Ronald Neame

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Ronald Neame

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Biography

Ronald Neame is the son of photographer/director Elwin Neame and the actress Ivy Close. He joined Elstree Studios in 1927 as a messenger and call boy, moved up to stills photographer, and was an assistant cameraman on Alfred Hitchcock's Blackmail (1929), the first English sound film. He served as a camera operator in the early '30s, and was elevated to director of photography in 1934. His most important films as cinematographer were Pygmalion (1938), Major Barbara (1939), In Which We Serve (1942), and One of Our Aircraft Is Missing (1942). In 1943, Neame formed a partnership with editor-turned-director David Lean and producer Anthony Havelock-Allan in Cineguild, an independent production company set up with support from England's Rank Organisation, through which the David Lean movies This Happy Breed, Blithe Spirit, Brief Encounter, Great Expectations, Oliver Twist, and The Passionate Friends were made. Neame turned to directing in the late '40s with Take My Life (1947), and after a series of entertaining but unexceptional films, including The Card (1952) and The Million Pound Note (1953), was responsible for the classics The Horse's Mouth (1959) and Tunes of Glory (1960), both starring Alec Guinness in two of the best roles of his career. Neame'sEscape from Zahrain (1962) was an underrated action thriller, which was surprisingly effective on a low budget, and his Prime of Miss Jean Brodie (1969) was a major late '60s hit that turned Maggie Smith into a major screen star. But it was in the '70s that Neame established himself -- very unexpectedly -- as a "money director," with The Poseidon Adventure (1972). This all-star adventure thriller, about a group of passengers struggling for survival when their ocean liner turns over in mid-voyage, proved a huge and sudden hit, becoming the top-grossing picture of 1972 and earning its money so fast, by Neame's account, that the studio couldn't hide it, and making him a rich man in the process. Neame's The Odessa File (1974) proved him adept at the thriller format, and his disaster movie Meteor (1979) effectively ended the disaster movie genre that he had begun with The Poseidon Adventure. His subsequent movies, including Hopscotch (1980) and First Monday in October (1981), have proved rather more uneven dramatically as well as at the box office. Neame's career has embraced more phases than almost any other filmmaker still even semi-active in the '90s, from the early days of British talkies, to the Golden Age of British cinema of the '40s to the silver age of the '50s, and the international and American markets of the '60s thru the '80s. He has managed to have hits in each phase of that career, and has proved effective at creating comedy, intimate, serious drama (Tunes of Glory is probably his best picture, with The Horse's Mouth a close second), as well as pulling together the special effects and acting required of the blockbuster all-star production. ~ Bruce Eder, Rovi
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Ronald Neame

Neame and Judy Garland on the set of I Could Go On Singing
Born 23 April 1911(1911-04-23)
London, England, United Kingdom
Died 16 June 2010(2010-06-16) (aged 99)
Los Angeles, California, United States
Cause of death Accident Fall
Residence Los Angeles, California
Nationality British
Citizenship United Kingdom,
United States
Education Hurstpierpoint College
Alma mater University College School
Occupation Director, cinematographer, producer, screenwriter
Years active 1939-1991
Home town London, England
Spouse Beryl Heanly (1933-1992; divorced)
Donna Friedberg (1993–2010); (his death)
Children Christopher Neame (b.1942)
Family 3 grandchildren

Ronald Elwin Neame[1] CBE BSC (23 April 1911 – 16 June 2010)[2] was an English film cinematographer, producer, screenwriter and director.

Contents

Early career

Neame's parents were the photographer Elwin Neame and the actress Ivy Close. He studied at the University College School and Hurstpierpoint College. His father died in 1923,[3] and Neame took a job with the Anglo-Persian Oil Company as an office boy. Later, through his mother's contacts in the British film industry, Neame started at Elstree Studios as a messenger boy.[4]

He was fortunate enough to be hired as an assistant cameraman on Blackmail (1929), the first British talkie, directed by a young Alfred Hitchcock. Neame's own career as a cinematographer began with the musical comedy Happy (1933), and he continued to develop his skills in various "quota quickies" films for several years.

