Rosewood

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Plot

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, Rovi

Review

The best effort from filmmaker John Singleton since his debut Boyz 'N the Hood (1991), this high-quality drama ably re-creates a shocking true incident from Florida history but falters in its troubling insistence on creating a fictional, iconic protagonist around whom much of the action is centered. In its sprawling narrative, its assured evocation of its early 20th century time period, its terrific performances, and its exploration of core racial, political, and class issues, Singleton's film strongly resembles John Sayles' classic Matewan (1987). That's high praise and the film certainly earns it, but the insertion of the nearly mythic character Mann (Ving Rhames) dilutes the powerfully compelling story unfolding here. Mann at times resembles a little too closely the sort of no-name action heroes assayed by Clint Eastwood, making his presence distracting as well as condescending. It seems that either the production company or the filmmakers didn't trust their audience to understand that the real hero of the piece is Sylvester Carrier (Don Cheadle), the music teacher who swallows his grief and outrage, doing what he must to survive. Maybe that wasn't heroic enough for Hollywood movie producers but Rosewood (1997) is based on a true story and Carrier's real-life brand of courage should have been more than enough to avoid the use of such a ham-handed cliché. ~ Karl Williams, Rovi

Cast

Esther Rolle - Sarah Carrier; Michael Rooker - Sheriff Walker; Catherine Kellner - Fanny Taylor; Elise Neal - Scrappie; Paul Benjamin - James Carrier; Mark Boone, Jr. - Poly; Akosua Busia - Jewel; Badja Djola - John Bradley; Kevin Jackson - Sam Carter; Kathryn Meisle - Mary Wright; Jaimz Woolvett - Deputy Earl; Muse Watson - Henry Andrews

Credit

Chris Gorak - Art Director, Peter A. Ramsey - Associate Producer, Russ Kavanaugh - Associate Producer, Marion Dougherty - Casting, Penelope L. Foster - Co-producer, Ruth E. Carter - Costume Designer, Jerry Ballew - First Assistant Director, John Singleton - Director, Glenn Randall Jr. - Second Unit Director, Bruce Cannon - Editor, Tracy Barone - Executive Producer, John Williams - Composer (Music Score), Paul Sylbert - Production Designer, Johnny E. Jensen - Cinematographer, Jon Peters - Producer, Daniel May - Set Designer, Mark Garner - Set Designer, Gary Pilkinton - Special Effects, Veda Campbell - Sound/Sound Designer, Glenn Randall Jr. - Stunts Coordinator, Gregory Poirier - Screenwriter, Kevin Bartnof - Foley Artist

Previous:Rosewell: The Final Declassification (2005 Film), Rosetti and Ryan: Men Who Love Women (1977 Film)
Next:Rosey Grier: The Courage to Be Me (1978 Film), Roshin (2000 Film)

  • Artist: Woody Shaw
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1977
  • Total Time: 61:07
  • Genre: Jazz

Review

This album, Woody Shaw's first for a major label, has been reissued as part of his Mosaic box set. Shaw, one of the top trumpeters of the late '60s and throughout the next decade, is heard with a sextet (either Joe Henderson or Carter Jefferson on tenor, pianist Onaje Allan Gumbs, bassist Clint Houston, and drummer Victor Lewis) on two numbers and with a "concert ensemble" (which reaches as many as 14 pieces) on the other four selections. Shaw is in top form throughout, particularly on "Rosewood," "Rahsaan's Run," and "Theme for Maxine." Rosewood was a consensus Jazz Album Of The Year in 1977. This modal music ranks with his best work, making the Mosaic box particularly essential. ~ Scott Yanow, Rovi

Previous:Rosewater Songs (2005 Album by Sarah Siddiqui)
Next:Rosewood (2010 Album by Rolf Jardemark)
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Rosewood

Theatrical release poster
Directed by John Singleton
Produced by Jon Peters
Written by Gregory Poirier
Starring Jon Voight
Ving Rhames
Don Cheadle
Bruce McGill
Loren Dean
Esther Rolle
Elise Neal
Michael Rooker
Music by John Williams
Cinematography Johnny E. Jensen
Editing by Bruce Cannon
Studio Peters Entertainment
New Deal Productions
Distributed by Warner Bros.
Release date(s)
  • February 21, 1997 (1997-02-21)
Running time 140 minutes
Country United States
Language English
Budget $30 million
Box office $13,130,349

Rosewood is a 1997 film directed by John Singleton. While based on historic events of the 1923 Rosewood massacre in Florida, the film introduces fictional characters and changes from historic accounts. It stars Ving Rhames as a man who travels to the town and becomes a witness. The supporting cast includes Don Cheadle as Sylvester, who also becomes a witness to the riot, and Jon Voight as a white store owner who lives in a village near Rosewood. The three characters become entangled in an attempt to save people from racist whites attacking the blacks of Rosewood.

