Robin Williamson

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Robin Williamson

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Robin Williamson has spent his musical career bridging the gap between old traditions and new styles. From his innovative work with Mike Heron in the Incredible String Band to his efforts to revive the bardic tradition, he has built an impressive catalog spanning four decades. "Rather than ask what Robin Williamson does," noted Jo Hughey Morrison in MusicHound Folk, "it might be more appropriate to ask what he doesn’t do." He has been nominated for several Grammy Awards and has written scores for a number of motion pictures. "Williamson has been rock steady," wrote Thorn Jurek in All Music Guide, "in his investigations of all things poetic and traditional… since 1962."

Born in 1943 in Edinburgh, Scotland, Williamson grew up in the Home Counties and also spent time abroad in France. He completed school at Auld Reekie and at 16 began performing as a musician. He traveled to London in the early 1960s with guitarist Bert Jansch, and the two spent the winter traveling the folk circuit. He eventually learned to play the fiddle, guitar, mandolin, sitar, flute, and harp. In 1965 he met Clive Palmer and the duo performed old-time Scottish and Irish songs at the Incredible Folk Club.

After the duo signed with Elektra Records in 1966, they recruited multi-instrumentalist Mike Heron and called themselves the Incredible String Band. As producer Joe Boyd pointed out, the Incredible String Band was the first group to combine various influences to perform in a style that is now referred to as world music. Although the band’s first album was well received, Palmer departed to pursue other projects. Williamson, meanwhile, traveled to Morocco for three months before returning to Scotland with an assorted collection of instruments. These instruments would be employed on 1967’s 5000Spirits or the Layers of the Onion, an eclectic album featuring original compositions by Williamson and Heron. The band found success with 1968’s follow-up, The Hangman’s Beautiful Daughter. "Although the music was less commercial than its predecessor," noted Jim Powers in All Music Guide, "it reached the top ten in the British album charts and was also the group’s highest Billboard chart placing in America, reaching number 161." The group recorded a series of ambitious albums including Wee Tarn, U, and Changing Horses before breaking up in 1974.

Williamson moved from Scotland to Los Angeles with his wife Janet in 1975. Temporarily disillusioned with the music business, he turned to writing. He completed the loosely autobiographical "Mirrorman’s Sequences," which was published in the collection Outlaw Visions. He then co-wrote a detective novel with Dan Sherman, titled The Glory Trap. But Williamson soon returned to his first muse. He played a number of dates with a short-lived band called the Far Cry Ceilidh Band, but the group never recorded. For his next project he formed Robin Williamson and His Merry Band with classical harpist Sylvia Wood as well as Chris Caswell and Jerry McMillian. The band’s first release in 1977, Journey’s Edge, explored traditional music. It was followed by American Stonehenge in 1978. The Merry Band developed a reputation for the diverse nature of their live shows and what Lahri Bond of Dirty Linen referred to as "good-spirited bawdiness." His Merry Men released A Giant at the Kindling in 1979, an album that featured Williamson’s epic "Five Denials on Merlin’s Grave." In December of 1979 the band performed its last show and broke up.

Williamson toured as a solo artist during most of the 1980s, performing one-man shows in the ancient bardic style. A live show would be broken into two parts, the first consisting of an eclectic mixture of material with the aid of multiple instruments and the second set made up of an epic-length story. "I’m just trying to extend the general approach to combining spoken word and sung word…," Williamson told Bond, "working largely in the Celtic tradition, but trying to write new things in that style. I think the music I make and write as an artist has borrowed not only from the heritage of Scotland, but also from the romantic and visionary heritage which sprang from the Celtic revival of the 19th century…."

Williamson also worked on motion picture soundtracks during the 1980s. He scored a 13-part series on Welsh history, The Dragon Has Two Tongues, and contributed to the music of director Ron Howard’s Willow in 1988. In 1987 Williamson recorded a children’s album, Songs for Children of All Ages, for Flying Fish. He also became involved in non-musical ventures, including the Scottish Wildlife Trust and Caledon Forest Project, a

fund set up to replant native hardwoods. "The Celts respected the soft feminine nature of the landscape," Williamson told Bond. "They held their bardic colleges deep in the sacred groves of the ancient Caledon Forest…."

