Roy Claxton Acuff was a crooning fiddle player from the mountains of Tennessee who became one of country music's biggest stars. Acuff, a gifted athlete, started out to be a baseball player before a bad case of sunstroke ended his career in the minor leagues. He began performing on the radio in 1933 with his backing band, the Tennessee Crackerjacks, and by 1936 they were making records and performing throughout the region. (Among their earliest recordings were two of their most popular tunes, "The Wabash Cannonball" and "The Great Speckled Bird.") Acuff and his band, later called the Smoky Mountain Boys, first performed at the Grand Ole Opry in 1938 and became one of its most popular acts, mixing in comedy skits with their performances of traditional country music. In the 1940s Acuff's popularity rivalled that of Frank Sinatra. Acuff topped the charts with "Wreck on the Highway," "Night Train to Memphis" and "The Precious Jewel," he toured the nation relentlessly and he appeared in several movies -- all while transforming the Grand Ole Opry into the world's standard for country music. In 1942 he teamed with songwriter Fred Rose to form Acuff-Rose Music Publishing, the hugely successful publisher of country songs (purchased by Sony in 2002 for at least $150 million). In 1962 he became the first living performer to be honored as a member of the Country Music Hall of Fame. In spite of changing styles in country music, Acuff stuck to traditional songs and appeared at the Grand Ole Opry regularly up through the 1980s.
Besides his distinctive "hillbilly" voice, Acuff's sound included a dobro (a Hawaiian guitar)... He was the (losing) Republican candidate for governor of Tennessee in the election of 1948.
Representative Albums: "The Essential Roy Acuff: 1936-1949," "Steamboat Whistle Blues," "Columbia Historic Edition"
Representative Songs: "Wabash Cannonball," "Great Speckled Bird," "Wreck on the Highway"
Biography
Roy Acuff was called the King of Country Music, and for more than 60 years he lived up to that title. If any performer embodied country music, it was Roy Acuff. Throughout his career, Acuff was a champion for traditional country values, enforcing his beliefs as a performer, a music publisher, and as the Grand Master of the Grand Ole Opry. Acuff was the first country music superstar after the death of Jimmie Rodgers, pioneering an influential vocal style that complemented the spare, simple songs he was performing. Generations of artists, from Hank Williams to George Jones, have been influenced by Acuff, and countless others have paid respect to him. At the time of his death in 1992, he was still actively involved in the Grand Ole Opry, and was as popular as ever.
Originally, Acuff didn't plan to be a singer. Born in the small town of Maynardville, TN, in 1903, Acuff sang in the church choir as a schoolboy, but he was more interested in sports, particularly baseball. Not only was he attracted to the sport, he had a wild streak -- after his family moved to Knoxville, he was frequently arrested for fighting. Acuff continued to concentrate on playing ball, eventually becoming strong enough to earn a tryout for the major leagues. However, that tryout never took place. Before he had a chance to play, he was struck by a severe sunstroke while he was on a fishing trip; after the sunstroke, Acuff suffered a nervous breakdown. While he was recovering, he decided that a career in baseball was no longer possible, so he decided to become an entertainer. He began to learn the fiddle and became an apprentice of Doc Hauer, a local medicine show man.
While traveling with the medicine show, Acuff learned how to be a performer -- he learned how to sing, how to imitate, how to entertain, how to put on a show. Soon, Acuff joined the Tennessee Crackerjacks, who had a regular slot on Knoxville radio station WROL. Although he was performing frequently, he wasn't making any significant headway, failing to become a star in Tennessee. One song changed that situation -- "The Great Speckled Bird," an old gospel tune that had become popular with the Church of God sect. After another radio entertainer wrote the words out to the song, Acuff began performing it in his shows. Quickly, he became popular throughout the eastern part of Tennessee and was asked to record the song by ARC, a record label with national distribution. Acuff headed north to Chicago for a recording session, which resulted in 20 different songs. In addition to "The Great Speckled Bird," he recorded "Steamboat Whistle Blues" and "The Wabash Cannonball," another Tennessee standard that featured the singer imitating the sound of a train whistle; he also made a handful of risqué numbers during these sessions, which were released under the name the Bang Boys.
In 1938, the Grand Ole Opry invited Acuff to audition for the show. During the show, he sang "The Great Speckled Bird" and became an instant hit, prompting the Opry to hire him full-time. Before he was given his regular slot, the Opry insisted that he change the name of his band to the Smoky Mountain Boys. The following year, Acuff reassembled his band, with the most notable addition being Bashful Brother Oswald (Pete Kirby), a dobro player who sang high harmonies.
