that Burton hanged himself in his chambers at Christ Church.[1]
Burton was buried at Christ Church Cathedral, Oxford.
Burton's Melancholy focuses sharply on the self; unlike Bacon, Burton assumes that knowledge of psychology, not natural science, is humankind's greatest need. His enormous treatise is considered "delightful" by critics; it examines in encyclopaedic detail the ubiquitous Jacobean malady, melancholy, supposedly caused by an excess of "black bile," according to the humor theory fashionable at the time.[2]
Melancholy was responsible, according to Burton and others, for the wild passions and despairs of lovers, the agonies and ecstasies of religious devotees, the frenzies of madmen, and the studious abstraction exemplified by scholars such as Shakespeare or Milton.
He wrote The Anatomy of Melancholy largely to write himself out of being a lifelong sufferer from depression. As he described his condition in the preface "Democritus Junior to the Reader,"
for I had gravidum cor, foetum caput [a heavy heart, hatchling in my head], a kind of imposthume in my head, which I was very desirous to be unladen of.
Therefore, the treatise itself was intended as treatment. Again, from the preface:
I write of melancholy, by being busy to avoid melancholy. There is no greater cause of melancholy than idleness, no better cure than business.
However, this sentence may also be interpreted ironically, as Burton is citing a well-known adage of the time. Indeed, the entire preface is quite satirical in nature — at one point Burton pretends to warn melancholic people to avoid his book for fear of exacerbating their symptoms:
Yet one caution let me give by the way to my present or future reader, who is actually melancholy, that he read not the symptoms or prognostics in the following tract, lest by applying that which he reads to himself, aggravating, appropriating things generally spoken to his own person (as melancholy men for the most part do), he trouble or hurt himself, and get in conclusion more harm than good.
The parenthetical aside is meant to be tongue-in-cheek.
The work, published under the pseudonym Democritus Junior in 1621, was quite popular. In the words of Thomas Warton:
the author's variety of learning, his quotations from rare and curious books, his pedantry sparkling with rude wit and shapeless elegance… have rendered it a repertory of amusement and information.
Many later writers were deeply influenced by the book's odd mix of pan-scholarship, humour, linguistic skill, and creative (if highly approximate) insights. This influence was so strong that later writers sometimes drew from the work without acknowledgment (such accusations were levelled at Laurence Sterne's book Tristram Shandy).
Samuel Johnson considered it one of his favourite books, being "the only book that ever took him out of bed two hours sooner than he wished to rise".[3] The book has continued as a favourite among many 20th and 21st-century authors, such as Anthony Burgess (who said "Most modern books weary me, but Burton never does"), William H. Gass (who wrote the introduction to the 2001 omnibus edition), and Llewelyn Powys (who dubbed it "the greatest work of prose of the greatest period of English prose-writing"). Apart from The Anatomy of Melancholy Burton's only other published work is Philosophaster, a satirical Latin comedy.
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