In 1996 Williamson restructured his publishing company and formed an independent record label called Pig’s Whisker. He immediately began issuing both new and archival material, including Farewell Concert at McCabes, a live recording with His Merry Band, and Robin Williamson and Mike Heron—Bloomsbury 1997. The latter recording originated from a number of live dates with Williamson and Heron performing as the Incredible String Band. With 17 releases in two years on Pig’s Whisker, Bond noted, "Williamson juggles as many projects as he plays instruments."

Williamson rejoined original Incredible String Band member Clive Palmer in 1999 and issued At the Pure Fountain. "[l]t was just great to see Clive again after all those years," he told Bond. "It was like a 30-year circle being drawn to completion." He recorded The Seed-at-Zero for ECM in 2001, writing music to accompany the works of Dylan Thomas and several other bards from the British Isles. "Musically this combination of words and music is nothing short of stunning…," noted Jurek. "It is moving in that it is not so much a tribute to the work of such men, but is a statement on how timely, even now, their purpose and words are; a brilliant work." Williamson’s renewal of ancient traditions has created a distinct body of work with an optimistic vision toward the future. "With all the bad news around these days," Williamson told Bond, "we, as artists, have to paint pictures that rekindle the spirit, that say there is hope."

Selected discography
(With the Incredible String Band) 5000Spirits or the Layers of the Onion, Elektra, 1967; reissued, Collectors’ Choice, 2002.
(With the Incredible String Band) The Hangman’s Beautiful Daughter, Elektra, 1968; reissued, Collectors’ Choice, 2002.
(With His Merry Band) American Stonehenge, Edsel, 1978.
Songs of Love & Parting, Flying Fish, 1981.
Legacy of the Scottish Harpers, Flying Fish, 1986.
Celtic Harp Airs & Dance Tunes, Greentrax, 1997.
Ring Dance, Pig’s Whisker, 1998.
Just Like the Ivy, Pig’s Whisker, 2000.
The Seed-at-Zero, ECM, 2001.

Sources
Books
Walters, Neal, and Brian Mansfield, editors, MusicHound Folk, Visible Ink Press, 1998.

Periodicals
Dirty Linen, August/September 1999, p. 20.

Online
"Incredible String Band," All Music Guide, http://www.allmusic.com">http://www.allmusic.com (June 6, 2002).
"Robin Williamson," All Music Guide, http://www.allmusic.com">http://www.allmusic.com (June 6, 2002).
"Robin Williamson: In Celebration of Celtic Roots," Dirty Linen, http://www.dirtynelson.com/linen/feature/33williamson.html (June 6, 2002).
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  • Genres: Folk

Biography

Between 1966 and 1974, Robin Williamson was one half of the Incredible String Band, but his career did not founder after ISB's demise, although it might be said to have taken a few quirky turns, including a collaboration on a spy novel and the publication of a bizarre semi-autobiography. Away from these literary avocations, Williamson formed the Far Cry Ceilidh Band with Stan Schnier and Mark Simos, but never made it to the recording studio. In 1976, Williamson met with harpist Sylvia Woods, and together with Chris Caswell and Jerry McMillian, they formed Robin Williamson & His Merry Band. Between 1977 and 1979, they released three albums: the highly traditional Journey's Edge in 1977, American Stonehenge in 1978, and A Glint at the Kindling in 1979, which featured the epic historical cycle "Five Denials on Merlin's Grave." After the breakup of the Merry Band, Williamson started to tour solo, offering highly ambient sets dominated by traditional stories set to song. Releases of this period include Songs of Love and Parting and the dedicated folklorist's Legacy of the Scotish Harpers. Williamson's concern with the British bardic tradition also manifested itself in several books and tapes containing spoken renditions of traditional tales. Subsequent projects saw the prolific Williamson recording tapes and discs of music for children and pouring his energies into environmental projects for the Scottish Wildlife Trust. Iron Stone was released on the ECM label in 2006. ~ Leon Jackson, Rovi
Wikipedia on Answers.com:

Robin Williamson

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Robin Williamson

Robin Williamson performing in 2009
Background information
Birth name Robin Williamson
Born (1943-11-24) 24 November 1943 (age 68)
Edinburgh, Scotland, UK
Occupations Singer, songwriter
Instruments Vocals, guitar, harp, banjo, fiddle, flute, penny whistle, etc.
Years active Since 1963
Associated acts The Incredible String Band
The Merry Band
Website pigswhiskermusic.co.uk

Robin Williamson (born 24 November 1943, Edinburgh) is a Scottish multi-instrumentalist musician, singer, songwriter and storyteller, who first made his name as a founding member of The Incredible String Band.

