Roy Budd

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Biography

British film music composer Roy Budd was born in London on March 14, 1947; a child prodigy, he taught himself to play piano by ear, later mastering the Wurlitzer organ as well. Making his London Coliseum debut at the age of six, by 12 Budd was regularly appearing on television, also performing for the royal family at the London Palladium; as a teen he formed a jazz trio with bassist Pete Morgan and drummer Chris Karan, quitting school at 16 to play professionally. While in residence at the London club the Bull's Head, Budd was befriended by composer Jack Fishman, who helped him land a record contract with Pye Records; his debut single, 1965's "Birth of the Budd," was followed two years later by the full-length Pick Yourself Up!! This Is Roy Budd. In the wake of 1968's Roy Budd at Newport, he made his first foray into film composition with his soundtrack to 1970's Soldier Blue; later that same year, Budd completed arguably his most celebrated score, for Mike Hodges' cult favorite Get Carter. He remained one of the busiest composers in British film throughout the decade, scoring well over two dozen pictures including 1971's Kidnapped, 1973's The Stone Killer and 1978's The Wild Geese; Budd also continued making solo recordings, in 1976 issuing Everything's Coming Up Roses: The Musical World of Stephen Sondheim. The hectic pace clearly took its toll, however, and shortly after completing a new symphonic score for the 1925 silent adaptation of The Phantom of the Opera, Budd died suddenly on August 7, 1993 at the age of just 46. ~ Jason Ankeny, Rovi

Roy Frederick Budd (14 March 1947 – 7 August 1993), was a British jazz musician and composer, known for his film scores.

Born in South Norwood in Grange Road, Surrey, Budd became interested in music from an early age and had built up a vast musical repertoire by the age of eight. On leaving school at the age of sixteen, he embarked on a professional career as a jazz pianist and formed The Roy Budd Trio, with bassist Pete Morgan and drummer Chris Karan.

He composed his first film score in 1970 and became a prolific composer of films during the seventies and eighties writing the scores for over fifty films. Get Carter and The Wild Geese are among some of his best known scores.

Contents

Early Life

Budd was two when he began to play the piano, initially by ear and then by copying various melodies he heard by listening to the radio. When he was six, two Austrian music experts visited him at home and after various tests, found that he was pitch perfect. In 1953, he made his public concert debut at the London Coliseum. By the age of eight, he could play the Wurlitzer organ and four years later was appearing on television at The London Palladium.

In 1957, he featured on the Carroll Levis show on radio. He sang some Jerry Lee Lewis songs when he was eleven years old with his brother Peter and a friend at the Sutton Granada under the name "The Blue Devils." He formed the "Roy Budd Trio" with bassist the late Peter McGurk and his cousin drummer Trevor Tomkins before leaving school and embarking on a career as a jazz pianist. Roy later reformed the trio with Tony Archer or the late Jeff Clyne on bass and Chris Karan on drums. Clyne was later replaced by Pete Morgan, creating a line-up that was maintained until his death.

His first recording was "Birth of the Budd," a single recording. His first recorded LP was Pick Yourself Up in early 1965, with Peter McGurk on bass with the orchestra and Dave Holland on bass with the trio and Chris Karan on drums and Tony Hatch, Johnny Harris and Roy Budd as arrangers. Around that same time, he also recorded an album named simply Roy Budd featuring Ian Carr on trumpet; Dick Morrissey on tenor sax; Trevor Tomkins on drums; and with fellow pianist Harry South doing the arrangements.

He won a UK jazz poll in the category of best pianist for five years running and simultaneously became the resident pianist at the Bull's Head, Barnes, London, where he met up with songwriter Jack Fishman. Fishman secured him a three-year recording contract with MCA and although the company dropped him after only a year, Fishman convinced the managing director that Budd would become an internationally renowned writer of film music.

