Robert Graves: Biography from Answers.com

The English poet Robert Graves (1895-1985) was also a very productive novelist, mythographer, critic and historian, with over 130 books to his credit. He was once nominated for the Nobel Prize.

Robert Ranke Graves was the son of a minor poet and celebrated Irish balladeer. His stepmother, a grandniece of German historian Leopold von Ranke, imposed a rigid morality on her husband and children which made young Robert poorly prepared for the rigor of English public school. He left school at the onset of the First World War, and enlisted promptly. He was wounded by shrapnel, not yet 21, and went home shell-shocked and suffering from severe neurosis because of the daily horrors of his year in France. Graves was treated by Dr. W.H.R. Rivers, an anthropologist turned neurologist, and it was Rivers who convinced Graves that his cure lay in writing. Rivers also was responsible for Graves's interest in matriarchal societies and women in power; this interest was later manifested in his controversial work The White Goddess. From then on, Graves wrote whenever he could, and constantly, convinced by Rivers that his life and his art were the same.

While still in the Army, Graves proposed to Nancy Nicholson - an 18-year-old feminist. He enrolled at Oxford to read for a degree in literature and occupied himself with domestic chores such as shopping, cooking, washing clothes, raising the children (of which there were eventually four), and writing "manically" all the time.

After correspondence with an American poet whose work he liked, Graves invited her to work with Nancy and him. Laura Riding arrived in England in 1926; for the following 13 years, she dominated Grave's life and his work. In the beginning, Graves and his wife and his new companion declared themselves to be The Trinity and lived together in Cairo (briefly) and England. The Trinity broke apart; in 1929, Graves and Laura left England for the Spanish island of Majorca, a departure punctuated by the publication of Goodbye to All That, an autobiography which became regarded as "one of the most outstanding first-hand accounts" of World War I in English. The work's financial success showed Graves that he could support his poetic ambitions by writing prose; Graves eventually wrote 20 volumes of fiction to support his 55 volumes of poetry, to say nothing of edited works, translations, adaptations, and other works.

In 1927, Graves's early poems were published in a volume called Collected Poems, beginning what turned out to be a series of such volumes published roughly every 10 years. In each of the successive volumes, Graves replaced earlier poems with later ones; consequently, none of them displays the full range of his poetic accomplishments. Nevertheless, they established Graves as the most important British poet of his age, and in the 1960s and 1970s, he became the chosen mentor of the next generation of poets. But it was Graves's novels and nonfiction works that created his international reputation. Among these, the 1933 novels I, Claudius and Claudius the God met with great acclaim, went through many printings, and provided a measure of financial stability for Graves and his family on Majorca. But Laura Riding disparaged these works, and he begged his friends to not mention any of his work in her company. The couple spent endless hours discussing his interest in goddess worship; she later claimed that she was the source of all his ideas about poetry as goddess worship. Her dominance of Graves was such that she became the incarnation of those ideas, particularly in The White Goddess.

In 1936, with the Spanish Civil War clearly looming, Graves and Riding returned to England on a British destroyer. Riding became attracted to an American writer, Schuyler Jackson (a friend of Graves), and all moved to Pennsylvania, near Jackson's farm. With Riding in charge of everyone's lives, Jackson's wife was declared to be a witch and driven to breakdown, and Graves was dismissed as Riding's collaborator and lover. Graves's spirit was broken (but nevertheless mesmerized by Riding for years to come), and he found solace in the calmness, sanity, and devotion of Alan Hodge's young wife Beryl. The Hodge's had followed Graves to America, and with Alan's eventual approval, Beryl joined Graves in England and stayed with him for the rest of his life despite all the women with whom he would become involved during that period. Settled in England in the early 1940s, Graves produced poems, historical novels for which he read voluminously, and a collaborative study with Alan Hodge on English rose style, The Reader Over Your Shoulder, which he later thought was the most useful of all his books.

Driven by a moment of insight from seeds long since planted by Rivers and Riding, in 1944 Graves began writing The White Goddess, a book which later became sacred to a number of poets and enjoyed great popularity in the 1960s (it became a source book for readers of The Whole Earth Catalogue). Subtitled "A Historical Grammar of Poetic Myth," The White Goddess was at first dismissed by anthropologists and philologists as "irresponsible scholarship;" it is now recognized as an important work which demonstrates that mythic perception is a valid form of knowledge.