Contents

Career

Williamson lived in the Portobello area of Edinburgh, and attended George Watson's College before leaving at the age of 15 to become a professional musician. At first he performed in local jazz bands, with Gerard Dott (a later member of the ISB) and others, before turning to traditional music as a singer and guitarist. By 1961 he had met and begun sharing a flat with Bert Jansch, and in 1963 they traveled together to London to play the metropolitan folk circuit.[1]

By 1965 he had returned to Edinburgh and formed a duo with Clive Palmer,[2] specialising in fiddle and banjo arrangements of traditional Scots and Irish songs. Joe Boyd signed them to Elektra Records in 1966, by which time they had recruited third member Mike Heron. As resident band at Clive’s Incredible Folk Club in Glasgow, they called themselves the Incredible String Band.

Between 1966 and 1974 the Incredible String Band, based around the duo of Williamson and Heron, released some 13 albums, becoming in the UK one of the most popular, best-loved and influential groups of the era.[3] The group also included Williamson's sometime girlfriend Licorice McKechnie.

Williamson released his first solo LP, "Myrrh", in 1971 when still a member of the Incredible String Band. After the band split up in 1974, he began living in Los Angeles and, for a while, turned his attention to writing, co-writing an espionage novel, "The Glory Trap".

By 1976 he had returned to music, forming The Merry Band with Sylvia Woods (Celtic harp), Jerry McMillan (fiddle), and Chris Caswell (flutes, and wire-strung harp). They toured extensively for three years throughout the US, Canada, and Europe, and released three albums "Journey’s Edge", "American Stonehenge", and "A Glint At The Kindling".[4]

After the breakup of the Merry Band, Williamson returned to the UK and started to tour solo, offering sets dominated by traditional stories set to song. Releases of this period include "Songs of Love and Parting" and "Legacy of the Scottish Harpers". He has also written a tutorial book of English, Welsh, Scottish and Irish Fiddle Tunes (ISBN 0-8256-0165-7) as well as one for the penny whistle (ISBN 0-8256-0190-8).

Williamson's live album with John Renbourn, 'Wheel Of Fortune' (1995), was nominated for a Grammy, (as was the ISB album 'Hangman's Beautiful Daughter', in 1968[5]).

In the late 1990s he took part, with Palmer and Heron, in a reformed ISB. Williamson left the band some time around the start of 2003 - some rumours had it that he was forced out in acrimonious circumstances. The reformed band disbanded once again in 2006.

Meanwhile Williamson resumed his solo career, notably on record with a series of albums for the ECM label. "Seed-at-zero' (2000), 'Skirting The River Road' (2002) and 'The Iron Stone' (2006)[6] featured him combining his own words with those of the likes of Dylan Thomas, William Blake, and Walt Whitman. Musically these records show him increasingly working in a fusion style (similar in some ways to the avant-garde work of the Incredible String Band in the 60's) which incorporates folk, jazz, Renaissance, Classical and Eastern influences. A group of distinguished jazz musicians accompany Williamson on the two most recent ECM records, notably violist Mat Maneri, bassist Barre Phillips, Swedish multi-instrumentalist Ale Moller, and English sax player Paul Dunmall.