Film career

In 1967, he provided the theme tune for the Granada TV series Mr Rose, starring William Mervyn. In 1970, Budd made his film score début for director Ralph Nelson. Nelson was looking for an English composer for his controversial film, American western Soldier Blue. Budd recorded a tape consisting of his own interpretation of music by composers Jerry Goldsmith, John Williams, Max Steiner, Dimitri Tiomkin and Lalo Schifrin. Soldier Blue was filmed mainly in Mexico and was based, to a large degree, on a battle which took place at Sand Creek in 1864, when hundreds of Cheyenne Indians were brutally killed. Despite being intended as an 'anti-violence' Western, the film was heavily criticised for its violence. Apart from the main theme, which he based on Buffy Sainte-Marie's hit song of the same title, he composed all the music required for the film and conducted the Royal Philharmonic Orchestra, who Nelson commissioned at the start of the film's production.

In 1971, he composed the music for the film Get Carter. Written and directed by Mike Hodges, Get Carter starred Michael Caine, John Osborne and Ian Hendry. The film's budget reputedly allowed only 450 pounds for the score, but he overcame this restriction by using only three musicians, including himself playing electric piano and harpsichord simultaneously. He later worked for the producer Euan Lloyd on films, including Paper Tiger, The Wild Geese, The Sea Wolves and Who Dares Wins. He also provided the soundtrack to the 1971 film version of Kidnapped.

He was then asked by Ralph Nelson to compose the music to Flight of the Doves, starring Ron Moody, Jack Wilde and Stanley Holloway. The music to the film was sung by Dana. In 1973, Budd recorded the score to Fear Is the Key, which was based on the Alistair MacLean novel. It was directed by Michael Tuchner and starred Suzy Kendall, Barry Newman, John Vernon, Ben Kingsley and Ray McAnally. Whilst recording the score, Budd was influenced by Ronnie Scott, Tubby Hayes and Kenny Baker, thus giving the music a jazz-sounding theme. Scott played the saxophone for the car chase sequence, which took place alongside the Mississippi River. According to Tuchner, "the sequence needed to be recorded in a continuous ten-minute plus take, whilst hitting split-second action cues so as to blend perfectly with the chase sound effects. Budd and his orchestra achieved this in just two takes".

Later Life

His film work in the eighties included the scores for Mama Dracula (1980) and Field of Honor (1986). Returning to his first love, he played regular jazz shows at 'Duke's Bar' in Marylebone, London, partnering with veteran harmonica player, Larry Adler. He also arranged for and accompanied such artists as Bob Hope, Tony Bennett, and Charles Aznavour.

Budd recorded two CD's of film music with the London Symphony Orchestra. The first contained a mixture of big hits such as "Star Wars Trilogy", "Superman", "E.T.", "Raiders of the Lost Ark", "Star Trek: the Full Suite", "Alien", "Dr. Who", "Sinbad" and "Eye of the Tiger". This was recorded at the end of May and beginning of June of 1984 at the CTS Studio, Wembley. In 1985, the London Symphony Orchestra made a full-length recording of the music from The Wild Geese, again at CTS Studio. Budd's other solo albums include Live at Newport, Everything Is Coming Up Roses and Have a Jazzy Christmas.

Budd's last work was a new symphonic score for the 1925 silent film The Phantom of the Opera. The score was over 80 minutes long.

Personal life

In 1972, as his career was peaking, he married the actress and singer Caterina Valente, but they divorced seven years later in 1979. He had a son from the relationship named Alexander. He remarried in the 1980s to Sylvia and they remained together until his death. Budd died of a brain haemorrhage at the age of 46 on 7 August 1993. His brother, Peter C. Budd, lives and works as a musician in Chicago.

Selected filmography

References

External links


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Mentioned in

Get Carter (1971 Album by Roy Budd/Original Soundtrack)
Get Carter [Remastered] (2002 Album by Roy Budd)
Great Songs & Themes from Great Films (2002 Album by Roy Budd)
Rebirth of the Budd (1997 Album by Roy Budd)
The Sound Spectrum (1996 Album by Various Artists)