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Roy Budd

 
Artist: Roy Budd

Similar Artists:

  • Born: March 14, 1947
  • Died: August 07, 1993
  • Active: '60s, '70s, '80s, '90s
  • Genres: Soundtrack
  • Instrument: Piano, Arranger, Keyboards
  • Representative Albums: "Rebirth of the Budd," "Tomorrow Never Comes," "Something to Hide/Internecine Project/Foxbat"

Biography

British film music composer Roy Budd was born in London on March 14, 1947; a child prodigy, he taught himself to play piano by ear, later mastering the Wurlitzer organ as well. Making his London Coliseum debut at the age of six, by 12 Budd was regularly appearing on television, also performing for the royal family at the London Palladium; as a teen he formed a jazz trio with bassist Pete Morgan and drummer Chris Karan, quitting school at 16 to play professionally. While in residence at the London club the Bull's Head, Budd was befriended by composer Jack Fishman, who helped him land a record contract with Pye Records; his debut single, 1965's "Birth of the Budd," was followed two years later by the full-length Pick Yourself Up!! This Is Roy Budd. In the wake of 1968's Roy Budd at Newport, he made his first foray into film composition with his soundtrack to 1970's Soldier Blue; later that same year, Budd completed arguably his most celebrated score, for Mike Hodges' cult favorite Get Carter. He remained one of the busiest composers in British film throughout the decade, scoring well over two dozen pictures including 1971's Kidnapped, 1973's The Stone Killer and 1978's The Wild Geese; Budd also continued making solo recordings, in 1976 issuing Everything's Coming Up Roses: The Musical World of Stephen Sondheim. The hectic pace clearly took its toll, however, and shortly after completing a new symphonic score for the 1925 silent adaptation of The Phantom of the Opera, Budd died suddenly on August 7, 1993 at the age of just 46. ~ Jason Ankeny, All Music Guide
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Roy Frederick Budd (14 March 1947, South Norwood, London7 August 1993, London) was a British jazz musician and film composer.

Although some biographies say Budd started playing aged four, he was two and a half years old when he started picking out tunes on the piano the morning after a Christmas party (verified by Roy's brother). When he was six, two German professors visited him in South Norwood, and after various tests, found that he had perfect pitch. That year, he made his public concert debut at the London Coliseum.

At eight years old he already had a vast musical repertoire. He was featured on the Carroll Levis show on radio when he was only ten. He even sang some Jerry Lee Lewis songs when he was eleven years old with his brother Peter and brother's friend Geoffrey at the Sutton Granada under the name "The Blue Devils." (verified by Roy's brother). He formed the "Roy Budd Trio" with bassist Peter McGurk and his cousin drummer Trevor Tomkins before leaving school and embarking on a career as a jazz pianist. Roy later reformed the trio with Tony Archer or Jeff Clyne (bass) and Chris Karan (drums). Clyne was later replaced by Pete Morgan, a line-up that existed until his death.

His first recording was "Birth of the Budd" a single recording. His first recorded LP was Pick Yourself Up in early 1965 with Peter McGurk on bass with the orchestra and Dave Holland on bass with the trio and Chris Karan on drums and Tony Hatch, Johnny Harris and Roy Budd as arrangers. Around that same time, he also recorded an album named simply Roy Budd featuring Ian Carr on trumpet; Dick Morrissey on tenor sax; Trevor Tomkins on drums; and with fellow pianist Harry South doing the arrangements.

Other solo albums include Live at Newport, Everything Is Coming Up Roses and Have a Jazzy Christmas.

In 1967 he provided the jaunty, jazzy theme tune for the Granada TV series Mr Rose (starring William Mervyn as an eccentric retired police chief), but his first score for the big screen was for the American western Soldier Blue in 1970 (though most of his other film work was on British productions). His best known score is probably for the 1971 Michael Caine film Get Carter, which marked the first notable use of his hallmark method of using the film's sound effects (in this case, Caine's train journey from London to Newcastle) to complement the music. He later worked on a number of films for the producer Euan Lloyd, including Paper Tiger, The Wild Geese, The Sea Wolves and Who Dares Wins. Another was the Kidnapped 1971 soundtrack.

He recorded two CD's of film music with the London Symphony Orchestra. The first contained a mixture of big hits such as Star Wars Trilogy, Superman, E.T., Raiders of the Lost Ark, Star Trek : the full suite, Alien, Dr.Who and Sinbad and the Eye of the Tiger. This was recorded at the end of May and beginning of June 1984 at the CTS Studio, Wembley. A full length recording was made in 1985 of the film music from Wild Geese, a Roy Budd score, by the London Symphony Orchestra again at CTS Studio.

His last work was a new symphonic score for the 1925 silent film The Phantom of the Opera. The score was over 80 minutes long.

In 1972, as his career was peaking, he married actress/singer and divorceé Caterina Valente; they divorced just seven years later.

He also played at the Pizza-in-The Park for a grueling 24 hours non stop jazz playing session to raise funds for an anti-drug program that Roy sponsored.

He died at age 46 in 1993, due to a brain haemorrhage. His only surviving brother Peter C. Budd lives and works as a musician in Chicago.

Selected filmography

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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