For Graves, it was much more than that; he became the Goddess's acolyte and devotee, her high priest. In the poet Alistair Reid's words, "only he could interpret her wishes, her commands." Writing The White Goddess gave order to Graves's deepest convictions and restored a sanctity to poetry he felt had been lost by neglecting myth for reason. She was also his muse, and his devotion to her was such that much of his last work from the 1960s on was given over to love poetry, inspired at the moment by whichever young woman had stepped into the muse-role (there were at least four).

After the Spanish Civil War, Graves and family moved back to Majorca. Though he had no strict schedule, he continued his habit of writing every single day, always in longhand. A classicist of the first order, he worked on translations alone (Lucius Apuleius' The Golden Ass, Homer's Iliad, which he entitled The Anger of Achilles) or with a collaborator (The Rubaiyat of Omar Khayam); and wrote novels (Homer's Daughter, The Greek Myths, The Hebrew Myths), critical essays (The Crowning Privilege and Food forCentaurs), and muse poetry. In 1959, Graves's prostate operation in London produced serious complications and trauma from the massive blood transfusions he required. Friends and family thought this had much to do with his increasingly irrational behavior throughout the 1960s and his increasing insistence that he was a spokesman for his times whose long-held views were becoming generally accepted as the truth. In the early 1970s, Graves's productivity declined, and his last years, from 1975-1985, were given over to silence and senility.

Robert Graves

Born	Robert von Ranke Graves 24 July 1895(1895-07-24) Wimbledon, London, England
Died	7 December 1985(1985-12-07) (aged 90) Deià, Majorca, Spain
Occupation	novelist, poet, soldier
Nationality	British

Biography

Early life

Graves was born into a middle-class family in Wimbledon in south London. He was the third of five children born to Alfred Perceval Graves (1846–1931), a school inspector, Gaelic scholar, and the author of the popular song 'Father O'Flynn'; and his second wife, Amalie von Ranke (1857–1951). Graves's mother was from a recently-ennobled German family, the eldest daughter of Heinrich Ranke, professor of medicine at the University of Munich, and his wife, Luise. She was also a great-niece of the German historian Leopold von Ranke. At the age of seven, double-pneumonia following measles almost took Graves's life, the first of three occasions when he was given up by his doctors with afflictions of the lungs; the second being a war-wound (see below); the third when he contracted Spanish influenza in late 1918 immediately before demobilisation.^[4] At school, Graves was enrolled as Robert von Ranke Graves and in Germany his books are published under that name, but before and during the war the name caused him difficulties. In August 1916 an officer who disliked him spread the rumour that he was a spy, brother to a captured German spy who had coincidentally taken the name Carl Graves.^[5] The problem resurfaced in a minor way in the Second World War, when a suspicious rural policeman blocked his appointment to the Special Constabulary.^[6] Graves' eldest half-brother Philip Perceval Graves achieved note as a journalist.^[7] and his younger brother Charles Patrick Graves was a writer and journalist.

Education

Graves received his early education at a series of six preparatory schools, including King's College School in Wimbledon, Penrallt in Wales, and Copthorne in West Sussex, from which last in 1909 he won a scholarship to Charterhouse.^[8] There, in response to persecution—due to the German element in his name, his outspokenness, his scholarly and moral seriousness, and poverty relative to the other boys—he feigned madness, began to write poetry, and took up boxing, in due course becoming school champion at both welter- and middleweight.^[9] He also sang in the choir, meeting there an aristocratic boy three years younger, G. H. 'Peter' Johnstone, with whom he began an intense romantic friendship, the scandal of which led ultimately to an interview with the headmaster.^[10] Among the masters his chief influence was George Mallory, who introduced him to contemporary literature^[11] and took him mountaineering in vacations.^[12] In his final year at Charterhouse he won a classical exhibition to St John's College, Oxford, but would not take his place there until after the war.^[13]