Roy Acuff became a national superstar during the '40s, scoring a long string of hit records, which included the classics "The Wreck on the Highway," "The Precious Jewel," and "Beneath That Lonely Mound of Clay," among many others. During this time, he discovered that there was a potential gold mine in music publishing. Acuff had printed his own songbook, which sold a staggering 100,000 copies. Publishers in New York tried to acquire the rights to his songs, but the success of the songbook convinced Acuff to hold on to the songs and seek out the help of Fred Rose, a professional songwriter and pianist working in Chicago. The pair founded Acuff-Rose Publications in October 1942, using Acuff's songs as its base; Rose also added his songs, including "Faded Love," "Deep Water," and "Blue Eyes Crying in the Rain." Acuff-Rose was an immediate success, and over the next two decades many of the most popular songs and songwriters were the property of the company, including the songs of Hank Williams, the Louvin Brothers, Don Gibson, Roy Orbison, the Everly Brothers, John D. Loudermilk, Boudleaux & Felice Bryant, and Redd Stewart & Pee Wee King's "Tennessee Waltz."
In the late '40s, Acuff continued to rule the country charts, as well as scoring a number of pop crossovers ("The Prodigal Son," "I'll Forgive You, But I Can't Forget"). For most of the '50s, he concentrated on touring -- he didn't have a single charting record between 1947 and 1958, returning with the Top Ten hit "Once More," as well as two other Top 20 singles, "So Many Times" and "Come and Knock." In 1962, he became the first living performer to be inducted to the Country Music Hall of Fame. The '60s yielded some hits, yet he continued to concentrate on touring; by the end of the decade, he decided to leave the road, staying at the Grand Ole Opry.
The beginning of the '80s was a difficult period for Acuff, as he experienced the death of his wife and several longtime bandmembers, including pianist Jimmie Riddle and fiddler Howdy Forrester. In 1987, he released his final charting record, an inspirational duet with Charlie Louvin called "The Precious Jewel."
As his health began to decline in the late '80s, Acuff built a house near the Opry so he could greet friends and fans. He passed away in 1992, leaving behind a legacy that isn't limited to his music. Through his records, his performances, and Acuff-Rose, Roy Acuff has had an enormous effect on shaping the role of country music in the 20th century; it is hard to imagine the music without him. ~ Stephen Thomas Erlewine, All Music Guide
(born Sept. 15, 1903, Maynardsville, Tenn., U.S. — died Nov. 23, 1992, Nashville, Tenn.) U.S. singer, songwriter, and fiddler. He turned to music after an aborted baseball career and gained immediate popularity with his recordings of "The Great Speckled Bird" and "The Wabash Cannonball." Reasserting the mournful musical traditions of Southeastern rural whites, he became a national radio star on the "Grand Ole Opry" broadcasts. In 1942 he and songwriter Fred Rose founded Acuff-Rose Publishing, the first publishing house exclusively for country music. In 1962 Acuff was elected the first living member of the Country Music Hall of Fame.
Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an Americancountry music singer, fiddler, and promoter. Known as the "King of Country Music," Acuff is often credited with moving the genre from its early string band and "hoedown" format to the star singer-based format that helped make it internationally successful. Acuff began his music career in the 1930s, and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff co-founded the first major Nashville-based country music publishing company— Acuff-Rose Music— which signed acts such as Hank Williams, Roy Orbison, and The Everly Brothers. In 1962, Acuff became the first living person to be inducted into the Country Music Hall of Fame.[2]
THC marker along Maynardville Highway (TN-33) in Maynardville, Tennessee, near where Acuff was born
Roy Acuff was born in Maynardville, Tennessee to Ida Carr and Simon E. Neill Acuff[3], the third of five children. The Acuffs were a fairly prominent Union County family. Roy's paternal grandfather, Coram Acuff, had been a Tennessee state senator, and Roy's maternal grandfather was a local physician. Roy's father was an accomplished fiddler and a Baptist preacher, his mother was proficient on the piano, and during Roy's early years the Acuff house was a popular place for local gatherings. At such gatherings, Roy would often amuse people by balancing farm tools on his chin. He also learned to play harmonica and Jew's harp at a young age.[4][5]
The Acuff family relocated to Fountain City, a suburb of North Knoxville, in 1919.[4] Roy attended Central High School, where he sang in the school chapel's choir and performed in "every play they had."[6] Roy's primary passion, however, was athletics. He was a three-sport standout at Central, and after graduating in 1925, he was offered a scholarship to Carson-Newman, but turned it down. He played with several small baseball clubs around Knoxville, worked at odd jobs, and occasionally boxed.[2] In 1929, he tried out for the Knoxville Smokies, at that time a minor league baseball team for the New York Giants (now the San Francisco Giants).[6][5] A series of collapses in spring training following a sunstroke, however, ended his baseball career prematurely. The effects left him ill for several years, and he even suffered a nervous breakdown in 1930.[4] "I couldn't stand any sunshine at all," he later recalled.[6] While recovering, Acuff began to hone his fiddle skills, often playing on the family's front porch in late afternoons after the sun went down. His father gave him several records of regionally-renowned fiddlers, such as Fiddlin' John Carson and Gid Tanner, which were important influences on his early style.[6]
Early music career
In 1932, Dr. Hauer's medicine show— which toured the Southern Appalachian region— hired Acuff as one of its entertainers.[4] The purpose of the entertainers was to draw a large crowd to whom Hauer could sell medicines (of suspect quality) for various ailments.[5] While on the medicine show circuit, Acuff met legendary Appalachian banjoist Clarence Ashley, from whom he learned "House of the Rising Sun" and "Greenback Dollar," both of which Acuff later recorded.[7] As the medicine show lacked microphones, Acuff learned to sing loud enough to be heard above the din, a skill that would later help him stand out on early radio broadcasts.[5]
In 1934, Acuff left the medicine show circuit and began playing at local shows with various musicians in the Knoxville area. That year, guitarist Jess Easterday and Hawaiian guitarist Clell Summey joined Acuff to form the "Tennessee Crackerjacks", which performed regularly on Knoxville radio stations WROL and WNOX (the band moved back and forth between stations as Acuff bickered with their managers over pay).[4] Within a year, the group had added bassist Red Jones and had changed its name to the "Crazy Tennesseans" after being introduced as such by WROL announcer Alan Stout.[6] Fans often remarked to Acuff how "clear" his voice was coming through over the radio, important in an era when singers were often drowned out by string band cacophony.[5] The popularity of Acuff's rendering of the song Great Speckled Bird helped the group land a contract with the American Record Corporation, for whom they recorded several dozen tracks (including the band's most well-known track, Wabash Cannonball) in 1936 and 1937 before leaving over a contract dispute.[5]
The Grand Ole Opry
In 1938, the Crazy Tennesseans moved to Nashville to audition for the Grand Ole Opry. Although their first audition went poorly, the band's second audition impressed Opry founder George D. Hay and producer Harry Stone, and they offered the group a contract later that year. On Hay and Stone's suggestion, Acuff changed the group's name to the "Smoky Mountain Boys", referring to the mountains near where Acuff and his bandmates grew up.[5] Shortly after the band joined the Opry, Clell Summey left the group, and was replaced by dobro player Beecher Kirby— best known by his stage name Bashful Brother Oswald— whom Acuff had met in a Knoxville bakery earlier that year.[5] Acuff's powerful lead vocals and Kirby's dobro playing and high-pitched backing vocals gave the band its distinctive sound. By 1940, Jess Easterday had switched to bass to replace Red Jones, and Acuff had added guitarist Lonnie "Pap" Wilson and banjoist Rachel Veach to fill out the band's line-up. Within a year, Roy Acuff and the Smoky Mountain Boys rivaled long-time Opry banjoist Uncle Dave Macon as the troupe's most popular act.[5]
