Born: Feb 09, 1891 in Richmond, Surrey, England, UK
Died: May 19, 1958 in Santa Barbara, California
Occupation: Actor
Active: '20s-'40s
Major Genres: Drama, Romance
Career Highlights: A Tale of Two Cities, Lost Horizon, The White Sister
First Major Screen Credit: The Live Wire (1917)
Biography
Born to middle-class British parents (his father was an import merchant), actor Ronald Colman was raised to be as much a gentleman as any "high born" Englishman, and strove to maintain that standard both on and off screen all his life. Acting was merely a hobby to Colman while he attended the Hadley School at Littlehampton, Sussex, but after a few years' drudgery as a bookkeeper with the British Steamship Company, the theatre seemed a more alluring (if not more lucrative) life's goal. After a brief service in WWI (during which he was wounded and then discharged), Colman eventually went into acting full-time, making his debut in a tiny role in the play The Maharanee of Arakan (1916). A subsequent better role in a production of Damaged Goods led to Colman's being hired to star in a two-reel film drama, The Live Wire. The film was never released, which is why Colman's "official" debut is often listed as his first feature film The Toilers (1919). The money wasn't good in the British film industry of the period--in fact it was a step away from starvation wages - so Colman arrived in New York City with about $37 to his name, making his American movie debut in Handcuffs or Kisses? (1920). His next film was also his Big Break: The White Sister (1923), directed in Italy by Henry King, in which Colman was co-starred opposite prestigious actress Lillian Gish. The association with King and Gish was Colman's entry into Hollywood, and by 1925 he'd begun his nine-year association with producer Sam Goldwyn. Most of Colman's silent films were lush romantic costume dramas, in which he usually co-starred with the lovely Vilma Banky. This sort of glorious nonsense was rendered anachronistic by the advent of talking pictures, but Goldwyn wisely cast Colman in a sophisticated up-to-date adventure, Bulldog Drummond (1929), for the actor's talkie debut. Colman scored an instant hit with his beautifully modulated voice and his roguishly elegant manner, and was one of the biggest and most popular screen personalities of the 1930s. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. As good as his pre-1935 films were, Colman was even more effective as a free-lancer in such films as Tale of Two Cities (1935), Lost Horizon (1937), The Prisoner of Zenda (1937), The Light That Failed (1939) and Talk of the Town (1942). The actor also began a fruitful radio career during this period, first as host of an intellectual celebrity round-robin discussion weekly The Circle in 1939; ten years later, he and his actress wife Benita Hume starred in a witty and well-written sitcom about a college professor and his spouse, The Halls of Ivy, which became a TV series in 1954. Perhaps the most famous of Colman's radio appearance were those he made on The Jack Benny Program as Jack's long-suffering next door neighbor. Colman won an Academy Award for his atypical performance in A Double Life (1947) as an emotionally disturbed actor who becomes so wrapped up in his roles that he commits murder. Curtailing his film activities in the 1950s, Colman planned to write his autobiography, but was prevented from doing so by ill health -- and in part by his reluctance to speak badly of anyone. Colman died shortly after completing his final film role as the Spirit of Man in The Story of Mankind (1957), a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact. ~ Hal Erickson, All Movie Guide
(born Feb. 9, 1891, Richmond, Surrey, Eng. — died May 19, 1958, Santa Barbara, Calif., U.S.) British-U.S. film actor. He began a stage and film career in England then moved in 1920 to the U.S., where he first won notice in The White Sister (1923). A romantic leading man, he appeared in other silent films such as Beau Geste (1926), and he easily made the transition to sound movies with his cultivated, expressive voice. His most notable films include Arrowsmith (1931), A Tale of Two Cities (1935), Lost Horizon (1937), If I Were King (1938), Random Harvest (1942), and A Double Life (1947, Academy Award).
Colman, Ronald, 1891–1958, British stage and film actor. Dignified in demeanor and voice, Colman created an image of kindness, humor, erudition, and romantic appeal. His films include the silent Stella Dallas (1927), and the sound films Raffles (1931), Arrowsmith (1932), A Tale of Two Cities (1936), Lost Horizon (1937), The Prisoner of Zenda (1937), Random Harvest (1943), and Champagne for Caesar (1949). Colman and his wife, Benita Hume, starred in the television series of the 1950s, The Halls of Ivy.