First World War

At the outbreak of World War I in August 1914, Graves enlisted almost immediately, taking a commission in the Royal Welch Fusiliers (RWF). He published his first volume of poems, Over the Brazier, in 1916. He developed an early reputation as a war poet and was one of the first to write realistic poems about experience of front-line conflict. In later years, he omitted his war poems from his collections, on the grounds that they were too obviously "part of the war poetry boom". At the Battle of the Somme, he was so badly wounded by a shell-fragment through the lung that he was expected to die and, indeed, was officially reported as having died of wounds. He gradually recovered, however; and, apart from a brief spell back in France, he spent the remainder of the war in England.^{[citation needed]}

Siegfried Sassoon, 1915

One of Graves's close friends at this time was the poet Siegfried Sassoon, also an officer in the RWF. In 1917, Sassoon rebelled against the war by making a public anti-war statement. Graves feared Sassoon could face court martial and intervened with the military authorities, persuading them that Sassoon was suffering from shell shock and that they should treat him accordingly.^[14] As a result Sassoon was sent to Craiglockhart, a military hospital near Edinburgh, where he was treated by Dr. W. H. R. Rivers and met fellow patient Wilfred Owen.^[15] Graves also suffered from shell shock, or neurasthenia as it was officially called, although he was never hospitalised for it:

I thought of going back to France, but realised the absurdity of the notion. Since 1916, the fear of gas obsessed me: any unusual smell, even a sudden strong smell of flowers in a garden, was enough to send me trembling. And I couldn't face the sound of heavy shelling now; the noise of a car back-firing would send me flat on my face, or running for cover.^[16]

The friendship between Graves and Sassoon is documented in Graves's letters and biographies, and the story is fictionalised in Pat Barker's novel Regeneration. The intensity of their early relationship is demonstrated in Graves's collection Fairies and Fusiliers (1917), which contains many poems celebrating their friendship. Sassoon himself remarked upon a "heavy sexual element" within it, an observation supported by the sentimental nature of much of the surviving correspondence between the two men. Through Sassoon, Graves became a friend of Wilfred Owen, "who often used to send me poems from France."^[17] Owen attended Graves's wedding to Nancy Nicholson in January 1918, presenting him, as Graves recalled, with "a set of twelve Apostle spoons, the thirteenth, he joked, had been shot for cowardice".^{[citation needed]} Graves's army career ended dramatically with an incident which could have led to a charge of desertion. Having been posted to Limerick in late 1918, he "woke up with a sudden chill, which I recognized as the first symptoms of Spanish influenza." "I decided to make a run for it," he wrote, "I should at least have my influenza in an English, and not an Irish, hospital." Arriving at Waterloo with a high fever but without the official papers that would secure his release from the army, he chanced to share a taxi with a demobilisation officer also returning from Ireland, who completed his papers for him with the necessary secret codes.^[18]

Post-war period

The home of Robert Graves in Deià, Majorca

Immediately post-war, Graves had a wife and growing family, but was financially insecure, and weakened physically and mentally:

Very thin, very nervous, and with about four years' loss of sleep to make up, I was waiting until I got well enough to go to Oxford on the Government educational grant. I knew that it would be years before I could face anything but a quiet country life. My disabilities were many: I could not use a telephone, I felt sick every time I travelled by train, and to see more than two new people in a single day prevented me from sleeping. I felt ashamed of myself as a drag on Nancy, but had sworn on the very day of my demobilization never to be under anyone's orders for the rest of my life. Somehow I must live by writing.^[19]

In October 1919 he took up his place at Oxford, soon changing course to English Language and Literature, though managing to retain his Classics exhibition. In consideration of his health he was permitted to live a little outside Oxford, on Boars Hill, where the residents included Robert Bridges, John Masefield his landlord, Edmund Blunden, Gilbert Murray, and Robert Nichols.^[20] Later the family moved to Worlds End Cottage on Collice Street, Islip, Oxfordshire.^[21] His most notable Oxford companion was T.E. Lawrence, then a Fellow of All Souls, with whom he discussed contemporary poetry and shared in the planning of elaborate pranks.^[22] He later attempted to make a living by running a small shop, but the business soon failed. In 1926 he took up a post at Cairo University, accompanied by his wife, their children, and the poet Laura Riding. He returned to London briefly, where he split up with his wife under highly emotional circumstances (at one point Riding attempted suicide) before leaving to live with Riding in Deià, Majorca. There they continued to publish letterpress books under the rubric of the Seizin Press, founded and edited the literary journal, Epilogue; they also wrote two successful academic books together: A Survey of Modernist Poetry (1927) and A Pamphlet Against Anthologies (1928); both had great influence on modern literary criticism, particularly new criticism.

