The Frost's second album on Vanguard, Rock and Roll Music, has the 1969 Dick Wagner four years before he would tour as part of the Lou Reed Rock & Roll Animal Band. The title track, recorded live at the Grande Ballroom in Detroit by engineer Ed Friedner, has an incessant chant over a bellowing guitar foundation. It is a good, raw picture of early Wagner music, a vital document of a Michigan band that helped shape that scene. "Sweet Lady Love" is the group in the recording studio with a tune that rocks like latter day Guess Who around the time of their Live at the Paramount LP. Producer Sam Charters balances the live tracks with the studio ones, á la John Simon's vision for Janis Joplin's Cheap Thrills. An acoustic ballad, "Linda," is placed in between that hard rock and is a far cry from the nice madness of side two's live tracks. In fact, the delicacy of Dick Wagner's voice and guitar playing might've found some chart action if it wasn't put in the context of a near metal album. Wagner sounds more like a British folky, say solo Paul McCartney, than American contemporary songwriters/singers James Taylor and Jonathan Edwards. "Linda" also sounds more like the type of music one would expect to hear on Vanguard. The parallels between Lou Reed and Frost cannot be ignored. Reed's signature tunes during RR Animal were "Sweet Jane," "Lady Day," and "Rock & Roll." Wagner's titles, "Rock and Roll Music" and "Sweet Lady Love," are side by side here -- just an eerie premonition of the shape of things to come. "Black Train" on this album has the same vibe as the Velvet Underground's "Train Coming Round the Bend" off of Loaded, though the style and melody are different. "Help Me Baby," on the other hand, has a throbbing Blue Cheer bassline from co-singer and bassist Gordy Garris and rhythm guitarist Don Hartman, as well as a Grand Funk style blitz. "Donny's Blues" opens side two, almost eight minutes of the band vamping with Hartman on vocals and harmonica. It melts into the song the Animals made famous for Barry Mann and Cynthia Weil, "We Gotta Get Out of This Place." Vanguard should go through the vaults and expand the live segments of this recording. One can feel the framework which would benefit Alice Cooper when the Rock & Roll Animal Band moved on to back that rock star. And Dick Wagner played a big role in writing some of Alice's biggest hits when they collaborated. The Frost has glimpses of the sound that would be so instrumental in defining '70s hard rock. ~ Joe Viglione, All Music Guide
"Rock and Roll Music" is a song written and originally recorded by Chuck Berry which became a hit single in 1957, reaching #8 in the U.S. chart, and was later covered by many artists, notably The Beatles and The Beach Boys.
The lyrics of the song extoll the virtues of rock and roll in comparison to other musical styles, and express the singer's resolve to dance only to this style of music. Berry's version is ranked number 128 on Rolling Stone's list of the 500 Greatest Songs of All Time.
The Beatles performed the song in many of their early Hamburg shows, and also played it on the BBC show Pop Go The Beatles. In late 1964, exhausted from non-stop touring and recording and short of original material, they decided to record several of their old rock and rhythm and blues favorites to fill out their LP release Beatles for Sale. Among these was a version of Berry's tune that eventually became as well-known as the original. The lead vocal in The Beatles' version was performed by John Lennon. In contrast to Berry's even-toned rendition, Lennon sang it as loudly and dynamically as his voice would permit. In the USA, it was released on the LP Beatles '65.
It also served as the title song to The Beatles' 1976 compilation album, Rock 'n' Roll Music.
The Beatles' version of "Rock and Roll Music" was released as a single in some countries, and topped the charts in Norway, The Netherlands (double a-side with No Reply) and Australia.
The Beach Boys' version is notable for the use of backing vocals which repeat the phrase "Rock, roll, rockin' and roll." There is a difference between the LP version and the single version in that the LP version has more synthesizer. Their version reached #5 in the US chart in 1976.