Born in Richmond, Surrey, England, like fellow actor Reginald Denny (and in the same year as well), the second son and fourth child[1] of Charles Colman and his wife Marjory Read Fraser, his siblings included Eric, Edith, and Marjorie. He was educated at boarding school in Littlehampton, where he discovered he enjoyed acting. He intended to study engineering at Cambridge University, but his father's sudden death from pneumonia in 1907 made this financially impossible.
He became a well-known amateur actor, and was a member of the West Middlesex Dramatic Society in 1908-9. He made his first appearance on the professional stage in 1914.
He had sufficiently recovered to appear at the London Coliseum on 19 June 1916, as Rahmat Sheikh in The Maharani of Arakan, with Lena Ashwell; at the Playhouse in December that year as Stephen Weatherbee in Charles Goddard & Paul Dickey's play The Misleading Lady; at the Court Theatre in March 1917 he played Webber in Partnership and at that theatre the following year appeared in Eugene Brieux's play, adapted from the French, Damaged Goods; at the Ambassador Theatre in February 1918 he played George Lubin in The Little Brother, and during 1918 toured as David Goldsmith in The Bubble.
In 1920 Colman went to America and toured with Robert Warwick in The Dauntless Three, and subsequently toured with Fay Bainter in East is West; at the Booth Theatre, New York, in January 1921 he played the Temple Priest in William Archer's play The Green Goddess, with George Arliss; at the 39th Street Theatre in August 1921 he appeared as Charles in The Nightcap; and in September 1922 he made a great success as Alain Sergyll at the Empire Theatre, New York in the hit play La Tendressse.
Film
Ronald Colman had first appeared in films in England in 1917 and 1919 under Cecil Hepworth, and subsequently with the old Broadwest Film Company in The Snow of the Desert. While appearing on stage in New York in La Tendress, Director Henry King saw him, and engaged him as the leading man in the 1923 film, The White Sister, opposite Lillian Gish, and was an immediate success. Thereafter Colman virtually abandoned the stage for film. He became a very popular silent film star in both romantic and adventure films, among them The Dark Angel (1925), Stella Dallas (1926), Beau Geste (1927), and The Winning of Barbara Worth (1926). His dark hair and eyes and his athletic and riding ability (he did most of his own stunts until late in his career) led reviewers to describe him as a "Valentino type". He was often cast in similar, exotic roles. [4] Towards the end of the silents era Colman was teamed with Hungarian actress Vilma Bánky under Samuel Goldwyn and the two were a popular movie team rivalling Garbo & Gilbert.
Colman had been raised a gentleman, a quality which shone through whatever role he played, and so he remained, until the day he died. His own personal code of conduct earned him both the love and respect of everyone who worked with him, without any enemies or detractors: a highly unusual feat for so prominent a figure in the motion picture industry. Yet Colman's own sense of decency and honour apparently prohibited others from [dis]liking him. [7]
Radio and television
Beginning in 1945, Colman made many guest appearances on The Jack Benny Program on radio, alongside his second wife, stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbors led to their own radio comedyThe Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955.
Death
Ronald Colman died on 19 May 1958, aged 67, from a lung infection in Santa Barbara, California and was interred in the Santa Barbara Cemetery. He had a daughter, Juliet, by his second wife.
Awards and honours
He was nominated for four Academy awards: Bulldog Drummond and Condemned (both in 1930); Random Harvest (1942); and A Double Life (1947), for which he won the Academy Award for his role of "Anthony John," an actor playing "Othello" who comes to identify with the character. He also won the Golden Globe award for Best Actor in 1947 for his role in A Double Life. In 2002, Colman's Oscar statuette was sold at auction by Christie's for US$174,500.[8]
^ Quirk, Lawrence J., The Films of Ronald Colman, Secaucus, New Jersey, 1977.
^ Franklin, Joe, Classics of the Silent Screen, p. 148, 1959 The Citadel Press
^ Zito, Stephen F., American Film Institute and the Library of Congress, Cinema Club 9 Program Notes, April, 1973 Post Newsweek Stations, Washington D.C.
^ Franklin, Joe, Classics of the Silent Screen, 1959, The Citadel Press, The United States of America