Literary career

In 1927 also, he published Lawrence and the Arabs, a commercially successful biography of T. E. Lawrence. Good-bye to All That (1929, revised by him and republished in 1957) proved a success but cost him many of his friends, notably Siegfried Sassoon. In 1934 he published his most commercially successful work, I, Claudius. Using classical sources he constructed a complex and compelling tale of the life of the Roman emperor Claudius, a tale extended in the sequel Claudius the God (1935). Another historical novel by Graves, Count Belisarius (1938), recounts the career of the Byzantine general Belisarius.

Graves and Riding left Majorca in 1936 at the outbreak of the Spanish Civil War, and in 1939, they moved to the United States, taking lodging in New Hope, Pennsylvania. Their volatile relationship was described by Robert's nephew Richard Perceval Graves in Robert Graves: 1927–1940: the Years with Laura, and T.S. Matthews's Jacks or Better (1977). It was also the basis for Miranda Seymour's novel The Summer of '39 (1998).

After returning to England, Graves began a relationship with Beryl Hodge, then the wife of Alan Hodge, his collaborator on The Long Week-End (1941) and The Reader Over Your Shoulder (1943; republished in 1947 as The Use and Abuse of the English Language). In 1946 he and his new wife Beryl re-established a home in Deià, Majorca. The house is now a museum. 1946 also saw the publication of the historical novel, King Jesus. He published The White Goddess in 1948. He turned to science fiction with Seven Days in New Crete (1949), and in 1953 he published The Nazarene Gospel Restored with Joshua Podro.

In 1955, he published The Greek Myths, containing translations and interpretations. His translations are well respected and continue to dominate the English-language market for mythography. Many of his unconventional interpretations and etymologies are dismissed by classicists,^[23] but have provoked more research into the topics he raised.^{[dubious – discuss]} Graves in turn dismissed the reactions of classical scholars, arguing that they are too specialized and "prose-minded" to interpret "ancient poetic meaning", and that "the few independent thinkers...[are]...the poets, who try to keep civilization alive."^[24]

He published a volume of short stories, Catacrok! Mostly Stories, Mostly Funny, in 1956. In 1961 he became Professor of Poetry at Oxford, a post he held until 1966.

In 1967, Robert Graves published, together with Omar Ali-Shah, a new translation of the Rubaiyat of Omar Khayyam.^[25]^[26] The translation quickly became controversial; Graves was attacked for trying to break the spell of famed passages in Edward FitzGerald's Victorian translation, and L. P. Elwell-Sutton, an orientalist at Edinburgh University, maintained that the manuscript used by Ali-Shah and Graves—which Ali-Shah and his brother Idries Shah claimed had been in their family for 800 years—was a forgery.^[26] The translation was a critical disaster, and Graves' reputation suffered severely due to what the public perceived as his gullibility in falling for the Shah brothers' deception.^[26]^[27]

From the 1960s until his death, Robert Graves frequently exchanged letters with Spike Milligan. Many of their letters to each other are collected in the book, Dear Robert, Dear Spike.^[28]

On 11 November 1985, Graves was among 16 Great War poets commemorated on a slate stone unveiled in Westminster Abbey's Poet's Corner.^[29] The inscription on the stone was written by friend and fellow Great War poet Wilfred Owen. It reads: "My subject is War, and the pity of War. The Poetry is in the pity."^[30] Of the 16 poets, Graves was the only one still living at the time of the commemoration ceremony.

In recently released documents, he turned down a CBE in 1957. ^[31]

Death

Grave of Robert Graves

During the early 1970s Graves began to suffer from increasingly severe memory loss, and by his eightieth birthday in 1975 he had come to the end of his working life. By this time he had published more than 140 works. He survived for ten more years in an increasingly dependent condition until he died from heart failure on 7 December 1985 aged 90. He was buried the next morning in the small churchyard on a hill at Deià, on the site of a shrine which had once been sacred to The White Goddess of Pelion.^[7] His second wife Beryl Graves was buried with him on her own death on 27 October 2003.^[32]

