Jimmie Rodgers

 
Artist:

Jimmie Rodgers

  • Birth Name: James Charles Rodgers
  • Alternative Name: Yodeling Cowboy
  • Genre: Country
  • Active: '20s, '30s
  • Instruments: Vocals, Guitar, Banjo

Biography

His brass plaque in the Country Music Hall of Fame reads, "Jimmie Rodgers' name stands foremost in the country music field as the man who started it all." This is a fair assessment. The "Singing Brakeman" and the "Mississippi Blue Yodeler," whose six-year career was cut short by tuberculosis, became the first nationally known star of country music and the direct influence of many later performers, from Hank Snow, Ernest Tubb, and Hank Williams to Lefty Frizzell and Merle Haggard. Rodgers sang about rounders and gamblers, bounders and ramblers -- and he knew what he sang about. At age 14 he went to work as a railroad brakeman, and on the rails he stayed until a pulmonary hemorrhage sidetracked him to the medicine show circuit in 1925. The years with the trains harmed his health but helped his music. In an era when Rodgers' contemporaries were singing only mountain and mountain/folk music, he fused hillbilly country, gospel, jazz, blues, pop, cowboy, and folk; and many of his best songs were his compositions, including "TB Blues," "Waiting for a Train," "Travelin' Blues," "Train Whistle Blues," and his 13 blue yodels. Although Rodgers wasn't the first to yodel on records, his style was distinct from all the others. His yodel wasn't merely sugar-coating on the song, it was as important as the lyric, mournful and plaintive or happy and carefree, depending on a song's emotional content. His instrumental accompaniment consisted sometimes of his guitar only, while at other times a full jazz band (horns and all) backed him up. Country fans could have asked for no better hero/star -- someone who thought what they thought, felt what they felt, and sang about the common person honestly and beautifully. In his last recording session, Rodgers was so racked and ravaged by tuberculosis that a cot had to be set up in the studio, so he could rest before attempting that one song more. No wonder Rodgers is to this day loved by country music fans.

The youngest son of a railroad man, Rodgers was born and raised in Meridian, MS. Following his mother's death in 1904, he and his older brother went to live with their mother's sister, where he first became interested in music. Rodgers' aunt was a former teacher who held degrees in music and English, and she exposed him to a number of different styles of music, including vaudeville, pop, and dancehall. Though he was attracted to music, he was a mischievous boy and often got into trouble. When he returned to his father's care in 1911, Rodgers ran wild, hanging out in pool halls and dives, yet he never got into any serious trouble. When he was 12, he experienced his first taste of fame when he sang "Steamboat Bill" at a local talent contest. Rodgers won the concert and, inspired by his success, decided to head out on the road in his own traveling tent show. His father immediately tracked him down and brought him back home, yet he ran away again, this time joining a medicine show. The romance of performing with the show wore off by the time his father hunted him down. Given the choice of school or the railroad, Rodgers chose to join his father on the tracks.

For the next ten years, Rodgers worked on the railroad, performing a variety of jobs along the South and West Coasts. In May of 1917, he married Sandra Kelly after knowing her for only a handful of weeks; by the fall, they had separated, even though she was pregnant (their daughter died in 1938). Two years later they officially divorced, and around the same time, he met Carrie Williamson, a preacher's daughter. Rodgers married Carrie in April of 1920 while she was still in high school. Shortly after their marriage, Rodgers was laid off by the New Orleans & Northeastern Railroad, and he began performing various blue-collar jobs, looking for opportunities to sing. Over the next three years, the couple was plagued with problems, ranging from financial to health -- the second of their two daughters died of diphtheria six months after her birth in 1923. By that time, Rodgers had begun to regularly play in traveling shows, and he was on the road at the time of her death. Though these years were difficult, they were important in the development of Rodgers' musical style as he began to develop his distinctive blue yodel and worked on his guitar skills.

In 1924, Rodgers was diagnosed with tuberculosis, but instead of heeding the doctor's warning about the seriousness of the disease, he discharged himself from the hospital to form a trio with fiddler Slim Rozell and his sister-in-law Elsie McWilliams. Rodgers continued to work on the railroad and perform blackface comedy with medicine shows while he sang. Two years after being diagnosed with TB, he moved his family out to Tucson, AZ, believing the change in location would improve his health. In Tucson, he continued to sing at local clubs and events. The railroad believed these extracurricular activities interfered with his work and fired him. Moving back to Meridian, Rodgers and Carrie lived with her parents before he moved away to Asheville, NC, in 1927. Rodgers was going to work on the railroad, but his health was so poor he couldn't handle the labor; he would never work the rails again. Instead, he began working as a janitor and a cab driver, singing on a local radio station and events as well. Soon, he moved to Johnson City, TN, where he began singing with the string band the Tenneva Ramblers. Prior to Rodgers, the group had existed as a trio, but he persuaded the members to become his backing band because he had a regular show in Asheville. The Ramblers relented, and the group's name took second billing to Rodgers, and the group began playing various concerts in addition to the radio show. Eventually, Rodgers heard that Ralph Peer, an RCA talent scout, was recording hillbilly and string bands in Bristol, TN. Rodgers convinced the band to travel to Bristol, but on the eve of the audition, they had a huge argument about the proper way they should be billed, resulting in the Tenneva Ramblers breaking away from Rodgers. He went to the audition as a solo artist, and Peer recorded two songs -- the old standards "The Soldier's Sweetheart" and "Sleep, Baby, Sleep" -- after rejecting Rodgers' signature song, "T for Texas."

