Robert Nighthawk

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  • Genres: Blues

Biography

Of all the pivotal figures in blues history, certainly one of the most important was Robert Nighthawk. He bridged the gap between Delta and Chicago blues effortlessly, taking his slide cues from Tampa Red and stamping them with a Mississippi edge learned first hand from his cousin, Houston Stackhouse. Though he recorded from the '30s into the early '40s under a variety of names -- Robert Lee McCoy, Rambling Bob, Peetie's Boy -- he finally took his lasting sobriquet of Robert Nighthawk from the title of his first record, "Prowling Night Hawk." It should be noted that the huge lapses in the man's discography are direct results of his rambling nature, taciturnity, and seeming disinterest in making records. Once you got him into a studio, the results were almost always of a uniform excellence. But it might be two years or more between sessions.

Nighthawk never achieved the success of his more celebrated pupils, Muddy Waters and Earl Hooker, finding himself to be much happier to be working one nighters in taverns and the Maxwell Street open market on Sundays. He eventually left Chicago for his hometown of Helena, AR, where he briefly took over the King Biscuit Radio Show after Sonny Boy Williamson died, while seemingly working every small juke joint that dotted the landscape until his death from congestive heart failure in 1967. Robert Nighthawk is not a name that regularly gets bandied about when discussing the all-time greats of the blues. But well it should, because his legacy was all-pervasive; his resonant voice and creamy smooth slide guitar playing (played in standard tuning, unusual for a bluesman) would influence players for generations to come and many of his songs would later become blues standards. ~ Cub Koda, Rovi
Wikipedia on Answers.com:

Robert Nighthawk

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Robert Lee McCollum
Birth name Robert Lee McCollum
Also known as Robert Lee McCoy
Robert Nighthawk
Born November 30, 1909(1909-11-30)
Helena, Arkansas, United States
Died November 5, 1967(1967-11-05) (aged 57)
Helena, Arkansas, United States
Genres Blues
Occupations Musician
Instruments Vocals, slide guitar, harmonica
Labels Victor Records
Bluebird
Decca
Aristocrat Records
Chess Records
United Records
States Records
Associated acts Memphis Jug Band

Robert Lee McCollum (November 30, 1909 – November 5, 1967)[1] was an American blues musician, who played and recorded under the pseudonyms Robert Lee McCoy and Robert Nighthawk.

Contents

Robert Lee McCoy

Born in Helena, Arkansas, he left home at an early age to become a busking musician, and after a period wandering through southern Mississippi, settled for a time in Memphis, Tennessee where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learnt to play slide guitar, and with whom he appeared on the radio in Jackson, Mississippi.

After further travels through Mississippi, he found it advisable to take his mother's name, and as Robert Lee McCoy moved to St. Louis, Missouri in the mid 1930s.[2] Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1937, the four musicians recording together at the Victor Records studio in Aurora, Illinois as well as recordings under his own name, including "Prowling Night-Hawk" (recorded 5 May 1937), from which he was take his later pseudonym.

These sessions led to Chicago blues careers for the other musicians, though not, however, for McCoy, who continued his rambling life, playing and recording (for Victor/Bluebird and Decca) solo and with various musicians, under various names. He also became a familiar voice on local radio stations; then Robert Lee McCoy disappeared.

Robert Nighthawk

Within a few years, he resurfaced as the electric slide guitarist Robert Nighthawk, and began recording for Aristocrat and Chess Records, the latter of which was also Muddy Waters' label; in 1949 and 1950, the two men's styles were close enough that they were in competition for promotional activity; as Waters was the more marketable commodity, being more reliable and a more confident stage communicator, he received the attention. Though Nighthawk continued to perform and to record, taking up with United and States 1951 and 1952, he failed to achieve great commercial success.

In 1963, Nighthawk was rediscovered busking in Chicago and this led to further recording sessions and club dates, and to his return to Arkansas, where he appeared on the King Biscuit Time radio programme on KFFA. As late as 1964, Nighthawk could be found playing on Chicago's Maxwell Street.[2] He had a stroke followed by a heart attack, and died of heart failure[1] at his home in Helena.

Historic marker

Robert Nighthawk Blues Trail Marker

Nighthawk was honored by the Mississippi Blues Commission places a historic marker in Friars Point, Mississippi, marking his position on the Mississippi Blues Trail. Governor Haley Barbour stated the following:

This talented Mississippian made a huge contribution to development of that unique genre of music, the Mississippi blues. I am pleased Nighthawk’s imprint on the blues scene, which is still heard through the tunes of modern-day blues artists, will be recognized with his inclusion on the Mississippi Blues Trail.[3]

The marker was placed at Friars Point, as Nighthawk called this town his home at various times during his itinerant career. He recorded a song called "Friars Point Blues" in 1940.[3]

Recordings

  • Robert Nighthawk: Prowling with the Nighthawk (Document) — twenty-six sides (1937–1952) recorded for Bluebird, Decca, Aristocrat, and United.
  • Ramblin' Bob (Saga) — twenty-four sides (1937–1952) recorded for Victor, Decca, Chess, and United.
  • Live On Maxwell Street (1964)

References

  1. ^ a b Thedeadrockstarsclub.com - accessed November 2009
  2. ^ a b Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. p. 150. ISBN 1-85868-255-X. 
  3. ^ a b "Robert Lee 'Nighthawk' McCollum To Be Honored With Blues Trail Marker". Mississippi Development Authority. http://www.visitmississippi.org/press_news/RobertLeeMcCollum.pdf. Retrieved 2008-05-29. [dead link]

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Copyrights:

Mentioned in

Blues in D Natural (1979 Album by Various Artists)
Chicago Blues Anthology [Chess] (1984 Album by Various Artists)
Shake 'Em on Down (Album by Various Artists)
The Greatest in Country Blues (1929-1956), Vol. 1 (1992 Album by Various Artists)
Blues Masters, Vol. 8: Mississippi Delta Blues (1993 Album by Various Artists)