Children

Robert Graves had eight children. With his first wife Nancy Nicholson he had Jennie (who married journalist Alexander Clifford), David (who was killed in the Second World War), Catherine (who married nuclear scientist Clifford Dalton), and Sam. With his second wife, Beryl Graves (1915–2003), he had William, Lucia (also a translator), Juan and Tomás (a writer and musician).^[33]

Bibliography

Poetry collections

Country Sentiment, New York, Alfred A. Knopf, 1920
Over the Brazier. London: William Heinemann, 1923; New York: Alfred. A. Knopf, 1923.
The Feather Bed. Richmond, Surrey: Hogarth Press, 1923.
Mock Beggar Hall. London: Hogarth Press, 1924.
Welchmans Hose. London: The Fleuron, 1925.
Poems. London: Ernest Benn, 1925.
The Marmosites Miscellany (as John Doyle). London: Hogarth Press, 1925.
Poems (1914–1926). London: William Heinemann, 1927; Garden City, NY: Doubleday, 1929.
Poems (1914–1927). London: William Heinemann
To Whom Else? Deyá, Majorca: Seizin Press, 1931.
Poems 1930–1933. London: Arthur Barker, 1933.
Collected Poems. London: Cassell, 1938; New York: Random House, 1938.
No More Ghosts: Selected Poems. London: Faber & Faber, 1940.
Work in Hand, with Norman Cameron and Alan Hodge. London: Hogarth Press, 1942.
Poems. London: Eyre & Spottiswoode, 1943.
Poems 1938–1945. London: Cassell, 1945; New York: Creative Age Press, 1946.
Collected Poems (1914–1947). London: Cassell, 1948.
Poems and Satires. London: Cassell, 1951.
Poems 1953. London: Cassell, 1953.
Collected Poems 1955. New York: Doubleday, 1955.
Poems Selected by Himself. Harmondsworth: Penguin, 1957; rev. 1961, 1966, 1972, 1978.
The Poems of Robert Graves. New York: Doubleday, 1958.
Collected Poems 1959. London: Cassell, 1959.
The Penny Fiddle: Poems for Children. London: Cassell, 1960; New York: Doubleday, 1961.
More Poems 1961. London: Cassell, 1961.
Collected Poems. New York: Doubleday, 1961.
New Poems 1962. London: Cassell, 1962; as New Poems. New York: Doubleday, 1963.
The More Deserving Cases: Eighteen Old Poems for Reconsideration. Marlborough College Press, 1962.
Man Does, Woman Is. London: Cassell, 1964/New York:Doubleday, 1964.
Ann at Highwood Hall: Poems for Children. London: Cassell, 1964.
Love Respelt. London: Cassell, 1965/New York: Doubleday, 1966.
One Hard Look, 1965
Collected Poems, 1965. London: Cassell, 1965.
Seventeen Poems Missing from "Love Respelt". privately printed, 1966.
Colophon to "Love Respelt". Privately printed, 1967.
Poems 1965–1968. London: Cassell, 1968; New York: Doubleday, 1969.
Poems About Love. London: Cassell, 1969; New York: Doubleday, 1969.
Love Respelt Again. New York: Doubleday, 1969.
Beyond Giving. privately printed, 1969.
Poems 1968–1970. London: Cassell, 1970; New York: Doubleday, 1971.
The Green-Sailed Vessel. privately printed, 1971.
Poems: Abridged for Dolls and Princes. London: Cassell, 1971.
Poems 1970–1972. London: Cassell, 1972; New York: Doubleday, 1973.
Deyá, A Portfolio. London: Motif Editions, 1972.
Timeless Meeting: Poems. privately printed, 1973.
At the Gate. privately printed, London, 1974.
Collected Poems 1975. London: Cassell, 1975.
New Collected Poems. New York: Doubleday, 1977.
Selected Poems, ed. Paul O'Prey. London: Penguin, 1986
The Centenary Selected Poems, ed. Patrick Quinn. Manchester: Carcanet Press, 1995.
Complete Poems Volume 1, ed. Beryl Graves and Dunstan Ward. Manchester: Carcanet Press, 1995.
Complete Poems Volume 2, ed. Beryl Graves and Dunstan Ward. Manchester: Carcanet Press, 1996.
Complete Poems Volume 3, ed. Beryl Graves and Dunstan Ward. Manchester: Carcanet Press, 1999.
The Complete Poems in One Volume, ed. Beryl Graves and Dunstan Ward. Manchester: Carcanet Press, 2000.