Released in October of 1927, the record was not a hit, but Victor did agree to record Rodgers again, this time as a solo artist. In November of 1927, he cut four songs, including "T for Texas." Retitled "Blue Yodel" upon its release, the song became a huge hit and one of only a handful of early country records to sell a million copies. Shortly after its release, Rodgers and Carrie moved to Washington, where he began appearing on a weekly local radio show billed as the Singing Brakeman. Though "Blue Yodel" was a success, its sales grew steadily throughout early 1928, which meant that the couple wasn't able to reap the financial benefits until the end of the year. By that time, Rodgers had recorded several more singles, including the hits "Way Out on the Mountain," "Blue Yodel No. 4," "Waiting for a Train," and "In the Jailhouse Now." On various sessions, Peer experimented with Rodgers' backing band, occasionally recording him with two other string instrumentalists and recording his solo as well. Over the next two years, Peer and Rodgers tried out a number of different backing bands, including a jazz group featuring Louis Armstrong, orchestras, and a Hawaiian combo.

By 1929, Rodgers had become an official star, as his concerts became major attractions and his records consistently sold well. During 1929, he made a small film called The Singing Brakeman, recorded many songs, and toured throughout the country. Though his activity kept his star shining and the money rolling in, his health began to decline under all the stress. Nevertheless, he continued to plow forward, recording numerous songs and building a large home in Kerrville, TX, as well as working with Will Rogers on several fundraising tours for the Red Cross that were designed to help those suffering from the Depression. By the middle of 1931, the Depression was beginning to affect Rodgers as well, as his concert bookings decreased dramatically and his records stopped selling. Despite the financial hardships, Rodgers continued to record.

Not only did the Great Depression cut into Rodgers' career, but so did his poor health. He had to decrease the number of concerts he performed in both 1931 and 1932, and by 1933, his health affected his recording and forced him to cancel plans for several films. Despite his condition, he refused to stop performing, telling his wife that "I want to die with my shoes on." By early 1933, the family was running short on money, and he had to perform anywhere he could -- including vaudeville shows and nickelodeons -- to make ends meet. For a while he performed on a radio show in San Antonio, but in February he collapsed and was sent to the hospital. Realizing that he was close to death, he convinced Peer to schedule a recording session in May. Rodgers used that session to provide needed financial support for his family. At that session, Rodgers was accompanied by a nurse and rested on a cot in between songs. Two days after the sessions were completed, he died of a lung hemorrhage on May 26, 1933. Following his death, his body was taken to Meridian by train, riding in a converted baggage car. Hundreds of country fans awaited the body's arrival in Meridian, and the train blew its whistle consistently throughout its journey. For several days after the body arrived in Rodgers' hometown, it lay in state as hundreds, if not thousands, of people paid tribute to the departed musician.

The massive display of affection at Rodgers' funeral services indicated what a popular and beloved star he was during his time. His influence wasn't limited to the '30s, however. Throughout country music's history, echoes of Rodgers can be heard, from Hank Williams to Merle Haggard. In 1961, Rodgers became the first artist inducted into the Country Music Hall of Fame; 25 years later, he was inducted as a founding father at the Rock and Roll Hall of Fame. Though both honors are impressive, they only give a small indication of what Rodgers accomplished -- and how he affected the history of country music by making it a viable, commercially popular medium -- during his lifetime. ~ David Vinopal, All Music Guide
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Biography: Jimmie Rodgers

Jimmie Rodgers (1897-1933), known as "The Mississippi Blue Yodeler" and "The Singing Brakeman,"was the first nationally-known country music star. He influenced many later performers from Hank Snow and Ernest Tubb to Lefty Frizzell and Merle Haggard. Rodgers was the first musician to be inducted into the Country Music Hall of Fame.

Born in Meridian, Mississippi, on September 8, 1897, Rodgers grew up in hard times. He was the third son of Aaron Rodgers, a maintenance-of-way railroad foreman for the Mobile & Ohio Railroad. His mother died when he was four and Rodgers went to live with his mother's sister, a former teacher who had degrees in music and English. She introduced him to many kinds of music, including vaudeville, pop, and dance hall ditties. He was a wild boy and, when he returned to his father in 1912, he hung out in pool halls and seedy bars, though never got into serious trouble.

At the age of 12, he sang "Steamboat Bill" at a talent contest and won. It was his first taste of fame and he decided to start his own traveling show. His father tracked him down and brought him home, but Rodgers ran away again to join a medicine show-a traveling combination of entertainment and live commercials for mostly-useless and often dangerous medical remedies. By the time his father tracked him down again, Rodgers had had enough of life on the road. When his father gave him the choice of going to school or working on the railroad, Rodgers chose the railroad. He taught himself to play banjo, ukelele, and guitar and learned train songs, barroom ballads, slave songs, and blues tunes from the other railway men.