In spring 1940, Acuff and his band traveled to Hollywood, where they appeared with Hay and Macon in the motion picture, Grand Ole Opry. Acuff appeared in several subsequent B-movies, including O, My Darling Clementine (1943) in which Acuff plays a singing sheriff and Night Train to Memphis (1946), the title of which comes from a song Acuff recorded in 1940. Acuff and his band also joined Macon and other Opry acts at various tent shows held throughout the southeast in the early 1940s. The crowds at these shows were so large that roads leading into the venues were jammed with traffic for miles.[5] Starting in 1939, Acuff hosted the Opry's "Prince Albert" segment, but left the show in 1946 after a dispute with management.[1]
In 1942, Acuff and songwriter Fred Rose (1897-1954) formed Acuff-Rose Music. Acuff originally sought the company in order to publish his own music, but soon realized there was a high demand from other country artists, many of whom had been exploited by larger publishing firms.[8] Due in large part to Rose's ASCAP connections and gifted ability as a talent scout, Acuff-Rose quickly became the most important publishing company in country music. In 1946, the label signed Hank Williams, and in 1950 published their first major hit, Patti Page's rendition of Tennessee Waltz.[9]
Politics
In 1943, Acuff invited Tennessee Governor Prentice Cooper to be the guest of honor at a gala held to mark the nationwide premier of the Opry's Prince Albert show. Cooper rejected the offer, however, and lambasted Acuff and his "disgraceful" music for making Tennessee the "hillbilly capital of the United States."[8] A Nashville journalist reported the governor's comments to Acuff, and suggested Acuff run for governor himself. While Acuff initially didn't take the suggestion seriously, he did accept the Republican Party nomination for governor in 1948.[5][8]
Acuff's nomination caused great concern for E.H. Crump, the head of a MemphisDemocratic Party political machine that had dominated Tennessee state politics for nearly a quarter-century. Crump was not worried so much about losing the governor's office— in spite of Acuff's name recognition— but did worry that Acuff would draw large crowds to Republican rallies and bolster other statewide candidates. While Acuff did relatively well and helped reinvigorate Tennessee's Republicans, his opponent, Gordon Browning, still won with 67% of the vote.[10][11]
Later career
After leaving the Opry, Acuff spent several years touring the Western United States, although demand for his appearances dwindled with the lack of national exposure and the rise of musicians such as Ernest Tubb and Eddy Arnold, who were more popular with younger audiences.[2] He eventually returned to the Opry, although by the 1960s, his sales had dropped off considerably. After nearly losing his life in an automobile accident outside of Sparta, Tennessee in 1965, Acuff pondered retiring, making only token appearances on the Opry stage and similar shows,[5] and occasionally performing duos with long-time bandmate Bashful Brother Oswald.
In 1972, Acuff's career received a brief resurgence in the folk revival movement after he appeared on the Nitty Gritty Dirt Band album, Will the Circle Be Unbroken.[11] The appearance paved the way for one of the defining moments of Acuff's career, which came on the night of March 16, 1974, when the Opry officially moved from the Ryman Auditorium to the Grand Ole Opry House at Opryland. The first show at the new venue opened with a massive projection of a late-1930s image of Roy Acuff and the Smoky Mountain Boys onto a large screen above the stage. A recording from one of the band's 1939 appearances was played over the sound system, with the iconic voice of George Hay introducing the band, followed by the band's performance of "Wabash Cannonball." That same night, Acuff showed President Richard Nixon (who was in attendance) how to yo-yo, and convinced the president to play several songs on the piano.[5]
In the 1980s, after the death of his wife, Mildred, Acuff moved into a house on the Opryland grounds, and continued performing. In 1991, he was given a lifetime achievement award by the John F. Kennedy Center for the Performing Arts. He died in Nashville on November 23, 1992.[1]
Repertoire and legacy
Many of Acuff's songs show a strong religious influence, most notably "Great Speckled Bird", "The Prodigal Son", and "Lord Build Me a Cabin". Such songs were typically set to a traditional Anglo-Celtic melody, which is most apparent on "Great Speckled Bird" and the 1940 recording "The Precious Jewel". Acuff also liked to perform popular songs of the day, including Pee Wee King's Tennessee Waltz and Dorsey Dixon's "Wreck on the Highway", and even recorded a version of Cajun fiddler Harry Choates' "Jole Blon". Traditional recordings included "Greenback Dollar", which he probably learned from Clarence Ashley while on the medicine show circuit, and "Lonesome Old River Blues", which he recorded with the Smoky Mountain Boys in the 1940s. Acuff and the Crazy Tennesseans recorded Wabash Cannonball— another traditional song— in 1936, although Acuff didn't provide the vocals on this early recording. The better-known version of the song with Acuff providing the vocals was recorded in 1947.[8]
In 1979, Opryland opened the Roy Acuff Theatre, which was dedicated in Acuff's honor. Dunbar Cave State Park was established in 1973 largely around a recreational area the state had purchased from Acuff.[12] Two museums have been named in Acuff's honor— the Roy Acuff Museum at Opryland and the Roy Acuff Union Museum and Library in his hometown of Maynardville. Acuff has a star on the Hollywood Walk of Fame located at 1541 Vine Street.