Fiction

My Head! My Head!. London: Secker, 1925; Alfred. A. Knopf, New York, 1925.
The Shout. London: Mathews & Marrot, 1929.
No Decency Left. (with Laura Riding) (as Barbara Rich). London: Jonathan Cape, 1932.
The Real David Copperfield. London: Arthur Barker, 1933; as David Copperfield, by Charles Dickens, Condensed by Robert Graves, ed. M. P. Paine. New York: Harcourt, Brace, 1934.
I, Claudius. London: Arthur Barker, 1934; New York: Smith & Haas, 1934.
- Sequel: Claudius the God and his Wife Messalina. London: Arthur Barker, 1934; New York: Smith & Haas, 1935.
Antigua, Penny, Puce. Deyá, Majorca/London: Seizin Press/Constable, 1936; New York: Random House, 1937.
Count Belisarius. London: Cassell, 1938: Random House, New York, 1938.
Sergeant Lamb of the Ninth. London: Methuen, 1940; as Sergeant Lamb's America. New York: Random House, 1940.
- Sequel: Proceed, Sergeant Lamb. London: Methuen, 1941; New York: Random House, 1941.
The Story of Marie Powell: Wife to Mr. Milton. London: Cassell, 1943; as Wife to Mr Milton: The Story of Marie Powell. New York: Creative Age Press, 1944.
The Golden Fleece. London: Cassell, 1944; as Hercules, My Shipmate, New York: Creative Age Press, 1945.
King Jesus. New York: Creative Age Press, 1946; London: Cassell, 1946.
Watch the North Wind Rise. New York: Creative Age Press, 1949; as Seven Days in New Crete. London: Cassell, 1949.
The Islands of Unwisdom. New York: Doubleday, 1949; as The Isles of Unwisdom. London: Cassell, 1950.
Homer's Daughter. London: Cassell, 1955; New York: Doubleday, 1955.
Catacrok! Mostly Stories, Mostly Funny. London: Cassell, 1956.
They Hanged My Saintly Billy. London: Cassell, 1957; New York: Doubleday, 1957.
Collected Short Stories. Doubleday: New York, 1964; Cassell, London, 1965.
An Ancient Castle. London: Peter Owen, 1980.