Rodgers worked as a brakeman for the New Orleans & Northeastern railroad for the next ten years, traveling along the south and west coasts. This was how he earned his nickname, "The Singing Brakeman."

Two Marriages

In May, 1917, he married Sandra Kelly, whom he had known for only a few weeks. By the fall, they were already separated, even though she was pregnant. Two years later they officially were divorced and Rodgers met Carrie Williamson, a high-school student and preacher's daughter. They married in April, 1920, while she was still in school.

Soon after the marriage, Rodgers was laid off by the railroad and the couple entered some hard times. Rodgers took odd jobs and sang whenever he could. He was on the road performing when he received word that their second daughter, who was only six weeks old, had died of diphtheria.

In 1923, Rodgers contracted pneumonia and the following year was diagnosed with tuberculosis. Despite his doctor's advice, he left the hospital and formed a trio with fiddler Slim Rozell and his sister-in-law Elsie McWilliams. Rodgers had taught himself to play and sing, and was not able to read or write music; he relied on McWilliams for help. The two collaborated on writing the songs that Americans would be singing throughout the late 1920s and 1930s.

Rodgers sang with the trio, performed comedy skits in medicine shows, and continued to work for the railroad. Because he believed that a warm, dry climate would help his tuberculosis, he moved his family to Tucson, Arizona, and continued to sing there. The railroad, saying his performing interfered with his job, fired him.

Rodgers and his family then moved to Meridian, Mississippi, where they lived with Carrie's parents before moving again, this time to Asheville, North Carolina, in 1927. Although Rodgers planned to take another railroad job, his tuberculosis had advanced to the point where he was unable to do the work, and he took odd jobs as a janitor and cab driver, sang on a local radio station and took whatever other singing jobs he could find.

Recorded with RCA Victor

Rodgers moved to Johnson City, Tennessee, where he joined a string band called the Tenneva Ramblers. This group was a trio before Rodgers arrived but he convinced them to let him be the lead performer because he already had a regular radio show back in Asheville. The group performed regularly on the radio and at local concerts.

Ralph Peer, a talent scout for RCA Victor records, came to Bristol, Tennessee, to record country and string bands. These recording sessions were the first time anyone had made an effort to record white rural music, known as "hillbilly music," for nationwide sale. The recordings, including those of Rodgers and the Carter Family, encouraged the beginnings of the country music industry.

Rodgers heard about the auditions and convinced the band to travel to Bristol. On the night before the audition, they had a heated argument about whose name should be billed first and the Tenneva Ramblers broke away from Rodgers, telling him to sing on his own. According to a biography on the Jimmierodgers.com, website, Rodgers said, "All right… I'll just sing one myself," and went to the audition anyway. He wanted to sing his signature song, "T for Texas," but Peer rejected that and instead recorded two songs, "The Soldier's Sweetheart" and "Sleep, Baby, Sleep." For these recordings, he was paid $100.

The record was released in October 1927. Although it wasn't a hit, Victor Records agreed to record more of Rodgers' songs. In November 1927, he recorded four songs, including "T for Texas," which was retitled "Blue Yodel," a song that gave Rodgers another nickname. "Blue Yodel," one of a very few early country records that sold over a million copies, led to success for Rodgers. He would eventually record 14 variations of "Blue Yodel," which Tom Piazza described in www.sony.music as "Loosely strung outlaw blues lyrics, sung in a sly, jaunty manner, alternated with Rodgers' trademark yodel in a unique overlay of the Southern rounder and the Western cowboy, literally and symbolically representing a blending of the streams of white and black rural music."

Unique Style

Other singers of the Appalachian mountain music known as "Old Time Music" stayed within their traditional folk-music boundaries. But Rodgers blended country, gospel, jazz, blues, pop, cowboy, and folk and wrote most of his own best-loved songs. He also brought his distinctive yodeling style into his music. A biography in the Alabama Music Hall of Fame remarks, "Although Rodgers wasn't the first to yodel on records, his style was distinct from all the others. His yodel wasn't merely sugar-coating on the song, it was as important as the lyric, mournful and plaintive or happy and carefree, depending on a song's emotional content." He sometimes sang to his guitar only, but on other songs he had a full jazz band, including horns-very different from the traditional mountain string band.

Rodgers' songs spoke to Americans, many of whom had endured hard times. Fans responded to his humble background, honest singing and playing, and his drive to overcome poverty and illness. In addition, his songs were simple and easy to understand. As Tom Piazza wrote, "His career was a meeting point for images and folk material from the American South and West, from black and white traditions, and it offered clues to ways in which that material could be blended into the mainstream of popular music.… His songs… evoked both the expansive frontier spirit and the longing, backward glance toward home. Along with the Carter Family and others, he was both a preserver and a popularizer of a precious body of expression."

First Country Music Star

Rodgers moved his family to Washington, D.C. He began singing on a weekly radio show as the "Singing Brakeman." Rodgers recorded more songs, including the four hits "Way Out on the Mountain," "Blue Yodel No. 4," "Waiting for a Train" and "In the Jailhouse Now." Ralph Peer and Rodgers experimented with the accompaniment, sometimes recording him with unlikely combinations such as a jazz band that included Louis Armstrong, jug bands, orchestras, and a Hawaiian combo.