As cinematographer

His credits as cinematographer include Major Barbara (1941), In Which We Serve (1942), This Happy Breed (1944), and Blithe Spirit (1945). His camera work on One of Our Aircraft Is Missing got him an Academy Award nomination for Best Special Effects in 1943.

As producer and screenwriter

Neame formed a production company, Cineguild, with David Lean and Anthony Havelock-Allan. During this partnership, he produced Brief Encounter (1945), Great Expectations (1946), and Oliver Twist (1948). He shared Academy Award nominations for Best Screenplay for Brief Encounter, in 1947, and Great Expectations, in 1948, with co-writers Lean and Havelock-Allan.

Neame produced The Magic Box, a screen biography directed by John Boulting about the life of British camera inventor William Friese-Greene, which was the 1951 film project for the Festival of Britain.

As director

In 1947, Neame made his directorial debut, with Take My Life for British producer J. Arthur Rank. Neame began a transition to the American film industry at the suggestion of Rank, who asked Ronnie to study the Hollywood production system.[5]

He worked again with Alec Guinness (whom he had worked with on Great Expectations and Oliver Twist), this time as director, in three films: The Card (1952), The Horse's Mouth (1958), and Tunes of Glory (1960). Neame has described Tunes of Glory as "the film I am proudest of".[4] He received two BAFTA Award nominations for Tunes of Glory. Neame and Guinness worked again in the 1970 musical Scrooge with Guinness playing the ghost of Jacob Marley to Albert Finney's Ebenezer Scrooge.

Neame also directed I Could Go On Singing (1963); Judy Garland's last film, co-starring Dirk Bogarde and The Prime of Miss Jean Brodie (1969), which won Maggie Smith her first Oscar.

Neame was recruited to direct The Poseidon Adventure (1972) after the contracted director left the production. He later characterised The Poseidon Adventure as "my favourite film" because it earned him enough to retire comfortably.[4] He enjoyed a long friendship with Walter Matthau, whom he directed in two later films, Hopscotch (1980) and First Monday in October (1981).

Neame's final feature-length film, Foreign Body, a comedy starring Victor Banerjee, was filmed in England and released in 1986.

Personal life

In 1996, Neame was appointed a Commander of the Order of the British Empire (CBE) and awarded the BAFTA Fellowship for his contributions to the film industry. He had homes in Beverly Hills and Santa Barbara, California. In 2003, Neame published an autobiography, Straight from the Horse's Mouth. (ISBN 978-0810844902)

Neame married Beryl Heanly in 1933. They legally separated in 1971 and divorced in 1992. The couple had one son, Christopher Neame a writer/producer). Sadly, Christopher died exactly one year after Ronald's death. Ronald's only grandson, Gareth Neame, is a successful television producer, who represents the fourth generation of Neames in the film industry. Ronnie Neame's second marriage took place in Santa Barbara on 12 September 1993. His wife, Donna Bernice Friedberg, is also in the business — a film researcher and television producer, who worked on his 1979 movie Meteor." He refers to their meeting as a "coup de foudre."

Death

Neame died on 16 June 2010 after suffering complications from a broken leg.[2] The break required two surgical procedures from which Neame never recovered.[6]

In an interview in 2006, he jokingly stated, "When people ask me about the secret to my longevity, I say the honest answer is two large vodkas at lunchtime and three large scotches in the evening. All my doctors have said to me, 'Ronnie, if you would drink less, you'd live a lot longer.' But, they're all dead, and I'm still here at 95." [7]

Neame is survived by his wife, Donna Neame, and his three grandchildren, Gareth, Shuna and Emma.

Filmography

References

Autobiography: Straight from the Horse's Mouth, by Ronald Neame. ISBN 0-8108-4490-7.

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Filmmakers: Ronald Neame (Film, TV & Radio Film)
It's in the Air (1940 Comedy Film)
The Golden Salamander (1968 Action Film)
Cheer Boys Cheer (1939 Romance Film)
Escape from Zahrain (1962 Adventure Film)