Other works

On English Poetry. New York: Alfred. A. Knopf, 1922; London: Heinemann, 1922.
The Meaning of Dreams. London: Cecil Palmer, 1924; New York: Greenberg, 1925.
Poetic Unreason and Other Studies. London: Cecil Palmer, 1925.
Contemporary Techniques of Poetry: A Political Analogy. London: Hogarth Press, 1925.
Another Future of Poetry. London: Hogarth Press, 1926.
Impenetrability or The Proper Habit of English. London: Hogarth Press, 1927.
The English Ballad: A Short Critical Survey. London: Ernest Benn, 1927; revised as English and Scottish Ballads. London: William Heinemann, 1957; New York: Macmillan, 1957.
Lars Porsena or The Future of Swearing and Improper Language. London: Kegan Paul, Trench, Trubner, 1927; E.P. Dutton, New York, 1927; revised as The Future of Swearing and Improper Language. London: Kegan Paul, Trench, Trubner, 1936.
A Survey of Modernist Poetry (with Laura Riding). London: William Heinemann, 1927; New York: Doubleday, 1928.
Lawrence and the Arabs. London: Jonathan Cape, 1927; as Lawrence and the Arabian Adventure. New York: Doubleday, 1928.
A Pamphlet Against Anthologies (with Laura Riding). London: Jonathan Cape, 1928; as Against Anthologies. New York: Doubleday, 1928.
Mrs. Fisher or The Future of Humour. London: Kegan Paul, Trench, Trubner, 1928.
Good-bye to All That: An Autobiography. London: Jonathan Cape, 1929; New York: Jonathan Cape and Smith, 1930; rev., New York: Doubleday, 1957; London: Cassell, 1957; Penguin: Harmondsworth, 1960.
But It Still Goes On: An Accumulation. London: Jonathan Cape, 1930; New York: Jonathan Cape and Smith, 1931.
T. E. Lawrence to His Biographer Robert Graves. New York: Doubleday, 1938; London: Faber & Faber, 1939.
The Long Weekend (with Alan Hodge). London: Faber & Faber, 1940; New York: Macmillan, 1941.
The Reader Over Your Shoulder (with Alan Hodge). London: Jonathan Cape, 1943; New York: Macmillan, 1943.
The White Goddess. London: Faber & Faber, 1948; New York: Creative Age Press, 1948; rev., London: Faber & Faber, 1952, 1961; New York: Alfred. A. Knopf, 1958.
The Common Asphodel: Collected Essays on Poetry 1922–1949. London: Hamish Hamilton, 1949.
Occupation: Writer. New York: Creative Age Press, 1950; London: Cassell, 1951.
The Golden Ass of Apuleius, New York: Farrar, Straus, 1951.
The Nazarene Gospel Restored (with Joshua Podro). London: Cassell, 1953; New York: Doubleday, 1954.
The Greek Myths. London: Penguin, 1955; Baltimore: Penguin, 1955.
The Crowning Privilege: The Clark Lectures, 1954–1955. London: Cassell, 1955; New York: Doubleday, 1956.
Adam's Rib. London: Trianon Press, 1955; New York: Yoseloff, 1958.
Jesus in Rome (with Joshua Podro). London: Cassell, 1957.
Steps. London: Cassell, 1958.
5 Pens in Hand. New York: Doubleday, 1958.
The Anger of Achilles. New York: Doubleday, 1959.
Food for Centaurs. New York: Doubleday, 1960.
Greek Gods and Heroes. New York: Doubleday, 1960; as Myths of Ancient Greece. London: Cassell, 1961.
Selected Poetry and Prose (ed. James Reeves). London: Hutchinson, 1961.
Oxford Addresses on Poetry. London: Cassell, 1962; New York: Doubleday, 1962.
The Siege and Fall of Troy. London: Cassell, 1962; New York: Doubleday, 1963.
The Big Green Book. New York: Crowell Collier, 1962; Penguin: Harmondsworth, 1978. Illustrated by Maurice Sendak
Hebrew Myths. The Book of Genesis (with Raphael Patai). New York: Doubleday, 1964; London: Cassell, 1964.
Majorca Observed. London: Cassell, 1965; New York: Doubleday, 1965.
Mammon and the Black Goddess. London: Cassell, 1965; New York: Doubleday, 1965.
Two Wise Children. New York: Harlin Quist, 1966; London: Harlin Quist, 1967.
The Rubaiyyat of Omar Khayyam (with Omar Ali-Shah). London: Cassell, 1967.
Poetic Craft and Principle. London: Cassell, 1967.
The Poor Boy Who Followed His Star. London: Cassell, 1968; New York: Doubleday, 1969.
Greek Myths and Legends. London: Cassell, 1968.
The Crane Bag. London: Cassell, 1969.
On Poetry: Collected Talks and Essays. New York: Doubleday, 1969.
Difficult Questions, Easy Answers. London: Cassell, 1972; New York: Doubleday, 1973.
In Broken Images: Selected Letters 1914–1946, ed. Paul O'Prey. London: Hutchinson, 1982
Between Moon and Moon: Selected Letters 1946–1972, ed. Paul O'Prey. London: Hutchinson, 1984
Collected Writings on Poetry, ed. Paul O'Prey, Manchester: Carcanet Press, 1995.
Complete Short Stories, ed. Lucia Graves, Manchester: Carcanet Press, 1995.
Some Speculations on Literature, History, and Religion, ed. Patrick Quinn, Manchester: Carcanet Press, 2000.
November 5 address, X magazine, Volume One, Number Three, June 1960; An Anthology from X (Oxford University Press 1988).