By 1929, Rodgers was a star. He made a short film, titled The Singing Brakeman, recorded more songs, and made national tours. Although he was financially successful, all the money in the world couldn't stop the progress of his tuberculosis. He worked hard anyway, perhaps knowing that he would die young and wanting to make more money for his family's future. He recorded more songs, toured with Will Rogers on a Red Cross fund-raising mission to help farmers affected by a long drought in the southern states and built a home for his family in Kerrville, Texas.

Rodgers was deeply affected by the decline in the American economy. The Great Depression brought concert bookings and record sales to a virtual halt. Despite these difficulties, he continued to record new songs. In the six short years of his career, he recorded 127 songs.

Health Declines

In 1932, Rodgers recorded with the original Carter Family, but was so ill by then that he could barely lift his guitar. Mother Maybelle Carter played and sang for him. "I had to play like him, you know, so everybody would think it was him. But it was me," she said, according to the Jimmie Rodgers Home Page.

Rodgers knew his health was rapidly declining and, according to the Alabama Music Hall of Fame, told his wife Carrie, "I want to die with my shoes on." He kept performing wherever he could, at vaudeville shows and radio programs. At one radio program in San Antonio, Texas, he collapsed from exhaustion and ended up in the hospital. Knowing death was near, he called Peer and told him to set up one more recording session in New York City in May of 1933. In this, his last recording session, tuberculosis had left him so weak and ill that a cot had to be set up in the studio so he could rest in between songs. In eight days, he recorded twelve songs.

Rodgers slipped into a coma and died of a massive lung hemorrhage in New York City on May 26, 1933. He was 35 years old. His body was taken to Meridian by train in a converted baggage car. The train's engineer blew its whistle throughout the journey. In Meridian, hundreds of country music fans were waiting. His body lay in state for several days to allow the fans to pay tribute to their beloved idol.

Lasting Influence

A brass plaque dedicated to Rodgers in the Country Music Hall of Fame records that "Jimmie Rodgers' name stands foremost in the country music field as the man who started it all." His influence can still be heard in today's country singers, rock and rollers and blues greats like Blind Boy Fuller and Peetie Wheatstraw. Fans can visit the Jimmie Rodgers Memorial and Museum in Meridian, Mississippi, and attend the Jimmie Rodgers Festival, which is held in Kerrville, Texas, each year.

Bob Dylan wrote in the liner notes to a 1997 tribute album: "Jimmie Rodgers, of course, is one of the guiding lights of the twentieth century, whose way with song has always been an inspiration to those of us who have followed the path. … He was a performer of force without precedent with a sound as lonesome and mystical as it was dynamic. He gives hope to the vanquished and humility to the mighty."

Further Reading

"Jimmie Rodgers," Rock and Roll Hall of Fame, http://www.rockhall.com/induct/rodgjimm.html (February 23, 1999).

"Jimmie Rodgers: 1993 Inductee, John Herbert Orr Pioneer Award," Alabama Music Hall of Fame, http://www.alamhof.org/rodgersj.htm (February 23, 1999).

"Jimmie Rodgers: Biography," http://jimmierodgers.com/Main/Biography/biography.html (February 23, 1999).

"Jimmie Rodgers: Biography," Sony Music, http://www.conymusic.com/artists/JimmieR…s/TheSongsOfJimmieRodgers/biography.html (February 23, 1999).

"Jimmie Rodgers' Biography," http://www.ping.be/ml-cmb/jrbio.htm (February 23, 1999).

"Jimmie Rodgers: The Father of Country Music," Discover Texas, http://www.discover-texas.com/jimmie/ (February 23, 1999).

"Jimmie Rodgers-'The Singing Brakeman'," http://www.ils.unc>.edu/dolma/rodgers.html (February 23, 1999).

"Songs of Jimmie Rodgers Resonate Still," St. Louis Post-Dispatch,http://www.stlnet.com/pdnews/jrodgers/ (February 23, 1999).

 

(born Sept. 8, 1897, Meridian, Miss., U.S. — died May 26, 1933, New York, N.Y.) U.S. country music singer and guitarist. He left school at age 14 to work on the railroad, and he would be known throughout his career as the "Singing Brakeman." While working on the trains he learned guitar and banjo, absorbed blues techniques from African American railroad workers, and eventually created his characteristic sound — a blend of traditional work, blues, hobo, and cowboy songs and his trademark "blue yodel." By c. 1924 tuberculosis had made his railroad work impossible; he began instead to perform and soon became a best-selling recording artist, the first solo star of country music. His more than 110 recordings include "Blue Yodel No. 1" and "Mississippi River Blues." He died at age 35. He was one of the first three inductees into the Country Music Hall of Fame.

For more information on Jimmie Rodgers, visit Britannica.com.