Due to its scenes of violence, assault, and sex, and profuse use of racial slurs and curses, the film received an Motion Picture Association of America (MPAA) rating of R. It was favorably reviewed by many critics, more than any John Singleton film since Boyz n the Hood.[1] The film was not a commercial success and it was unable to recoup its $30 million budget at the box office. The film departs from what is known, especially in the portrayal of the number of fatalities. In another example of changes, the Ving Rhames' character fights a white mob with pistols; this did not happen. The siege of the Carrier house did take place.

The film was entered into the 47th Berlin International Film Festival.[2]

Contents

Plot

The movie of Rosewood relates the historical events of a January 1923 race riot in Rosewood, Florida, in which whites attacked blacks and burned the town down. A mentally unstable white woman, Fanny Taylor, claims to have been raped by a black man. Historical accounts note that this was never proven. The movie shows a white man, not Fanny’s husband, in her bedroom where they have sex. Shorty after he finishes, he prepares to go back to work. She gets upset and hits him inciting him to beat her. Some black workers outside heard the events but did nothing. When they told about it, their account of a white man beating Fanny was not believed. Singleton presents it as looking as if Fanny was covering up her cheating on her husband by blaming it on a black man. The white residents readily believe Fanny's account, demonstrating the power of racial stereotyping and fears. The black residents of Rosewood quickly become targeted by the white males of nearby Sumner and others who arrive for a fight, including members of the Ku Klux Klan. Mobs formed swiftly.

The movie features the fictional character of Mann, played by Ving Rhames is created. Mann is a WWI veteran who is traveling around in search of land. He meets and falls in love with a woman in Rosewood and has stayed there. After Fanny tells her story of rape, Mann leaves town. He is afraid of being lynched as a suspected stranger. He hears stories of the attacks and returns to the town to save the woman he loves, together with children she cares for.

After the whites started generally attacking and killing blacks, all of the blacks fled from Rosewood or were killed. First the women and children fled, followed by men who survived. People left their homes and land and all of their possessions behind to get away from the murderous white men that raided their town (D'Orso).

Some white men who lived in Rosewood helped black people escape from the mob. Railroad conductors smuggled people out of town on the rail cars that ran nearby. In the movie, Voigt as Wright asks the train conductors to pick up the women and children. Other blacks took refuge in white people’s homes, including Wright's. Racism was shown by the mob's avoiding Wright's house but burning down those of blacks. They did not bother with known white houses. Although it was dangerous for them to do, some white men like Wright protected blacks from death.

In the movie, the group believed Carrier held information about the escaped convict Hunter. Wright let the Sheriff take Carrier, because the officer said he only wanted to question him. When Carrier said he didn't have any information, he was shot immediately by one of the mob. Wright gets upset and the mob accuses him of being soft on blacks. The scene shows that most of the white men didn't agree with what was going on, but were too afraid to face the mob.

The movie portrayed towns near Sumner trying to prevent the violence from spreading. At one point the men of Sumner were following the trail of some men. But when they get to the border between their town and the next one over, white men stopped them. They protected their black citizens, saying they are law abiding and peaceful, and Singleton demonstrated that not everyone agreed with the riot.

As word spread to the federal government and national newspapers, the media splintered in its portrayal of events. Some portrayed the murder at Sylvester Carrier's as appropriate to stop the black men from arming. They relied on rumors and fear. Southern white newspapers explained mob's actions as the way to avenge the rape of Fanny and keep blacks in their place. The Afro-American newspapers encouraged blacks and praised them for staying behind to defend their homes and property. Officially the death toll was eight people total, two whites and six blacks. Other accounts by survivors and the Afro-American newspapers were of a higher toll. The movie portrayed the newspapers as contributing to the riot; men came from neighboring towns and even states to put down the riot.

At the end of the movie, a narrative states that some blacks and one white testified as witnesses in court in the a 1990s suit of survivors against the state for its failure to protect the people of Rosewood. (In the 1980s, newspaper reporters investigated and publicized the long-secret story.) This was followed by a state investigation and report. Florida was the first state to pay reparations to survivors and their descendants for a racial riot.

Cast

See also

References

  • D'Orso, Michael. Like Judgement Day: The Ruin and Redemption of a Town Called Rosewood. [S.l.]: Boulevard, 1996.
  • Henry, Charles P. Long Overdue: the Politics of Racial Reparations. New York: New York University Press, 2007.
  • Rosewood. Dir. John Singleton. Perf. Ving Rhames and Jon Voight. Warner Bros., 1997. DVD.

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