Notes

^ "National Portrait Gallery - Person - Robert Ranke Graves". Npg.org.uk. http://www.npg.org.uk/collections/search/person.php?LinkID=mp01882. Retrieved 2010-12-19.
^ [1] Review of The White Goddess -- A Historical Grammar of Poetic Myth outlining different editions
^ James Tait Black Prize winners: Previous winners – fiction
^ Graves (1960) p234
^ Graves (1960) p172
^ Graves (1960) p281
^ ^a ^b Richard Perceval Graves, ‘Graves, Robert von Ranke (1895–1985)’, Oxford Dictionary of National Biography, Oxford University Press, Sept 2004; online edn, May 2010 accessed 27 July 2010
^ Graves (1960) pp 21-25
^ Graves (1960) pp 38-48
^ Graves (1960) pp 45-52
^ Graves (1960) p.48
^ Graves (1960) pp 55-60
^ Graves (1960) pp 36-37
^ Graves (1960) pp 214-16
^ Graves (1960) pp 216-17
^ Graves (1960) pp 219-20
^ Graves (1960) p.228
^ Graves (1960) pp 231-33
^ Graves (1960) p.236
^ Graves (1960) pp 238-42
^ India's prisoner: a biography of Edward John Thompson, 1886-1946
^ Graves (1960) pp 242-47
^ "[it] makes attractive reading and conveys much solid information, but should be approached with extreme caution nonetheless". (Robin Hard, H.J. Rose, The Routledge Handbook of Greek Mythology, p. 690. ISBN 0-415-18636-6.) See The Greek Myths for further discussion.
^ The White Goddess, Farrar Strauss Giroud, p. 224. ISBN 0-374-50493-8
^ Graves, Robert, Ali-Shah, Omar: The Original Rubaiyyat of Omar Khayyam, ISBN 0-14-003408-0, ISBN 0-912358-38-6
^ ^a ^b ^c Stuffed Eagle, Time magazine, 31 May 1968
^ Graves, Richard Perceval (1995). Robert Graves And The White Goddess: The White Goddess, 1940–1985. London, UK: Weidenfeld & Nicolson. pp. 446–447, 468–472. ISBN 0231109660.
^ National Library of Australia NLA News June 2002 Volume XII, Number 9, retrieved 15 June 2007 National Library of Australia newsletter (June 2002)
^ "Poets". Net.lib.byu.edu. http://net.lib.byu.edu/english/wwi/poets/poets.html. Retrieved 2010-12-19.
^ BYU librray archive
^ http://www.cabinetoffice.gov.uk/sites/default/files/resources/document2012-01-24-075439.pdf
^ "Beryl Graves: Widow and editor of Robert Graves" The Independent 29 October 2003
^ "Obituary – Beryl Graves, The Guardian, 1 November 2003, retrieved 15 May 2007.The Guardian obituary for Beryl Graves

Sources

Graves, Robert (1960) Goodbye to All That, London: Penguin

External links

Wikisource has original works written by or about: Robert Graves

Wikiquote has a collection of quotations related to: Robert Graves

Wikimedia Commons has media related to: Robert Graves

Works and archives

The Robert Graves Digital Archive by Oxford University
Robert Graves archives at University of Victoria, Special Collections
Robert Graves Papers at Southern Illinois University Carbondale Special Collections Research Center
Works by Robert Graves at Project Gutenberg

Articles and interviews

1965 BBC television interview (29 mins)
Peter Buckman and William Fifield (Summer 1969). "Robert Graves, The Art of Poetry No. 11". The Paris Review. http://www.theparisreview.org/interviews/4178/the-art-of-poetry-no-11-robert-graves.
Pegasos article on Robert Graves
Article by Robert H. Canary, "Utopian and Fantastic Dualities in Robert Graves's Watch the North Wind Rise"

Authority control: PND: 118639331 | LCCN: n79018421 | VIAF: 68929835 | SELIBR: 188621 | WorldCat

Persondata
Name	Graves, Robert
Alternative names
Short description	English novelist, poet
Date of birth	24 July 1895
Place of birth	Wimbledon, London, England
Date of death	7 December 1985
Place of death	Deia, Majorca, Spain

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Robert Graves

Robert Graves, Poet / Writer

Robert von Ranke Graves

Robert Graves

Robert Ranke Graves

Robert Ranke Graves

Robert Graves

Robert Graves

Biography

Robert Graves

Robert Graves

Biography

Early life

Education

First World War

Post-war period

Literary career

Death

Children

Bibliography

Poetry collections

Fiction

Other works

See also

Notes

Sources

External links

Works and archives

Articles and interviews

	Riding (Jackson), Laura (American poet)
	Alfred Percival Graves (Irish poet)
	Code of Honor (1930 Western Film)

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