 
Columbia Encyclopedia: Rodgers, Jimmie
(James Charles Rodgers), 1897–1933, American singer, guitarist, and songwriter often called “the father of country music,” b. Meridian, Miss. The son of a railroad foreman, he left school at 14 and worked various railroad jobs, meanwhile learning the blues from his African-American fellow workers. Known as the “Singing Brakeman,” he retired from the railroad c.1924 due to the tuberculosis that eventually would take his life. Rodgers soon became a full-time musician, signed (1927) and recorded with RCA Victor, and toured widely. He was extremely popular for his sweet, yodeling tenor; his 12-bar, black-inflected country blues (“blue yodels”); and his songs of railroad, hobo, and cowboy life. His trademark songs include “Mississippi Delta Blues,” “Waiting for a Train,” “In the Jailhouse Now,” “Brakeman's Blues,” and “My Time Ain't Long.” The first country musician to attain success in both rural and urban America, Rodgers has had an enduring musical influence on later generations. In 1961 he became the first singer named to the Country Music Hall of Fame and in 1986 was the first country singer inducted into the Rock and Roll Hall of Fame.

Bibliography

See biographies by his wife, C. Rodgers (1935, repr. 1995), B. C. Malone (1985), and N. Porterfield (1992); The Jimmie Rodgers Collection and The Jimmie Rodgers Memorial Songbook (both: 1999).

 
Wikipedia: Jimmie Rodgers (country singer)
Jimmie Rodgers
Birth name James Charles Rodgers
Also known as The Singing Brakeman
The Blue Yodeler
The Father of Country Music
Born September 8, 1897
Origin Meridian, Mississippi
Died May 26 1933 (aged 35)
Genre(s) Country, Blues
Instrument(s) Acoustic guitar
Years active 1923-1933
Label(s) RCA Records
Associated
acts
The Tenneva Ramblers
The Ramblers
Louis Armstrong
Will Rogers
Website www.jimmierodgers.com

Jimmie Rodgers (September 8, 1897 -– May 26, 1933) known as The Singing Brakeman and America's Blue Yodeler was the first country music superstar, resulting in another commonly used nickname: The Father of Country Music.

Early Years

James Charles Rodgers was born on September 8, 1897 in Meridian, Mississippi, the youngest of three sons. His mother died when he was very young, and Rodgers spent the next few years living with various relatives in southeast Mississippi and southwest Alabama. He eventually returned home to live with his father, Aaron Rodgers, a foreman on the Mobile and Ohio Railroad, who had settled with a new wife in Meridian.

Performing career

Jimmie’s affinity for entertaining came at an early age, and the lure of the road was irresistible to him. By age 13, he had twice organized and begun traveling shows, only to be brought home by his father. Mr. Rodgers found Jimmie his first job working on the railroad, as a waterboy. This is where he learned the cries and moans of the blues and was taught to pick and strum by the rail workers and the hobo's. A few years later, he became brakeman on the New Orleans and Northeastern Railroad, a position secured by his oldest brother, Walter, a conductor on the line running between Meridian and New Orleans.

In 1924 at the age of 27, Jimmie contracted tuberculosis. The disease temporarily ended his railroad career, but, at the same time, gave him the chance to get back to his first love, entertainment. He organized a traveling road show and performed across the southeast until, once again, he was forced home after a cyclone destroyed his tent. He returned to railroad work as a brakeman on the east coast of Florida at Miami, but eventually his illness cost him his job. He relocated to Tucson, Arizona and was employed as a switchman by the Southern Pacific. The job lasted less than a year, and the Rodgers family (which by then included wife Carrie and daughter Anita) had settled back in Meridian by early 1927.

Success

Rodgers decided to travel to Asheville, North Carolina, later that same year. On April 18, at 9:30 p.m., Jimmie and Otis Kuykendall performed for the first time on WWNC, Asheville’s first radio station. A few months later Jimmie recruited a group from Tennessee called the Tenneva Ramblers and secured a weekly slot on the station as the Jimmie Rodgers Entertainers.

The Tenneva Ramblers originally hailed from Bristol, Tennessee, and in late July 1927, Rodgers’ bandmates got word that Ralph Peer, a representative of the Victor Talking Machine Company, was coming to Bristol to audition and record area musicians. Rodgers and the group arrived in Bristol on August 3. Later that same day, they auditioned for Peer in an empty warehouse. Peer agreed to record them the next day. That night, as the band discussed how they would be billed on the record, an argument ensued and the band broke up and Rodgers arrived at the recording session alone. On Wednesday, August 4, 1927 Jimmie Rodgers completed his first session for Victor. It lasted from 2:00 p.m. to 4:20 p.m. and yielded two songs: “the Soldier’s Sweetheart” and “Sleep, Baby, Sleep.” For the test recordings, Rodgers received $100.

The recordings were released on October 7, 1927, to modest success. In November Rodgers, determined more than ever to make it in entertainment, headed to New York City in an effort to arrange another session with Peer. Peer agreed to record him again, and the two met in Philadelphia before traveling to Camden, New Jersey, to the Victor studios. Four songs made it out of this session, including “Blue Yodel,” better known as “T for Texas”. In the next two years, this recording sold nearly half a million copies, which was impressive enough to rocket Rodgers into stardom. After this, he got to determine when Peer and Victor would record him, and he sold out shows whenever and wherever he played.