Solo discography

  • Myrrh (1972)
  • Journey's Edge (1977) (with The Merry Band)
  • American Stonehenge (1978) (with The Merry Band)
  • A Glint At The Kindling (1979) (with The Merry Band)
  • Songs of Love & Parting (1981)
  • The Fisherman's Son And The Gruagach of Tricks (1981)
  • Prince Dougie And The Swan Maiden (1982)
  • Rory Mor And The Gruagach Gaire (1982)
  • Music for the Mabinogi (1983)
  • Selected Writings (1984)
  • Five Humorous Tales of Scotland and Ireland (1984)
  • The Dragon Has Two Tongues (1985)
  • Five Celtic Tales of Enchantment (1985)
  • Five Legendary Histories Of Britain (1985)
  • Five Bardic Mysteries (1985)
  • Five Tales of Prodigies and Marvels (1985)
  • Legacy of the Scottish Harpers (1986)
  • Legacy of the Scottish Harpers Volume Two (1986)
  • Winter's Turning (1986)
  • Songs For Children of All Ages (1987)
  • Ten of Songs (1988)
  • Music For The Newly Born (1990)
  • Wheel Of Fortune (1995, with John Renbourn)
  • The Island Of The Strong Door (1996)
  • Songs For The Calendarium (1996)
  • Farewell Concert At McCabe's (1997, with The Merry Band)
  • Mirrorman's Sequences (1997)
  • Celtic Harp Airs And Dance Tunes (1997)
  • Memories/Erinnerungen (1997)
  • Dream Journals (1997)
  • Bloomsbury 1997 (1998, with Mike Heron)
  • Gems Of Celtic Story 1 (1998)
  • Ring Dance (1998)
  • Gems Of Celtic Story 2 (1998)
  • A Job Of Journey Work (1998)
  • The Old Fangled Tone (1999)
  • Music For Macbeth (1999)
  • At The Pure Fountain (1999, with Clive Palmer)
  • The Seed-at-Zero (2000)
  • Just Like The Ivy (2000, with Clive Palmer)
  • Bloomsbury 2000 (2001, with reformed ISB)
  • Carmina (2001)
  • Skirting The River Road (2002)
  • Gems Of Celtic Story 3 (2002)
  • The Iron Stone (2006)
  • The Celtic Bard (2008)
  • Just Like The River And Other Songs For Guitar (2008)

Bibliography

Robin Williamson
  • English, Welsh, Scottish and Irish Fiddle Tunes (1976)
  • Penny Whistle Book (1977)
  • Five Denials on Merlin's Grave: A Poem With Annotations (1979)
  • Holy Howlers (1987)
  • The Craneskin Bag: Celtic Stories and Poems (1989)
  • Wise and Foolish Tongue: Celtic Stories and Poems (1991)
Dan Sherman and Robin Williamson
  • The Glory Trap (1981) (novel)
Robin Williamson and John Matthews
  • From the Isles of Dream: Visionary Stories and Poems of the Celtic Renaissance (1993)
  • The Bardic Source Book: Inspirational Legacy and Teachings of the Ancient Celts (1998)
R.J. Stewart and Robin Williamson
  • Celtic Bards, Celtic Druids (1996)

References

  1. ^ Adrian Whittaker (ed.), Be Glad: The Incredible String Band Compendium, 2003, ISBN 1-900924-64-1
  2. ^ Powers, Jim. "The Incredible String Band: Biography". Allmusic. http://www.allmusic.com/artist/the-incredible-string-band-p2017/biography. Retrieved 19 December 2011. 
  3. ^ Boyd, Joe (2006). White Bicycles: Making Music in the 1960s. Serpent's Tail. pp. 184–190. ISBN 1-85242-910-0. 
  4. ^ Jackson, Leon. "Robin Williamson: Biography". Allmusic. http://www.allmusic.com/artist/robin-williamson-p2175/biography. Retrieved 19 December 2011. 
  5. ^ Jurek, Thom. "The Hangman's Beautiful Daughter: Review". Allmusic. http://www.allmusic.com/album/the-hangmans-beautiful-daughter-r96404/review. Retrieved 19 December 2011. 
  6. ^ Spencer, Neil (10 December 2006). "Pop and jazz CDs". The Guardian. http://www.guardian.co.uk/music/2006/dec/10/popandrock1. Retrieved 19 December 2011. 

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Mentioned in

Journey's Edge (1977 Album by Robin Williamson)
Merry Band's Farewell Concert at McCabe's (1997 Album by Robin Williamson)
Winter's Turning (1986 Album by Robin Williamson)
The Hangman's Beautiful Daughter (1968 Album by The Incredible String Band)