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Robert Pete Williams

 
Artist: Robert Pete Williams
  • Born: March 14, 1914, Zachary, LA
  • Died: December 31, 1980, Rosedale, LA
  • Active: '50s, '60s, '70s
  • Genres: Blues
  • Instrument: Vocals, Guitar
  • Representative Albums: "Angola Prisoner's Blues," "When a Man Takes the Blues," "I'm as Blue as a Man Can Be"
  • Representative Songs: "Pardon Denied Again," "Levee Camp Blues," "I'm Going to Have Myself a Ba"

Biography

Discovered in the Louisiana State Penitentiary, Robert Pete Williams became one of the great blues discoveries during the folk boom of the early '60s. His disregard for conventional patterns, tunings, and structures kept him from a wider audience, but his music remains one of the great, intense treats of the blues.

Williams was born in Zachary, Louisiana, the son of sharecropping parents. While he was a child, he worked the fields with his family; he never attended school. Williams didn't begin playing blues until his late teens, when he made himself a guitar out of a cigar box. Playing his homemade guitar, Williams began performing at local parties, dances, and fish fries at night while he worked during the day. Even though he was constantly working, he never made quite enough money to support his family, which caused considerable tension between him and his wife -- according to legend, she burned his guitar one night in a fit of anger.

Despite all of the domestic tension, Williams continued to play throughout the Baton Rouge area, performing at dances and juke joints. In 1956, he shot and killed a man in a local club. Williams claimed the act was in self-defense, but he was convicted of murder and sentenced to life in prison. He was sent to Angola prison, where he served for two years before being discovered by ethnomusicologists Dr. Harry Oster and Richard Allen. The pair recorded Williams performing several of his own songs, which were all about life in prison. Impressed with the guitarist's talents, Oster and Allen pleaded for a pardon for Williams. The pardon was granted in 1959, after he had served a total of three and a half years. For the first five years after he left prison, Williams could only perform in Lousiana, but his recordings -- which appeared on Folk-Lyric, Arhoolie, and Prestige, among other labels -- were popular and he received positive word of mouth reviews.

In 1964, Williams played his first concert outside of Louisiana -- it was a set at the legendary Newport Folk Festival. Williams' performance was enthusiastically received and he began touring the United States, often playing shows with Mississippi Fred McDowell. For the remainder of the '60s and most of the '70s, Robert Pete Williams constantly played concerts and festivals across America, as well a handful of dates in Europe. Along the way, he recorded for a handful of small independent labels, including Fontana and Storyville. Williams slowed down his work schedule in the late '70s, largely due to his old age and declining health. The guitarist died on December 31, 1980, at the age of 66. ~ Cub Koda, All Music Guide
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Wikipedia: Robert Pete Williams
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Robert Pete Williams
Birth name Robert Pete Williams
Born March 14, 1914(1914-03-14)
Zachary, Louisiana, United States
Died December 31, 1980 (aged 66)
Rosedale, Louisiana, United States
Genres Blues
Occupations Musician, singer, guitarist, songwriter
Instruments Guitar, vocals
Years active Late 1950s-1980
Labels Arhoolie
Sonet
Various

Robert Pete Williams (March 14, 1914 – December 31, 1980[1]) was an American Louisiana blues musician, based in Louisiana. His music characteristically employs unconventional blues tunings and structures, and his songs are often about the time he served in prison.[2] His song "I've Grown So Ugly" has been covered by Captain Beefheart, on his album Safe as Milk (1967), and by The Black Keys, on Rubber Factory (2004).

Contents

Biography

Williams was born in Zachary, Louisiana, to a family of sharecroppers.[3] He had no formal schooling,[3] and spent his childhood picking cotton and cutting sugar cane. In 1928, he moved to Baton Rouge and worked in a lumberyard. At the age of 20, Williams fashioned a crude guitar by attaching five copper strings to a cigar box,[3] and soon after bought a cheap, mass-produced one. Robert was taught by Frank and Robert Metty and began to play for small events such as Church gatherings, fish fries, suppers, and dances. From the 1930s-1950s, Williams played music and continued to work in the lumberyards of Baton Rouge.

He was discovered in Angola prison, by ethnomusicologists Dr Harry Oster and Richard Allen, where he was serving a life sentence for shooting a man dead in a local club in 1956, an act which he claimed was in self-defense.[3] Oster and Allen recorded Williams performing several of his songs about life in prison and pleaded for him to be pardoned. Under pressure from Oster, the parole board issued a pardon and commuted his sentence to 12 years. In December 1958 he was released into 'servitude parole', which required 80 hours of labor per week on a Denham Springs farm without due compensation, and only room and board provided. This parole prevented him from working in music, though he was able to occasionally play with Willie B. Thomas and Butch Cage at Thomas's home in Zachary. By this time, Williams' music had achieved some favorable word-of-mouth reviews, and he played his first concert outside Louisiana at the 1964 Newport Folk Festival.[2]

By 1965 he was able to tour the country, traveling to Los Angeles, Massachusetts, Chicago and Berkeley. In 1966 he also toured Europe.[3] In 1968 he settled in Maringouin, west of Baton Rouge and began to work outside of music.

In 1970, Williams began to perform once again, touring blues and folk festivals throughout the United States and Europe. His music has appeared in several films notably, the Roots of American Music; Country and Urban Music (1971); Out of the Blues into the Blacks (1972) and Blues Under the Skin (1972) the last two being French-made films.

His most popular recordings included "Prisoner's Talking Blues" and "Pardon Denied Again".[2] Williams has been inducted into the Louisiana Blues Hall of Fame.

Williams had slowed down his work schedule by the late 1970s, largely due to his old age and declining health.[3] Williams died in Rosedale, Louisiana on December 31, 1980, at the age of 66.[1]

Recordings

Here is a partial listings of recordings that have featured William's music:

  • Angola Prisoner's Blues (Arhoolie 2001)
  • Those Prison Blues (Arhoolie 2015)
  • 101 Sugar Farm Blues (Beacon 1932)
  • Robert Pete Williams and Snooks Eaglin (Fantasy 24715)
  • Free Again (Prestige 7808)
  • When I Lay My Burden Down (Southland 4)
  • Louisiana Blues (Takoma b-1011)
  • Legacy of the Blues Vol. 9 (Sonet 649)
  • Robert Pete Williams (Ahura Mazda 2002)

References

  1. ^ a b Dead Rock Stars Club website
  2. ^ a b c Russell, Tony (1997). The Blues - From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. pp. 188–189. ISBN 1-85868-255-X. 
  3. ^ a b c d e f "Biography by Cub Koda". Allmusic.com. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:hzfexqugldae~T1. Retrieved September 10, 2005. 
  • Baton Rouge Blues: A Guide to the Baton Rouge Bluesmen and Their Music by Jimmy Beyer, 1980.  Publisher: Arts and Humanities Council of Greater Baton Rouge

External links


 
 
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