In the next few years, Rodgers was very busy. He did a movie short for Columbia Pictures, The Singing Brakeman, and made various recordings across the country. He toured with humorist Will Rogers as part of a Red Cross tour across the Midwest. On July 16, 1930, he recorded “Blue Yodel No. 9” with jazz trumpeter Louis Armstrong, whose wife, Lillian, played piano on the recording.

Final years

Rodgers’ next-to-last recordings were made in August 1932 in Camden and it was clear that tuberculosis was getting the better of him. He had given up touring by that time but did have a weekly radio show in San Antonio, Texas, where he had relocated when "T for Texas" became a hit.

With the country in the grip of the Depression, the practice of making field recordings was quickly fading, so in May 1933, Rodgers traveled again to New York City for a group of sessions beginning May 17. He started these sessions recording alone and completed four songs on the first day. When he returned to the studio after a day’s rest, he had to record sitting down and soon retreated to his hotel in hopes of regaining enough energy to finish the songs he had been rehearsing. The recording engineer hired two session musicians to help Rodgers when he came back to the studio a few days later. Together they recorded a few songs, including “Mississippi Delta Blues.” For his last song of the session, however, Jimmie chose to perform alone, and as a matching bookend to his career, recorded “Years Ago” by himself.

Jimmie Rodgers died two days later on May 26, 1933. He was 35 years old.

Legacy

Rodgers on a US stamp, 1978
Rodgers on a US stamp, 1978

When the Country Music Hall of Fame was established in 1961, Rodgers was one of the first three (with Fred Rose and Hank Williams) to be inducted. He was elected to the Songwriters Hall of Fame in 1970 and, as an early influence, to the Rock & Roll Hall of Fame in 1997. "Blue Yodel No. 9" was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. "Blues Yodel" was covered by Lynyrd Skynyrd on the One More from the Road album.

On May 24, 1978, the United States Postal Service issued a 13-cent commemorative stamp honoring Rodgers, the first in its long-running Performing Arts Series. The stamp was designed by Jim Sharpe (who did several others in this series), who depicted him with brakeman's outfit and guitar, giving his "two thumbs up", along with a locomotive in silhouette in the background.

Rodgers was ranked #33 on CMT's 40 Greatest Men of Country Music in 2003.

Since 1953, Meridian's Jimmie Rodgers Memorial Festival has been held annually during May to honor the anniversary of Rodgers' death. The first festival was on May 26, 1953.

