(b Paris, 7 April 1899; d there, 19 Sept 1972). French pianist and composer. After study at the Paris Conservatoire he toured in Europe and the Americas. He became known for his performances of Mozart and French music; with his wife Gaby he formed a piano duo. Their son Jean (1927-72) was a successful pianist in North America. His uncles Francis (1870-1954), Henri (1879-1947) and Marius (1892-1981) were composers, conductors and string players; they published works of their own as unknown pieces by 18th- century composers (Handel, Bach's sons, Mozart).
Casadesus, Robert (käsädāsüs'), 1899-1972, French pianist and composer, b. Paris. Casadesus was born into a family remarkable for its numerous celebrated musicians. After study at the Paris Conservatory, he embarked in 1922 on a long and distinguished concert career. After 1940, Casadesus lived in the United States, where he taught and composed. He became director of the American Conservatory at Fontainebleau in 1945. Noted as a pianist of lyric sensitivity, he often appeared in concert with his wife, the pianist Gaby Casadesus. Their son, Jean Casadesus, 1927-72, was also a well-known concert pianist.
Robert Casadesus was the quintessential French musician, a passionate perfectionist who carried the Gallic virtues of precision, clarity, and elegance into the mid-twentieth century as an embodiment of the living spirit of classicism -- precision animated by passion, clarity attained through sensuous scintillance, and elegance as the expression of the most lucidly aware animation. Born in Paris to a distinguished family of musicians -- his father and three uncles enjoyed careers as performers and composers -- Robert took first prize for piano at the Paris Conservatoire at age 14. Studies with Louis Diémer -- early enthusiast of the French clavicenistes, premiere soloist and dedicatee of Franck's Variations symphoniques for piano and orchestra -- graced Casadesus with the mantle of the inheritor. In 1921 he married fellow Diémer pupil Gabrielle (Gaby) L'Hôte. The following year he earned Ravel's friendship with his performance of Gaspard de la nuit, which led to European tours with the composer and legendary soprano Madeleine Grey. "You are a composer," Ravel wrote, "because you have the courage to play 'Gibet' as I imagined it, that is, as a slow piece...And virtuoso pianists do not want to play it like that. They double the tempo and make it much faster. That is why I think you are a composer." Indeed, Casadesus' catalog eventually embraced some 68 works, including seven symphonies, concertos for two and three pianos and orchestra, 27 chamber works, and 20 works for piano. It is music for connoisseurs, music of formal concision not devoid of passionate expression, but highly wrought, suggestive, and understated in, typically, lyrically attenuated slow movements, tender and strange, and conclusions of fastidious tumult. It is the antithesis of Mahler's confessional expansiveness, while Stravinsky's neo-Classical manner seems gimmicky and carnivalesque by comparison. Casadesus was a distinguished teacher, beginning his career as professor of piano at the American Conservatory in Fontainebleau in 1921, and replacing Isidor Philipp as its head in 1935. But it is primarily as a touring pianist and recording artist that Casadesus is remembered, appearing throughout Europe and the United States over 2,000 times in a career spanning half a century, often in duo-piano recitals with his wife. His authoritative, exhilarating recordings of the Mozart piano concertos with George Szell and the Cleveland Orchestra, the Beethoven violin sonatas and the Franck Sonata with Zino Francescatti, Franck's Variations symphoniques and d'Indy's Symphonie cévenole with Ormandy and the Philadelphia Orchestra, and the piano works of Ravel -- to name but the most prominent -- are among the very greatest. ~ Adrian Corleonis, All Music Guide
Robert Casadesus was born in Paris and studied there at the Conservatoire with Louis Diémer, taking a Premier Prix (First Prize) in 1913 and the Prix Diémer in 1920. Robert then entered the class of Lucien Capet, who had exceptional influence. Capet had founded a famous quartet that bore his name (Capet Quartet)and in which two of Robert’s uncles played: Henri and Marcel. The Quartet often rehearsed in the Casadesus home, and so it was that Robert was initiated into chamber music. The Beethoven Quartets held no secret for him—he knew them backwards and forwards without ever having played them!
Beginning in 1922, Casadesus collaborated with the composer Maurice Ravel on a project to create piano rolls of a number of his works. Casadesus and Ravel also shared the concert platform in France, Spain and England.
Casadesus toured widely as a piano soloist. He often performed with his wife, the pianist Gaby, whom he married in 1921.
His style of playing was classical and restrained with a very delicate approach to melody and line. He is especially noted as an interpreter of Mozart. Among his other recordings are those of the music of Ravel, and the Beethoven Violin Sonatas with Zino Francescatti (of which the Kreutzer Sonata was filmed and has been released on DVD).