Recordings

  • “The Soldier’s Sweetheart” (Victor 20864), recorded August 4, 1927, at Bristol, Tennessee.
  • “Sleep, Baby, Sleep” (Victor 20864), recorded August 4, 1927, at Bristol, Tennessee.
  • “Ben Dewberry’s Final Run” (Victor 21245), recorded November 30, 1927, at Camden, New Jersey.
  • “Mother Was a Lady (If Brother Jack Were Here)” (Victor 21433), recorded November 30, 1927, at Camden, New Jersey.
  • Blue Yodel No. 1 (T for Texas)” (Victor 21142), recorded November 30, 1927, at Camden, New Jersey.
  • “Away Out on the Mountain” (Victor 21142), recorded November 30, 1927, at Camden, New Jersey.
  • “Dear Old Sunny South by the Sea” (Victor 21574), recorded February 14, 1928, at Camden, New Jersey.
  • “Treasures Untold” (Victor 21433), recorded February 14, 1928, at Camden, New Jersey.
  • “The Brakeman’s Blues” (Victor 21291), recorded February 14, 1928, at Camden, New Jersey.
  • “The Sailor’s Plea” (Victor 40054), recorded February 14, 1928, at Camden, New Jersey.
  • In the Jailhouse Now” (Victor 21245), recorded February 15, 1928, at Camden, New Jersey.
  • “Blue Yodel No. 2 (My Lovin’ Gal, Lucille)” (Victor 21291), recorded February 15, 1928, at Camden, New Jersey.
  • “Memphis Yodel” (Victor 21636), recorded February 15, 1928, at Camden, New Jersey.
  • “Blue Yodel No. 3” (Victor 21531), recorded February 15, 1928, at Camden, New Jersey.
  • “My Old Pal” (Victor 21757), recorded June 12, 1928, at Camden, New Jersey.
  • “My Little Old Home Down in New Orleans” (Victor 21574), recorded June 12, 1928, at Camden, New Jersey.
  • “You and My Old Guitar” (Victor 40072), recorded June 12, 1928, at Camden, New Jersey.
  • “Daddy and Home” (Victor 21757), recorded June 12, 1928, at Camden, New Jersey.
  • “My Little Lady” (Victor 40072), recorded June 12, 1928, at Camden, New Jersey.
  • “Lullaby Yodel” (Victor 21636), recorded June 12, 1928, at Camden, New Jersey.
  • “Never No Mo’ Blues” (Victor 21531), recorded June 12, 1928, at Camden, New Jersey.
  • “My Carolina Sunshine Girl” (Victor 40096), recorded October 20, 1928, at Atlanta, Georgia.
  • “Blue Yodel No. 4 (California Blues)” (Victor 40014), recorded October 20, 1928, at Atlanta, Georgia.
  • “Waiting for a Train” (Victor 40014), recorded October 22, 1928, at Atlanta, Georgia.
  • “I’m Lonely and Blue” (Victor 40054), recorded October 22, 1928, at Atlanta, Georgia.
  • “Desert Blues” (Victor 40096), recorded February 21, 1929, at New York, New York.
  • “Any Old Time” (Victor 22488), recorded February 21, 1929, at New York, New York.
  • “Blue Yodel No. 5” (Victor 22072), recorded February 23, 1929, at New York, New York.
  • “High Powered Mama” (Victor 22523), recorded February 23, 1929, at New York, New York.
  • “I’m Sorry We Met” (Victor 22072), recorded February 23, 1929, at New York, New York.
  • “Everybody Does It in Hawaii” (Victor 22143), recorded August 8, 1929, at Dallas, Texas.
  • “Tuck Away My Lonesome Blues” (Victor 22220), recorded August 8, 1929, at Dallas, Texas.
  • “Train Whistle Blues” (Victor 22379), recorded August 8, 1929, at Dallas, Texas.
  • “Jimmie’s Texas Blues” (Victor 22379), recorded August 10, 1929, at Dallas, Texas.
  • “Frankie and Johnnie” (Victor 22143), recorded August 10, 1929, at Dallas, Texas.
  • “Whisper Your Mother’s Name” (Victor 22319), recorded October 22, 1929, at Dallas, Texas.
  • “The Land of My Boyhood Dreams” (Victor 22811), recorded October 22, 1929, at Dallas, Texas.
  • “Blue Yodel No. 6” (Victor 22271), recorded October 22, 1929, at Dallas, Texas.
  • “Yodelling Cowboy” (Victor 22271), recorded October 22, 1929, at Dallas, Texas.
  • “My Rough and Rowdy Ways” (Victor 22220), recorded October 22, 1929, at Dallas, Texas.
  • “I’ve Ranged, I’ve Roamed and I’ve Travelled” (Bluebird 5892), recorded October 22, 1929, at Dallas, Texas.
  • “Hobo Bill’s Last Ride” (Victor 22241), recorded November 13, 1929, at New Orleans, Louisiana.
  • “Mississippi River Blues” (Victor 23535), recorded November 25, 1929, at Atlanta, Georgia.
  • “Nobody Knows But Me” (Victor 23518), recorded November 25, 1929, at Atlanta, Georgia.
  • “Anniversary Blue Yodel (Blue Yodel No. 7)” (Victor 22488), recorded November 26, 1929, at Atlanta, Georgia.
  • “She Was Happy Till She Met You” (Victor 23681), recorded November 26, 1929, at Atlanta, Georgia.
  • “Blue Yodel No.11” (Victor 23796), recorded November 27, 1929, at Atlanta, Georgia.
  • “A Drunkard’s Child” (Victor 22319), recorded November 28, 1929, at Atlanta, Georgia.
  • “That’s Why I’m Blue” (Victor 22421), recorded November 28, 1929, at Atlanta, Georgia.
  • “Why Did You Give Me Your Love?” (Bluebird 5892), recorded November 28, 1929, at Atlanta, Georgia.
  • “My Blue-Eyed Jane” (Victor 23549), recorded June 30, 1930, at Los Angeles, California.
  • “Why Should I Be Lonely?” (Victor 23609), recorded June 30, 1930, at Los Angeles, California.
  • “Moonlight and Skies” (Victor 23574), recorded June 30, 1930, at Los Angeles, California.
  • “Pistol Packin’ Papa” (Victor 22554), recorded July 1, 1930, at Los Angeles, California.
  • “Take Me Back Again” (Bluebird 7600), recorded July 2, 1930, at Los Angeles, California.
  • “Those Gambler’s Blues” (Victor 22554), recorded July 5, 1930, at Los Angeles, California.
  • “I’m Lonesome Too” (Victor 23564), recorded July 7, 1930, at Los Angeles, California.
  • “The One Rose (That’s Left in My Heart)” (Bluebird 7280), recorded July 7, 1930, at Los Angeles, California.
  • “For the Sake of Days Gone By” (Victor 23651), recorded July 9, 1930, at Los Angeles, California.
  • “Jimmie’s Mean Mama Blues” (Victor 23503), recorded July 10, 1930, at Los Angeles, California.
  • “The Mystery of Number Five” (Victor 23518), recorded July 11, 1930, at Los Angeles, California.
  • Blue Yodel No. 8 (Mule Skinner Blues)” (Victor 23503), recorded July 11, 1930, at Los Angeles, California.
  • “In the Jailhouse Now, No. 2” (Victor 22523), recorded July 12, 1930, at Los Angeles, California.
  • Blue Yodel No. 9” (Victor 23580), recorded July 16, 1930, at Los Angeles, California.
  • “T.B. Blues” (Victor 23535), recorded January 31, 1931, at San Antonio, Texas.
  • “Travellin’ Blues” (Victor 23564), recorded January 31, 1931, at San Antonio, Texas.
  • “Jimmie the Kid” (Victor 23549), recorded January 31, 1931, at San Antonio, Texas.
  • “Why There’s a Tear in My Eye” (Bluebird 6698), recorded June 10, 1931, at Louisville, Kentucky.
  • “The Wonderful City” (Bluebird 6810), recorded June 10, 1931, at Louisville, Kentucky.
  • “Let Me Be Your Sidetrack” (Victor 23621), recorded June 11, 1931, at Louisville, Kentucky.
  • “Jimmie Rodgers Visits the Carter Family” (Victor 23574), recorded June 12, 1931, at Louisville, Kentucky.
  • “The Carter Family and Jimmie Rodgers in Texas” (Bluebird 6762), recorded June 12, 1931, at Louisville, Kentucky.
  • “When the Cactus Is in Bloom” (Victor 23636), recorded June 13, 1931, at Louisville, Kentucky.
  • “Gambling Polka Dot Blues” (Victor 23636), recorded June 15, 1931, at Louisville, Kentucky.
  • “Looking for a New Mama” (Victor 23580), recorded June 15, 1931, at Louisville, Kentucky.
  • “What’s It?” (Victor 23609), recorded June 16, 1931, at Louisville, Kentucky.
  • “My Good Gal’s Gone - Blues” (Bluebird 5942), recorded June 16, 1931, at Louisville, Kentucky.
  • “Southern Cannon-Ball” (Victor 23811), recorded June 17, 1931, at Louisville, Kentucky.
  • “Roll Along, Kentucky Moon” (Victor 23651), recorded February 2, 1932, at Dallas, Texas.
  • “Hobo’s Meditation” (Victor 23711), recorded February 3, 1932, at Dallas, Texas.
  • “My Time Ain’t Long” (Victor 23669), recorded February 4, 1932, at Dallas, Texas.
  • “Ninety-Nine Years Blues” (Victor 23669), recorded February 4, 1932, at Dallas, Texas.
  • “Mississippi Moon” (Victor 23696), recorded February 4, 1932, at Dallas, Texas.
  • “Down the Old Road to Home” (Victor 23711), recorded February 5, 1932, at Dallas, Texas.
  • “Blue Yodel No. 10” (Victor 23696), recorded February 6, 1932, at Dallas, Texas.
  • “Home Call” (Victor 23681), recorded February 6, 1932, at Dallas, Texas.
  • “Mother, the Queen of My Heart” (Victor 23721), recorded August 11, 1932, at Camden, New Jersey.
  • “Rock All Our Babies to Sleep” (Victor 23721), recorded August 11, 1932, at Camden, New Jersey.
  • “Whippin’ That Old T.B.” (Victor 23751), recorded August 11, 1932, at Camden, New Jersey.
  • “No Hard Times” (Victor 23751), recorded August 15, 1932, at Camden, New Jersey.
  • “Long Tall Mama Blues” (Victor 23766), recorded August 15, 1932, at Camden, New Jersey.
  • “Peach-Pickin’ Time Down in Georgia” (Victor 23781), recorded August 15, 1932, at Camden, New Jersey.
  • “Gambling Barroom Blues” (Victor 23766), recorded August 15, 1932, at Camden, New Jersey.
  • “I’ve Only Loved Three Women” (Bluebird 6810), recorded August 15, 1932, at Camden, New Jersey.
  • “In the Hills of Tennessee” (Victor 23736), recorded August 29, 1932, at New York, New York.
  • “Prairie Lullaby” (Victor 23781), recorded August 29, 1932, at New York, New York.
  • “Miss the Mississippi and You” (Victor 23736), recorded August 29, 1932, at New York, New York.
  • “Sweet Mama Hurry Home (or I’ll Be Gone)” (Victor 23796), recorded August 29, 1932, at New York, New York.
  • “Blue Yodel No. 12” (Victor 24456), recorded May 17, 1933, at New York, New York.
  • “The Cowhand’s Last Ride” (Victor 24456), recorded May 17, 1933, at New York, New York.
  • “I’m Free (From the Chain Gang Now)” (Victor 23830), recorded May 17, 1933, at New York, New York.
  • “Dreaming With Tears in My Eyes” (Bluebird 7600), recorded May 18, 1933, at New York, New York.
  • “Yodeling My Way Back Home” (Bluebird 7280), recorded May 18, 1933, at New York, New York.
  • “Jimmie Rodger’s Last Blue Yodel” (Bluebird 5281), recorded May 18, 1933, at New York, New York.
  • “The Yodelling Ranger” (Victor 23830), recorded May 20, 1933, at New York, New York.
  • “Old Pal of My Heart” (Victor 23816), recorded May 20, 1933, at New York, New York.
  • “Old Love Letters (Bring Memories of You)” (Victor 23840), recorded May 24, 1933, at New York, New York.
  • “Mississippi Delta Blues” (Victor 23816), recorded May 24, 1933, at New York, New York.
  • “Somewhere Down Below the Dixon Line” (Victor 23840), recorded May 24, 1933, at New York, New York.
  • “Years Ago” (Bluebird 5281), recorded May 24, 1933, at New York, New York.

Reference

  • Porterfield, Nolan. (1998). "Jimmie Rodgers". In The Encyclopedia of Country Music. Paul Kinsgbury, Editor. New York: Oxford University Press. pp. 453-5.

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Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Jimmie Rodgers (country singer)" Read more

 

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